Supergirl vet Melissa Benoist is flying into Netflix’s animated He-Man series continuation, Masters of the Universe: Revolution, as the voice of Teela, TVLine has learned. Sarah Michelle Gellar voiced the character in the first season, subtitled Revelation.
The casting reunites Benoist with her real-life husband/Supergirl costar Chris Wood, who provides the voice of main character He-Man, and Masters of the Universe: Revolution executive producer Kevin Smith, who directed four episodes of Supergirl.
More from TVLineTVLine Items: Alex Borstein Special, New Miley Music on Disney+ and MoreDid The Flash Rob Us of Flashbacks? Is Abishola Going There?...
The casting reunites Benoist with her real-life husband/Supergirl costar Chris Wood, who provides the voice of main character He-Man, and Masters of the Universe: Revolution executive producer Kevin Smith, who directed four episodes of Supergirl.
More from TVLineTVLine Items: Alex Borstein Special, New Miley Music on Disney+ and MoreDid The Flash Rob Us of Flashbacks? Is Abishola Going There?...
- 3/8/2023
- by Erianne Lewis and Vlada Gelman
- TVLine.com
Exclusive: French industry execs Naomi Denamur and Julie Billy are launching Paris-based independent production company June Films with a bustling film and TV slate. Scroll down for the company’s current lineup.
After meeting at Celluloid Dreams 15 years ago, the duo have been putting together their first slate over the past 18 months and are now making movies with talent including Clémence Poésy (The Tunnel), Ariane Labed (Mary Magdalene) and Hafsia Herzi (Good Mother). The idea is to be director-driven and genre agnostic and the company will leverage the duo’s extensive experience in production and international distribution to elevate the prospects for their projects. Billy previously worked at Haut et Court where she produced more than a dozen films including Cannes 2020 title Gagarine, Jonas Carpignano’s Cannes Directors’ Fortnight movie A Chiara and The Night Eats The World by Dominique Rocher. Denamur is known for her work in international sales and in acquisitions for distribution companies such as Ad Vitam in France and Elastica in Spain. As a producer, the company is largely working on female-fronted French and English-language projects, but the company will also look to do co-productions with foreign directors. Both Denamur and Billy are fluent English speakers. June’s lineup includes five features as lead producer: Hafsia Herzi’s third feature, after Good Mother (Un Certain Regard 2021) and You Deserve A Lover (Critics’ Week 2019), is adapted from La Petite Dernière (The Last One) by Fatima Daas. Shooting is planned for Q2, 2023. The 2021 novel, which generated much conversation in France, charts the travails of a lesbian Muslim woman who grows up in a banlieue [suburb] outside of Paris. She not only encounters institutional racism and misogyny but must also contend with a family which wanted a son instead of a daughter. Amazons, directed by Emma Benestan (Fragiles), is an elevated genre film which will shoot in the ranches and wide open spaces of the Camargue region, exploring the world of bull racing. The three following films are being co-developed with Haut et Court:
Actress Clémence Poésy’s English-language directorial debut, co-written by Georgia Oakley (Blue Jean), is adapted from Anna Hope’s well-received novel Expectation, which was translated into 20 languages. The well-received 2019 novel charts the dreams and disappointments of a group of East London women. The film is a co-production between June, Haut et Court and Andrea Calderwood and Gail Egan’s UK banner Potboiler, whose credits include The Last King Of Scotland and The Constant Gardener.
Gagarine directors Fanny Liatard and Jérémy Trouilh’s are working with June on a French language feature which is being co-written by Amélie, I Lost My Body and Big Bug writer Guillaume Laurent; and an English-language film with a U.S. producing partner, whose details are being kept under wraps. June’s co-production slate also comprises two features which are due to shoot before year’s end:
Carlo Sironi’s second feature after Sole, produced by Giovanni Pompili, co-producer of Alcarras;
And actress Ariane Labed’s debut feature Sisters, an English-language genre film produced by The Favourite outfit Element Pictures in Ireland. The Souvenir, Mary Magdalene and The Lobster actress Labed directed short Olla which won best first fiction at Clermont-Ferrand in 2020. June is also working on TV projects. The outfit is developing a limited series, adapted from The Mythomaniac Of The Bataclan by Alexander Kauffmann (who will also co-write the series), alongside The Prayer writers Fanny Burdino and Samuel Doux. Developed alongside Studiofact, the series has already generated strong interest from potential buyers. The plot follows a woman who falsely claimed to be a victim of a terrorist attack. Billy and Denamur told us: “June brings together a family of filmmakers we’ve met over the years. We will foster the emergence of new talent, while offering a modern production model. The company aims to protect the vision of its filmmakers, while guiding them in the international market, and our line-up focuses on director-driven cinema which puts forward a diverse range of views of the world.” The continued: “The pandemic has shown that there will always be a need for new content. At a moment when streamers, studios and financiers are seeking exciting European filmmakers, our talent relationships and access to emerging voices put us in an opportune position in the market.”...
After meeting at Celluloid Dreams 15 years ago, the duo have been putting together their first slate over the past 18 months and are now making movies with talent including Clémence Poésy (The Tunnel), Ariane Labed (Mary Magdalene) and Hafsia Herzi (Good Mother). The idea is to be director-driven and genre agnostic and the company will leverage the duo’s extensive experience in production and international distribution to elevate the prospects for their projects. Billy previously worked at Haut et Court where she produced more than a dozen films including Cannes 2020 title Gagarine, Jonas Carpignano’s Cannes Directors’ Fortnight movie A Chiara and The Night Eats The World by Dominique Rocher. Denamur is known for her work in international sales and in acquisitions for distribution companies such as Ad Vitam in France and Elastica in Spain. As a producer, the company is largely working on female-fronted French and English-language projects, but the company will also look to do co-productions with foreign directors. Both Denamur and Billy are fluent English speakers. June’s lineup includes five features as lead producer: Hafsia Herzi’s third feature, after Good Mother (Un Certain Regard 2021) and You Deserve A Lover (Critics’ Week 2019), is adapted from La Petite Dernière (The Last One) by Fatima Daas. Shooting is planned for Q2, 2023. The 2021 novel, which generated much conversation in France, charts the travails of a lesbian Muslim woman who grows up in a banlieue [suburb] outside of Paris. She not only encounters institutional racism and misogyny but must also contend with a family which wanted a son instead of a daughter. Amazons, directed by Emma Benestan (Fragiles), is an elevated genre film which will shoot in the ranches and wide open spaces of the Camargue region, exploring the world of bull racing. The three following films are being co-developed with Haut et Court:
Actress Clémence Poésy’s English-language directorial debut, co-written by Georgia Oakley (Blue Jean), is adapted from Anna Hope’s well-received novel Expectation, which was translated into 20 languages. The well-received 2019 novel charts the dreams and disappointments of a group of East London women. The film is a co-production between June, Haut et Court and Andrea Calderwood and Gail Egan’s UK banner Potboiler, whose credits include The Last King Of Scotland and The Constant Gardener.
Gagarine directors Fanny Liatard and Jérémy Trouilh’s are working with June on a French language feature which is being co-written by Amélie, I Lost My Body and Big Bug writer Guillaume Laurent; and an English-language film with a U.S. producing partner, whose details are being kept under wraps. June’s co-production slate also comprises two features which are due to shoot before year’s end:
Carlo Sironi’s second feature after Sole, produced by Giovanni Pompili, co-producer of Alcarras;
And actress Ariane Labed’s debut feature Sisters, an English-language genre film produced by The Favourite outfit Element Pictures in Ireland. The Souvenir, Mary Magdalene and The Lobster actress Labed directed short Olla which won best first fiction at Clermont-Ferrand in 2020. June is also working on TV projects. The outfit is developing a limited series, adapted from The Mythomaniac Of The Bataclan by Alexander Kauffmann (who will also co-write the series), alongside The Prayer writers Fanny Burdino and Samuel Doux. Developed alongside Studiofact, the series has already generated strong interest from potential buyers. The plot follows a woman who falsely claimed to be a victim of a terrorist attack. Billy and Denamur told us: “June brings together a family of filmmakers we’ve met over the years. We will foster the emergence of new talent, while offering a modern production model. The company aims to protect the vision of its filmmakers, while guiding them in the international market, and our line-up focuses on director-driven cinema which puts forward a diverse range of views of the world.” The continued: “The pandemic has shown that there will always be a need for new content. At a moment when streamers, studios and financiers are seeking exciting European filmmakers, our talent relationships and access to emerging voices put us in an opportune position in the market.”...
- 5/18/2022
- by Andreas Wiseman
- Deadline Film + TV
Bigbug is a French science-fiction comedy film, written and directed by Oscar-nominated French film-maker Jean-Pierre Jeunet, who is known for his whimsical touch on his films. Bigbug was released on 11 February 2022 by the streaming service Netflix and it stars Elsa Zylberstein, Isabelle Nanty, Youssef Hajdi, Alban Lenoir and François Levant.The film is set in 2045 where robot helpers are common in households. The plot centers on the story of a blended family in a suburban neighborhood who are forcefully locked by their household robots to protect them from a militaristic breed of androids who attempt to take over.
Five Movies To Watch When You’re Done With “Bigbug”...
Five Movies To Watch When You’re Done With “Bigbug”...
- 3/13/2022
- by A.E. Oats
- TVovermind.com
The director of City of Lost Children and Amelie is back with a whacky new robot apocalypse comedy called Big Bug.
The movie is on netflix now and the trailer is below.
Synopsis:
A group of bickering suburbanites find themselves stuck together when an android uprising causes their well intentioned household robots to lock them in for their own safety.
Watch the trailer for Big Bug below:...
The movie is on netflix now and the trailer is below.
Synopsis:
A group of bickering suburbanites find themselves stuck together when an android uprising causes their well intentioned household robots to lock them in for their own safety.
Watch the trailer for Big Bug below:...
- 2/14/2022
- QuietEarth.us
‘Bigbug’ Review: Jean-Pierre Jeunet’s ‘The Jetsons’ & Robot Uprising Sci-Fi Comedy Is Scatterbrained
Jean-Pierre Jeunet can be a master juggler of a filmmaker, letting many different pieces achieve weightlessness while our attention is rapt. When it’s graceful and methodical, it can have the dreamy qualities of “Delicatessen” or “Amelie.” But when the trick doesn’t work, it can be mighty exhausting to follow along with, as with his new Netflix film “Bigbug.” This movie has Jeunet doing “The Jetsons” while ruminating on what a robot uprising might inevitably look like, but that proves to be less exciting than one could ever imagine.
Continue reading ‘Bigbug’ Review: Jean-Pierre Jeunet’s ‘The Jetsons’ & Robot Uprising Sci-Fi Comedy Is Scatterbrained at The Playlist.
Continue reading ‘Bigbug’ Review: Jean-Pierre Jeunet’s ‘The Jetsons’ & Robot Uprising Sci-Fi Comedy Is Scatterbrained at The Playlist.
- 2/12/2022
- by Nick Allen
- The Playlist
‘Bigbug’ Review: Jean-Pierre Jeunet’s Latest Is a Dreadful Sex Farce Set During the Robot Apocalypse
The fact that “Amélie” director Jean-Pierre Jeunet’s first movie in nine years is quietly being dumped on Netflix without festival play or advance press of any kind after Jeunet insisted that he would only partner with the streamer as “a last resort” is really the only review you should need when it comes to “Bigbug,” of 2050 (mark it on your calendars). And yet — as this feature-length cluster headache makes perfectly clear — humankind has already surrendered itself to the mercy of our corporate machine overlords, meaning that even the most exasperated critic has to pump out at least 600 words just to convince the tiny God-king inside the Google algorithm not to banish their content to the elephant graveyard that is page two of the search results. So let’s get on with it.
A filmmaker whose breakthrough successes don’t entirely diminish the feeling that he was put on this...
A filmmaker whose breakthrough successes don’t entirely diminish the feeling that he was put on this...
- 2/11/2022
- by David Ehrlich
- Indiewire
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Ballad of a White Cow (Behtash Sanaeeha and Maryam Moghaddam)
The cruelty of the Iranian justice system is in the spotlight again in Ballad of a White Cow, the compelling debut of directing team Behtash Sanaeeha and Maryam Moghaddam that unfurled in competition at Berlin. Just last year, Mohamad Rasoulof won the festival’s top prize for his anti-capital punishment polemic There Is No Evil, a masterful weaving of four storylines that showed how a morally bankrupt state corrodes those forced to carry out its functions, a searing portrait of the banality of evil. – Ed F. (full review)
Where to Stream: Mubi (free for 30 days)
Bigbug (Jean-Pierre Jeunet)
Bigbug is set in the year 2045 and centers on a group of mismatched suburbanites who,...
Ballad of a White Cow (Behtash Sanaeeha and Maryam Moghaddam)
The cruelty of the Iranian justice system is in the spotlight again in Ballad of a White Cow, the compelling debut of directing team Behtash Sanaeeha and Maryam Moghaddam that unfurled in competition at Berlin. Just last year, Mohamad Rasoulof won the festival’s top prize for his anti-capital punishment polemic There Is No Evil, a masterful weaving of four storylines that showed how a morally bankrupt state corrodes those forced to carry out its functions, a searing portrait of the banality of evil. – Ed F. (full review)
Where to Stream: Mubi (free for 30 days)
Bigbug (Jean-Pierre Jeunet)
Bigbug is set in the year 2045 and centers on a group of mismatched suburbanites who,...
- 2/11/2022
- by Jordan Raup
- The Film Stage
Jean-Pierre Jeunet put his stamp across the 1990s and 2000s with a unique blend of zany personality, thoughtful character portraits, and sharp, multi-dimensional humor. So much was running in films like Delicatessen and The City of Lost Children, both co-directed with Marc Caro, that they could have boiled over, yet somehow remained focused works that played completely as the ownerships of their creators. After a brief misfire when stepping into the world of Hollywood blockbusters with 1997’s Alien: Resurrection—an early forebear of the “indie director to studio tentpole” pipeline that gobbles up every promising young filmmaker these days—Jeunet found his peak as a solo director in the early aughts: Amélie and A Very Long Engagement brought his particular style into a new era with remarkable sophistication and retention of his characteristic charm.
Then a curious thing happened. Despite being a beloved international director arguably at the height of his career,...
Then a curious thing happened. Despite being a beloved international director arguably at the height of his career,...
- 2/11/2022
- by Mitchell Beaupre
- The Film Stage
The Oscar-nominated film-maker behind Amélie has created a hit-and-miss comedy about a futuristic world and an android revolt
Machines might seem an antithetical thing to get sentimental about, but in Jean-Pierre Jeunet’s view of them as imperfect, quirk-prone and funny, they’re pretty much human. The film-maker cobbles together off-kilter worlds where everything is mechanized yet nothing works properly, daily life turned into an absurd burlesque of glitches, miscommunications, system errors and sound-the-alarm snafus. In early-career triumphs like Delicatessen or The City of Lost Children, Jeunet assembled Rube Goldberg contraptions with such fastidious personal care that they couldn’t help but be imbued with the idiosyncrasies of their creator. Sometimes, he’ll apply this notion in a more figurative way to satirize the catch-22-clogged French bureaucracy, a giant engine seemingly built to malfunction. He gets in one or two such cracks with his latest film Bigbug, in which...
Machines might seem an antithetical thing to get sentimental about, but in Jean-Pierre Jeunet’s view of them as imperfect, quirk-prone and funny, they’re pretty much human. The film-maker cobbles together off-kilter worlds where everything is mechanized yet nothing works properly, daily life turned into an absurd burlesque of glitches, miscommunications, system errors and sound-the-alarm snafus. In early-career triumphs like Delicatessen or The City of Lost Children, Jeunet assembled Rube Goldberg contraptions with such fastidious personal care that they couldn’t help but be imbued with the idiosyncrasies of their creator. Sometimes, he’ll apply this notion in a more figurative way to satirize the catch-22-clogged French bureaucracy, a giant engine seemingly built to malfunction. He gets in one or two such cracks with his latest film Bigbug, in which...
- 2/11/2022
- by Charles Bramesco
- The Guardian - Film News
As the first film from the director of “Amélie” in nearly a decade, “Bigbug” is kind of a big deal. Sadly, it’s also a big disappointment — easily the most obnoxious Netflix original in some time, owing to the company’s trust in a director whose overactive imagination demands some kind of boundaries.
At precisely the moment pandemic-confined audiences want to get out and breathe fresh air, Jean-Pierre Jeunet gives them a suffocating scenario in which a squabbling French family is trapped in their retro-modern home with several android assistants. The result is an aggressively unfunny look at human-robot relations in a garish, cartoonishly rendered future — one in which all the houses look exactly the same on the outside, but are maintained by eccentric AI indoors (where the film spends 98% of its time).
In “No Exit,” Jean-Paul Sartre surmised that “hell is other people.” In this zany sci-fi riff on that idea,...
At precisely the moment pandemic-confined audiences want to get out and breathe fresh air, Jean-Pierre Jeunet gives them a suffocating scenario in which a squabbling French family is trapped in their retro-modern home with several android assistants. The result is an aggressively unfunny look at human-robot relations in a garish, cartoonishly rendered future — one in which all the houses look exactly the same on the outside, but are maintained by eccentric AI indoors (where the film spends 98% of its time).
In “No Exit,” Jean-Paul Sartre surmised that “hell is other people.” In this zany sci-fi riff on that idea,...
- 2/11/2022
- by Peter Debruge
- Variety Film + TV
February: gray, dreary, and miserable. But that doesn’t mean your days have to be, thanks to Netflix’s latest offerings of new streaming titles. While series like the Anna Delvey drama “Inventing Anna” and Korean zombie horror outing “All of Us Are Dead” are likely to dominate the Netflix viewings waves — and that most recent half of the new season of “Ozark,” if you’re still catching up — there are plenty of new film titles to stream this month.
From a gross-out horror classic to the latest film from “Amélie” director Jean-Pierre Jeunet, there’s something for genre buffs and auteur purists alike this month. Netflix is adding films from Christopher Nolan, Michael Mann, and William Friedkin, as well as a handful of new originals (including Jeunet’s “Bigbug”) sure to climb the viewing charts. Take a look below at IndieWire’s roundup of the best movies new to Netflix this month.
From a gross-out horror classic to the latest film from “Amélie” director Jean-Pierre Jeunet, there’s something for genre buffs and auteur purists alike this month. Netflix is adding films from Christopher Nolan, Michael Mann, and William Friedkin, as well as a handful of new originals (including Jeunet’s “Bigbug”) sure to climb the viewing charts. Take a look below at IndieWire’s roundup of the best movies new to Netflix this month.
- 2/4/2022
- by Ryan Lattanzio
- Indiewire
Maybe you’ve been patiently waiting two years for director Rian Johnson’s “Knives Out” sequel. It could be the team-up of Ryan Gosling, Chris Evans and Ana de Armas in “The Gray Man” that strikes your fancy. Perhaps “The Bubble,” Maria Bakalova’s first film since “Borat Subsequent Moviefilm,” has you grabbing for popcorn. Whatever your taste, Netflix will be unveiling a smorgasbord of entertainment options in 2022.
The streaming service has announced plans to debut no less than 68 movies in the new year, making good on its promise to launch at least one film per week over the next 12 months.
Netflix’s genre-spanning slate includes musicals, action spectacles, romantic comedies and spooky thrillers, with projects on schedule from Ryan Reynolds, Halle Berry, Judd Apatow, Jamie Foxx, Greta Gerwig, Eddie Murphy, Jennifer Lopez, Jordan Peele, Julia Louis-Dreyfus and other A-listers.
In a new sizzle reel released Thursday, Netflix showcased first...
The streaming service has announced plans to debut no less than 68 movies in the new year, making good on its promise to launch at least one film per week over the next 12 months.
Netflix’s genre-spanning slate includes musicals, action spectacles, romantic comedies and spooky thrillers, with projects on schedule from Ryan Reynolds, Halle Berry, Judd Apatow, Jamie Foxx, Greta Gerwig, Eddie Murphy, Jennifer Lopez, Jordan Peele, Julia Louis-Dreyfus and other A-listers.
In a new sizzle reel released Thursday, Netflix showcased first...
- 2/3/2022
- by Rebecca Rubin
- Variety Film + TV
It’s cold outside in the Northern Hemisphere. Thankfully, the magic of streaming means you’ll never have to go outside again! Netflix’s list of new releases for February 2022 is full of original titles that could make a quick month go by even quicker.
The biggest Netflix original series in February is undoubtedly Vikings: Valhalla. This Vikings spinoff premieres Feb. 25 takes a time jump to bring our Nordic friends into conflict with Western Europe and a burgeoning Christian movement. Before that, however, Netflix will be premiering Raising Dion season 2 (Feb. 1), Murderville (Feb. 3), Inventing Anna (Feb. 11), and exciting video game adaptation The Cuphead Show. (Feb. 18).
Read more TV Vikings Season 6: Where in the (New) World are Ubbe and Floki? By Jamie Andrew TV Vikings: Valhalla – What The Timeline Reveals By Jamie Andrew
There are some intriguing Netflix original movie options this month as well. Documentary The Tinder Swindler premieres on Feb.
The biggest Netflix original series in February is undoubtedly Vikings: Valhalla. This Vikings spinoff premieres Feb. 25 takes a time jump to bring our Nordic friends into conflict with Western Europe and a burgeoning Christian movement. Before that, however, Netflix will be premiering Raising Dion season 2 (Feb. 1), Murderville (Feb. 3), Inventing Anna (Feb. 11), and exciting video game adaptation The Cuphead Show. (Feb. 18).
Read more TV Vikings Season 6: Where in the (New) World are Ubbe and Floki? By Jamie Andrew TV Vikings: Valhalla – What The Timeline Reveals By Jamie Andrew
There are some intriguing Netflix original movie options this month as well. Documentary The Tinder Swindler premieres on Feb.
- 2/1/2022
- by Alec Bojalad
- Den of Geek
February brings a Kanye West documentary, masked monsters and much, much more to Netflix. Below we’ve compiled a complete list of what’s new on Netflix in February 2022, and it includes the Kanye West documentary trilogy “jeen-yuhs,” which will roll out one part each week for three weeks starting on Feb. 16.
February also brings a brand new “Texas Chainsaw Massacre” movie to the streaming service on Feb. 18, and if it’s Valentine’s Day content you’re looking for, the second season of reality series “Love Is Blind” launches on Feb. 11 while the spinoff “Love Is Blind Japan” arrives on Feb. 8. New installments of the animated series “Disenchantment” and “Kid Cosmic” as well as “Steel Magnolias” and “Space Force” are also due in February, and the new Will Arnett comedy series “Murderville” launches on Feb. 3.
In terms of library titles, February brings the Tom Cruise-fronted “The Last Samurai,...
February also brings a brand new “Texas Chainsaw Massacre” movie to the streaming service on Feb. 18, and if it’s Valentine’s Day content you’re looking for, the second season of reality series “Love Is Blind” launches on Feb. 11 while the spinoff “Love Is Blind Japan” arrives on Feb. 8. New installments of the animated series “Disenchantment” and “Kid Cosmic” as well as “Steel Magnolias” and “Space Force” are also due in February, and the new Will Arnett comedy series “Murderville” launches on Feb. 3.
In terms of library titles, February brings the Tom Cruise-fronted “The Last Samurai,...
- 2/1/2022
- by Adam Chitwood
- The Wrap
Exclusive: Amid its continuing drive to ramp up local feature productions, Netflix has a host of ambitious titles coming out of Europe in the next year. Already, Paolo Sorrentino’s Oscar-shortlisted The Hand Of God launched on the service in late 2021, hitting the Top 10 in 11 countries, while ahead are films from such directors as Jean-Pierre Jeunet, Louis Leterrier, Romain Gavras, Edward Berger, Roar Uthaug and Oscar winner Sébastian Lelio, among others.
Currently in production for later down the pike are J.A. Bayona’s Society Of The Snow and the Spanish feature spinoff of Netflix hit series Bird Box.
Former Universal, Film4 and STX executive David Kosse took on the role of VP of International Film at Netflix in 2019 with a mandate to oversee international film production and acquisitions and a focus on making and acquiring non-English language movies for the streaming site. Across the years, he has developed strong talent...
Currently in production for later down the pike are J.A. Bayona’s Society Of The Snow and the Spanish feature spinoff of Netflix hit series Bird Box.
Former Universal, Film4 and STX executive David Kosse took on the role of VP of International Film at Netflix in 2019 with a mandate to oversee international film production and acquisitions and a focus on making and acquiring non-English language movies for the streaming site. Across the years, he has developed strong talent...
- 1/20/2022
- by Nancy Tartaglione
- Deadline Film + TV
Though it might not have the budget of a “Terminator” film, the upcoming Netflix comedy, “Bigbug,” aims to take on the idea of when robots decide to turn on humans. And even though everything is bright and colorful, the end result is the same—there’s no stopping the robot uprising.
Read More: The 100 Most Anticipated Films Of 2022
As seen in the trailer for “Bigbug,” the French comedy from Jean-Pierre Jeunet tells the story of an idyllic future of 2045, where humans have created advanced AI to help with everyday chores and whatnot.
Continue reading ‘Bigbug’ Trailer: ‘Amelie’ Filmmaker Returns With A Dark Comedy About The Robot Uprising at The Playlist.
Read More: The 100 Most Anticipated Films Of 2022
As seen in the trailer for “Bigbug,” the French comedy from Jean-Pierre Jeunet tells the story of an idyllic future of 2045, where humans have created advanced AI to help with everyday chores and whatnot.
Continue reading ‘Bigbug’ Trailer: ‘Amelie’ Filmmaker Returns With A Dark Comedy About The Robot Uprising at The Playlist.
- 1/17/2022
- by Charles Barfield
- The Playlist
After earning much acclaim for his early features Delicatessen, Amélie, and The City of Lost Children, it’s now been nearly a decade since the last fully-fledged feature from Jean-Pierre Jeunet, 2013’s The Young and Prodigious T.S. Spivet. The French director is now returning next month with his Netflix movie Bigbug and the full trailer has now arrived.
Starring Dominique Pinon, Elsa Zylberstein, Isabelle Nanty, Youssef Hajdi, Alban Lenoir, and François Levantal, the sci-fi comedy is set in the year 2045 in which a group of bickering suburbanites find themselves stuck together when an android uprising causes their well-intentioned household robots to lock them in for their own safety. With a characteristically vibrant palette, the director doesn’t seem to be breaking any new ground, but hopefully it’s a fun, satirical romp.
See the trailer below.
Bigbug arrives on Netflix on February 11.
The post Bigbug Trailer: Jean-Pierre Jeunet Stages...
Starring Dominique Pinon, Elsa Zylberstein, Isabelle Nanty, Youssef Hajdi, Alban Lenoir, and François Levantal, the sci-fi comedy is set in the year 2045 in which a group of bickering suburbanites find themselves stuck together when an android uprising causes their well-intentioned household robots to lock them in for their own safety. With a characteristically vibrant palette, the director doesn’t seem to be breaking any new ground, but hopefully it’s a fun, satirical romp.
See the trailer below.
Bigbug arrives on Netflix on February 11.
The post Bigbug Trailer: Jean-Pierre Jeunet Stages...
- 1/17/2022
- by Jordan Raup
- The Film Stage
Having highlighted 30 films we guarantee are worth seeing this year and films we hope get U.S. distribution, we now venture into the unknown. One expects more pandemic-related delays, but there’s still plenty of currently under-the-radar movies that will hopefully make a mark in 2022.
Though the majority lack a set release—let alone confirmed festival premiere—most have wrapped production and will likely debut at some point in 2022. Be sure to check back for updates over the next twelve months (and beyond).
100. Babylon (Damien Chazelle; Dec. 25)
Damien Chazelle’s obsession with the magic of cinema seems to be reaching its natural apex: a detailed recreation of the era where silent film transitioned to sound. For collaborating with the biggest cast of his career, including Brad Pitt and Margot Robbie, this should mark a big leap for the Oscar-winning filmmaker. Chazelle’s greatest strength is his ability to capture the...
Though the majority lack a set release—let alone confirmed festival premiere—most have wrapped production and will likely debut at some point in 2022. Be sure to check back for updates over the next twelve months (and beyond).
100. Babylon (Damien Chazelle; Dec. 25)
Damien Chazelle’s obsession with the magic of cinema seems to be reaching its natural apex: a detailed recreation of the era where silent film transitioned to sound. For collaborating with the biggest cast of his career, including Brad Pitt and Margot Robbie, this should mark a big leap for the Oscar-winning filmmaker. Chazelle’s greatest strength is his ability to capture the...
- 1/7/2022
- by The Film Stage
- The Film Stage
Bigbug Trailer — Jean-Pierre Jeunet‘s Bigbug (2022) movie trailer has been released by Netflix. The Bigbug trailer stars Dominique Pinon, Isabelle Nanty, Claude Perron, Francois Levantal, Youssef Hajdi, Elsa Zylberstein, Claire Chust, and Alban Lenoir. Crew Jean-Pierre Jeunet and Guillaume Laurant wrote the screenplay for Bigbug. Raphaël Beau created the music for the film. Thomas [...]
Continue reading: Bigbug (2022) Movie Trailer: Four Robots Take Their Masters Hostage in Jean-Pierre Jeunet’s Dystopian Film...
Continue reading: Bigbug (2022) Movie Trailer: Four Robots Take Their Masters Hostage in Jean-Pierre Jeunet’s Dystopian Film...
- 1/1/2022
- by Rollo Tomasi
- Film-Book
When you see the name Jean-Pierre Jeunet attached to a film, you know that the feature isn’t going to…normal. The filmmaker has made a name for himself creating beautiful films that don’t always play by the typical rules and conventions. And that’s clearly the case with his new film, the Netflix feature, “Bigbug.”
As seen in the teaser for “Bigbug,” the film is a sci-fi comedy where Artificial Intelligence is everywhere, in all aspects of human life.
Continue reading ‘Bigbug’ Teaser: Jean-Pierre Jeunet Returns With An Absurd Sci-Fi Comedy Coming To Netflix In February at The Playlist.
As seen in the teaser for “Bigbug,” the film is a sci-fi comedy where Artificial Intelligence is everywhere, in all aspects of human life.
Continue reading ‘Bigbug’ Teaser: Jean-Pierre Jeunet Returns With An Absurd Sci-Fi Comedy Coming To Netflix In February at The Playlist.
- 12/27/2021
- by Charles Barfield
- The Playlist
Surprise! Guess who's back with another new film? Netflix has revealed a teaser trailer for Amelie director Jean-Pierre Jeunet's latest film, titled Bigbug or Big Bug. This first look at the new kooky sci-fi comedy is our first reveal of this film, with no other photos out before this. And they're confirmed - it will be streaming on Netflix in February. Not too long of a wait at all! The film involves a group of bickering suburbanites who find themselves stuck together when an android uprising causes their well intentioned household robots to lock them in for their own safety. (Sounds like an amusing sci-fi satire about lockdowns?) The ensemble cast features Elsa Zylberstein, Isabelle Nanty, Stéphane De Groodt, Claude Perron, Youssef Hajdi, Claire Chust, François Levantal, Alban Lenoir, André Dussollier, Marysole Fertard, and Hélie Thonnat. This is just a quick teaser, but I am already sold. I'm always down for Jeunet films!
- 12/27/2021
- by Alex Billington
- firstshowing.net
Academy Award-nominated “Amelie” and “A Very Long Engagement” director Jean-Pierre Jeunet hasn’t released a feature film since 2013’s “The Young and Prodigious T. S. Spivet.” But the always visually bonkers director of films including the swooningly odd “Delicatessen” and the gonzo “Alien Resurrection” is back with his latest film, “Bigbug.” The artificial intelligence comedy is hitting Netflix on February 11, and the streamer has released a first trailer for the film. Watch below.
Here’s the appropriately weird synopsis, courtesy of Netflix:
In 2050, artificial intelligence is everywhere. So much so that humanity relies on it to satisfy its every need and every desire – even the most secret and wicked…
In a quiet residential area, four domestic robots suddenly decide to take their masters hostage in their own home. Locked together, a not-quite-so-blended family, an intrusive neighbour and her enterprising sex-robot are now forced to put up with each other in an increasingly hysterical atmosphere!
Here’s the appropriately weird synopsis, courtesy of Netflix:
In 2050, artificial intelligence is everywhere. So much so that humanity relies on it to satisfy its every need and every desire – even the most secret and wicked…
In a quiet residential area, four domestic robots suddenly decide to take their masters hostage in their own home. Locked together, a not-quite-so-blended family, an intrusive neighbour and her enterprising sex-robot are now forced to put up with each other in an increasingly hysterical atmosphere!
- 12/27/2021
- by Ryan Lattanzio
- Indiewire
France’s National Film Board (Cnc) has launched a selective funding scheme for French audiovisual content that are pre-financed exclusively by non-European platforms, such as Netflix, Amazon and Disney Plus.
Named the “fonds sélectif plateformes,” the dedicated scheme will have a total budget of €5 million ($5.7 million) and will go to projects fully financed by platforms and produced by French producers who will be the beneficiaries of the subsidies.
The funding initiative is being backed by France’s culture minister and was approved by the Cnc’s administrative board on Nov. 5.
The Cnc president pointed out “platforms are obligated to invest in French content since July so the fund is there to accompany the evolution of the TV and film industry” and ultimately “strengthen its independent production sector.”
Since July 1, streamers indeed have to invest between 20%-25% of their French revenues in French content under a new decree that stemmed from...
Named the “fonds sélectif plateformes,” the dedicated scheme will have a total budget of €5 million ($5.7 million) and will go to projects fully financed by platforms and produced by French producers who will be the beneficiaries of the subsidies.
The funding initiative is being backed by France’s culture minister and was approved by the Cnc’s administrative board on Nov. 5.
The Cnc president pointed out “platforms are obligated to invest in French content since July so the fund is there to accompany the evolution of the TV and film industry” and ultimately “strengthen its independent production sector.”
Since July 1, streamers indeed have to invest between 20%-25% of their French revenues in French content under a new decree that stemmed from...
- 11/10/2021
- by Elsa Keslassy
- Variety Film + TV
Netflix remains out in the cold when it comes to the Cannes lineup. The festival and the streamer, despite ongoing conversations, are still unable to bridge their differences and so, once again, the Croisette will be devoid of Netflix movies.
Cannes insists on a local theatrical release for movies playing in Competition but has previously offered the streamer non-Competition slots. ‘Out of Competition’ hasn’t appealed to the streamer.
Festival chief Thierry Fremaux reiterated the status quo today (via a translator): “The festival has a rule that films in Competition must have a local theatrical release. Netflix wishes to have its movies in Competition and on their platform. Since 2017, Netflix hasn’t agreed to play its films outside of Competition but we talk a lot. There were two potential films that may go to other festivals. We regret that we haven’t been able to negotiate their Out Of Competition presence.
Cannes insists on a local theatrical release for movies playing in Competition but has previously offered the streamer non-Competition slots. ‘Out of Competition’ hasn’t appealed to the streamer.
Festival chief Thierry Fremaux reiterated the status quo today (via a translator): “The festival has a rule that films in Competition must have a local theatrical release. Netflix wishes to have its movies in Competition and on their platform. Since 2017, Netflix hasn’t agreed to play its films outside of Competition but we talk a lot. There were two potential films that may go to other festivals. We regret that we haven’t been able to negotiate their Out Of Competition presence.
- 6/3/2021
- by Andreas Wiseman
- Deadline Film + TV
Film is a contemporary remake of 1970s French comedy The Toy by Francis Veber.
Wild Bunch International (Wbi) has boarded sales on director James Huth’s comedy The New Toy, co-starring Daniel Auteuil and Jamel Debbouze.
A remake of Francis Veber’s 1976 comedy The Toy, it revolves around a journalist who becomes the plaything of the son of his newspaper baron boss but uses the situation to open the young boy’s eyes to the fact that money can’t buy everything.
A 1982 US remake directed by Richard Donner and starring Richard Pryor as the journalist was a hit at the box office,...
Wild Bunch International (Wbi) has boarded sales on director James Huth’s comedy The New Toy, co-starring Daniel Auteuil and Jamel Debbouze.
A remake of Francis Veber’s 1976 comedy The Toy, it revolves around a journalist who becomes the plaything of the son of his newspaper baron boss but uses the situation to open the young boy’s eyes to the fact that money can’t buy everything.
A 1982 US remake directed by Richard Donner and starring Richard Pryor as the journalist was a hit at the box office,...
- 3/1/2021
- by Melanie Goodfellow
- ScreenDaily
Film lovers roll up. Here’s our annual list of movies that could have festivals drooling in 2021.
In the age of Covid-19, could has never felt more operative. With Sundance and Berlin reimagining their events next year, traditional festival paths are already diminishing, but here’s to hoping that the pandemic eases, and we get to see at least some of these anticipated movies in theaters and at marquee film events in the next 12 months. There is a bumper crop to choose from with so many having been held back or delayed from 2020.
The Power Of The Dog
Could Jane Campion, the first woman to ever win the Palme d’Or, be back in Cannes this year with her new drama starring Benedict Cumberbatch, Jesse Plemons, Kirsten Dunst and Thomasin McKenzie? That will of course depend on whether Netflix and the French fest can bury the hatchet on their disagreement...
In the age of Covid-19, could has never felt more operative. With Sundance and Berlin reimagining their events next year, traditional festival paths are already diminishing, but here’s to hoping that the pandemic eases, and we get to see at least some of these anticipated movies in theaters and at marquee film events in the next 12 months. There is a bumper crop to choose from with so many having been held back or delayed from 2020.
The Power Of The Dog
Could Jane Campion, the first woman to ever win the Palme d’Or, be back in Cannes this year with her new drama starring Benedict Cumberbatch, Jesse Plemons, Kirsten Dunst and Thomasin McKenzie? That will of course depend on whether Netflix and the French fest can bury the hatchet on their disagreement...
- 12/29/2020
- by Andreas Wiseman and Tom Grater
- Deadline Film + TV
Netflix has chosen France to test its first channel offering.
Named Direct, the linear channel — which is only available to subscribers — will air French, international and U.S. feature films and TV series that are available on the streaming service. However, the channel will only be accessible via the service’s web browser, unlike its streaming service, which is found on set-top boxes thanks to distribution deals with French telco groups such as Orange, Canal Plus and Sfr.
The initiative marks Netflix’s first foray into real-time, scheduled programming. The service previously tested the option Shuffle Play, which wasn’t in real time but featured recommended programming to a sample of international users, explained a source at Netflix. The difference this time around is that the test is being localized in one country, rather than a sample of users.
On its website, Netflix said it chose France to test its...
Named Direct, the linear channel — which is only available to subscribers — will air French, international and U.S. feature films and TV series that are available on the streaming service. However, the channel will only be accessible via the service’s web browser, unlike its streaming service, which is found on set-top boxes thanks to distribution deals with French telco groups such as Orange, Canal Plus and Sfr.
The initiative marks Netflix’s first foray into real-time, scheduled programming. The service previously tested the option Shuffle Play, which wasn’t in real time but featured recommended programming to a sample of international users, explained a source at Netflix. The difference this time around is that the test is being localized in one country, rather than a sample of users.
On its website, Netflix said it chose France to test its...
- 11/6/2020
- by Elsa Keslassy
- Variety Film + TV
Streaming giant faces tough negotiations over investment obligations and content rights as France overhauls audiovisual laws.
The great and the good of France’s cultural institutions and film and TV production scene turned out for the official opening of Netflix’s new French offices in central Paris in the presence of the Us platform’s founder and CEO Reed Hastings on January 17.
“The only people missing were Frémaux, the Seydoux and Saada,” said one attendee, marvelling at the high-profile crowd.
He was referring to Cannes Film Festival chief Thierry Frémaux, as well as Nicolas Seydoux and Jérome Seydoux, the influential chiefs of Gaumont and Pathé,...
The great and the good of France’s cultural institutions and film and TV production scene turned out for the official opening of Netflix’s new French offices in central Paris in the presence of the Us platform’s founder and CEO Reed Hastings on January 17.
“The only people missing were Frémaux, the Seydoux and Saada,” said one attendee, marvelling at the high-profile crowd.
He was referring to Cannes Film Festival chief Thierry Frémaux, as well as Nicolas Seydoux and Jérome Seydoux, the influential chiefs of Gaumont and Pathé,...
- 1/24/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Streaming giant faces tough negotiations over investment obligations and content rights as France overhauls audiovisual laws.
The great and the good of France’s cultural institutions and film and TV production scene turned out for the official opening of Netflix’s new French offices in central Paris in the presence of the Us platform’s founder and CEO Reed Hastings on January 17.
“The only people missing were Frémaux, the Seydoux and Saada,” said one attendee, marvelling at the high-profile crowd.
He was referring to Cannes Film Festival chief Thierry Frémaux, as well as Nicolas Seydoux and Jérome Seydoux, the influential chiefs of Gaumont and Pathé,...
The great and the good of France’s cultural institutions and film and TV production scene turned out for the official opening of Netflix’s new French offices in central Paris in the presence of the Us platform’s founder and CEO Reed Hastings on January 17.
“The only people missing were Frémaux, the Seydoux and Saada,” said one attendee, marvelling at the high-profile crowd.
He was referring to Cannes Film Festival chief Thierry Frémaux, as well as Nicolas Seydoux and Jérome Seydoux, the influential chiefs of Gaumont and Pathé,...
- 1/24/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Streaming giant officially announces collaborations with Jean-Pierre Jeunet, Fanny Herrero and Julien Leclercq.
Steaming giant Netflix officially opened its new French headquarters in Paris on Friday in a move that Netflix chairman and CEO Reed Hastings said signalled a long-term commitment to the country.
Hastings, who flew into Paris to celebrate the official launch, said the new French office would enable Netflix ”to work even more closely with the French creative community on great shows and films that are made in France and watched all around the world.”
Some 40 staff are due to be based at the new French offices...
Steaming giant Netflix officially opened its new French headquarters in Paris on Friday in a move that Netflix chairman and CEO Reed Hastings said signalled a long-term commitment to the country.
Hastings, who flew into Paris to celebrate the official launch, said the new French office would enable Netflix ”to work even more closely with the French creative community on great shows and films that are made in France and watched all around the world.”
Some 40 staff are due to be based at the new French offices...
- 1/17/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Netflix CEO Reed Hastings today officially opened Netflix’s vast new French headquarters in the center of Paris.
Currently home to 40 employees in film, TV and marketing, and with ample space for at least 100 more, the shiny new space is a major sign of intent for the streamer in one of Europe’s most important – and heavily regulated – markets.
Netflix announced today that it will significantly increase investment in France, with 20 new French productions, and partnerships with leading French creative institutions.
The streamer’s French content executives today unveiled a handful of original shows as well as a range of series and films made by production partners for the streamer. They include:
BigBug, the new film by César Award winner Jean-Pierre Jeunet, based on a script written by Jeunet and Guillaume Laurant — a comedy set in the future with a cast including César Award winner Elsa Zylberstein, César Award nominee Isabelle Nanty and Manu Payet.
Currently home to 40 employees in film, TV and marketing, and with ample space for at least 100 more, the shiny new space is a major sign of intent for the streamer in one of Europe’s most important – and heavily regulated – markets.
Netflix announced today that it will significantly increase investment in France, with 20 new French productions, and partnerships with leading French creative institutions.
The streamer’s French content executives today unveiled a handful of original shows as well as a range of series and films made by production partners for the streamer. They include:
BigBug, the new film by César Award winner Jean-Pierre Jeunet, based on a script written by Jeunet and Guillaume Laurant — a comedy set in the future with a cast including César Award winner Elsa Zylberstein, César Award nominee Isabelle Nanty and Manu Payet.
- 1/17/2020
- by Andreas Wiseman
- Deadline Film + TV
Netflix continued to make strides in its European expansion on Thursday, unveiling a swanky multi-floor Paris office and announcing 20 new French shows and movies in the pipeline.
Located in the heart of the city and staffed with 40 employees, Netflix’s office launch attracted French industry figures, including producers and filmmakers working with or looking to work with Netflix.
Netflix CEO Reed Hastings, who was on hand at the event, said the service will be stepping up its investment locally and will target high-profile talent in 2020. New titles include the film “Big Bug,” directed by “Amelie” director Jean-Pierre Jeunet. Penned by Jeunet and Guillaume Laurant, “Big Bug” is a comedy set in the future starring Elsa Zylberstein, Isabelle Nanty and Manu Payet.
Jeunet participated in the first roundtable organised for the event, along with the directors Julien Leclercq and Leïla Sy, as well as rapper-turned-actor Kery James, and Sara May, director...
Located in the heart of the city and staffed with 40 employees, Netflix’s office launch attracted French industry figures, including producers and filmmakers working with or looking to work with Netflix.
Netflix CEO Reed Hastings, who was on hand at the event, said the service will be stepping up its investment locally and will target high-profile talent in 2020. New titles include the film “Big Bug,” directed by “Amelie” director Jean-Pierre Jeunet. Penned by Jeunet and Guillaume Laurant, “Big Bug” is a comedy set in the future starring Elsa Zylberstein, Isabelle Nanty and Manu Payet.
Jeunet participated in the first roundtable organised for the event, along with the directors Julien Leclercq and Leïla Sy, as well as rapper-turned-actor Kery James, and Sara May, director...
- 1/17/2020
- by Elsa Keslassy
- Variety Film + TV
Netflix kicked off 2020 with a bang in Paris on Friday, as CEO Reed Hastings opened the company's new French headquarters and unveiled a slate of original French TV series and films.
Amelie director Jean-Pierre Jeunet will make Big Bug, his long-in-development “science fiction comedy with robots,” for Netflix. The project had been turned down by most of France's major studios, who didn't see its commercial potential. Elsa Zylberstein, Isabelle Nanty and Manu Payet will star.
Other French projects announced Friday include a six-part series from Call My Agent! writer Fanny Herrero about four young comedians trying to ...
Amelie director Jean-Pierre Jeunet will make Big Bug, his long-in-development “science fiction comedy with robots,” for Netflix. The project had been turned down by most of France's major studios, who didn't see its commercial potential. Elsa Zylberstein, Isabelle Nanty and Manu Payet will star.
Other French projects announced Friday include a six-part series from Call My Agent! writer Fanny Herrero about four young comedians trying to ...
- 1/17/2020
- The Hollywood Reporter - Film + TV
Netflix kicked off 2020 with a bang in Paris on Friday, as CEO Reed Hastings opened the company's new French headquarters and unveiled a slate of original French TV series and films.
Amelie director Jean-Pierre Jeunet will make Big Bug, his long-in-development “science fiction comedy with robots,” for Netflix. The project had been turned down by most of France's major studios, who didn't see its commercial potential. Elsa Zylberstein, Isabelle Nanty and Manu Payet will star.
Other French projects announced Friday include a six-part series from Call My Agent! writer Fanny Herrero about four young comedians trying to ...
Amelie director Jean-Pierre Jeunet will make Big Bug, his long-in-development “science fiction comedy with robots,” for Netflix. The project had been turned down by most of France's major studios, who didn't see its commercial potential. Elsa Zylberstein, Isabelle Nanty and Manu Payet will star.
Other French projects announced Friday include a six-part series from Call My Agent! writer Fanny Herrero about four young comedians trying to ...
- 1/17/2020
- The Hollywood Reporter - Movie News
Jan Kounen’s comedy “My Cousin,” starring Vincent Lindon and François Damiens, will be one of the biggest French releases of the year. The film screens Friday at the Unifrance Rendez-Vous in Paris. In an exclusive interview with Variety, he talks about his key motivations for the project.
“My Cousin” is about two cousins (Lindon and Damiens) with wildly incompatible personalities and different ways of life, set in a luxurious Bordeaux vineyard. It marks a major new departure for Kounen, and is his first feature film for 11 years, after his 2009 Cannes closing film, “Coco Chanel & Igor Stravinsky.”
Kounen has a cult following from previous pics such as “Dobermann” (1997), and spiritual Western “Blueberry” (2004), and is well known for his interest in shamanism, including his 2004 documentary “Other Worlds.” This interest has fed into his recent Vr projects – “Ayahuasca” (Kosmik Journey), “7 Lives” and “-22.7°C.”
“My Cousin” is produced by Richard Grandpierre’s Eskwad,...
“My Cousin” is about two cousins (Lindon and Damiens) with wildly incompatible personalities and different ways of life, set in a luxurious Bordeaux vineyard. It marks a major new departure for Kounen, and is his first feature film for 11 years, after his 2009 Cannes closing film, “Coco Chanel & Igor Stravinsky.”
Kounen has a cult following from previous pics such as “Dobermann” (1997), and spiritual Western “Blueberry” (2004), and is well known for his interest in shamanism, including his 2004 documentary “Other Worlds.” This interest has fed into his recent Vr projects – “Ayahuasca” (Kosmik Journey), “7 Lives” and “-22.7°C.”
“My Cousin” is produced by Richard Grandpierre’s Eskwad,...
- 1/16/2020
- by Martin Dale
- Variety Film + TV
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