After last week’s triple unmasking, “The Masked Singer” took a break from the competition on Wednesday for its first-ever holiday sing-a-long. The hour-long special featured unmasked celebrity performances (including Tori Kelly), as well as appearances by the Final 3: Sun, Crocodile and Mushroom. Did any of the new animated clues tip off the panelists to their true identities? Of course, no one was eliminated tonight, but we’ll all find out who’s hiding behind the finalists’ masks on finale night, December 16.
See Coronavirus controversy: Why isn’t ‘The Masked Singer’ live audience wearing masks for health reasons?
Below, read our minute-by-minute “The Masked Singer” recap of Season 4, Episode 11, titled “The Holiday Sing-a-Long,” to find out what happened Wednesday, December 9 at 8:00 p.m. Et/Pt. Then be sure to sound off in the comments section about your favorite costumed characters on Fox’s reality TV show, reflect...
See Coronavirus controversy: Why isn’t ‘The Masked Singer’ live audience wearing masks for health reasons?
Below, read our minute-by-minute “The Masked Singer” recap of Season 4, Episode 11, titled “The Holiday Sing-a-Long,” to find out what happened Wednesday, December 9 at 8:00 p.m. Et/Pt. Then be sure to sound off in the comments section about your favorite costumed characters on Fox’s reality TV show, reflect...
- 12/10/2020
- by Denton Davidson and Marcus James Dixon
- Gold Derby
Spoiler Alert: Do not read ahead if you have not watched Season 4, Episode 12 of “The Masked Singer,” which aired Dec. 9 on Fox.
The unmaskings took a week off, as Wednesday’s episode of Fox’s “The Masked Singer” was instead a special one-hour holiday-themed sing-a-long edition.
The competition returns next week with the Season 4 finale and the presentation of the Golden Mask trophy. But for now, viewers were treated to some of the most memorable performances from this fall — along with lyrics and a bouncing mask, for fans to sing along.
Besides reprises of performances from earlier in the season, the episode also featured new, holiday-themed songs from the show’s three finalists: Sun, Crocodile and Mushroom.
Sun performed “Rockin’ Around the Christmas Tree,” while Crocodile sang “Silent Night” and Mushroom did “The Christmas Song.”
Panelists, Jenny McCarthy Wahlberg, Nicole Scherzinger, Robin Thicke and Ken Jeong also got a week off from the guessing game.
The unmaskings took a week off, as Wednesday’s episode of Fox’s “The Masked Singer” was instead a special one-hour holiday-themed sing-a-long edition.
The competition returns next week with the Season 4 finale and the presentation of the Golden Mask trophy. But for now, viewers were treated to some of the most memorable performances from this fall — along with lyrics and a bouncing mask, for fans to sing along.
Besides reprises of performances from earlier in the season, the episode also featured new, holiday-themed songs from the show’s three finalists: Sun, Crocodile and Mushroom.
Sun performed “Rockin’ Around the Christmas Tree,” while Crocodile sang “Silent Night” and Mushroom did “The Christmas Song.”
Panelists, Jenny McCarthy Wahlberg, Nicole Scherzinger, Robin Thicke and Ken Jeong also got a week off from the guessing game.
- 12/10/2020
- by Michael Schneider
- Variety Film + TV
Zoe will be the centrepiece gala Photo: John Guleserian The Tribeca Film Festival has announced its feature film line-up, which includes 96 films. The festival, which earlier announced it will open with documentary Love, Gilda, on April 18 will close on April 29 with The Fourth Estate - the first episode of Liz Garbus' documentary following The New York Times' coverage of President Trump's first year in power.
The Centerpiece Gala will be one of the 74 world premieres featuring across the programme - Drake Doremus’ sci-fi romance Zoe, which stars Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. British filmmakers in the competition line-up including Karen Gillan - whose The Party's Just Beginning recently had its world premiere in Glasgow - and Jamie Jones' Obey, which is set during the 2011 London riots. The spotlight also features motherhood satire Egg, by British director Marianna Palka and drama Jellyfish, directed by fellow Brit James Gardner.
The Centerpiece Gala will be one of the 74 world premieres featuring across the programme - Drake Doremus’ sci-fi romance Zoe, which stars Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. British filmmakers in the competition line-up including Karen Gillan - whose The Party's Just Beginning recently had its world premiere in Glasgow - and Jamie Jones' Obey, which is set during the 2011 London riots. The spotlight also features motherhood satire Egg, by British director Marianna Palka and drama Jellyfish, directed by fellow Brit James Gardner.
- 3/8/2018
- by Amber Wilkinson
- eyeforfilm.co.uk
- Critic’s Week is a smaller-in-scope, parallel event that might come across as Cannes' least desirable, but the fact is: this is a sidebar that manages to offer some solid debut and second time efforts. Last year, the Espace Miramar (a serious walk from the traffic jams of the festival core) was overwhelmed by salivating fans awaiting the solo screening for Gael Garcia Bernal debut film Déficit, but the section also offered international festival favorites in Etgar Keret and Shira Geffen’s Jellyfish (Meduzot) and Lucia Puenzo Xxy and special screenings for Juan Antonio Bayona’s horror mystery The Orphanage and French filmmaker pairing Julien Maury and Alexandre Bustillo’s bone chilling horror film Inside (À l'intérieur). Now in their 47th edition, this year’s slate of ten films (5 out of 7 in competition titles are first time efforts and have the added chance at grabbing the camera d’or
- 4/24/2008
- IONCINEMA.com
BUENOS AIRES -- The winners of the inaugural Festival Internacional San Luis Cine were announced during the weekend in the provincial Argentine capital.
The Israeli film Jellyfish (Meduzot) won the top prize in the features category Saturday, taking home the Golden Puntano and $50,000. The film, directed by Etgar Keret and Shira Geffen, focuses on the lives of three women in modern-day Tel-Aviv. It also won the Camera d'Or this year at the Festival de Cannes, the top award for first-time directors.
David Cronenberg was awarded best director for his crime thriller Eastern Promises, starring Viggo Mortensen and Naomi Watts. Steven Knight also was lauded with top screenwriting honors for his script about Russian mobsters in London.
Top acting props went to Cesar Troncoso for the Uruguayan film The Pope's Toilet (El Bano del Papa) and Germany's Maren Kroymann for Hounded (Verfolgt).
The jury created a new category, best opera prima, and awarded it to Nadine Labaki for Caramel (Sukar Banat), Lebanon's official submission for the best foreign-language film Oscar.
The Israeli film Jellyfish (Meduzot) won the top prize in the features category Saturday, taking home the Golden Puntano and $50,000. The film, directed by Etgar Keret and Shira Geffen, focuses on the lives of three women in modern-day Tel-Aviv. It also won the Camera d'Or this year at the Festival de Cannes, the top award for first-time directors.
David Cronenberg was awarded best director for his crime thriller Eastern Promises, starring Viggo Mortensen and Naomi Watts. Steven Knight also was lauded with top screenwriting honors for his script about Russian mobsters in London.
Top acting props went to Cesar Troncoso for the Uruguayan film The Pope's Toilet (El Bano del Papa) and Germany's Maren Kroymann for Hounded (Verfolgt).
The jury created a new category, best opera prima, and awarded it to Nadine Labaki for Caramel (Sukar Banat), Lebanon's official submission for the best foreign-language film Oscar.
- 11/27/2007
- The Hollywood Reporter - Movie News
Two documentaries, including a look at the 20-year history of innovative rap group Public Enemy, will make their world premiere at this year's AFI Fest, set for Nov. 1-11 in Los Angeles.
Public Enemy: Welcome to the Terrordome, directed by Robert Patton-Spruill, gives a rare insight into the group and features interviews with musicians Henry Rollins and Rage Against the Machine's Tom Morello. Meanwhile, director Andrea Kreuzhage's documentary 1000 Journals focuses on the social/art project initiated by San Francisco-based artist "Someguy".
Two foreign films will make their U.S. debut at the festival: the Canadian drama The Tracey Fragments, directed by Bruce McDonald, and With Your Permission, an entry from Denmark directed by Paprika Steen.
Another 11 films playing at the Toronto International Film Festival also will screen, including 4 Months, 3 Weeks and 2 Days directed by Cristian Mungiu; Eran Kolirin's The Band's Visit; Stefan Ruzowitzky's The Counterfeiter; Gael Garcia Bernal's Deficit; Julian Schnabel's The Diving Bell and the Butterfly; Hao Hsiao-hsien's Flight of the Red Balloon; Etgar Keret and Shira Geffen's Jellyfish; Jason Reitman's Juno; Marjane Satrapi and Vincent Paronnaud's Persepolis; Tamara Jenkins' The Savages; and Lee Chang-dong's Secret Sunshine.
Passes are on sale through the festival's Web site at AFI.com, or by phone, (866) AFI-FEST.
Public Enemy: Welcome to the Terrordome, directed by Robert Patton-Spruill, gives a rare insight into the group and features interviews with musicians Henry Rollins and Rage Against the Machine's Tom Morello. Meanwhile, director Andrea Kreuzhage's documentary 1000 Journals focuses on the social/art project initiated by San Francisco-based artist "Someguy".
Two foreign films will make their U.S. debut at the festival: the Canadian drama The Tracey Fragments, directed by Bruce McDonald, and With Your Permission, an entry from Denmark directed by Paprika Steen.
Another 11 films playing at the Toronto International Film Festival also will screen, including 4 Months, 3 Weeks and 2 Days directed by Cristian Mungiu; Eran Kolirin's The Band's Visit; Stefan Ruzowitzky's The Counterfeiter; Gael Garcia Bernal's Deficit; Julian Schnabel's The Diving Bell and the Butterfly; Hao Hsiao-hsien's Flight of the Red Balloon; Etgar Keret and Shira Geffen's Jellyfish; Jason Reitman's Juno; Marjane Satrapi and Vincent Paronnaud's Persepolis; Tamara Jenkins' The Savages; and Lee Chang-dong's Secret Sunshine.
Passes are on sale through the festival's Web site at AFI.com, or by phone, (866) AFI-FEST.
A tribute to actor Daniel Day-Lewis, new documentaries from Barbet Schroeder, Werner Herzog and Kevin Macdonald, a spotlight on such Israeli films as The Band's Visit and Jellyfish and a restoration of King Vidor's classic silent film The Big Parade are all part of the jampacked program that will greet cineastes making the pilgrimage this weekend to the 34th annual Telluride Film Festival.
The high-altitude, informal, equalitarian festival, which runs today through Monday, has undergone change at the top: Bill and Stella Pence, who co-founded the fest in 1974 with Tom Luddy and the late James Card, announced their resignation last year and will not participate in this year's gathering. Longtime Telluride participant Gary Meyer has joined Luddy as co-director.
But festivalgoers aren't likely to see changes because of the transition. "Emotionally, it was very different," Luddy said. "I kept thinking about 33 years of having constant conversations with my partner and friend Bill Pence, but Gary Meyer is also an old friend. Bill and I both identified Gary as really the one and only candidate to replace Bill when that day would come," Luddy added, noting of the partial changing of the guard that "it was pretty smooth, very harmonious and very efficient."
As usual, there will be first looks at Hollywood product that could well figure in the fall's awards race. The lineup includes Sean Penn's Into the Wild, an adaptation of Jon Krakauer's account of a fateful trip into the Alaskan wilderness, which will be released by Paramount Vantage; Noah Baumbach, in his first film since The Squid and the Whale, looks at two contentious sisters (Nicole Kidman, Jennifer Jason Leigh) in Paramount Vantage's Margot at the Wedding; Todd Haynes' Bob Dylan study I'm Not There, from the Weinstein Co.; and Allison Eastwood, making her directorial debut with the family drama Rails and Ties, starring Kevin Bacon and Marcia Gay Harden, from Warner Independent Pictures.
There also is a strong selection of titles that earned critical applause at May's Festival de Cannes. "Cannes had a very strong year", Luddy said. "Normally, we try to show a number of films from Cannes, but I think we're showing many more than usual, and I think we could have included a lot more."
The program includes Cannes' Palme d'Or winner, Romanian director Cristian Mungiu's 4 Months, 3 Weeks and 2 Days, which IFC Films has picked up for U.S.
The high-altitude, informal, equalitarian festival, which runs today through Monday, has undergone change at the top: Bill and Stella Pence, who co-founded the fest in 1974 with Tom Luddy and the late James Card, announced their resignation last year and will not participate in this year's gathering. Longtime Telluride participant Gary Meyer has joined Luddy as co-director.
But festivalgoers aren't likely to see changes because of the transition. "Emotionally, it was very different," Luddy said. "I kept thinking about 33 years of having constant conversations with my partner and friend Bill Pence, but Gary Meyer is also an old friend. Bill and I both identified Gary as really the one and only candidate to replace Bill when that day would come," Luddy added, noting of the partial changing of the guard that "it was pretty smooth, very harmonious and very efficient."
As usual, there will be first looks at Hollywood product that could well figure in the fall's awards race. The lineup includes Sean Penn's Into the Wild, an adaptation of Jon Krakauer's account of a fateful trip into the Alaskan wilderness, which will be released by Paramount Vantage; Noah Baumbach, in his first film since The Squid and the Whale, looks at two contentious sisters (Nicole Kidman, Jennifer Jason Leigh) in Paramount Vantage's Margot at the Wedding; Todd Haynes' Bob Dylan study I'm Not There, from the Weinstein Co.; and Allison Eastwood, making her directorial debut with the family drama Rails and Ties, starring Kevin Bacon and Marcia Gay Harden, from Warner Independent Pictures.
There also is a strong selection of titles that earned critical applause at May's Festival de Cannes. "Cannes had a very strong year", Luddy said. "Normally, we try to show a number of films from Cannes, but I think we're showing many more than usual, and I think we could have included a lot more."
The program includes Cannes' Palme d'Or winner, Romanian director Cristian Mungiu's 4 Months, 3 Weeks and 2 Days, which IFC Films has picked up for U.S.
- 8/31/2007
- The Hollywood Reporter - Movie News
TORONTO -- Charlotte Mickie, former head of North American operations at Dreamachine, on Tuesday was named head of a Maximum Films International, the new Canadian film sales firm launched by veteran movie producer Robert Lantos.
As managing director of Toronto-based Maximum, Mickie will buy and sell first-run films internationally for theatrical release. The company's initial slate includes a host of films from Lantos' Serendipidity Point Films shingle including Jeremy Podeswa's Fugitive Pieces, which is scheduled to open the Toronto International Film Festival.
Other titles include Randall Cole's Real Time, starring Randy Quaid and Jay Baruchel, Atom Egoyan's Adoration, Guy Maddin's My Winnipeg and Santosh Sivan's Before the Rains, which stars Linus Roache and Rahul Bose.
Lantos also is launching Maximum Film Distribution, a Toronto-based movie releasing company, with Tony Cianciotta on board as managing director for English-speaking Canada. The new shingle has just signed an output deal with U.S.-based IFC Films, grabbing the Canadian rights to its feature films.
Maximum's initial Canadian release slate includes Fugitive Pieces, Cannes award winner Jelly Fish, Kenneth Branagh's The Magic Flute and Sophie Barthes' Cold Souls.
Lantos' return to the distribution game follows his sale last year of a nearly 50% stake in THINKFilm.
As managing director of Toronto-based Maximum, Mickie will buy and sell first-run films internationally for theatrical release. The company's initial slate includes a host of films from Lantos' Serendipidity Point Films shingle including Jeremy Podeswa's Fugitive Pieces, which is scheduled to open the Toronto International Film Festival.
Other titles include Randall Cole's Real Time, starring Randy Quaid and Jay Baruchel, Atom Egoyan's Adoration, Guy Maddin's My Winnipeg and Santosh Sivan's Before the Rains, which stars Linus Roache and Rahul Bose.
Lantos also is launching Maximum Film Distribution, a Toronto-based movie releasing company, with Tony Cianciotta on board as managing director for English-speaking Canada. The new shingle has just signed an output deal with U.S.-based IFC Films, grabbing the Canadian rights to its feature films.
Maximum's initial Canadian release slate includes Fugitive Pieces, Cannes award winner Jelly Fish, Kenneth Branagh's The Magic Flute and Sophie Barthes' Cold Souls.
Lantos' return to the distribution game follows his sale last year of a nearly 50% stake in THINKFilm.
- 8/29/2007
- The Hollywood Reporter - Movie News
MADRID -- Those who missed out on Pascal Ferran's Lady Chatterley at Berlin, Anton Corbijn's Control at Cannes or Etger Keret and Shira Geffen's Camera d'Or-winning Jellyfish will have another chance to see them at the 55th San Sebastian International Film Festival, organizers said Thursday.
The films will join five others from previous festivals in the Zabaltegi-Pearls section. Zabaltegi-Pearls will compete for the TCM Audience Award, which carries a 70,000 ($94,930) for the importer of the winning film. A second prize of 35,000 will go to the European film obtaining the most votes from the audience at the end of each screening.
Barbet Schroeder's Terror's Advocate, Nadine Labaki's Lebanese beauty salon-centered Caramel, Frank Oz's family drama Death at a Funeral, Pen-ek Ratanaruang's Ploy and Julian Schnabel's "The Diving Bell and the Butterfly" round out the showcase's slate.
Zabaltegi-Pearls also will offer special screenings of Carlos Saura's music-based Fados, screening in Toronto; a restored version of Richard Lester's Beatles movie Help; and Lou Reed's Berlin, Schnabel's tribute to Lou Reed's 2005 live performance of his mythical album.
The films will join five others from previous festivals in the Zabaltegi-Pearls section. Zabaltegi-Pearls will compete for the TCM Audience Award, which carries a 70,000 ($94,930) for the importer of the winning film. A second prize of 35,000 will go to the European film obtaining the most votes from the audience at the end of each screening.
Barbet Schroeder's Terror's Advocate, Nadine Labaki's Lebanese beauty salon-centered Caramel, Frank Oz's family drama Death at a Funeral, Pen-ek Ratanaruang's Ploy and Julian Schnabel's "The Diving Bell and the Butterfly" round out the showcase's slate.
Zabaltegi-Pearls also will offer special screenings of Carlos Saura's music-based Fados, screening in Toronto; a restored version of Richard Lester's Beatles movie Help; and Lou Reed's Berlin, Schnabel's tribute to Lou Reed's 2005 live performance of his mythical album.
- 8/24/2007
- The Hollywood Reporter - Movie News
International Critics Week
CANNES -- Etgar Keret is well-known internationally as a writer of offbeat, fragmentary short stories -- his latest collection, The Nimrod Flipout, has been highly praised in the U.S. and British media -- and his debut directorial feature effort, scripted and co-directed by his partner Shira Geffen, is a similarly mosaic composition. Several stories, or scraps of stories, are woven together in the making of Jellyfish (Meduzot), linked by common themes and a shared sense of humor, poetry and loss.
Though the main characters -- Keren and Michael, a newly married couple; Batya, who works for a caterer specializing in weddings; and Joy, an Indonesian domestic -- do not meet, or do so only fleetingly, the movie builds to a wholly convincing finale that lingers in the mind long after the final credits. The film should enjoy a long life on the festival circuit and ample theatrical opportunities in many territories.
When Keren (Noa Knoller) breaks a leg at the wedding reception, their Caribbean honeymoon is called off and they book into a hotel by the beach. The enforced idleness is already creating strains between them when Michael (Gera Sandler) meets an attractive female poet who offers to exchange rooms with them because theirs is facing away from the sea.
Batya (Sarah Adler), who lives in a crumbling apartment and has trouble paying the bills, finds her life turned upside down by a 5-year-old girl (Nicole Leidman), who appears mysteriously out of the sea and passes into her care. Joy (Ma-nenita De Latorre), a sweet-natured maid who lives only to send money and make long-distance telephone calls to her daughter overseas, finds herself the unwitting instrument of a reconciliation between a sick old woman, Malka (Zharira Charifai), and her daughter Galia, an actress (Ilanit Ben-Yaakov).
The action takes place entirely in Tel Aviv, the city where Keret and Geffen have spent most of their lives, and usually a short distance from the sea that, as Keret notes, has become for many Israelis a refuge, a place of shelter and comfort in that troubled country where people can find themselves.
There are frequent visual and verbal references to the sea and ships, and the movie's view of its characters is made plain in the title: Like jellyfish, they are free-floating, driven here and there by forces beyond their control, bereft of moorings.
This is to make Jellyfish sound more arty or intellectual than it is. There is an abundance of finely observed detail and plenty of humor, mostly of the wry, ironic kind, often with a keen sense of the absurd. When a policeman wants to explain to Batya, who has just presented him with the lost child, that there is an astonishingly large number of missing people out there, he produces a file of individual cases and proceeds to fold them into origami paper boats.
Though the overall effect of the movie is downbeat but haunting, Keret and Geffen end on a note of optimism. The child returns to the sea as mysteriously as she had emerged from it. Batya plunges in after her and appears set to drown but is pulled from the waves by the photographer friend she has met earlier. The clear implication, as the movie concludes with a Hebrew rendition of Edith Piaf's La Vie en Rose, is that her life is beginning anew.
JELLYFISH
Lama Films, Les Films du Poisson
Credits:
Directors: Etgar Keret, Shira Geffen
Writer: Shira Geffen
Producers: Amir Harel, Ayelet Kit, Yael Fogiel
Director of photography: Antoine Heberle
Production design: Avi Fahima
Music: Christopher Bowen
Editing: Sacha Franklin, Francois Gedigier
Cast:
Batya: Sarah Adler
Little girl: Nicole Leidman
Michael: Gera Sandler
Keren: Noa Knoller
Joy: Ma-nenita De Latorre
Malka: Zharira Charifai
Galia: Ilanit Ben-Yaakov
running time 78 minutes
No MPAA rating...
CANNES -- Etgar Keret is well-known internationally as a writer of offbeat, fragmentary short stories -- his latest collection, The Nimrod Flipout, has been highly praised in the U.S. and British media -- and his debut directorial feature effort, scripted and co-directed by his partner Shira Geffen, is a similarly mosaic composition. Several stories, or scraps of stories, are woven together in the making of Jellyfish (Meduzot), linked by common themes and a shared sense of humor, poetry and loss.
Though the main characters -- Keren and Michael, a newly married couple; Batya, who works for a caterer specializing in weddings; and Joy, an Indonesian domestic -- do not meet, or do so only fleetingly, the movie builds to a wholly convincing finale that lingers in the mind long after the final credits. The film should enjoy a long life on the festival circuit and ample theatrical opportunities in many territories.
When Keren (Noa Knoller) breaks a leg at the wedding reception, their Caribbean honeymoon is called off and they book into a hotel by the beach. The enforced idleness is already creating strains between them when Michael (Gera Sandler) meets an attractive female poet who offers to exchange rooms with them because theirs is facing away from the sea.
Batya (Sarah Adler), who lives in a crumbling apartment and has trouble paying the bills, finds her life turned upside down by a 5-year-old girl (Nicole Leidman), who appears mysteriously out of the sea and passes into her care. Joy (Ma-nenita De Latorre), a sweet-natured maid who lives only to send money and make long-distance telephone calls to her daughter overseas, finds herself the unwitting instrument of a reconciliation between a sick old woman, Malka (Zharira Charifai), and her daughter Galia, an actress (Ilanit Ben-Yaakov).
The action takes place entirely in Tel Aviv, the city where Keret and Geffen have spent most of their lives, and usually a short distance from the sea that, as Keret notes, has become for many Israelis a refuge, a place of shelter and comfort in that troubled country where people can find themselves.
There are frequent visual and verbal references to the sea and ships, and the movie's view of its characters is made plain in the title: Like jellyfish, they are free-floating, driven here and there by forces beyond their control, bereft of moorings.
This is to make Jellyfish sound more arty or intellectual than it is. There is an abundance of finely observed detail and plenty of humor, mostly of the wry, ironic kind, often with a keen sense of the absurd. When a policeman wants to explain to Batya, who has just presented him with the lost child, that there is an astonishingly large number of missing people out there, he produces a file of individual cases and proceeds to fold them into origami paper boats.
Though the overall effect of the movie is downbeat but haunting, Keret and Geffen end on a note of optimism. The child returns to the sea as mysteriously as she had emerged from it. Batya plunges in after her and appears set to drown but is pulled from the waves by the photographer friend she has met earlier. The clear implication, as the movie concludes with a Hebrew rendition of Edith Piaf's La Vie en Rose, is that her life is beginning anew.
JELLYFISH
Lama Films, Les Films du Poisson
Credits:
Directors: Etgar Keret, Shira Geffen
Writer: Shira Geffen
Producers: Amir Harel, Ayelet Kit, Yael Fogiel
Director of photography: Antoine Heberle
Production design: Avi Fahima
Music: Christopher Bowen
Editing: Sacha Franklin, Francois Gedigier
Cast:
Batya: Sarah Adler
Little girl: Nicole Leidman
Michael: Gera Sandler
Keren: Noa Knoller
Joy: Ma-nenita De Latorre
Malka: Zharira Charifai
Galia: Ilanit Ben-Yaakov
running time 78 minutes
No MPAA rating...
- 8/16/2007
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.