User Reviews

Are you gay (or just curious)? Do you like David Cronenberg? Are you especially fond of his movies "Videodrome" and "Crash"? Do you like looking at naked men? If you answered yes to all of those questions, then "Socket" is meant for you, but you stand a better chance of enjoying it if you only want to look at naked men.

That's not to say that nudity is all "Socket" has going for it. This story about Bill Matthews (Derek Long), a surgeon who survives a lightning strike only to discover he gets an erotic charge from electricity, is a fairly promising Cronenberg homage/rip-off, the weird sexiness almost drowning out the story's overarching silliness (which is more than could be said for Cronenberg's "Crash"). Matthew ("Pornography: A Thriller") Montgomery is well cast as Craig, the hospital intern who introduces Bill to a cult of electro-fetishists, becoming the doctor's Energizer love bunny in the process. Not only does Montgomery deliver one of the movie's stronger performances, he and Long actually look like a believable couple, the two men attractive without being unattainable hunks. Also, they look pretty good naked, which they prove early and often.

But "Socket" also has a lot going against it. While Long looks good in the buff, his performance isn't as captivating, his acting style leading me to wonder if he was a porn star trying for legitimacy (he isn't). At least he's better than Allie Rivenbark as Olivia, one of the doctor's lesbian friends. Crass lesbian friends have emerged as a gay movie staple, second only to gold-hearted drag queens, but Rivenbark's Olivia is just obnoxious, barking her sarcastic lines like an angry pit bull. When she berates Bill for not calling I had hoped his response would be, "I'm sorry, I meant to call but then I remembered I don't like you" (but it isn't). Maybe the doctor would've been better off with some drag queen pals.

Ultimately, "Socket" is brought down by ideas that aren't fully realized in the script and can't be realized with the minuscule budget. Snowy TVs are omnipresent throughout the movie, but their significance is never explained. Does Bill's mere presence affect TV reception? Does he, as suggested by a few "Videodrome"-like scenes, get off on a static-filled TV screen? Did he forget to pay his cable bill? Even loudmouth Olivia doesn't remark on the snowy TV in Bill's living room, as if it's merely an art installation common in L.A. households. Writer-director Sean Abley finds some creative ways to stretch a dollar, but by the fourth rapid-cut, seizure-inducing montage – used to illustrate characters dosing on electricity – I was wishing Abley had rustled up some additional funds for F/X before going into production. But I kind of enjoyed this attempt at a gay-themed erotic horror movie, despite its underdeveloped script, lackluster performances and bargain-basement production values. Bad as it is, I've seen much worse, and I applaud any gay filmmaker who tries something other than the usual coming out stories and campy romantic comedies. Also, did I mention Long and Montgomery look good naked?

I don't mind all the male nudity in this movie, the only thing I mind is female nudity (don't ask me why, I just don't like it) (Thankfully there is none in this movie), so if you can get past all the male nudity and stuff that is similar, then you might like this movie.

There is a really neat plot, about people that are addicted to electricity, and each time someone electrifies themselves on purpose (of course) then I felt a rush throughout my body (who else felt like that?). This happened a few times throughout the movie, and when they put actual plugs into their hands, this feeling intensified a bit.

The thing I don't get is, "why him?" a guy that just joined already making huge changes to the organization? That part I don't get. It doesn't seem right to let a newbie create something that could change the whole organization, but...

After about an hour (maybe) the movie starts getting boring. All you see is stuff you've already seen before: electrifying themselves; the two gay characters "hooking up" in explicit detail (kind of) that you've seen before; nothing new. Got a little too repetitive to me.

Interesting concept but it falls quickly into the trap of pushing the gay aspect above the actual story and characters right away. This alone dulls the scripts potentinal..mind you the script did need another draft

Sean Abley's film "Socket" fails in every respect; the story is flat, pointless, and uninteresting, the acting is remarkably unprofessional, the cinematography reflects a frightening absence of creativity (or even competence), and the director reveals that he has no eye for screen presentation. One wonders how it's possible to expend the time, money, and effort required to create a film, and to then turn an apparently blind eye to the final product. The movie is presented as a gay horror film, so we're treated to pointless sex-oriented nudity, which delivers no heat whatsoever. Indeed, one wonders whether director Abley was more concerned about the film's gay/nudity aspect than its horror aspect. Either way, none of it delivers. These characters give gay people a bad name: boring. The DVD offers a "special feature" section wherein the cast and crew discuss the making of the film. It is pathetic to listen to these people discuss their effort as though they had created something worthwhile. Sorry, this film is terrible.

If your expectations are so low that nudity in a non-adult film is sufficient to get you to watch a movie, particularly given how easy it is to find nudity and near nudity on line without going to an adult site, then this is probably the movie for you. If you expect good technical production values, an excellent and plausible story, good direction and acting, then you want to avoid this film. It does feature a unique element in the plot - at least for a gay theme indie film, and the director did do a little more with the low budget than some other films out in the past five years have accomplished. However, this is another case where a first time director, working from his own plot, is felled (and his projects fails miserably) because there is no director to call the writer on the weakness of his plot, or no writer to argue with the director about where the move is being moved or pushed away from the script -- or simply to toss ideas around with.

The performances aren't horrible, but the two leads are not as charismatic, particularly Montgomery, to get the plot from point A to point B as per the story, and the movie finally fails on the weakness in the plot, particularly towards the end of the film.

I give it two stars for frontal nudity and the rest is garbage the movie stinks so bad I had to fast forward to bear it...as a gay man I always hope for a fine well done movie and unfortunately this just wasn't any of those things. Convoluted, stupid, boring, utterly a waste of time. Montgomery I have seen him in other films he just can't act, the other actor was decent but the movie just isn't any good terrible direction, awful script just skip it, there are better gay films out there to bad most of them are foreign made or else come from a non gay filmmaker. I guess it was a big stretch to try and make a meaningful movie and have it be sci-fi horror.

Ordering/renting TLA Video Releasing products is a hit-and-miss affair at best, unfortunately marked by a whole lot more "misses". The gay and lesbian independent film movement is still finding its feet yet; it is still pretty difficult to sift through all the coming out/coming-of-age/romance-against-all-odds stories and find something that seems fresh and original. I have seen a few standouts, like ANOTHER GAY MOVIE, EATING OUT, the surprisingly moving BOY CULTURE, and the slasher-film-with-a-gay-twist HELLBENT.

SOCKET, in spite of flaws that come mostly from its VERY low budget origins, can still be added to the list. Writer/director Sean Abley, who is a self-admitted fan of David Cronenberg's films, may have aimed a little too high with this semi-homage to the director, but one can't blame him for giving it a good try, or for coming up with something that's more watchable than your "average gay movie" about drugs, dancing, casual sex and all the melodrama that comes with it.

Dr. Bill Matthews (Derek Long) awakens in the hospital one day with no memory of the event that put him there, until it's explained to him that he was struck by lightning. A very attentive intern named Craig Murphy (gay indie staple Matthew Montgomery from GONE, BUT NOT FORGOTTEN and LONG TERM RELATIONSHIP), also the victim of a lightning strike, warns Bill that life for him will never be the same, and hands him a business card with a phone number to contact a "special group" of other people who will be able to "help him when he's ready." Baffled but curious, Bill takes the card.

Later, convalescing at home with the help of lesbian buddies Carol (Rasool J'Han) and Olivia (Allie Rivenbark), Bill discovers that his ordeal has left him with some very curious side effects, not the least of which are the compulsion to clean and organize his house meticulously (amazing for the formerly sloppy singelton) and a strange attraction to his TV set, even when it's not showing anything but static and snow, (shades of James Woods in VIDEODROME!)

Eventually, all this weirdness finally does lead Bill to contact the group and reconnect with Murphy, leading to a remarkable discovery: an underground group of lightning strike victims who not only survived, but have developed a craving for electricity and the temporary "high" it brings them. Reluctant at first, once Bill's had his first taste of "juice" since his accident, he develops both an addiction to it and to Murphy, whom he engages in a torrid affair. As the story progresses, Bill's addiction grows stronger and he becomes more desperate to find ways to feed it, just like any crack head or heroin junkie, leading him to commit some horrifying acts - the kind you see in most sci-fi/horror thrillers where the hero suddenly loses control of himself to external and/or internal forces . I guess I don't have to tell you that the story doesn't exactly have a happy ending.

And actually, that's one of SOCKET'S biggest drawbacks - that it doesn't really have an ending. Where VIDEODROME, the movie that this most closely resembles, had kind of an ambiguous ending that left the audience to decide for themselves what actually happened, SOCKET just kind of...comes to a halt. It's almost as if Sean Abley had a much more elaborate ending written, but because of time and budget constraints, just sort of "winged it" with what he could come up with.

Which is too bad, because unlike a lot of gay indies that are barely watchable, this one has its very strong points. And, of course, that list starts with the leads. Long and Montgomery have great chemistry as the "charged-up" lovers, plus it's refreshing to have two actors so easy on the eyes engaged in some great love scenes that are neither as gratuitous or as forced as they have been in other movies. J'Han and Rivenbark also shine as the gal pals, though Rivenbark could've dialed the butch Olivia's character back just a tad.

As Bill's stoic colleague, Alexandra Billings does a good job playing Dr. Emily Andersen, and though it could've turned out to be a bit much, Sean Abley hits just the right notes as the leader/moderator of the "group." David Kittredge's editing seems jumbled and very disorienting at first, until you 'get' the gist of it about a third of the way through the movie. In hindsight, he and Abley made some very ingeniously creative choices, minimizing the need for special visual effects and setting the tone for the story. The effects makeup by Gage Hubbard is surprisingly effective for the kind of thing you'd get if you tried to achieve "VIDEODROME"- level ambitiousness on a "BLAIR WITCH PROJECT" budget.

There aren't nearly enough writers and directors in this particular niche of indie film-making, who are willing to go out on a limb and take some real risks with style and storytelling. With a little more time and money and opportunities to tweak the script a bit more, SOCKET could have definitely been closer to a ten-star worthy effort. As is, though, the aspects of the film that succeed far outweigh the ones where it doesn't. I would hope that future circumstances will bring director Abley together again with the engaging leads, with a project that will enable them to raise all of their talents to the next level.

Bill is lucky to be alive after being struck by lightning. Upon his discharge from hospital, intern Craig Murphy - who was also struck by lightning some time ago - recommends he joins a group for people who went through a similar ordeal.

And so he does, and in the process he becomes romantically involved with Craig. Everyone at the group crave the sensation of electricity flowing through their veins. Now, electric shock is like a drug to them. Voltage. Power. Electricity. This is aphrodisiacs of a different kind!

Bill soon devises a way for them to plug into electricity - and into each other. Oops, wait, this is a gay movie, so I should probably rephrase that! Or maybe not, since they also do...erm...well, plug into each other! There's plenty of male (frontal) nudity, so if you enjoy the sight of a naked man, you will be satisfied. On top of that (...I should be careful with my wording...) Derek Long - who portrays Bill - is a deliciously handsome man. Hell, even his name sounds like a porn star!!

As the film progressed, it became more than just a bit weird. Although its a lighthearted fantasy about people being addicted to electricity, the principal is the same as being addicted to drugs, or substance abuse. It simply is more acceptable here, because we know it can't possibly happen. This is pure fantasy. And it's also a gay-themed movie. For a gay film, it certainly is unlike anything I've ever seen in this genre. This is not clichéd or predictable in the least.

For a low budget B-movie, the editing wasn't bad at all. The performances were also mostly good. This is an interesting choice of a movie, because those who enjoy fantasy might not enjoy the homosexual element, and those who enjoy gay movies might not enjoy the fantasy element. As for me, I think Derek Long made the movie more watchable than it ought to have been. And I also can't complain about those nude scenes and swinging dicks!

Wow - some reviews have been rather harsh, don't you think? Here are my thoughts on this movie without giving too much away. It had an interesting premise that I haven't seen before. It moved along at a nice clip and never left me bored. The actors were handsome and it had enough nudity to be "fun" without being tacky. It was an enjoyable way to spend part of an evening and it is a movie I would watch again.

Yes - there are times in the movie where the smallish budget is evident - but it didn't really take me out of the movie. Yes - some of the actors might have been a little stiff, but once again; didn't take me out of the flick.

So often, people complain about the "gay stereotypes" in these movies. Guess what folks. "Stereotypical" gay people exist. Just because they aren't as "straight acting," "hipster," or "edgy" as you are does not make them less relevant.

Kudos to the director, staff and everyone else involved for making something interesting and fun.

Dr. Bill Matthews (Derek Long) is hit by lightning. He survives and intern Craig Murphy (Matthew Montgomery) gets him to join a group of people who were also struck by lightning. They all felt terrible--till they find that a jolt of electricity weekly makes them feel great. Bill and Craig fall in love and everything is fine...but Bill craves more and more electricity and becomes addicted.

It sounds silly and it was for a while. But the good acting and directing kept me in my seat and (as it went on) it started to work on me. The movie slowly gets more and more dark and disturbing leading to a tragic end. I saw this on LOGO so if there was any explicit sex or nudity it was cut out (Montgomery bares his butt once and that's about it) but the gore was kept in and it WAS needed for the story. This is no classic horror movie but Long and Montgomery are likable (and hot guys) and it DOES become very disturbing at the end. Worth a look--especially for gay horror fans. I give it a 6.

Fighting the urge to make about a thousand puns about electricity, I will say that "Socket" is a valiant entry in the gay horror subgenre- and yes, I saw "HellBent." Surgeon Bill (Derek Long) is electrocuted and recovering in his own hospital under the care of a battleaxe colleague (Alexandra Billings) and overly interested intern Murphy (Matthew Montgomery, who looks like Eric Bana's little brother). Still weak, but better, Bill is released and sent home to be checked on by friend Carol (Rasool Jahan). Bill begins feeling a little odd. He suddenly starts organizing and cleaning up his normally trashed house. He leaves the television on constantly, fascinated with the staticky snow pattern on off-air channels. He remembers intern Murphy inviting him to a secret meeting if Bill ever "needs anything," and Bill goes. At the meeting, led by Mike (Sean Abley), Murphy and the circle of people all talk about their near-death experiences at the hands of electrocution- how their shocked minds crave the order, and thereby the electrical current, that was introduced into their bodies via lightning, etc. The hugging group then drops the touchy-feely portion of the meeting, hook themselves up to a generator, and give themselves a boost before a wild night on the town, none of which Bill remembers the next morning. Before you dismiss this as an "electricity as drug" addiction allegory, Bill hits on a Frankensteinian plan. He implants a set of electrical prongs in one of his wrists, and a socket in the other, then does the same for new love interest Murphy. Now they can feed off their bodies' respective electrical charges, as well as your standard electrical outlets. The entire group gets plugged and pronged, but then Bill begins to change.

Shot in nine days on a handful of sets with a video camera, "Socket" succeeds in enough aspects to recommend it. The small cast is good all around, with their characters' homosexuality never coming off as a gimmick. Sean Abley owes a lot to David Cronenberg, but it is refreshing to see a horror fan's affection in the finished product, and not using my favorite genre as a simplistic stepping stone to something bigger and better. Jennifer Kes Remington's music is excellent, my kind of stuff. The screenplay feels rushed, leaving a lot of territory unexplored. The use of flashy editing in lieu of expensive effects often works, and the makeup is good, but eventually the padding wore thin. Finally- this is the worst hospital set in the history of hospital sets. I liked "Socket," and it proves to be a passable little film. Abley and his road company can only improve.