User Reviews

The English title of this film is "No Regrets" and I have no regrets about seeing it.

The characters were honest and real and the plot was well developed. I cant comment on the acting as I don't speak Korean, but rather relied on subtitles, but I can say that the low budget of this film had no adverse effects on the quality at all.

The best part of this this film is that although the characters are gay, the film would have been equally cohesive and interesting if the cast were changed to male/female heterosexual roles.

I would recommend this film to any Indi film fan, GLBT film supporter and mainstream viewers alike. This is truly a film anyone could enjoy. Don't miss out!

Su-min is a poor country boy raised in an orphanage who goes to the big city and gets a job working in a factory in Seoul. He also does odd jobs to make ends meet and one night while working as a driver meets a man Jae-min who propositions him. Su-min soon discovers that the Jae-min is the son of the plant owner and that he's being laid-off. While the son attempts to save his job, Su-min rejects the offer and walks out.

Shortly thereafter he finds himself working in a boydello and the rich man has tracked him down. Also working at the boydello is a jaded Hustler named Jung-tae who's only working where he is so that he can make a lot of cash to spend on his girlfriend. Later we meet another young country orphan who comes to work at the boydello and wins the affections of a local policeman.

With the story of how this life changes these three young men as a backdrop we see the relationship between Su-min and Jae-min grow from a stalker relationship to something more only to have Jae-min's parents intercede with plans of their own.

The subtitling could be better and some of the plot developments seemed to be somewhat abrupt, (at least to an occidental mind) but overall the film is watchable and better than most Korean gay films that I've seen. Some additional character development would have helped as well.

I recently purchased this film from dvdfromkorea.com & I have no hesitation in saying that it's one of the best films to have come out of South Korea in the last few years - and certainly the most memorable gay-themed Korean movie. It's also proof that a miniscule budget (of reportedly just US$100,000!) needn't compromise artistic standards. The acting is wonderful (including the superbly talented Lee Young Hoon, who is simply heartbreaking), and Leesong Hee-il's script and direction are top-notch - all the more remarkable when one considers that this was the first feature-length film for both men. Yes, the film does take an unexpected narrative shift toward the end - one that may strike some first-time viewers as implausible - but subsequent viewings should enhance one's understanding of the reasons for this change. And while it's also true that the English subtitles could have been better, I certainly had no difficulty following them.

A great film - and one that I've returned to many times. I can't wait to see what the very gifted Leesong Hee-il comes up with next.

This movie gave me one of those very rare and difficult to describe experiences, where I was completely riveted during the film, then literally ecstatic afterward thanks to the artistic brilliance on display here. I saw it at the San Francisco Frameline film festival 6/07. Maybe my experience was personal, and maybe I just enjoyed the movie more than anyone in the audience that night, I really can't say. But wow! I wanted to jump for joy when it was over. So unique, inventive, fascinating, unexpected, beautifully acted (beautiful in all senses of the word), and with direction so insanely brilliant it was a gift to this movie lover. There are some great films coming out of S. Korea; this is one. See it if you can.

I was very surprised at the quality of this film. Script, direction and performances were superb. It is a gritty, often violent romance between two young men of different classes and the love that almost destroys them.

Su-Min is an 18 year old orphan who comes to the city of Seoul, Korea to find work so that he can put himself through college and gain an education. He works at a variety of jobs, one of which is a car service. Here he meets the tortured Jae-Min Song, a wealthy closeted young man, who is trapped by his parents into a soon to be heterosexual wedding.

Jae-Min falls hard for Su-Min, who rejects him because of his contempt for the rich and careless. When Su-Min loses his jobs, he turns to a life of prostitution in an all-male brothel, where Jae-Min tracks him down as a client, only further gaining Su-Min's contempt.

It is Jae-Min's true love and constant pursuit of Su-Min that finally wins him over. The jaded Su-Min allows himself to return the love, but the road to happiness is paved with many pitfalls, all arising out of the class hatred and opposite backgrounds of the two protagonists.

The film's first half occurs almost always at night in murky and oftentimes unpleasant locations. When love blossoms it is all sunlight playing over naked bodies. Then night falls once again.

The script is very believable in depicting the conflicts of the main characters, although it has some plot continuity problems at times. The subtitles are poorly written and spelled, but one can grasp what is happening at all times.

Both Lee Young-hoon as Su-Min and Kim Nam-gil as Jae-Min turn in extraordinary emotional performances - every nuance from elation to grief is superbly expressed. Director-writer Leesong Hee-il in his first feature has the firm control over every detail of a veteran film director and does an astonishing job here.

This is the best gay-themed film to come out of Asia and the Pacific Islands thus far and is close to masterpiece status. One of the great film experiences for gay audiences.

An orphan's love story with a son of rich businessman. This is not unusual, but I like the character of su-min, he is very natural as a straight-acting gay guy. The depiction of the sea landscape is also very representative of the story. And when the story was almost slided by a korean twist of thriller, i held my breath. Then it turns out ok. Well, I was hoping something in between of suspense and happy-ending drama, though.

NO REGRET (HUHWIHAJI ANHA) is an impressive film from Korea, especially in that it is the first venture for writer/director Hee-il Leesong who gives evidence of not only a his ability to create a film that examines life in Korea in a verismo style, but also knows how to cast and direct a crew of actors in a polished manner. He is most assuredly a new artist to watch.

NO REGRET takes many chances with the story of Korean orphans growing to the age of self- sufficiency without the guidance of parents, fending out a life with the sole support of their fellow orphans. The boys in this story come from the country with little exposure to the city life of Seoul and the tough choices that must be made to survive. The other side of the story reflects the wealthy young men who come from homes burdened with high expectations and preordained 'lives' of inheriting the family business, marrying the right girl, continuing the level of 'sophistication' to which they were born. NO REGRET places a member of each of these disparate groups together and the impact of opposite backgrounds is the thread that weaves so well through this love story.

Lee Su-min (the remarkably gifted newcomer Young-hoon Lee) is the orphan who works at menial jobs until he finds a source of good money as a rent boy in a company called XLarge. Su-min adapts well as he is apparently comfortable with his sexuality: his fellow ex-orphans who work at XLarge present the gamut of types that find prostitution monetarily if not emotionally rewarding. At a chance encounter Su-Min meets Song Jae-min (Nam-gil Kim) and while the attraction is one sided at first, Jae-min is bound by family expectations to marry and take over the family business and has not come to grips with his sexuality. Fear and recognition of class differences keeps Su-min from responding to the near stalking Jae- min, but eventually the attraction blossoms and differences seem to disappear. The two young men have found love, but Jae-min must cope with the expectations of his family - the results being devastating to both men in different ways. How the relationship works through this rocky road is the essence of the film and to discuss the ending would be to destroy the impact of the film.

Every aspect of this film - writing, directing, acting, lighting, music, editing - is first rate. No one who sees this film will be able to escape the impact of the characterization by Young- hoon Lee: his screen presence is magnetic and his range of acting is solid. He definitely is a rising star. As for writer/director Hee-il Leesong, here is a man who not only knows the art of story telling but also the sensitive insight as to the parameters of both economy and exposition when each element of the story calls. Highly recommended. Grady Harp

I saw this movie at PIGLFF (Philadelphia film festival). It was an incredible movie and I am so glad that it finally made it to DVD. It is one of the best GLBT Asian films to come out in the past 5 years. I judge a movie on whether it is worth paying full price/matinée/Netflix/"can't give it away" and this movie is definitely worth paying full price to watch. Some may comment it is over the top but American viewers have to remember that Asian sensibilities and their respective story lines are different. This movie is so worth watching and enjoying. I will admit the movie is a bit slow in parts but the overall product is highly satisfying. The actors do an amazing job especially the main protagonist, Lee Su-Min (played by the very cute Lee Young-Hoon). To get the full effect of this movie or any sub-titled movie, it is worth watching twice to capture anything that you miss. You won't be disappointed in watching this!

I just finished watching this movie and I don't have words to summarize the emotion it places on you, the roller coaster ride of ups and downs and twists. I have never seen anything like this movie. The last 30 minutes of this film is unlike anything I have ever seen or experienced in a movie in my entire life. The visuals of the last 30 minutes -- I've never seen anything like that -- I've never had that kind of emotional experience from a film. There are so many scenes in this movie that stay with you, that pull at you, that are universal. You don't need to be gay, or Korean, or anything like the characters in this film because the emotions and experiences are universal, shared by everyone.

It is a must see. Do not doubt for a moment the payback you will receive from locating, buying and spending two hours with this movie.

If anyone connected to this movie's distribution or production is reading this -- please put out a high definition version of the DVD. Please!

The one negative review here (at this writing) says a lot more about the reviewer than it does the movie. Someone who complains about the lack of nudity in this film was looking for something completely different. The art of this superb film flew directly over his head.

This story of obsessive love and desire between two guys who are at opposite ends of the economic and social scale is haunting and beautiful. I watched it. I thought about it for an hour or so. Then I had to watch it again to make sure the film was as good as it seemed.

It is. This story is completely unpredictable. It's kind of amazing that you're pretty sure you know where the story is headed, and then it takes a turn that knocks the wind out of you.

This is a first rate production--acting, script, cinematography, everything. I think this is going to bump something off my top ten gay-themed film list. But I will watch again to make sure. That's how watchable it is.

For me, this film depicts a time and place and circumstances that I am more than willing to get lost in.

really moving and endearing story of a love that seems doomed from the beginning,terrific acting especially by Young Hoon Lee who brings beauty and charisma to this demanding role. I watched this with open eyes which turn many times to eyes of tears, the film has twist and turns and a very surprising end, the gay interest is handled with compassion and skill. If you want a film to entertain and flood your emotions,watch this film. I targeted this film because of the content but was amazed how easy it was to be emotionally involved with the lead characters,filmed in a professional way with great effort taken to run the emotions of the film and the prejudices of society and the families involved, I saw no downside for this movie.

Watched many hollywood & few other countries Homosexual love stories but want to say this movie was on top among all G theme movies,Series Direction,Script,story all was soo good,Music was heart touching,Acting was outclass by both lead,A must watch only Asian director perfectly potray human emotions perfectly & in deep

I've been trying to think if I've ever seen a stupider and more annoying movie than this one. I'm sure I must have, but I can't remember any right now. I often disagree with other reviewers, but I can't remember another movie that got almost universally good reviews that I absolutely hated. I kept expecting it to get better, but it just kept getting worse.

Both leads, even the orphaned hustler - actually, everybody in this stupid movie - they're ALL selfish, arrogant, unattractive, manipulative people, expecting everybody else to bend under the pressure of their relentless, selfish demands - without EVER showing ANY sign of ANYTHING the least bit attractive to make such a surrender desirable.

If this were meant as a clinical study in extreme, unrelenting human dysfunctionality and co-dependence, I might have been able to stand it - just barely - but romance? PASSION? What movie did these people see? Not the one I saw. Not the mindless, petty, self-indulgent, tantrum-filled, grossly overwrought, hand-wringing, tear-jerking, IDIOTIC soap opera I just spent almost two hours with.

"Prepare to be captured and enthralled for every minute, beginning to end." Well... I was prepared, but I was not ever, not for one second, captured (unless being held hostage counts) or enthralled, or even mildly interested. And "Strong sexual content"? "Nudity"? WHAT nudity? I didn't see any, unless a shirtless man smoking a cigarette merits an adults-only rating now. What a profoundly disappointing and irritating afternoon this has been. This is the worst movie I've seen in ages, if not ever.