Regie | |||
| Oliver Parker | |||
| Barnaby Thompson | |||
Buch(In alphabetischer Reihenfolge) | ||
| Piers Ashworth | Drehbuch | |
| Jamie Minoprio | zusätzliches Material | |
| Nick Moorcroft | Drehbuch | |
| Ronald Searle | cartoons | |
| Jonathan M. Stern | zusätzliches Material | |
Produktion | |||
| Rupert Everett | .... | Ausführender Produzent | |
| Nigel Green | .... | Ausführender Produzent | |
| Mark Hubbard | .... | Koproduzent | |
| Sophie Meyer | .... | Associate Producer | |
| Oliver Parker | .... | Produzent | |
| James Spring | .... | Ausführender Produzent | |
| Barnaby Thompson | .... | Produzent | |
Originalmusik | |||
| Charlie Mole | |||
Kamera | |||
| Gavin Finney | |||
Schnitt | |||
| Alex Mackie | |||
Casting | |||
| Lucy Bevan | |||
Szenenbild | |||
| Amanda McArthur | |||
Bauten/Dekorationsbau (art directors) | |||
| John Reid | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Bridget Menzies | |||
Kostüme | |||
| Rebecca Hale | |||
| Penny Rose | |||
Maske/Frisuren | |||
| Charmaine Fuller | .... | leitender Maskenbildner | |
| Mandy Gold | .... | key crowd makeup artist | |
| Iain Guthrie | .... | Friseur | |
| Pat Hay | .... | Haardesigner | |
| Pat Hay | .... | Maskenbild | |
| Helen Johnson | .... | Maskenbildner | |
| Liz Michie | .... | leitender Haarstylist | |
| Rosie Octon | .... | hair trainee (als Rose Octon) | |
| Rosie Octon | .... | makeup trainee (als Rose Octon) | |
| Jamie Pritchard | .... | Friseur: Mr Everett | |
| Lucy Sibbick | .... | makeup dailies | |
| Kelly Willis | .... | hair trainee | |
| Kelly Willis | .... | makeup trainee | |
Produktionsleiter (production managers) | |||
| Alice Dawson | .... | Produktionsleiter | |
| Linda Deacy | .... | Leitung Postproduktion | |
| Ian Hutchinson | .... | Erster Aufnahmeleiter | |
Regieassistenten | |||
| Adam Byles | .... | additional third assistant director | |
| Melanie Dicks | .... | Erster Regieassistent | |
| Lucy Egerton | .... | dritte Regieassistenz | |
| Hanna Haffenden | .... | zusätzlicher Regieassistent | |
| Dan John | .... | Zweiter Regieassistent | |
| Martin Kenzie | .... | 2nd Unit Regisseur | |
| Sandrine Loisy | .... | crowd third assistant director | |
| Sarah MacFarlane | .... | crowd second assistant director | |
| Terence Madden | .... | additional third assistant director | |
Ausstattung (Stab) | |||
| Rebecca Amissah | .... | Assistenz Art Department | |
| Owen Harrison | .... | Stand-by Requisite | |
| Robert Haynes | .... | Stand-by Filmarchitekt | |
| David Horrill | .... | Requisite | |
| Douglas Ingram | .... | Storyboardzeichner | |
| Sarah Jenneson | .... | grafischer Künstler | |
| Shay Leonard | .... | Requisite | |
| Dave Reed | .... | Bauleiter | |
| Andrew Tapper | .... | grafisches Design | |
| Penny White | .... | Kostümrequisite | |
| Peter Woods | .... | Kostümrequisite | |
Ton Stab | |||
| Justine Angus | .... | Tonschnitt | |
| Jeremy Brown | .... | third man sound | |
| Jeremy Brown | .... | third man | |
| Gareth Bull | .... | Tonmischung (Postproduktion) | |
| Peter Burgis | .... | Geräuschemacher | |
| Richard Dunford | .... | Tonschnitt Geräusche | |
| Peter Eusebe | .... | Toninstandhaltung | |
| Steve Felton | .... | Tonschnitt Geräusche | |
| Peter Gleaves | .... | Sprachsynchron-Mischung | |
| Mark Holding | .... | Originalton-Mischer | |
| Max Hoskins | .... | Tonschnittleitung | |
| Richard Kondal | .... | Tonschnitt | |
| Keith Marriner | .... | supervising sound designer | |
| James Ridgway | .... | Tonmischassistenz (Endfassung) | |
| James Ridgway | .... | Geräuschaufnahme | |
| Richard Straker | .... | Tonmischung (Postproduktion) | |
| Chris Sturmer | .... | sound consultant: dolby | |
| Rachael Tate | .... | ADR Aufnahme | |
| James Wichall | .... | Tonschnittassistenz | |
| Michael Wabro | .... | Tonschnitt (nicht im Abspann) | |
Spezialeffekte | |||
| James Davis III | .... | special effects senior technician | |
| Hugh Goodbody | .... | Techniker Spezialeffekte | |
| Mark Holt | .... | Leitung Spezialeffekte | |
Visual Effects | |||
| Kris Anderson | .... | Digital Compositor | |
| Phil Ashton | .... | digital colourist | |
| Steven Bray | .... | Digital Compositor | |
| Paul Ensby | .... | digital color timer | |
| Simon Frame | .... | Leitung Visual Effects | |
| Richard Graham | .... | Produzent Visual Effects | |
| Lionel Heath | .... | Compositor: Men from Mars | |
| Marc Hutchings | .... | Compositor: MFM | |
| Stephanie C. Kelly | .... | Digital Compositor | |
| Rick Leach | .... | Digital Compositor | |
| Jonathan Mann | .... | digital restoration | |
| Joe Pavlo | .... | Digital Compositor | |
| Ben Turner | .... | digital compositor: mfm | |
| Anthony Wonsoff | .... | Digital Compositor | |
| Thomas M. Horton | .... | visual effects supervision: Men-from-Mars (nicht im Abspann) | |
Stunts | |||
| Gary Connery | .... | Stuntkoordinator | |
| Robin Earle | .... | Stuntvorbereiter | |
| Curtis Rivers | .... | stunt double: Rupert Everett | |
| Diz Sharpe | .... | Stuntvorbereiter | |
| Roy Taylor | .... | Stunt-Darsteller | |
Kamera und Elektrik (Stab) | |||
| Joe Alexander | .... | Kamera Azubi | |
| Graham Baker | .... | h.o.d. rigger | |
| Ashley Bond | .... | Schärfenassistent | |
| Bob Bridges | .... | video assist operator: visual effects | |
| Luke Chisholm | .... | Bühnenassistent | |
| Ann Marie Crotty | .... | Video Operator | |
| Kate Filby | .... | Materialassistenz | |
| Simon Fogg | .... | Grip | |
| Ross Grainger | .... | Beleuchtung | |
| Brian Greenway | .... | clapper loader: second unit | |
| Gary Hymns | .... | Grip | |
| Gary Hymns | .... | Keygrip | |
| Paul Hymns | .... | b camera grip | |
| Martin Kenzie | .... | director of photography: second unit | |
| Steve Kitchen | .... | erster Lichttechniker | |
| Steve Kitchen | .... | Oberbeleuchter Bühnenbau | |
| Christopher Raphael | .... | additional still photographer | |
| Sean Savage | .... | Kameraführung | |
| Iain Struthers | .... | focus puller: B-Kamera | |
| Pat Sweeney | .... | Oberbeleuchter | |
| Nick Wall | .... | Standfotograf | |
Animation | |||
| Noel Donnellon | .... | Animationsproduzent | |
| Paul Donnellon | .... | Animationsregie | |
| David Z. Obadiah | .... | Animationsproduzent | |
| Andrew White | .... | animation compositor | |
Casting (Stab) | |||
| Vanessa Baker | .... | ADR Simmencasting | |
| Brendan Donnison | .... | ADR Simmencasting | |
| Alice Searby | .... | Assistenz Casting | |
Kostüm und Garderobe (Stab) | |||
| Viveene Campbell | .... | costume trainee | |
| Clementine Charity | .... | Garderobenassistenz | |
| Helen Jerome | .... | crowd wardrobe supervisor | |
| Jane Law | .... | Kostüme: Rupert Everett | |
| Charlotte Sewell | .... | Leitung Kostüme | |
| Victoria Taylor | .... | Garderobenassistenz | |
| Emma Walker | .... | costume breakdown artist | |
| David Wootton | .... | Garderobenassistenz | |
Schnitt (Stab) | |||
| Matthew Benns | .... | digital intermediate data manager | |
| Gilbert Carreras | .... | Lichtbestimmung | |
| Lorene Dewett | .... | apprentice editor: FT2 | |
| Anya Dillon | .... | erste Schnittassistenz | |
| Paul Ensby | .... | digital color timer | |
| Todd Kleparski | .... | Redaktion der Digitalen Zwischenstufe | |
| Dominic Thomson | .... | digital editor | |
| Nadiya Luthra | .... | post-production runner (nicht im Abspann) | |
| Vanessa Williams | .... | trainee assistant editor (nicht im Abspann) | |
Musik (Stab) | |||
| Alastair King | .... | Orchestrierung | |
| Ian Neil | .... | Leitung Musik | |
| Steve Parr | .... | music recording mixer | |
| Marios Takoushis | .... | additional programmer | |
Transporte | |||
| Mark Crowley | .... | Setfahrer | |
| Rob Hempenstall | .... | Setfahrer | |
Restlicher Stab | |||
| Johnathan Abbott | .... | studio coordinator: Ealing Studios | |
| Carolyn Allen | .... | lead tutor | |
| Carrie-Ann Banner | .... | Assistenz Produktionskoordination | |
| Katrina Barton | .... | assistant script supervisor | |
| Neil Bhatt | .... | Unit Publizist | |
| Sam Blackmore | .... | additional floor runner | |
| Kate Bone | .... | Produktionsassistent | |
| Caroline Bowker | .... | daily script supervisor: second unit | |
| Sarah Brand | .... | base camp runner | |
| Hannah Brown | .... | Set Runner | |
| Adam Byles | .... | Set Runner | |
| Neil Calder | .... | completion guarantor: Film Finances Inc. | |
| Leah Chalk | .... | child wellfare | |
| Nicole Chapman | .... | Set Runner | |
| Valentina Coccia | .... | Produktionskoordination | |
| Sara Curran | .... | juristische Dienstleistungen | |
| Diana Dill | .... | Script Supervisor | |
| Simon George | .... | head of finance: Ealing Studios | |
| Harriet Harper | .... | Assistenz des Regisseurs | |
| Dan Hillsdon | .... | first accountant | |
| Adrian Hubbard | .... | Runner Produktion | |
| Tabitha Jenkins | .... | ausführender Produzent | |
| Pat Karam | .... | Motiv-Aufnahmeleiter | |
| Sarah Lucraft | .... | Filmgeschäftsführung Produktion | |
| Mark Mallorca | .... | Assistenz: actress | |
| Nichola Martin | .... | Herstellungsleitung | |
| Shailini Vijay Naik | .... | Produktionsassistent | |
| Jon Parker | .... | systems development manager | |
| Jeremy Pelzer | .... | studio director: Ealing Studios | |
| Michelle Pianca | .... | Assistenz Motiv-Aufnahmeleitung | |
| Tracey Taylor | .... | Assistenz Filmgeschäftsführung | |
| Kevin Westley | .... | Assistenz am Drehort | |
| Jules Smith | .... | production and marketing assistant: ealing studios (nicht im Abspann) | |
Widmungen und Dankeschöns | |||
| Alan Parker | .... | ganz besonderer Dank | |
| Beteiligte Firmen | Technische Angaben | Hauptübersicht |