"Wagon Train" The Wagon Train Mutiny (TV Episode 1962) Poster

(TV Series)

(1962)

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7/10
Dan Duryea speaks treason
bkoganbing18 September 2013
As you can tell by the title this Wagon Train episode is concerned with a mutiny that John McIntire is facing because of a decision he made regarding some Comanchero raiders. Denny Miller comes across a previous Wagon Train that has been wiped out, but one wounded Comanchero was left behind, a young kid played by Jose DeVega. He tells McIntire that he was abducted in a raid on his village and has played along to survive. He also says that the band that did the raid on the previous and much smaller Wagon Train was only part of the group.

McIntire makes a decision to launch a first strike against the camp. It does not go down well with the members of the Wagon Train. Even Terry Wilson questions the wisdom as he doesn't trust Comancheros on general principle. Wilson goes along though, but Dan Duryea stirs up trouble after that raid nets a few casualties including Jane Wyman's young son.

Wyman gives a gut wrenching performance as a grieving mother who is caught between anger, revenge, and grief. They all register at the same time with her. Duryea is his usual nasty self.

These two Hollywood icons are enough reason to see this Wagon Train story.
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9/10
High drama story of living among savagery
drystyx6 July 2021
This is one of the landmark episodes, and you'll know it very quickly.

Our wagon train leader finds that a large and dangerous band of Comancheros had been successful at massacres against fairly large wagon trains.

There are so many, in fact, that they split into two or more groups. How many in each group? How many groups? How are the led and organized? Many questions.

A young man, perhaps a mature 13 or a normal 16, is found wounded, near dead, and he was with the band of Comancheros, but left behind to die.

He doesn't give a pity party story, but instead a story of slavery into the band that he wants to leave.

The wagon master (we're in the John McIntire period here) has doubts, but doesn't think he can afford to toss out the boy's story of how the Comancheros plan to attack.

The scouts, of course, want no part of the boy. Bill, in particular, thinks there is no possibility that the boy is anything but another human monster. He says this from personal experience.

But it's a matter of life and death, and that means it's a matter of whether to believe the young man more than whether to forgive him his part in the earlier massacre.

It's always great to see Duryea, and here he's a semi antagonist on the train, ready to mutiny, and although he agrees with Bill, Bill will have no part of the mutiny.

Lots of stories among the other characters, and some make the ultimate sacrifice in an upcoming battle against the Comancheros.

The twists and turns are not totally unexpected. In fact, their very drama and theater are what would be expected.

This episode depicts a very harsh world of savagery in a savage land, and the way civilized men try to deal with it.
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Too young to die
jarrodmcdonald-117 February 2018
Warning: Spoilers
It's a bit surprising this episode wasn't produced later in the 1960s, at the height of the Vietnam conflict. The characters debate involvement in war; and what it means to serve even if a person doesn't believe in the fighting that may be required. A great thing about this story is how the debate generates conflicts not only among the families on the wagon train, but among Chris Hale (John McIntire) and his men, especially with Bill Hawks (Terry Wilson).

After Comancheros kill a nearby group of settlers, Chris must declare war on them. This is because he's told by a surviving teenaged boy from the raid, who had been among the Comancheros, that his friends will be back with reinforcements to take out Chris' group. At first, everyone is reluctant to believe Renaldo the renegade youth, but Chris realizes the kid is right, and swift action must be taken to defend everyone's lives. Chris soon declares a state of war and orders men between the ages of 18 and 40 to mobilize for battle.

The next sequence takes place with Chris and the men going off to fight. Their battle occurs off screen and the drama remains focused on the women and older men left back at the camp. One woman named Hannah Barber (Jane Wyman) hears shots across the range and experiences a psychic feeling her son has just been killed. He had only turned 18 a few weeks earlier. When Chris returns from battle he confirms the death of Hannah's son as well as two other casualties. He then collapses from a gunshot wound he had sustained. McIntire's acting is superb in this scene, and in many other scenes during the episode. He brings just the right amount of gravitas to the situation.

After some more fighting, the wagon train seems to have been victorious, but Renaldo warns them that more Comancheros could show up in three days. So they play a waiting game, and during this time Wyman's character continues to be distraught. At the same time there's a man named Amos (Dan Duryea) who organizes a mutiny against Chris Hale. To say things get a bit more complicated is an understatement. It's a powerful episode that makes the viewer think about how a leader must gain support in times of crisis. The performances are all top-notch. It was like the whole cast believed in the material, which makes this episode stand out even more.
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10/10
War is hell....
qman-8763528 January 2021
How they packed this much of a story into a one hour episode is beyond me, incredible pacing , content, acting chops. Yes, some wagon train episodes are poor, but do not judge the book by its cover. This episode in particular is a must see, especially if you know the characters well. The divide between Hawks, Hale, and the rest is huge. There are the vocal few who squawk "selfishly", and there are the others who "serve their country." An absolutely brilliant allegory for any war time period.
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