Jane Schoenbrun’s “I Saw The TV Glow,” out in limited theaters now, is about teenagers Maddy (Brigette Lundy-Paine) and Owen (Justice Smith), who bond over a “Buffy the Vampire Slayer”-style TV show, “The Pink Opaque.” As they continue to get more into the lore of the television show, the edges blur between the reality of their lives and “The Pink Opaque.”
Schoenbrun has described “Buffy” as a pivotal show for them while they were growing up, so creating their version of that felt like giving their 13-year-old self a gift. So getting “The Pink Opaque” just right was monumental.
The premise of “The Pink Opaque,” like most ’90s shows, is perfectly silly and immediately nostalgic. Isabel (Helena Howard) and Tara (Snail Mail’s Lindsay Jordan) meet at summer camp and realize they have an ancient, psychic connection. When camp ends, the two are able to meet on a...
Schoenbrun has described “Buffy” as a pivotal show for them while they were growing up, so creating their version of that felt like giving their 13-year-old self a gift. So getting “The Pink Opaque” just right was monumental.
The premise of “The Pink Opaque,” like most ’90s shows, is perfectly silly and immediately nostalgic. Isabel (Helena Howard) and Tara (Snail Mail’s Lindsay Jordan) meet at summer camp and realize they have an ancient, psychic connection. When camp ends, the two are able to meet on a...
- 5/9/2024
- by Kerensa Cadenas
- Indiewire
After popular (co-signed with Kentucker Audley) feature film projects of Sylvio (2017) and Strawberry Mansion (2021), for his latest solo effort (away from animation), Albert Birney finds himself in front of the camera alongside small critters in cicadas and a larger critter in a pooch for what could be an homage to the past and a certain nostalgia to gaming of a different time. Produced by filmmaker Pete Ohs and Emma Hannaway, we can certainly feel that some of the cool quirks in the Baltimore-based filmmaker’s Obex (which could land in 2024 or 2025) that we can witness in his filmography.…...
- 12/10/2023
- by Eric Lavallée
- IONCINEMA.com
India Donaldson picked up the Polish Film Institute Award for her upcoming feature “Good One” at the American Film Festival in Wrocław, coming with a $50,000 cash prize for post-production in Poland.
“It’s an affirmation of how we have been working and what we have been working towards,” Los Angeles-based Donaldson told Variety after the ceremony.
“Good One” – presented during Aff’s industry event U.S. in Progress and set to be finished in January 2024 – sees 17-year-old Sam heading on a weekend backpacking trip in the Catskills with her father and his oldest friend.
“It’s a very personal story, although I wouldn’t say it’s autobiographical,” said Donaldson, who wrote the film during the pandemic.
“I was living at home for the first time since I was a teenager. With my father, my stepmother and my two teenage half-siblings, who were at high-school at the time. For the most part,...
“It’s an affirmation of how we have been working and what we have been working towards,” Los Angeles-based Donaldson told Variety after the ceremony.
“Good One” – presented during Aff’s industry event U.S. in Progress and set to be finished in January 2024 – sees 17-year-old Sam heading on a weekend backpacking trip in the Catskills with her father and his oldest friend.
“It’s a very personal story, although I wouldn’t say it’s autobiographical,” said Donaldson, who wrote the film during the pandemic.
“I was living at home for the first time since I was a teenager. With my father, my stepmother and my two teenage half-siblings, who were at high-school at the time. For the most part,...
- 11/11/2023
- by Marta Balaga
- Variety Film + TV
Following Montreal’s 2023 Frontières Market, New York sales agent Visit Films has scooped world sales rights to “Booger,” headlining “Strawberry Mansion” star Grace Glowicki and exec produced by Ley Line Ent. and Neon Heart Productions, behind “Everything Everywhere All at Once” and “Shiva Baby” respectively.
A sometimes excruciating genre bending and blending body horror comedy about intense early adult friendship and grief at its loss, “Booger” is wrapped in a tale of supernatural transformation. Marking the feature debut of Mary Dauterman, it world premiered July 24 in the Underground section of Montreal’s Fantasia Film Festival, the biggest genre fest in North America.
“Booger” is produced by Lexi Tannenholtz (Shudder’s “Bad Things”) and executive produced by Neon Heart Productions (“Cora Bora”), Ley Line Entertainment (A24’s “Everything Everywhere All At Once”), Sanctuary Content, One Two Twenty Entertainment (Oscilloscope’s “Joyland”) and Lizzie Shapiro (Utopia’s “Shiva Baby”).
Written by Dauterman,...
A sometimes excruciating genre bending and blending body horror comedy about intense early adult friendship and grief at its loss, “Booger” is wrapped in a tale of supernatural transformation. Marking the feature debut of Mary Dauterman, it world premiered July 24 in the Underground section of Montreal’s Fantasia Film Festival, the biggest genre fest in North America.
“Booger” is produced by Lexi Tannenholtz (Shudder’s “Bad Things”) and executive produced by Neon Heart Productions (“Cora Bora”), Ley Line Entertainment (A24’s “Everything Everywhere All At Once”), Sanctuary Content, One Two Twenty Entertainment (Oscilloscope’s “Joyland”) and Lizzie Shapiro (Utopia’s “Shiva Baby”).
Written by Dauterman,...
- 8/1/2023
- by John Hopewell
- Variety Film + TV
Writer/Director Mary Dauterman’s feature directorial debut, Booger, promises to take audiences on a grossly sweet journey. Ahead of its world premiere at the Fantasia International Film Festival, Bloody Disgusting can exclusively reveal first look images that teases an unpredictable ride ahead for the genre-bending metamorphosis thriller.
In the film: “After Booger, her dead friend’s cat runs away, Anna (Grace Glowicki) grows desperate to find him, ignoring the fact that her life (and body) are totally falling apart. A psychedelic, grotesque, and unexpectedly funny film about grief and the indescribable deepness of female friendships, Booger offers a shocking mix of genres with confidence and profound emotional impact.”
These exclusive images suggest a deeply transformative voyage ahead for Anna.
“Booger is a disgusting comedy about grief. Or a body horror that’s funny and sad. Or a tragedy that makes you laugh and squirm,” says writer/director Dauterman on her film.
In the film: “After Booger, her dead friend’s cat runs away, Anna (Grace Glowicki) grows desperate to find him, ignoring the fact that her life (and body) are totally falling apart. A psychedelic, grotesque, and unexpectedly funny film about grief and the indescribable deepness of female friendships, Booger offers a shocking mix of genres with confidence and profound emotional impact.”
These exclusive images suggest a deeply transformative voyage ahead for Anna.
“Booger is a disgusting comedy about grief. Or a body horror that’s funny and sad. Or a tragedy that makes you laugh and squirm,” says writer/director Dauterman on her film.
- 7/21/2023
- by Meagan Navarro
- bloody-disgusting.com
When we meet Ben Grady (Grant Rosenmeyer), he can barely lift himself out of the living room chair. By the end of this lo-fi indie drama, he’s soaring among the clouds like some kind of schlubby superhero — or one of those kids from “Chronicle” — having mastered what “The Secret Art of Human Flight” calls … well, you heard the title. Maybe not “mastered” exactly, but Ben’s finally getting the hang of it, and that’s exhilarating, since flying couldn’t be farther from the state we found him in earlier, wallowing in melancholy after the unexpected death of his wife Sarah (Reina Hardesty).
As presented by director H.P. Mendoza, Ben and Sarah were practically the cutest couple you could imagine. They published children’s books together and made video diaries for their followers on TikTok, which Ben insisted they turn into a kind of insurance policy so that each...
As presented by director H.P. Mendoza, Ben and Sarah were practically the cutest couple you could imagine. They published children’s books together and made video diaries for their followers on TikTok, which Ben insisted they turn into a kind of insurance policy so that each...
- 6/9/2023
- by Peter Debruge
- Variety Film + TV
Dear Producer, founded by producer Rebecca Green, has announced the four recipients of its 2023 Dear Producer Award, now in its second year. IndieWire shares the recipients exclusively below.
Each producer will receive an unrestricted grant of $50,000, attend a retreat focused on rest and community building, and commit to mentoring an emerging producer for one year. This award is part of Dear Producer’s ongoing commitment to amplify the role of the producer and provide the independent film community with resources to build a more sustainable future.
The Dear Producer Award is sponsored by Facet, founded by Maida Lynn, which embraces creative non-fiction filmmaking by visionary artists.
Green noted the timeliness of this award in a statement shared with IndieWire: “With the WGA strike underway, producers are confronted with the harsh reminder that unlike their collaborators, producers do not have minimum salary protections, healthcare or pension contributions, or residuals.”
A Producers Sustainability Survey,...
Each producer will receive an unrestricted grant of $50,000, attend a retreat focused on rest and community building, and commit to mentoring an emerging producer for one year. This award is part of Dear Producer’s ongoing commitment to amplify the role of the producer and provide the independent film community with resources to build a more sustainable future.
The Dear Producer Award is sponsored by Facet, founded by Maida Lynn, which embraces creative non-fiction filmmaking by visionary artists.
Green noted the timeliness of this award in a statement shared with IndieWire: “With the WGA strike underway, producers are confronted with the harsh reminder that unlike their collaborators, producers do not have minimum salary protections, healthcare or pension contributions, or residuals.”
A Producers Sustainability Survey,...
- 6/5/2023
- by Ryan Lattanzio
- Indiewire
If movies can, in their most ambitious form, take audiences to wild new worlds, it’s also true that most viewers prefer not these boldly imagined environments, but instead quite comfortable and familiar vistas. This axiom is richly evidenced in A Week in Paradise, a romantic drama-comedy which serves chiefly as a cinematic travelogue for the […]
The post Blu-ray/DVD Column: Strawberry Mansion, A Week in Paradise, V/H/S 94, The Living Dead at Manchester Morgue appeared first on Shockya.com.
The post Blu-ray/DVD Column: Strawberry Mansion, A Week in Paradise, V/H/S 94, The Living Dead at Manchester Morgue appeared first on Shockya.com.
- 2/3/2023
- by Brent Simon
- ShockYa
Winnie Cheung’s “Residency,” which has its world premiere in the Bright Future section of Intl. Film Festival Rotterdam, has debuted its trailer (below). Alief is selling the film, which is a “haunting metafictional tale about female artists pushed beyond their limits at a cursed artist residency.”
The film, set at New York artists’ studio The Locker Room, is described by Alief’s Miguel Angel Govea as “an adventurous take on the final girl horror trope.” It is a “hybrid feature dancing between fiction and non-fiction norms that plays like a punk rock cover of Gaspar Noé’s ‘Climax.'”
Cheung commented: “Rather than representing women as sexualized victims through the traditional lens of male fantasies, I’m exploring the real horror behind the anxiety of being a female artist, which is often mixed in with pleasure, delirium and joy.”
Cheung was the editor and one of the producers of “Woodlands Dark and Days Bewitched,...
The film, set at New York artists’ studio The Locker Room, is described by Alief’s Miguel Angel Govea as “an adventurous take on the final girl horror trope.” It is a “hybrid feature dancing between fiction and non-fiction norms that plays like a punk rock cover of Gaspar Noé’s ‘Climax.'”
Cheung commented: “Rather than representing women as sexualized victims through the traditional lens of male fantasies, I’m exploring the real horror behind the anxiety of being a female artist, which is often mixed in with pleasure, delirium and joy.”
Cheung was the editor and one of the producers of “Woodlands Dark and Days Bewitched,...
- 1/27/2023
- by Leo Barraclough
- Variety Film + TV
A simple listing, duplicated from the in cinemas UK and Ireland page, of new releases and other films now playing, for the benefit of those playing along by RSS or keeping up via the Weekly Digest emails (sign up here).
The most up-to-date version of this listing is always here.
opening Sep 16
Hatching Clerks III
I’m planning to see…
Strawberry Mansion*
(*also available to stream at home)
2022’s films, ranked by maryann 2021’s films, ranked by maryann all reviews, 1997–today
now in cinemas
Elvis* Everything Everywhere All at Once* Good Luck to You, Leo Grande* Nope* See How They Run Beast DC League of Super-Pets* Eiffel Fall The Forgiven Orphan: First Kill Top Gun: Maverick Blackbird Bullet Train Jurassic World Dominion
This post will be deleted at 11:59pm on Tuesday October 18th, 2022.
(please click through for commenting, social networking, tags, and more)...
The most up-to-date version of this listing is always here.
opening Sep 16
Hatching Clerks III
I’m planning to see…
Strawberry Mansion*
(*also available to stream at home)
2022’s films, ranked by maryann 2021’s films, ranked by maryann all reviews, 1997–today
now in cinemas
Elvis* Everything Everywhere All at Once* Good Luck to You, Leo Grande* Nope* See How They Run Beast DC League of Super-Pets* Eiffel Fall The Forgiven Orphan: First Kill Top Gun: Maverick Blackbird Bullet Train Jurassic World Dominion
This post will be deleted at 11:59pm on Tuesday October 18th, 2022.
(please click through for commenting, social networking, tags, and more)...
- 9/18/2022
- by MaryAnn Johanson
- www.flickfilosopher.com
Universal’s ‘Moonage Daydream’ and Sony’s ‘Hallelujah: Leonard Cohen, A Journey, A Song’ both out.
Two modern music icons face off at UK-Ireland cinemas this weekend, with the release of David Bowie documentary Moonage Daydream and Hallelujah: Leonard Cohen, A Journey, A Song.
Opening in 50 sites, most of which are Imax, Universal’s Moonage Daydream is a journey through Bowie’s creative and musical output. The film, which launched as an out-of-competition Midnight Screening in Cannes this May, is written, directed, edited and produced by US filmmaker Brett Morgen.
Moonage Daydream has the backing of the David Bowie estate...
Two modern music icons face off at UK-Ireland cinemas this weekend, with the release of David Bowie documentary Moonage Daydream and Hallelujah: Leonard Cohen, A Journey, A Song.
Opening in 50 sites, most of which are Imax, Universal’s Moonage Daydream is a journey through Bowie’s creative and musical output. The film, which launched as an out-of-competition Midnight Screening in Cannes this May, is written, directed, edited and produced by US filmmaker Brett Morgen.
Moonage Daydream has the backing of the David Bowie estate...
- 9/16/2022
- by Ben Dalton
- ScreenDaily
Disney release “See How They Run,” starring Saoirse Ronan and Sam Rockwell, debuted atop the U.K. and Ireland box office with £1.1 million (1.3 million), according to numbers released by Comscore.
The top four releases of the weekend were all debuts and a rerelease. Paramount’s animated sequel “Tad the Lost Explorer and the Curse of the Mummy” debuted in second place with £818,525.
Universal’s rerelease of Steven Spielberg’s “Jaws,” including an IMAX version, collected £524,233 in third position.
In fourth place, Disney’s big budget Bollywood action fantasy “Brahmāstra Part One: Shiva,” starring Ranbir Kapoor and Alia Bhatt, bowed with £516,943, while Sony’s “Bodies Bodies Bodies” debuted in seventh position with £351,159.
Two box office champions continued their sway over the box office in the top 10. In fifth position, Universal’s “Minions: The Rise Of Gru” collected £382,581 in its 11th weekend for a total of £44.7 million. And in ninth place, Paramount...
The top four releases of the weekend were all debuts and a rerelease. Paramount’s animated sequel “Tad the Lost Explorer and the Curse of the Mummy” debuted in second place with £818,525.
Universal’s rerelease of Steven Spielberg’s “Jaws,” including an IMAX version, collected £524,233 in third position.
In fourth place, Disney’s big budget Bollywood action fantasy “Brahmāstra Part One: Shiva,” starring Ranbir Kapoor and Alia Bhatt, bowed with £516,943, while Sony’s “Bodies Bodies Bodies” debuted in seventh position with £351,159.
Two box office champions continued their sway over the box office in the top 10. In fifth position, Universal’s “Minions: The Rise Of Gru” collected £382,581 in its 11th weekend for a total of £44.7 million. And in ninth place, Paramount...
- 9/13/2022
- by Naman Ramachandran
- Variety Film + TV
"Well, why are they trying to kill me?" "Because of what you know." Bulldog Film in the UK has reposted the official trailer for the indie film Strawberry Mansion, from filmmakers Kentucker Audley & Albert Birney. This first premiered at the 2021 Sundance Film Festival and was one of my favorite films of the fest that year. This one already opened in February in the US, but since no one saw it back then and no one even mentioned it, I'm posting this trailer anyway because I want to bring more attention to it again. In a future where the government records dreams and taxes them, a dream auditor gets caught up in the dreams of an ageing eccentric… Starring Kentucker Audley and Penny Fuller, along with an kooky cast of characters including Grace Glowicki, Reed Birney, and Linas Phillips. The film is similar to The Science of Sleep (one of my...
- 8/11/2022
- by Alex Billington
- firstshowing.net
Bulldog Film Distribution has exclusively released a new clip from the upcoming surreal feature ‘Strawberry Mansion.’
In a future where the government records dreams and taxes them, a dream auditor gets caught up in the dreams of an ageing eccentric…
Written and Directed by Kentucker Audley & Albert Binney, the film stars Kentucker Audley, Grace Glowicki, Penny Fuller, Reed Birney, Constance Shulman and Linas Phillips.
Also in news – Kumail Nanjiani features in first look images for ‘Welcome to Chippendales’
The film hits select cinemas and on demand 16 September. Here’s the exclusive clip.
And here’s the film’s official trailer.
The post Exclusive: Dreamy new clip from surreal feature ‘Strawberry Mansion’ appeared first on HeyUGuys.
In a future where the government records dreams and taxes them, a dream auditor gets caught up in the dreams of an ageing eccentric…
Written and Directed by Kentucker Audley & Albert Binney, the film stars Kentucker Audley, Grace Glowicki, Penny Fuller, Reed Birney, Constance Shulman and Linas Phillips.
Also in news – Kumail Nanjiani features in first look images for ‘Welcome to Chippendales’
The film hits select cinemas and on demand 16 September. Here’s the exclusive clip.
And here’s the film’s official trailer.
The post Exclusive: Dreamy new clip from surreal feature ‘Strawberry Mansion’ appeared first on HeyUGuys.
- 8/10/2022
- by Zehra Phelan
- HeyUGuys.co.uk
A New Zealand-based platform where fans track, review and share lists of movies old and new is an increasingly influential marketing tool for specialty film with budgets tight and audiences harder to reach.
Letterboxd, founded as a passion project by Auckland tech entrepreneurs Matthew Buchanan and Karl von Randow just over a decade ago, recently passed 6.5 million members, with 40-50 in North America followed by the U.K., Europe and breakout markets including Brazil, India, Australia, Indonesia and the Philippines. It has 4.4 million monthly visitors and 800 million monthly page views.
Since launch, users have logged a whopping 1 billion films they’ve seen, put 300 million films on watchlists and posted 76.8 million reviews. Average time spent per visitor per month across web and app is about 40 minutes.
Letterboxd has been profitable since 2019, which is “source of immense pride,” Buchanan tells Deadline. The founders early on declined venture capital backing, he said, to...
Letterboxd, founded as a passion project by Auckland tech entrepreneurs Matthew Buchanan and Karl von Randow just over a decade ago, recently passed 6.5 million members, with 40-50 in North America followed by the U.K., Europe and breakout markets including Brazil, India, Australia, Indonesia and the Philippines. It has 4.4 million monthly visitors and 800 million monthly page views.
Since launch, users have logged a whopping 1 billion films they’ve seen, put 300 million films on watchlists and posted 76.8 million reviews. Average time spent per visitor per month across web and app is about 40 minutes.
Letterboxd has been profitable since 2019, which is “source of immense pride,” Buchanan tells Deadline. The founders early on declined venture capital backing, he said, to...
- 8/5/2022
- by Jill Goldsmith
- Deadline Film + TV
British-French film company Alief has closed North America and French-speaking territories on “Cop Secret,” effectively now selling the Icelandic buddy cop spoof to over half the world’s major markets.
In North America, “Cop Secret” has scored a platform release with Epic Pictures. Extralucid Films has acquired France, Monaco, Luxembourg and French-speaking Belgium and Switzerland.
The writer-director feature debut of Hannes Thor Haldorsson, Iceland’s national soccer team goalkeeper, “Cop Secret” will bow in select theaters in North America on July 8 then on VOD on July 12.
The deals were put through by Patrick Ewald, president & CEO of Epic Pictures Group and Extralucid Films CEO Carine Bach and President Patrice Very. Alief President Brett Walker and partner Miguel Angel Govea negotiated on behalf of the filmmakers.
Walker and Govea are at the Cannes Film Market to continue the international roll-out of “Cop Secret,” which is already impressive.
Territories closed take in...
In North America, “Cop Secret” has scored a platform release with Epic Pictures. Extralucid Films has acquired France, Monaco, Luxembourg and French-speaking Belgium and Switzerland.
The writer-director feature debut of Hannes Thor Haldorsson, Iceland’s national soccer team goalkeeper, “Cop Secret” will bow in select theaters in North America on July 8 then on VOD on July 12.
The deals were put through by Patrick Ewald, president & CEO of Epic Pictures Group and Extralucid Films CEO Carine Bach and President Patrice Very. Alief President Brett Walker and partner Miguel Angel Govea negotiated on behalf of the filmmakers.
Walker and Govea are at the Cannes Film Market to continue the international roll-out of “Cop Secret,” which is already impressive.
Territories closed take in...
- 5/18/2022
- by John Hopewell
- Variety Film + TV
Writer-director Tinna Hrafnsdóttir’s critically acclaimed Icelandic psychological-mystery drama “Quake” has sold to Juno Films for North America and the U.K. as well as to Njuta Films for Sweden.
British-French production, distribution and sales company Alief is presenting the film at the upcoming Cannes Marché du Film.
Anita Briem stars as Saga, a single mother fighting to keep her young son while trying to piece together her life after losing her memory. Afraid of being considered unable to take care of her child, Saga attempts to hide her state from others as she searches for answers and recovers long repressed memories.
“‘Quake’ is a taut mystery-thriller that masterfully spirals toward a cathartic, emotionally satisfying resolution,” said Elizabeth Sheldon, Juno Films’ president and CEO. “The stunning cinematography reflects a barren cold landscape that in turn reflects the emotionally frigid familial relationships in a film that keeps you guessing — until the very end — what is true.
British-French production, distribution and sales company Alief is presenting the film at the upcoming Cannes Marché du Film.
Anita Briem stars as Saga, a single mother fighting to keep her young son while trying to piece together her life after losing her memory. Afraid of being considered unable to take care of her child, Saga attempts to hide her state from others as she searches for answers and recovers long repressed memories.
“‘Quake’ is a taut mystery-thriller that masterfully spirals toward a cathartic, emotionally satisfying resolution,” said Elizabeth Sheldon, Juno Films’ president and CEO. “The stunning cinematography reflects a barren cold landscape that in turn reflects the emotionally frigid familial relationships in a film that keeps you guessing — until the very end — what is true.
- 5/12/2022
- by Ed Meza
- Variety Film + TV
New Release Wall
“Encanto” succeeded with the notion of “no villain, except generational trauma,” and Disney keeps that idea going with the delightful “Turning Red” (Walt Disney Home Entertainment), a young woman’s coming-of-age story that’s a metaphor for any number of growing-up issues, including that moment when the “model” child begins to chafe at parental domination. It’s charming and adorable, and the boy-band songs by Billie Eilish and Finneas have already made their way into the latter’s stage act.
Also available:
“The Batman” (Warner Bros. Home Entertainment) Does a three-hour superhero saga have deleted scenes? You bet your bat-hook, and they’re on the 4K/Blu-ray/DVD release alongside other extras.
“Blacklight” (Universal Pictures Home Entertainment) Liam Neeson in the first of two (to date) 2022 thrillers that suggest that maybe it’s time for him to put down the gun.
“Cyrano” (MGM/Universal) Peter Dinklage gives...
“Encanto” succeeded with the notion of “no villain, except generational trauma,” and Disney keeps that idea going with the delightful “Turning Red” (Walt Disney Home Entertainment), a young woman’s coming-of-age story that’s a metaphor for any number of growing-up issues, including that moment when the “model” child begins to chafe at parental domination. It’s charming and adorable, and the boy-band songs by Billie Eilish and Finneas have already made their way into the latter’s stage act.
Also available:
“The Batman” (Warner Bros. Home Entertainment) Does a three-hour superhero saga have deleted scenes? You bet your bat-hook, and they’re on the 4K/Blu-ray/DVD release alongside other extras.
“Blacklight” (Universal Pictures Home Entertainment) Liam Neeson in the first of two (to date) 2022 thrillers that suggest that maybe it’s time for him to put down the gun.
“Cyrano” (MGM/Universal) Peter Dinklage gives...
- 5/6/2022
- by Alonso Duralde
- The Wrap
France-uk outfit alief represent international sales.
Bulldog Film Distribution has picked up UK-Ireland rights for Sundance premiere Strawberry Mansion, with a theatrical release planned for the summer.
The US title was picked up from alief – the France-uk sales, production and distribution outfit, following last month’s European Film Market (EFM).
Strawberry Mansion is written and directed by US filmmakers Kentucker Audley and Albert Birney, who previously worked together on SXSW premiere Sylvio.
It is a Guavatron production, in association with Ley Line Entertainment, Kaleidoscope Entertainment, Salem Street Entertainment, UnLtd Prods and Cartuna. It is produced by Emma Hannaway, Matisse Rifai,...
Bulldog Film Distribution has picked up UK-Ireland rights for Sundance premiere Strawberry Mansion, with a theatrical release planned for the summer.
The US title was picked up from alief – the France-uk sales, production and distribution outfit, following last month’s European Film Market (EFM).
Strawberry Mansion is written and directed by US filmmakers Kentucker Audley and Albert Birney, who previously worked together on SXSW premiere Sylvio.
It is a Guavatron production, in association with Ley Line Entertainment, Kaleidoscope Entertainment, Salem Street Entertainment, UnLtd Prods and Cartuna. It is produced by Emma Hannaway, Matisse Rifai,...
- 3/25/2022
- by Mona Tabbara
- ScreenDaily
Filmmakers Albert Birney and Kentucker Audley discuss the movies that inspired their latest film, Strawberry Mansion.
Show Notes: Movies Referenced In This Episode
Strawberry Mansion (2022)
The Fabulous Baron Munchausen (1962) – Glenn Erickson’s trailer commentary
The Adventures of Baron Munchausen (1988) – Josh Olson’s trailer commentary
The Neverending Story (1984)
A Nightmare On Elm Street (1984) – Dan Ireland’s trailer commentary
Pretty Woman (1990) – Allan Arkush’s trailer commentary
Barton Fink (1991)
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
Salesman (1969)
The Hudsucker Proxy (1994)
Eraserhead (1977) – Karyn Kusama’s trailer commentary
The Shining (1980) – Adam Rifkin’s trailer commentary
The Tragedy of Macbeth (2021)
Inside Llewyn Davis (2013) – Glenn Erickson’s Criterion Blu-ray review
Bottle Rocket (1996)
Rushmore (1998)
The Grand Budapest Hotel (2014)
Beetlejuice (1988) – Alex Kirschenbaum’s review
Pee Wee’s Big Adventure (1985)
The Nightmare Before Christmas (1993) – Axelle Carolyn’s trailer commentary, Randy Fuller’s trailer commentary
Honey I Shrunk The Kids (1989)
Re-Animator (1985) – Charlie Largent’s Blu-ray review...
Show Notes: Movies Referenced In This Episode
Strawberry Mansion (2022)
The Fabulous Baron Munchausen (1962) – Glenn Erickson’s trailer commentary
The Adventures of Baron Munchausen (1988) – Josh Olson’s trailer commentary
The Neverending Story (1984)
A Nightmare On Elm Street (1984) – Dan Ireland’s trailer commentary
Pretty Woman (1990) – Allan Arkush’s trailer commentary
Barton Fink (1991)
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
Salesman (1969)
The Hudsucker Proxy (1994)
Eraserhead (1977) – Karyn Kusama’s trailer commentary
The Shining (1980) – Adam Rifkin’s trailer commentary
The Tragedy of Macbeth (2021)
Inside Llewyn Davis (2013) – Glenn Erickson’s Criterion Blu-ray review
Bottle Rocket (1996)
Rushmore (1998)
The Grand Budapest Hotel (2014)
Beetlejuice (1988) – Alex Kirschenbaum’s review
Pee Wee’s Big Adventure (1985)
The Nightmare Before Christmas (1993) – Axelle Carolyn’s trailer commentary, Randy Fuller’s trailer commentary
Honey I Shrunk The Kids (1989)
Re-Animator (1985) – Charlie Largent’s Blu-ray review...
- 3/1/2022
- by Kris Millsap
- Trailers from Hell
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSCarla Simón’s Alcarrás (Courtesy of MK2 Films)This year's Berlinale has now concluded, with Carla Simón’s Alcarrás taking home the Golden Bear, and Hong Sang-soo, Claire Denis and Natalia Lopez Gallardo taking home prizes as well. Check out the full list of awards winners here.Horror filmmaker and production designer Alfred Sole has died at the age of 78. Sole famously directed the cult horror classic Alice, Sweet Alice (1976). However, he first gained notoriety with his X-rated film Deep Sleep (1972), which was pulled from theaters. Sole continued as a prolific production designer for many television films and shows like Veronica Mars and Melrose Place. Netflix has officially signed an updated windowing agreement with France's film industry, which will "see the window between theatrical and SVOD release significantly reduced" from 36 months to 15 months. And as Deadline points out,...
- 2/23/2022
- MUBI
In the year 2035, dream-auditing is a prolific but thankless business, especially for James Preble (Kentucker Audley). Scrummaging through an individual’s archived dreams via an endless collection of VHS tapes, Preble finds himself constantly stuck between mundane reality and the elusive world of someone’s Rem cycle. The primary goal of slumming through this government job? Dream taxation. One afternoon, as he visits the home of Arabella Isadora, a welcoming but mysterious dream tax evader, the lines between consciousness and unconsciousness grow blurred. A love story, a comedy, a 1980s children’s fantasy […]
The post Welcome to the Dollhouse: Kentucker Audley and Albert Birney on Strawberry Mansion first appeared on Filmmaker Magazine.
The post Welcome to the Dollhouse: Kentucker Audley and Albert Birney on Strawberry Mansion first appeared on Filmmaker Magazine.
- 2/23/2022
- by Erik Luers
- Filmmaker Magazine-Director Interviews
In the year 2035, dream-auditing is a prolific but thankless business, especially for James Preble (Kentucker Audley). Scrummaging through an individual’s archived dreams via an endless collection of VHS tapes, Preble finds himself constantly stuck between mundane reality and the elusive world of someone’s Rem cycle. The primary goal of slumming through this government job? Dream taxation. One afternoon, as he visits the home of Arabella Isadora, a welcoming but mysterious dream tax evader, the lines between consciousness and unconsciousness grow blurred. A love story, a comedy, a 1980s children’s fantasy […]
The post Welcome to the Dollhouse: Kentucker Audley and Albert Birney on Strawberry Mansion first appeared on Filmmaker Magazine.
The post Welcome to the Dollhouse: Kentucker Audley and Albert Birney on Strawberry Mansion first appeared on Filmmaker Magazine.
- 2/23/2022
- by Erik Luers
- Filmmaker Magazine - Blog
Neon’s standout romance about a young woman in Oslo churning though career choices and boyfriends passed $1 million this weekend on 265 screens, up from 49. With marketing in high gear and strong word of mouth, the Oscar Best International Feature nominee will continue to expand next week.
Worst Person grossed $500,299 for three days for a PSA of $1,888 and a cume of $1.1 million, continuing to draw auds to its mix of pathos, humor, insight and strong storytelling. It crossed the $1M mark in just three weeks with a limited print count — faster than other recent specialized fare of note, the distrib observed, from Parallel Mothers and Red Rocket to Drive My Car and C’mon C’mon.
An est. $93,500 Presidents Day brings the pic’s 4-day holiday weekend to a $593,729 gross, $2,240 PSA and cume over $1.2M.
The film, whose star Renate Reinsve won Best Actress at Cannes where it premiered, shot out of the gate Feb.
Worst Person grossed $500,299 for three days for a PSA of $1,888 and a cume of $1.1 million, continuing to draw auds to its mix of pathos, humor, insight and strong storytelling. It crossed the $1M mark in just three weeks with a limited print count — faster than other recent specialized fare of note, the distrib observed, from Parallel Mothers and Red Rocket to Drive My Car and C’mon C’mon.
An est. $93,500 Presidents Day brings the pic’s 4-day holiday weekend to a $593,729 gross, $2,240 PSA and cume over $1.2M.
The film, whose star Renate Reinsve won Best Actress at Cannes where it premiered, shot out of the gate Feb.
- 2/20/2022
- by Jill Goldsmith
- Deadline Film + TV
“The Batman” will open in two weeks to $150 million or more, but this weekend may be even more important to box-office recovery: “Uncharted” (Sony) and “Dog” (United Artists) both opened to over $15 million. For the last two years, there have been just six weekends in which two new releases grossed even $10 million. What makes this even more extraordinary is both are original, non-franchise titles.
Studios and producers need signs that the public can respond to standalone titles that show some degree of originality. That is what happened here and it’s a big deal.
“Uncharted,” based on a well-known video game and starring Tom Holland, while his most recent “Spider-Man” is still #3, will gross and estimated $44 million for the three-day weekend; $51 million, with Presidents Day added. That’s as much as 50 percent above conservative estimates and a third better than the more realistic ones.
It is the best result for...
Studios and producers need signs that the public can respond to standalone titles that show some degree of originality. That is what happened here and it’s a big deal.
“Uncharted,” based on a well-known video game and starring Tom Holland, while his most recent “Spider-Man” is still #3, will gross and estimated $44 million for the three-day weekend; $51 million, with Presidents Day added. That’s as much as 50 percent above conservative estimates and a third better than the more realistic ones.
It is the best result for...
- 2/20/2022
- by Tom Brueggemann
- Indiewire
Tons of films have dreams in them, but few capture what a dream actually feels like better than “Strawberry Mansion,” the surrealist indie dramedy that premiered at Sundance Film Festival last year and opens in theaters Friday and on digital next week.
Directed by Albert Birney and Kentucker Audley, the film tells the story of James Preble (Audley), an auditor who taxes people’s dreams for the U.S. government. On assignment to review the VHS-recorded dreams of aging artist Arabella Isadora (Penny Fuller), he winds up falling for the version of her younger self (Grace Glowicki) he meets in her mind, taking him on a strange journey where he fights witches, crashes on a deserted island and commands a crew of mice sailors. But even with all the creatures Preble encounters, it’s the hazy lighting, off-kilter tone and sense of wistfulness that makes the whole movie feel like a dream,...
Directed by Albert Birney and Kentucker Audley, the film tells the story of James Preble (Audley), an auditor who taxes people’s dreams for the U.S. government. On assignment to review the VHS-recorded dreams of aging artist Arabella Isadora (Penny Fuller), he winds up falling for the version of her younger self (Grace Glowicki) he meets in her mind, taking him on a strange journey where he fights witches, crashes on a deserted island and commands a crew of mice sailors. But even with all the creatures Preble encounters, it’s the hazy lighting, off-kilter tone and sense of wistfulness that makes the whole movie feel like a dream,...
- 2/18/2022
- by Wilson Chapman
- Variety Film + TV
On average, we spend just under a third of our lives asleep. Why would a capitalist system which has gradually pushed itself further and further into every aspect of our lives leave that time alone? This is the fundamental premise of Strawberry Mansion, created on a tiny budget by outsider filmmakers Kentucker Audley and Albert Birney, one of the wildest science fiction/fantasy offerings of the year.
Audley plays James Preble, a mild mannered accountant with a brown suit and small but awkwardly balanced moustache, who has been instructed to visit the titular mansion after the discovery that its primary resident, the elderly Bella (Penny Fuller), hasn’t been paying tax on her dreams. When he arrives, he finds her surprisingly welcoming, even solicitous – almost as if she knows him. Arrangements are made for him to sit in an upstairs room working through her vast dream archive and making sure that everything.
Audley plays James Preble, a mild mannered accountant with a brown suit and small but awkwardly balanced moustache, who has been instructed to visit the titular mansion after the discovery that its primary resident, the elderly Bella (Penny Fuller), hasn’t been paying tax on her dreams. When he arrives, he finds her surprisingly welcoming, even solicitous – almost as if she knows him. Arrangements are made for him to sit in an upstairs room working through her vast dream archive and making sure that everything.
- 2/18/2022
- by Jennie Kermode
- eyeforfilm.co.uk
Directors Albert Birney and Kentucker Audley don’t just buck contemporary filmmaking conventions in “Strawberry Mansion” — they dared to question and challenge them. And they’ve done so by harkening back to the experimental school of moviemaking, where no topic was too controversial to touch and a variety of visual techniques could be employed to tell a story.
Set in 2035, Audley stars as dream auditor James Preble, working in a world where the surveillance state polices and taxes everything, including people’s dreams. One day he arrives at the home of Arabella (veteran actress Penny Fuller), an eccentric widow whose multi-answer response to his question of occupation he classifies as simply “artist.”
It appears that Bella, as she prefers to be called, has found a way to circumvent dream-monitoring by keeping them analog and transferring them via VHS tapes. To get inside them and compile his tally, “the Taxman,” as she calls him,...
Set in 2035, Audley stars as dream auditor James Preble, working in a world where the surveillance state polices and taxes everything, including people’s dreams. One day he arrives at the home of Arabella (veteran actress Penny Fuller), an eccentric widow whose multi-answer response to his question of occupation he classifies as simply “artist.”
It appears that Bella, as she prefers to be called, has found a way to circumvent dream-monitoring by keeping them analog and transferring them via VHS tapes. To get inside them and compile his tally, “the Taxman,” as she calls him,...
- 2/17/2022
- by Ronda Racha Penrice
- The Wrap
Attempting to simply describe “Strawberry Mansion” using a quick sentence does the film an injustice. Kentucker Audley and Albert Birney have crafted a film that is strange, funny, scary, and smart. It’s an experience that you have to enjoy for yourself, perhaps with the assistance of some recreational goodies.
Read More: ‘Strawberry Mansion’ Blurs Dystopian Dreams Of Monetization, Consumption & Love Into A Quirky Lo-Fi Surreal Swirl [Sundance Review]
With “Strawberry Mansion” arriving in theaters this week, we’re thrilled to give our readers an exclusive look at a clip from the film, which sorta sums up all you need to know about the film in a quick bit.
Continue reading ‘Strawberry Mansion’ Exclusive Clip: Here’s A Glimpse Into Kentucker Audley & Albert Birney’s Wildly Surreal Film at The Playlist.
Read More: ‘Strawberry Mansion’ Blurs Dystopian Dreams Of Monetization, Consumption & Love Into A Quirky Lo-Fi Surreal Swirl [Sundance Review]
With “Strawberry Mansion” arriving in theaters this week, we’re thrilled to give our readers an exclusive look at a clip from the film, which sorta sums up all you need to know about the film in a quick bit.
Continue reading ‘Strawberry Mansion’ Exclusive Clip: Here’s A Glimpse Into Kentucker Audley & Albert Birney’s Wildly Surreal Film at The Playlist.
- 2/17/2022
- by Charles Barfield
- The Playlist
Moviegoing Memories is a series of short interviews with filmmakers about going to the movies. Albert Birney & Kentucker Audley's Strawberry Mansion is Mubi Go's Film of the Week in the US for February 18, 2022.Notebook: How would you describe your movie in the least amount of words?Albert Birney: Dream tax.Kentucker Audley: A dream auditor falls in love with the dreams of an older woman. Notebook: Where and what is your favorite movie theater? Why is it your favorite?Birney: The Dryden Theater at the George Eastman Museum in Rochester, NY. I worked at this theater from 2006 - 2011. Every night of the week there was a different film projected. New releases, foreign films, silent films, visiting filmmakers—a little bit of everything. Working there was a dream job and it will forever be my favorite theater. Audley: I might have to say The Kentucky Theater in Lexington, Ky,...
- 2/16/2022
- MUBI
Music Box Films has acquired the North American rights to writer-director Martika Ramirez Escobar’s genre-bending “Leonor Will Never Die,” which won the Special Jury Prize for Innovative Spirit in Sundance this year after premiering in the festival’s World Cinema Dramatic Competition.
The film tells the story of Leonor Reyes, once a major player in the Filipino film industry during its ragtag action cinema glory days, but now in her golden years and struggling to pay her bills. When she reads an advertisement for a screenplay contest, Leonor begins tinkering with an unfinished script about a young man avenging his brother’s murder at the hand of thugs.
But after a falling television knocks her unconscious and sends her into a coma, Leonor finds herself inside her incomplete movie, re-writing and editing on the fly in a fantastical bid to complete the film while her body lies in limbo.
The film tells the story of Leonor Reyes, once a major player in the Filipino film industry during its ragtag action cinema glory days, but now in her golden years and struggling to pay her bills. When she reads an advertisement for a screenplay contest, Leonor begins tinkering with an unfinished script about a young man avenging his brother’s murder at the hand of thugs.
But after a falling television knocks her unconscious and sends her into a coma, Leonor finds herself inside her incomplete movie, re-writing and editing on the fly in a fantastical bid to complete the film while her body lies in limbo.
- 2/16/2022
- by Christopher Vourlias
- Variety Film + TV
Chris Evans and Adam Kersh have launched Fusion Management, an artist-driven management company that will focus on actors, filmmakers and creators.
Their initial management roster features a number of notable clients with a particular focus on indie multi-hyphenates and auteurs. The list includes Sean Baker, who earned raves for “Red Rocket”; filmmaker and actor Amy Seimetz, the co-creator of “The Girlfriend Experience” on Starz and the star of “No Sudden Move”; Cooper Raiff, a writer, director, producer and actor whose film “Cha Cha Real Smooth” premiered at Sundance this week to critical acclaim; and Kelly O’Sullivan, the writer and star of the award-winning “Saint Frances.”
Evans, formerly a manager at One Entertainment, and Kersh, co-founder of Brigade Marketing, bring more than two decades of combined experience within the entertainment industry. The two want Fusion to be a landing ground for both established creators and emerging talent both in front of and behind the camera.
Their initial management roster features a number of notable clients with a particular focus on indie multi-hyphenates and auteurs. The list includes Sean Baker, who earned raves for “Red Rocket”; filmmaker and actor Amy Seimetz, the co-creator of “The Girlfriend Experience” on Starz and the star of “No Sudden Move”; Cooper Raiff, a writer, director, producer and actor whose film “Cha Cha Real Smooth” premiered at Sundance this week to critical acclaim; and Kelly O’Sullivan, the writer and star of the award-winning “Saint Frances.”
Evans, formerly a manager at One Entertainment, and Kersh, co-founder of Brigade Marketing, bring more than two decades of combined experience within the entertainment industry. The two want Fusion to be a landing ground for both established creators and emerging talent both in front of and behind the camera.
- 1/25/2022
- by Brent Lang
- Variety Film + TV
Exclusive: Emmy-Award winning producer and director Daniel Minahan and Oscar winning producer Peter Spears are teaming with Ley Line Entertainment to develop the feature film On Swift Horses based on the Shannon Pufahl novel of the same name.
On Swift Horses follows Muriel and her husband Lee who are beginning a bright new life when he returns from the Korean war. However, this newfound stability is upended by the arrival of Lee’s charismatic younger brother, Julius, a wayward gambler with a secret past. A dangerous love triangle is quickly formed. When Julius then takes off in search of the young card cheat he’s fallen for, restless Muriel embarks on a secret life of her own, gambling on racehorses and discovering a love she never thought possible.
Minahan will direct off Bryce Kass’ adapted screenplay. Minahan and Spears will produce the project, joined by Ley Line’s Tim Headington. Ley Line’s Theresa Steele Page and Nate Kamiya will serve as EP.
Kass is the screenwriter of Lizzie, which premiered at the Sundance Film Festival, starring Chloë Sevigny and Kristen Stewart and was released by Roadside Attractions. He is currently writing the film Alone for HBO/Max with Laura Bickford producing, based on Leslie Kean’s best-selling non-fiction book UFOs: Generals, Pilots and Government Officials Go on the Record, and is also at work on a five-episode limited series with Gus Van Sant who is set to direct. He recently completed writing an updated Saturday Night Fever feature for Daft Punk. Other screenplays by Kass include Dark Star for director Scott Cooper and Oscar-winning producer John Lesher, The Real All Americans for producers Brian Kavanaugh-Jones and Fred Berger and two for George Clooney’s Smokehouse Pictures: Pioneer and Monster of Florence. His television project Lights, is set up at Working Title/ Universal TV with Andrew Stearn producing.
Minahan most recently directed and executive produced the entirety of Netflix’s limited series Halston. He made his feature directorial debut with Series 7: The Contenders, which screened in competition at the Sundance Film Festival and in the Panorama at the Berlin Film Festival. For his work on the film Minahan was nominated for the Gotham Award’s Open Palm Award for Outstanding Directorial Debut and the film won the Audience Award at the Sweden Fantastic Film Festival. On the television side, Minahan won an Emmy Award as an EP of American Crime Story: The Assassination of Gianni Versace for which he also directed several episodes. He was also nominated for an Emmy Award for directing and executive producing Deadwood: The Movie and has directed multiple episodes of Game of Thrones, True Blood, Six Feet Under and The Newsroom.
Spears recent shared an Oscar Best Picture win for Nomadland. The Searchlight pic also won Academy Awards for director Chloé Zhao and star Frances McDormand and won the Golden Globe, Critics Choice Award, BAFTA, PGA and Independent Spirit Award for Best Picture. Spears produced Luca Guadagnino’s film Call Me By Your Name, for which he was also nominated for the Oscar in 2017. He is currently in production on Bones and All, reuniting with Guadagnino and star Timothée Chalamet.
Ley Line Entertainment is a content development, production, and financing company with projects spanning film, television, stage, and music. Highlights include a documentary on Brian Wilson of The Beach Boys, Long Promised Road which premiered at Tribeca; David Lowery’s upcoming The Green Knight; Everything Everywhere All At Once from The Daniels; the original West End musical & Juliet (featuring the international megahits of Max Martin and writer David West Read (Schitt’s Creek); Miss Juneteenth - a TV series (and the original film) from Channing Godfrey Peoples; and Sundance’s Strawberry Mansion from Albert Birney and Kentucky Audley.
Minahan is represented by UTA and Circle of Confusion. Kass is repped by Circle of Confusion. Pufahl is repped by UTA.
On Swift Horses follows Muriel and her husband Lee who are beginning a bright new life when he returns from the Korean war. However, this newfound stability is upended by the arrival of Lee’s charismatic younger brother, Julius, a wayward gambler with a secret past. A dangerous love triangle is quickly formed. When Julius then takes off in search of the young card cheat he’s fallen for, restless Muriel embarks on a secret life of her own, gambling on racehorses and discovering a love she never thought possible.
Minahan will direct off Bryce Kass’ adapted screenplay. Minahan and Spears will produce the project, joined by Ley Line’s Tim Headington. Ley Line’s Theresa Steele Page and Nate Kamiya will serve as EP.
Kass is the screenwriter of Lizzie, which premiered at the Sundance Film Festival, starring Chloë Sevigny and Kristen Stewart and was released by Roadside Attractions. He is currently writing the film Alone for HBO/Max with Laura Bickford producing, based on Leslie Kean’s best-selling non-fiction book UFOs: Generals, Pilots and Government Officials Go on the Record, and is also at work on a five-episode limited series with Gus Van Sant who is set to direct. He recently completed writing an updated Saturday Night Fever feature for Daft Punk. Other screenplays by Kass include Dark Star for director Scott Cooper and Oscar-winning producer John Lesher, The Real All Americans for producers Brian Kavanaugh-Jones and Fred Berger and two for George Clooney’s Smokehouse Pictures: Pioneer and Monster of Florence. His television project Lights, is set up at Working Title/ Universal TV with Andrew Stearn producing.
Minahan most recently directed and executive produced the entirety of Netflix’s limited series Halston. He made his feature directorial debut with Series 7: The Contenders, which screened in competition at the Sundance Film Festival and in the Panorama at the Berlin Film Festival. For his work on the film Minahan was nominated for the Gotham Award’s Open Palm Award for Outstanding Directorial Debut and the film won the Audience Award at the Sweden Fantastic Film Festival. On the television side, Minahan won an Emmy Award as an EP of American Crime Story: The Assassination of Gianni Versace for which he also directed several episodes. He was also nominated for an Emmy Award for directing and executive producing Deadwood: The Movie and has directed multiple episodes of Game of Thrones, True Blood, Six Feet Under and The Newsroom.
Spears recent shared an Oscar Best Picture win for Nomadland. The Searchlight pic also won Academy Awards for director Chloé Zhao and star Frances McDormand and won the Golden Globe, Critics Choice Award, BAFTA, PGA and Independent Spirit Award for Best Picture. Spears produced Luca Guadagnino’s film Call Me By Your Name, for which he was also nominated for the Oscar in 2017. He is currently in production on Bones and All, reuniting with Guadagnino and star Timothée Chalamet.
Ley Line Entertainment is a content development, production, and financing company with projects spanning film, television, stage, and music. Highlights include a documentary on Brian Wilson of The Beach Boys, Long Promised Road which premiered at Tribeca; David Lowery’s upcoming The Green Knight; Everything Everywhere All At Once from The Daniels; the original West End musical & Juliet (featuring the international megahits of Max Martin and writer David West Read (Schitt’s Creek); Miss Juneteenth - a TV series (and the original film) from Channing Godfrey Peoples; and Sundance’s Strawberry Mansion from Albert Birney and Kentucky Audley.
Minahan is represented by UTA and Circle of Confusion. Kass is repped by Circle of Confusion. Pufahl is repped by UTA.
- 7/12/2021
- by Anthony D'Alessandro
- Deadline Film + TV
This is kind of like if someone had a fever dream and remembered it long enough to write it down and add a bit to it. But to be honest it does look intriguing in a certain way, though it’s bound to happen that it might be one of those that gets a great deal of attention only to be lost in the mix. The hope is that such a thing wouldn’t come to pass, but it’s kind of likely that it might. But the main point of the story is that in the future even dreams can be audited,
Why We’ll Be Watching New Sci-Fi Movie “Strawberry Mansion”...
Why We’ll Be Watching New Sci-Fi Movie “Strawberry Mansion”...
- 6/26/2021
- by Tom
- TVovermind.com
Montreal’s Fantasia International Film Festival got an early 25th birthday present in the form of James Gunn’s “Suicide Squad,” which will receive a special screening on Aug. 4, the day before Fantasia officially kicks off with the world premiere of Julien Knafo’s zombie thriller “Brain Freeze.” Gunn is a long-time friend of the fest, having first attended in 1997 before later returning for the Canadian premiere of his Marvel blockbuster “Guardians of the Galaxy.”
Fantasia also unveiled its second wave of features participating at this year’s festival, joining a raft of titles announced in May, and will announce the rest of its slate in late July along with details on several virtual events and this year’s juries.
New world premieres, joining the a six-pack announced last month, include Ruth Platt’s “Martyrs Lane,” Anna Zaytseva’s feature debut “#Blue_Whale,” Jonathan Rhys Meyers-starrer “Yakuza Princes” from filmmaker Vicente Amorim,...
Fantasia also unveiled its second wave of features participating at this year’s festival, joining a raft of titles announced in May, and will announce the rest of its slate in late July along with details on several virtual events and this year’s juries.
New world premieres, joining the a six-pack announced last month, include Ruth Platt’s “Martyrs Lane,” Anna Zaytseva’s feature debut “#Blue_Whale,” Jonathan Rhys Meyers-starrer “Yakuza Princes” from filmmaker Vicente Amorim,...
- 6/23/2021
- by Jamie Lang
- Variety Film + TV
One of the most imaginative films in this year’s Sundance Film Festival was Albert Birney and Kentucker Audley’s delightfully analog adventure Strawberry Mansion. Set in a world where the government records and taxes dreams, we follow an unassuming dream auditor who gets swept up in a cosmic journey through the life and dreams of an older eccentric. Recently picked up by Music Box Films for a release later this year, they’ve now released the first trailer.
I said in my Sundance review, “What if the government didn’t strictly tax your paychecks and transactions, but your dreams as well? With their vibrant, imaginative, and genre-melding new film Strawberry Mansion, directors Albert Birney and Kentucker Audley envision this reality in the near-future of 2035, but with their clear admiration for analog technology, it could just as well take place in an alternate timeline recalling decades past. Following a dream...
I said in my Sundance review, “What if the government didn’t strictly tax your paychecks and transactions, but your dreams as well? With their vibrant, imaginative, and genre-melding new film Strawberry Mansion, directors Albert Birney and Kentucker Audley envision this reality in the near-future of 2035, but with their clear admiration for analog technology, it could just as well take place in an alternate timeline recalling decades past. Following a dream...
- 6/22/2021
- by Jordan Raup
- The Film Stage
"Do you believe that your dreams are your own?" Music Box has released the official trailer for a wacky, lo-fi indie sensation from the 2021 Sundance Film Festival this year called Strawberry Mansion. It's made by filmmakers Kentucker Audley & Albert Birney (both of Sylvio previously) and will play in theaters later this year. Not many critics gave this film a chance during Sundance, but it ended up being one of my Best of the Fest picks. In a world where the government records & taxes dreams, an unassuming dream auditor gets swept up in a cosmic journey through the life and dreams of an older eccentric. The film stars Kentucker Audley and Penny Fuller, along with an kooky cast of characters including Grace Glowicki, Reed Birney, and Linas Phillips. In my Sundance recap, I wrote that this has "strange creations galore, dreamy visuals, weird FX, all with an anti-capitalist edge." I love it sooo much.
- 6/21/2021
- by Alex Billington
- firstshowing.net
There’s good news for Kentucker Audley‘s surreal DIY indie film, “Strawberry Mansion.” Alief has acquired international rights to the high-concept fantasy, which has its world premiered at the Sundance Film Festival earlier this year. Music Box Films acquired the lo-fi indie for North America right after the festival, and now the distributor has released a new trailer (via Indiewire).
Read More: ‘Strawberry Mansion’ Blurs Dystopian Dreams Of Monetization, Consumption & Love Into A Quirky Lo-Fi Surreal Swirl [Sundance Review]
“Strawberry Mansion” is written and directed by indie filmmakers Kentucker Audley and Albert Birney.
Continue reading ‘Strawberry Mansion’ Trailer: Kentucker Audley Is A Dream Auditor Swept Up In A Cosmic Journey at The Playlist.
Read More: ‘Strawberry Mansion’ Blurs Dystopian Dreams Of Monetization, Consumption & Love Into A Quirky Lo-Fi Surreal Swirl [Sundance Review]
“Strawberry Mansion” is written and directed by indie filmmakers Kentucker Audley and Albert Birney.
Continue reading ‘Strawberry Mansion’ Trailer: Kentucker Audley Is A Dream Auditor Swept Up In A Cosmic Journey at The Playlist.
- 6/21/2021
- by Edward Davis
- The Playlist
Music Box Films has today announced the Chicago-based distributor’s acquisition of “Strawberry Mansion” in North America, in a deal struck with Submarine Entertainment. To celebrate the pickup, the distributor has also offered up the first trailer for the film, a surreal charmer that debuted at Sundance back in January and promises to enthrall audiences when Music Box releases it later this year.
Written and directed by Kentucker Audley and Albert Birney, the film “is set in the not-too-distant future, in a world where dreams are recorded and taxed by the government. Audley stars as an unassuming dream auditor who gets swept up in a cosmic journey through the life and dreams of an older eccentric (Penny Fuller).”
Out of Sundance, IndieWire’s own Eric Kohn wrote that the film is a “visually entrancing and innovative fantasy” that was “shot on video and transferred to 16mm, [and] looks like some kind...
Written and directed by Kentucker Audley and Albert Birney, the film “is set in the not-too-distant future, in a world where dreams are recorded and taxed by the government. Audley stars as an unassuming dream auditor who gets swept up in a cosmic journey through the life and dreams of an older eccentric (Penny Fuller).”
Out of Sundance, IndieWire’s own Eric Kohn wrote that the film is a “visually entrancing and innovative fantasy” that was “shot on video and transferred to 16mm, [and] looks like some kind...
- 6/21/2021
- by Kate Erbland
- Indiewire
Alief has acquired international rights to the high-concept fantasy “Strawberry Mansion,” which world premiered at this year’s Sundance, where it was acquired by Music Box Films for North America, and by Periscoop Films for Benelux. Alief will be introducing the film to international buyers during June’s virtual Cannes market, and in person during July’s Marche Du Film.
“Strawberry Mansion” is written and directed by Kentucker Audley and Albert Birney. It stars Kentucker Audley, Reed Birney, Penny Fuller, Grace Glowicki and Linas Phillips.
The film is set in the not-too-distant future, where an all-seeing surveillance state conducts “dream audits” to collect taxes on the unconscious lives of the populace. Mild-mannered government agent James Preble (played by Audley) travels to a remote farmhouse to audit the dreams of Arabella “Bella” Isadora (Fuller), an eccentric, aging artist. Entering Bella’s vast VHS archive, which contains a lifetime of dreams, Preble...
“Strawberry Mansion” is written and directed by Kentucker Audley and Albert Birney. It stars Kentucker Audley, Reed Birney, Penny Fuller, Grace Glowicki and Linas Phillips.
The film is set in the not-too-distant future, where an all-seeing surveillance state conducts “dream audits” to collect taxes on the unconscious lives of the populace. Mild-mannered government agent James Preble (played by Audley) travels to a remote farmhouse to audit the dreams of Arabella “Bella” Isadora (Fuller), an eccentric, aging artist. Entering Bella’s vast VHS archive, which contains a lifetime of dreams, Preble...
- 6/21/2021
- by Leo Barraclough
- Variety Film + TV
The San Francisco International Film Festival (Sffilm) has today announced the full lineup of this year’s festival, which includes both online and in-person events taking place at the Fort Mason Flix drive-in theater. The opening night selection will be the world premiere of Chase Palmer’s “Naked Singularity,” which stars John Boyega as a public defender wrapped up in a drug heist. The full lineup includes buzzy festival titles like “Cryptozoo,” “The Dry,” “Strawberry Mansion,” “Son of Monarchs,” “Homeroom,” “Lily Topples the World,” and “Rita Moreno: Just a Girl Who Decided to Go For It.”
This year’s complete program includes 42 feature films, 56 short films, and, new to the festival this year, five mid-length films. 13 films will be making their world premiere with an additional 15 making their North American premiere. The lineup includes films from 41 countries around the world. Among the full festival lineup, 57% of the films were helmed...
This year’s complete program includes 42 feature films, 56 short films, and, new to the festival this year, five mid-length films. 13 films will be making their world premiere with an additional 15 making their North American premiere. The lineup includes films from 41 countries around the world. Among the full festival lineup, 57% of the films were helmed...
- 3/24/2021
- by Jude Dry
- Indiewire
Kentucker Audley and Albert Birney’s surreal sci-fi romantic comedy Strawberry Mansion reimagines the dystopia as something shockingly similar to our own world: a society where even our dreams are plagued with marketing and advertisement. The director duo also acted as editors for the film, and share the joy of working with post-vfx for the first time. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Birney: We’ve always edited our own work—it just seems like a natural part of our process. […]
The post "Eye-Opening How Much We Could Achieve in This Process": Editors Kentucker Audley and Albert Birney on Strawberry Mansion first appeared on Filmmaker Magazine.
The post "Eye-Opening How Much We Could Achieve in This Process": Editors Kentucker Audley and Albert Birney on Strawberry Mansion first appeared on Filmmaker Magazine.
- 2/2/2021
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Kentucker Audley and Albert Birney’s surreal sci-fi romantic comedy Strawberry Mansion reimagines the dystopia as something shockingly similar to our own world: a society where even our dreams are plagued with marketing and advertisement. The director duo also acted as editors for the film, and share the joy of working with post-vfx for the first time. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Birney: We’ve always edited our own work—it just seems like a natural part of our process. […]
The post "Eye-Opening How Much We Could Achieve in This Process": Editors Kentucker Audley and Albert Birney on Strawberry Mansion first appeared on Filmmaker Magazine.
The post "Eye-Opening How Much We Could Achieve in This Process": Editors Kentucker Audley and Albert Birney on Strawberry Mansion first appeared on Filmmaker Magazine.
- 2/2/2021
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Kentucker Audley and Albert Birney’s surreal sci-fi romantic comedy Strawberry Mansion reimagines the dystopia as something shockingly similar to our own world: a society where even our dreams are plagued with marketing and advertisement. Dp Tyler Davis shares what the team took from music videos and fantasy films like The NeverEnding Story to capture their dreamy, fantastical vision. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Davis: In early 2019 I met Albert Birney (one of the directors, along with Kentucker Audley, […]
The post "Toes the Line Between Dreams and Reality": Dp Tyler Davis on Strawberry Mansion first appeared on Filmmaker Magazine.
The post "Toes the Line Between Dreams and Reality": Dp Tyler Davis on Strawberry Mansion first appeared on Filmmaker Magazine.
- 2/1/2021
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Kentucker Audley and Albert Birney’s surreal sci-fi romantic comedy Strawberry Mansion reimagines the dystopia as something shockingly similar to our own world: a society where even our dreams are plagued with marketing and advertisement. Dp Tyler Davis shares what the team took from music videos and fantasy films like The NeverEnding Story to capture their dreamy, fantastical vision. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Davis: In early 2019 I met Albert Birney (one of the directors, along with Kentucker Audley, […]
The post "Toes the Line Between Dreams and Reality": Dp Tyler Davis on Strawberry Mansion first appeared on Filmmaker Magazine.
The post "Toes the Line Between Dreams and Reality": Dp Tyler Davis on Strawberry Mansion first appeared on Filmmaker Magazine.
- 2/1/2021
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The Sundance Institute has been running producer and director labs since 1981, even before taking over and renaming the former US/Utah Film Festival in 1985. In that sense, the projects coming out of the Feature Film Program, Indigenous Program and Documentary Film Program are just as important a marker of Sundance’s effect on the US film ecosystem as the platform provided by the festival. When I programmed film festivals, I tracked their press releases as closely as official lineup announcements. This year, 16 projects in the festival were officially supported by […]
The post Sundance 2021 Critic's Notebook 2 (Abby Sun): I Was a Simple Man, Strawberry Mansion, Cryptozoo first appeared on Filmmaker Magazine.
The post Sundance 2021 Critic's Notebook 2 (Abby Sun): I Was a Simple Man, Strawberry Mansion, Cryptozoo first appeared on Filmmaker Magazine.
- 2/1/2021
- by Abby Sun
- Filmmaker Magazine - Blog
The Sundance Institute has been running producer and director labs since 1981, even before taking over and renaming the former US/Utah Film Festival in 1985. In that sense, the projects coming out of the Feature Film Program, Indigenous Program and Documentary Film Program are just as important a marker of Sundance’s effect on the US film ecosystem as the platform provided by the festival. When I programmed film festivals, I tracked their press releases as closely as official lineup announcements. This year, 16 projects in the festival were officially supported by […]
The post Sundance 2021 Critic's Notebook 2 (Abby Sun): I Was a Simple Man, Strawberry Mansion, Cryptozoo first appeared on Filmmaker Magazine.
The post Sundance 2021 Critic's Notebook 2 (Abby Sun): I Was a Simple Man, Strawberry Mansion, Cryptozoo first appeared on Filmmaker Magazine.
- 2/1/2021
- by Abby Sun
- Filmmaker Magazine-Director Interviews
It’s a popular conception that there’s nothing more boring than hearing about other people’s dreams, which by rights should make James Preble — the meek, cutely mustachioed hero of “Strawberry Mansion” — the unfortunate owner of the world’s dullest job: He’s a tax auditor who has to scan his clients’ recorded dreams for hidden expenses. This makes a rough kind of sense in Kentucker Audley and Albert Birney’s endearingly cash-strapped sci-fi fantasia, set in a 2035 of papier-mâché futurism and defiant analog aesthetics — or rather, its senselessness is supported by the film’s fuzzy, absurd world-building.
Within its slight, rickety framework, however, “Strawberry Mansion” attempts to do rather a lot, shifting from prankish surrealist farce to fey, across-time love story, sometimes giving way to an anti-capitalist satire directed very much at the present moment. If it doesn’t really stick to any one order of business for long,...
Within its slight, rickety framework, however, “Strawberry Mansion” attempts to do rather a lot, shifting from prankish surrealist farce to fey, across-time love story, sometimes giving way to an anti-capitalist satire directed very much at the present moment. If it doesn’t really stick to any one order of business for long,...
- 1/31/2021
- by Guy Lodge
- Variety Film + TV
No space is safe from the evils of monetization, insidiously prevalent marketing, advertising, and the propaganda of suggestive consumption. And in “Strawberry Mansion,” a surreal, idiosyncratic, feature-length film co-directed by Albert Birney and actor/filmmaker Kentucker Audley, the cynical, dystopian perspective says even your headspace will soon become fair game—not only for the government trying to squeeze an extra dollar out of your thinning wallet, but for those looking to exploit your dreams.
Continue reading ‘Strawberry Mansion’ Blurs Dystopian Dreams Of Monetization, Consumption & Love Into A Quirky Lo-Fi Surreal Swirl [Sundance Review] at The Playlist.
Continue reading ‘Strawberry Mansion’ Blurs Dystopian Dreams Of Monetization, Consumption & Love Into A Quirky Lo-Fi Surreal Swirl [Sundance Review] at The Playlist.
- 1/30/2021
- by Rodrigo Perez
- The Playlist
by Jason Adams
"Out of my hair and into my home, to enter you must lick the ice cream cone," is how one character greets another in the trippy and lovingly strange Strawberry Mansion from writer-directors Kentucker Audley and Albert Birney. That invitation gives y'all your gist -- if you wanna enter a movie that will bestow such a whimsical greeting upon you at the door then you're probably in the right place. And it only gets weirder once you've come in. It's up to you whether you're willing to let the Strawberry wash over you. Me, I was mostly tickled. Pinkish, you know...
"Out of my hair and into my home, to enter you must lick the ice cream cone," is how one character greets another in the trippy and lovingly strange Strawberry Mansion from writer-directors Kentucker Audley and Albert Birney. That invitation gives y'all your gist -- if you wanna enter a movie that will bestow such a whimsical greeting upon you at the door then you're probably in the right place. And it only gets weirder once you've come in. It's up to you whether you're willing to let the Strawberry wash over you. Me, I was mostly tickled. Pinkish, you know...
- 1/30/2021
- by JA
- FilmExperience
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