I almost feel bad about not liking X Cross all that much. Its not that its an impeccably crafted film that I simply don't enjoy, no sense of guilt here, but for a film feted by most reviewers as great fun and pretty righteous stuff, it had little impact on me. Two girls head to a remote mountain village for hot springs and relaxation, one has recently suffered a bad breakup and her more free-wheeling friend is with her to help cheer her up. Unfortunately the village is home to a crazed cult with bad things in mind
It's a nifty set-up and for the first half hour or so the film looks as if it'll power up into a neat little suspenseful chase film, but this never quite materialises. The big problem is that while the film handles its build up well, the townsfolk are never menacing and their appearances or scenes of pursuit are never well directed. What should be pulse pounding stuff is simply a big fat meh, and excitement is mostly provided by a subplot involving a very angry lady with over-sized scissors and a grudge against the heroines friend. These scenes are a lot of fun and have all the action and dynamism that seems absent from the cult encounters. Fortunately, though director Kenta Fukasaku may be flawed in this respect, he does seem to have inherited some of his dads playful style and flair for intrigue. There are perspective shifts a-plenty, fast rewinds and intertitles, plus shifting loyalties and twisting character motivations, which combined with the fast pace give the film a fairly compelling grip that works beyond its actual quality. Plus Ami Suzuki and Nao Matsushita are pretty decent as the two leads, Matsushita as the disheartened Shiyori and Suzuki as her outgoing yet somewhat insensitive and inconsiderate pal. The setting works well too, a sense of uncanny semi luxury what with the remote location, hot springs and multitude of picturesque cabins, though the best moments of the film occur in a toilet and a junkyard. Handy set designs, workable atmosphere, everything is set up just right but the film remains resolutely a damp squib outside of the aforementioned scissor-lady. Its never bad exactly, just weak, though it has a few fine spots and a suitably wacky ending that goes out on just the right note. So altogether, about a 5/10 or so. Maybe I'll like it more on a second view, but for now its simply pretty average.