Mark Kermode's pick of the DVDs that were overlooked this year
Benda Bilili!
A strong contender for best film of the year, this electrifying account of Congolese street musicians overcoming incredible odds to bring their invigorating music to the world is a real reason to be cheerful. The soundtrack is infectious, the film-making unobtrusive, and the central characters endlessly inspiring. Bravo!
Patagonia
Diverse and unpredictable in his output, Marc Evans (Resurrection Man, My Litte Eye, Snow Cake) remains one of the UK's most consistently interesting and inventive filmmakers. Somewhat overlooked in cinemas, this lyrical cross-cultural escapade teases out longstanding connections between Wales and Argentina, with Evans drawing together the past and present with ease.
We Were Here
The outbreak of Aids, which ravaged San Francisco in the early 80s, is recounted by those who lived through it, offering a celebration of the indomitable human spirit that enabled diverse communities...
Benda Bilili!
A strong contender for best film of the year, this electrifying account of Congolese street musicians overcoming incredible odds to bring their invigorating music to the world is a real reason to be cheerful. The soundtrack is infectious, the film-making unobtrusive, and the central characters endlessly inspiring. Bravo!
Patagonia
Diverse and unpredictable in his output, Marc Evans (Resurrection Man, My Litte Eye, Snow Cake) remains one of the UK's most consistently interesting and inventive filmmakers. Somewhat overlooked in cinemas, this lyrical cross-cultural escapade teases out longstanding connections between Wales and Argentina, with Evans drawing together the past and present with ease.
We Were Here
The outbreak of Aids, which ravaged San Francisco in the early 80s, is recounted by those who lived through it, offering a celebration of the indomitable human spirit that enabled diverse communities...
- 12/18/2011
- by Mark Kermode
- The Guardian - Film News
Screenplay, Britain's most northerly film festival, is a world away from the glitz and hype of Cannes
A couple of years ago, as I was dragging my sorry bones around another overcrowded, overheated, overhyped film festival in the broiling south of France, somebody asked me "How come you always look so miserable in Cannes?" I thought about this for a while before answering, "All things considered, I'd rather be in Shetland."
This was no idle threat. For the past four years, my partner Linda Ruth Williams and I have been proudly co-curating Shetland Arts' annual ScreenPlay festival, a celebration of everything we love about cinema that's about as far away from the exclusive ghastliness of the Croisette as it's possible to get in terms of both climate and culture. Last year we held a screening in a bus shelter in Unst, the most northerly in the UK (if you don't get off here,...
A couple of years ago, as I was dragging my sorry bones around another overcrowded, overheated, overhyped film festival in the broiling south of France, somebody asked me "How come you always look so miserable in Cannes?" I thought about this for a while before answering, "All things considered, I'd rather be in Shetland."
This was no idle threat. For the past four years, my partner Linda Ruth Williams and I have been proudly co-curating Shetland Arts' annual ScreenPlay festival, a celebration of everything we love about cinema that's about as far away from the exclusive ghastliness of the Croisette as it's possible to get in terms of both climate and culture. Last year we held a screening in a bus shelter in Unst, the most northerly in the UK (if you don't get off here,...
- 8/28/2010
- by Mark Kermode
- The Guardian - Film News
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