User Reviews

To be honest I mostly don't like the movies of my country. I'm always thinking why they don't make movies on a quality like the french. So I was a little bit upset as my girlfriend wanted to see this one. But this movie is really good. The story and acting is in a really good balance. It goes deep but not too deep. It is dramatic but with the right amount of releasing laughter. And without an to dramatic end. Although we had a fun time after the movie talking about real intimate stories with our friends. I really enjoyed it and I really hope other german movie maker watched and learned about what is possible even in germany.

Don't expect deep truth or drama, this movie is probably the best German sitcom you'll ever encounter and the closest a German script comes to the early Woody Allen. The basic idea (don't show ur mobile to your partner) is not too clever and according to another review has been screened before, but the actors play well, not all of the story's twists are predictable and I enjoyed the movie. Most of the jokes are about sex but you have to lack any sense of humor if you find them offensive or against heteros or homos. Take it for what it is, a light comedy.

The movie is a very sound mix of drama and comedy. Thanks to an exceptional cast, a very well thought through script and very good directing / editing, the movie is really enjoyable and comes across as a serious melodrama with funny elements but never as a cheap comedy. The cast delivers a very good and credible performance. Also the script is very good and tells the story without unnecessary length while the funny elements are measured. Overall a highly recommended German movie.

Perfekte Geheimnis" ist eine oft komische Komödie. Der Film basiert auf der zuerst in einem italienischen Kinodrama aus dem Jahr 2016 ausprobierten Idee, dass eine Abendessengesellschaft aus dreieinhalb befreundeten Pärchen sämtliche Handys auf den Tisch legt und jeden Anruf, jede Text- oder Bild-Nachricht im Kollektiv entgegennimmt.

Die Smartphones seien die "Flugschreiber unseres Lebens", behauptet die von Jessica Schwarz gespielte Psychotherapeutin Eva zu Beginn des Films. Offenbar unterstellt sie nicht nur ihrem Mann Rocco, den sie neuerdings "penetrant gutgelaunt" findet, dass sich auf seinem Mobilgerät Belege für peinliche Unternehmungen finden könnten. Alle Schauspieler sind wirklich gut und Ihre Leistingen fast perfekt.

Kinda stupid, SUPER constructed and an underwhelming. But nevertheless, really entertaining.

Lau, Schwarz and Möhring are great, Herfurth is excellent. Haase is solid. M'Barek lacks and Fitz comes short. Not a surprise though.

There's really not much sense in talking about the story. It's adapted, it's constructed all the way through.

The first hour is great, honestly.

But where most movies do wrong, aka drag on for too long in the middle, "Das perfekte Geheimnis" does the opposite. The pace picks up IMMENSELY during the end of the second act, unfortunately. Leading to a very rushed ending and therefore, an unsatisfying conclusion.

Leaves a bad taste in the mouth and would otherwise have definitely earned an 8/10.

The lighting is so very artificial, but a casual viewer won't notice. Some minor technical issues.

Overall, refreshing and quite entertaining.

But having 80% of Germany's A-Class in a single movie will do the trick. Seems like a big friendship project and less like Constantin Film's usual lazy cash grab.

The prejudice, the lobbyism and privilege still shines through underneath all the pseudo-awareness of social issues.

7 rich people doing superficial stuff. Am I talking about the characters or the actual actors? Who knows.

Enough of the critique.

Finally a funny German comedy.

7/10.

German comedies are rare in Germany. Or rather, good German comedies are rare. What the author Bora Dagtekin shows us here is a wonderfully thought-out film that takes place almost exclusively in one room. Seven friends meet for dinner and put their cell phones on the table. No more secrets. The film is meticulously thought out and exciting until the end. The actors carry the story excellently and are wonderfully cast. Anyone who wants to see a good German film again, this is the right one.

A remake of an Italian original, excellently written, full of funny and truly unexpected surprises. Very well played by most of the cast. Didn't feel like 144 minutes at all.

I am not a fan of German comedies at all, having suffered through numerous Til Schweiger movies amongst others. That's why I was totally surprised by "Das perfekte Geheimnis". It is a very dense movie experience, similar to theater. If you have seen "Carnage" you know what I mean. Almost all of the plot takes place in the living room of one couple. The actors are brilliant, the plot is very clever (although taken from the French/Italian origignal title). And the movie has an air of quality that almost all other German comedies so hurtingly lack. As for the criticism of homophoby and misogyny, I was surprised when reading about it. Yes, there are characters using careless language about their gay friend. But those are immediately corrected by other, more sensitive friends. Also, the topic of child care by either men or women is discussed. But I couldn't see any specific trend towards misogyny. The spite is distributed evenly between men and women, and quite funniliy I might add. Overall, I find it hard, if not impossible to burden a comedy with the duty to carry a perfect picture of a perfect society. Go see it!

German comedy is often a bit shallow and predictable. This one, once you accept the premise of the phones revealing everything in one evening, is delightful in its many turns and surprises. The dialogue is witty and clever. Yes, there is homophobia and other non PC things going on, but they take a turn and "fix" it again on the fly. And yes, it does carry a message: Communicate! Whatever the cost, not communicating is worse. My full recommendation.

Its a very nice and simple intimate play with good actors.

Of course, it´s a comedy and the screenplay is way over the top, but overall the experiment, uncovering the average modern liberals hypocritical attitudes and little secretes is more than just silly entertainment.

Rather good watch.

Misogynist. Homophobic. And not funny at all! Waste of time!

I really enjoyed watching this movie. Every minute of the movie is made in a way that is not boring. It also deals with one of the main problems of families. Good writing and good acting and directing.

Honestly if you enjoy cheap, scripted reality tv humor than this is a movie for you. If you actually love intelligent stories that make you laugh but also deliver an important message - don't bother. Not the only one who thinks like that. Many reviews talk about the homophobic "jokes" and the terrible handling of serious topics - because you can talk about/show "heavy" problems and still make them funny. Sadly no one tried it with this movie. The italian and french versions are not perfectly innocent either but the german version simply lacks thought and ambition to actually be more than just a cheap laugh for people who do not acutally care about good comedy.

One of the best german movie and every minute is worth watching and go ahead and watch it its a breath of fresh air in a controlled agenda pushing movie industries around the world

Sorry people, I understand your happniess for a successful German comedy, but it is unfortunately remade. Original movie is Perfetti Sconosciuti. There are other versions such as Cebimdeki Yabanci, Le Jeu. Please do some research already :) My expectations for the director is very low though- considering his previous movies/series (e.g Türkisch für Anfänger), we are familiar with his non-existant humor. He does some so-called 'irony' for a comedy, which is nothing but humiliating Turkish people for years, (and which is completely unrealistic for the majority of Turkish people). Such a waste of time.

One of the apparently 22 remakes of the original Italian movie that sparked them. And what a great movie that was. But as it seems not one that can not be remade and in certain instances even improved. There are some fine tweaks made to the plot and the characters that work quite nicely - for those who have seen the original but also for the new ones - to enhance everyones viewing experience.

Of course there are also things that worked way better in the original - especially when it comes to the dialog of key scenes. But that's nitpicking - because overall this is very well done. And if you haven't seen the other one, you are probably wondering what I am going on about. Secrets are a delicate thing - big secrets especially. This does not end the way the original ended. For better or worse ... again a few things have been handled better and one thing is ... painfuly to watch - pun intended. And not giving out any good moral or otherwise advice to the viewers either ... that aside, the acting is fine, the story is more than fine and this is therefor one of the better German movies that were produced that year.

This movie is impressive, but not in the way that (the presumably paid) positive reviews put it. It is the most forced drama I ever witnessed on screen, with laughably stupid dialogue, a "twist" that you can see a mile ahead and banal moral lesson at the end. The whole script is basically one tired cliché after another, taken straight out of a telenovela, and induces lethal levels of cringe from start to end. I sincerely don't understand how anyone can manage suspension of disbelief, as the premise is unrealistic, especially more so as the story progresses.

Of course, to satisfy the Current Thing, the "good guy" turns out to be someone other than what he appears to be, and cheap shots are fired at the "bigots", so that the intellectually lazy can pat themselves on the shoulder. This stands in contrast to the cynical and unlikeable way the "friends" interact with each other for the whole evening. There is overt ridicule, backstabbing, envy and just plain aggression that in the real world would turn friends to enemies in a second, but apparently not in this parallel universe of make-belief scriptwriting.

The camera work was okay, the acting mixed with some good and bad outliers, but there is no way to save the viewer from an overdose of Fremdscham. Take this as a warning and spend your time in some superior way, eg getting drunk at the gas station with cheap Lambrusco.

German comedies are not only stupid, unfunny and primitive, they also spread fire-threatening ideologies: Til Schweiger is not an isolated case, his colleague Bora Dagtekin has already taught the audience to despise the poor with his " Ju Göhte" series. Only those who submit to the dictates of the majority are integrated. This motif now returns in Dagtekin's new comedy "The Perfect Secret", but this film now has new victims: women and gays. Til Schweiger's film "Klassentreffen 1.0" was already homophobic and misogynistic, Dagtekin's work follows on from it, even though he proceeds a little more subtly - and thus is actually only more perfidious.