Regie | |||
| Mikael Håfström | |||
Buch(WGA) | ||
| Michael Petroni | (geschrieben von) | |
| Matt Baglio | (book) (suggestion) | |
Produktion | |||
| Christopher Almerico | .... | Associate Producer | |
| Robert Bernacchi | .... | Ausführender Produzent | |
| Merideth Finn | .... | Ausführender Produzent | |
| Christy Fletcher | .... | Koproduzent | |
| Beau Flynn | .... | Produzent | |
| Mark Tuohy | .... | Koproduzent | |
| Gian Paolo Varani | .... | line producer: Italy | |
| Tripp Vinson | .... | Produzent | |
Originalmusik | |||
| Alex Heffes | |||
Kamera | |||
| Ben Davis | |||
Schnitt | |||
| David Rosenbloom | |||
Casting | |||
| Deborah Aquila | |||
| Tricia Wood | |||
Szenenbild | |||
| Andrew Laws | |||
Bauten/Dekorationsbau (art directors) | |||
| Lóránt Jávor | |||
| Stuart Kearns | (leitender Art Director) | ||
Bühnenbildner/Ausstatter (set decorators) | |||
| Peter Walpole | |||
Kostüme | |||
| Carlo Poggioli | |||
Maske/Frisuren | |||
| Katalin Jakots | .... | leitender Maskenbildner | |
| Kristyan Mallett | .... | special makeup effects artist: Anthony Hopkins | |
| Sharon Martin | .... | zusätzliche Maskenassistenz | |
| Gabriella Németh | .... | Friseur | |
| Iván Pohárnok | .... | prosthetic makeup supervisor | |
| Trefor Proud | .... | Leiter Maskenbild | |
| Tracey Wells | .... | leitender Haarstylist | |
| Tracey Wells | .... | leitender Maskenbildner | |
Produktionsleiter (production managers) | |||
| Gianluca Barra | .... | assistant production manager: second unit | |
| Robert Bernacchi | .... | produzierender Set-Aufnahmeleiter | |
| Francesca Cingolani | .... | production manager: second unit | |
| Vito Colazzo | .... | production manager: Italy | |
| Robin Melville | .... | unit manager: Italy | |
| Charlene Olson | .... | Leitung Postproduktion | |
| Maria Ungor | .... | Produktionsleiter | |
| Christina Varotsis | .... | production supervisor: Chicago | |
| Elena Zokas | .... | produzierender Set-Aufnahmeleiter | |
Regieassistenten | |||
| Franco Basaglia | .... | first assistant director: second unit Italy | |
| Barbara Bevacqua | .... | third assistant director: Italy | |
| Senica Billingsley | .... | assistant director: second unit | |
| Senica Billingsley | .... | Zweiter Regieassistent | |
| Filippo Fassetta | .... | first assistant director: Italy | |
| Camilla Fava del Piano | .... | trainee assistant director: Italy | |
| Anna Piroska Geréb | .... | assistant director: runner, second unit | |
| Robert Grayson | .... | Erster Regieassistent (zusätzliche Fotografie) | |
| John Greaves | .... | 2nd Unit Regisseur | |
| Sean Guest | .... | Erster Regieassistent | |
| Alessandro Guida | .... | Regieassistenz | |
| James Andrew Haven | .... | Zweiter Regieassistent | |
| Jessica Hurles-Laws | .... | first assistant director: second unit | |
| Gianluca Mangiasciutti | .... | Regieassistenz | |
| Linda Marián | .... | third assistant director: Hungary | |
| Bogi Móricz | .... | second assistant director: Hungary | |
| Luca Padrini | .... | second assistant director: Italy | |
| Roxana Szarisz | .... | second third assistant director | |
| Bruce Terris | .... | first assistant director: Chicago | |
| Zsolt Tolmer | .... | Regieassistenz | |
Ausstattung (Crew) | |||
| Paul Allen | .... | Vorarbeiter | |
| Andrea Balogh | .... | Bühnenbildassistenz | |
| Zsuzsanna Borvendég | .... | Stand-by Filmarchitekt | |
| Alex Boswell | .... | chargehand propman: additional photography | |
| Federico Ciommo | .... | property master: Italy | |
| Leonardo Cruciano | .... | Requisitenbauer | |
| Laszlo Demeter | .... | Bühnenbilddesigner | |
| Laszlo Demeter | .... | stand-by art director: reshoots | |
| Gergely Dömölki | .... | supervising propmaker | |
| Sandro Erdolini | .... | Stand-by Maler | |
| Dave Fisher | .... | Requisite | |
| Dean Fisher | .... | Stand-by Requisite | |
| Luciano Formigoni | .... | Assistenz Requisite | |
| John Greaves | .... | Storyboard | |
| Zoltán Horváth | .... | set decorator: Hungary | |
| Gergely Kajdi | .... | Greensman | |
| Slemer Karolina | .... | Koordination Art Department | |
| Attila Kiss | .... | standby propman | |
| Zoltán Kiss | .... | Bildhauer | |
| Szalay Marton | .... | property master: Hungary | |
| Alexandra Miklos | .... | grafischer Künstler | |
| Adam Polgar | .... | Einkäufer Produktion | |
| Mátyás Szakonyi | .... | Greensman | |
| László Szirmai | .... | Assistenz Filmarchitekt | |
| László Szirmai | .... | senior draftsman | |
| Vilmos Törköly | .... | Requisitenbauer | |
| István Váradi | .... | Auslegertruppe | |
| József Ócsai | .... | Auslegertruppe | |
Ton (Crew) | |||
| Mike Chock | .... | Toneffektschnitt | |
| Mark Coffey | .... | erster Tonschnittassistent | |
| Jenna Dalla Riva | .... | Geräuschaufnahme | |
| Laura Graham | .... | ADR-Editor | |
| R.J. Kizer | .... | überwachender ADR Editor | |
| Rick Kline | .... | Tonmischung (Postproduktion) | |
| Goro Koyama | .... | Geräuschemacher | |
| Tamas Kurina | .... | ADR Techniker | |
| Andy Malcolm | .... | Geräuschemacher | |
| Mark A. Mangini | .... | Tonschnittleitung | |
| György Mihályi | .... | Tonunterstützung | |
| Michael Miller | .... | Sprachsynchron-Mischung | |
| Piero Mura | .... | Toneffektschnitt | |
| Ryan Murphy | .... | mix tech | |
| Mac Ruth | .... | Originalton-Mischer | |
| Andy Stallabrass | .... | ADR Aufnahme | |
| Pál Szûrös | .... | Tonangler | |
| Hugh Waddell | .... | Dialogschnitt (als Hugh Wadell) | |
| Christopher T. Welch | .... | ADR-Editor | |
| Don White | .... | foley recording mixer | |
| Dave Whitehead | .... | Sounddesigner | |
| Peter Gleaves | .... | Sprachsynchron-Mischung (nicht im Abspann) | |
Spezialeffekte | |||
| Bence Arik | .... | Techniker Spezialeffekte | |
| Massimo Di Palma | .... | Techniker Spezialeffekte | |
| Attila Erczkovi | .... | Techniker Spezialeffekte | |
| Franco Galiano | .... | special effects supervisor: Italy | |
| Gabor Kiszelly | .... | Leitung Spezialeffekte | |
| Tibor Skornyak | .... | Techniker Spezialeffekte | |
| Dieter Sturm | .... | special effects snowmaker | |
| Yvonne Sturm | .... | special effects snowmaker | |
| Fabio Ungher | .... | Techniker Spezialeffekte | |
Visual Effects | |||
| Aurelia Abate | .... | visual effects producer: Method Studios | |
| Jeff Allen | .... | Leiter: Method Studios | |
| Chad Buehler | .... | Compositor: Method Studios | |
| Charles Bunnag | .... | digital colorist | |
| Lersak Bunupuradah | .... | cg modeler: Method Studios | |
| Steward Burris | .... | animation supervisor: Method Studios | |
| Kris Cabrera | .... | cg artist: Method Studios | |
| Huey Carroll | .... | Compositor: Method Studios | |
| Stephen Ceci | .... | Koordination Visual Effects | |
| Jae Chang | .... | Produzent Visual Effects | |
| Patrick Clancey | .... | digital opticals | |
| Caitlin Content | .... | visual effects: Prologue Films | |
| Kyle Cooper | .... | visual effects: Prologue Films | |
| Chris Cortese | .... | rotoscoper: method studios | |
| Stuart Cripps | .... | Compositor: method studios | |
| Nicolas Darques | .... | Compositor: method studios | |
| Ian Dawson | .... | visual effects supervisor: Prologue | |
| Greg Derochie | .... | Compositor: method studios | |
| Michael Dillon | .... | digital intermediate assistant producer | |
| Olivier Dumont | .... | visual effects supervisor: Method Studios | |
| Sam Edwards | .... | flame artist | |
| Eyetronics | .... | 3D Scanning | |
| Patricio Fernandez | .... | rotoscoper: Method Studios | |
| Juan Flores | .... | digital colorist assistant: Efilm | |
| Michael Sean Foley | .... | cg supervisor | |
| Fortunato Frattasio | .... | visual effects artist: Digiscope | |
| Todd Gill | .... | visual effects artist: Spy | |
| Kerry Graham | .... | matchmover: method studios | |
| Brian Hajek | .... | visual effects: Prologue Films | |
| Joe Henke | .... | visual effects supervisor: CIS Hollywood | |
| Norris Houk | .... | matchmover: method studios | |
| Stephanie Ide | .... | lead rotoscoper: method studios | |
| Shinya Ishii | .... | modeler and texture artist: Method Studios | |
| Michael Janov | .... | Leitung Visual Effects | |
| Bora Jurisic | .... | Künstler Visual Effects | |
| Dan Knight | .... | Compositor | |
| Marc Kolbe | .... | Produzent Visual Effects | |
| Marc Kolbe | .... | Leitung Visual Effects | |
| Tim LeDoux | .... | compositing lead: Pixomondo | |
| Joon Lee | .... | cg artist: Method Studios | |
| Richard S. Lee | .... | Digitaler Hintergrundmaler | |
| Jack Lilburn | .... | vfx coordinator: method studios | |
| Justin Lloyd | .... | cg artist: method studios | |
| Mark Alan Loso | .... | set vfx supervisor: FotoKem Budapest | |
| Julia MacMullen | .... | assistant visual effects editor | |
| Michael Maker | .... | tracking supervisor: method studios | |
| Björn Mayer | .... | visual effects supervisor: Pixomondo | |
| Emmi Nakagawa | .... | Oberflächenkünstler | |
| Masa Narita | .... | cg modeler: Method Studios | |
| Julia Neighly | .... | visual effects producer: CIS Hollywood (als Julia Gaudette) | |
| James P. Noon | .... | tracking | |
| Eddie Offermann | .... | software developer | |
| Eddie Offermann | .... | visual effects color | |
| Tobbe Olsson | .... | Künstler Visual Effects | |
| Olivier Pron | .... | lead matte painter: method studios | |
| Nordin Rahhali | .... | sequence supervisor: method studios | |
| Lance Ranzer | .... | Digitalkünstler | |
| Juan-Luis Sanchez | .... | cg supervisor: method studios | |
| Florian Schroeder | .... | digital compositor: Pixomondo | |
| Steven J. Scott | .... | supervising digital colorist | |
| Rasha Shalaby | .... | texture painter | |
| Prateep Siamwalla | .... | tracking | |
| Jennifer Silver | .... | visual effects producer: Pixomondo | |
| Bongkee Sohn | .... | rigging | |
| Doug Spilatro | .... | Künstler Visual Effects | |
| Tim Stern | .... | digital compositor: Pixomondo | |
| Emerick Tackett | .... | matchmove artist: Pixomondo | |
| Gavyn Thompson | .... | cg artist | |
| Ash Thorp | .... | visual effects: Prologue Films | |
| Scott G. Trosclair | .... | compositing artist: Spy | |
| Max Ulaner | .... | production assistant: Method Studios | |
| Nancey S. Wallis | .... | Compositor: method studios | |
| Stephen Wilson | .... | Künstler Visual Effects | |
| Gordon T. Wittmann | .... | visual effects producer: Spy | |
| Xye | .... | tracking | |
| Fiedler Zoltán | .... | matchmove artist: Digital Apes | |
| Kwang Jib Kim | .... | visual effects producer: Digitrove.Inc (nicht im Abspann) | |
| Dong Su Kwak | .... | lead modeler: Digitrove, Inc (nicht im Abspann) | |
| Ryan Urban | .... | Compositor: Method Studios (nicht im Abspann) | |
Stunts | |||
| Charles Croughwell | .... | Stuntkoordinator | |
| Erika Cziráky | .... | Stuntdouble | |
| Kinga Gavalda | .... | Stuntdouble | |
| Diego Guerra | .... | stunt driver: Italy | |
| László Imre | .... | stunt double: Anthony Hopkins | |
| Sándor Imre | .... | Stunts | |
| Rick Le Fevour | .... | stunt coordinator: Chicago | |
| Riccardo Mioni | .... | stunt driver: Italy | |
| Stefano Maria Mioni | .... | stunt coordinator: Italy | |
| Domonkos Pardanyi | .... | Assistenz Stuntkoordination | |
| Domonkos Pardanyi | .... | stunt coordinator: Hungary | |
| Rich Wilkie | .... | stunt double: Chicago | |
Kamera und Elektrik (Crew) | |||
| László Angyal | .... | rigging best boy | |
| Gábor Balda | .... | rigging | |
| Csaba Bankhardt | .... | 1. Kamerabühne | |
| Roberto Barbona | .... | 1. Kamerabühne | |
| Attila Barczay | .... | Videoassistent | |
| Mickey Bergstrom | .... | video assist: Rome | |
| Attila Bilik | .... | Oberbeleuchter Bühnenbau | |
| Attila Bogyai | .... | Bühnenbeleuchtung | |
| Jeremy Braben | .... | Regisseur für Luftaufnahmen | |
| Patrick Bramucci | .... | Oberbeleuchter | |
| Zoltán Bók | .... | Bühnenbeleuchtung | |
| Zsolt Büti | .... | Oberbeleuchter | |
| Fausto Cancellieri | .... | Grip: Italien | |
| Fabio Capozzi | .... | Beleuchtung: Italien | |
| Jason Catania | .... | Oberbeleuchter: Chicago | |
| Giancarlo Checchi | .... | Beleuchtung | |
| Zoltán Dzsupin | .... | central loader | |
| László Egyedi | .... | Grip | |
| Egon Endrényi | .... | Standfotograf | |
| Demeter Ernö | .... | location rigger | |
| Péter Faludi | .... | Kamera Azubi | |
| Dániel Farkas | .... | Videoassistent | |
| Peter Field | .... | camera operator: additional photography | |
| Paolo Frasson | .... | Keygrip | |
| Ingo Gardner | .... | balloon light technician | |
| Nándor Gulyás | .... | assistant camera: second unit | |
| Posztos György | .... | studio key rigger | |
| Attila Hevesi | .... | Bühnenbeleuchtung | |
| György Horváth | .... | first assistant camera: B-Kamera | |
| Róbert Jász | .... | Grip | |
| Adam Kalacsi | .... | studio rigger | |
| Michael Lubomski | .... | Grip: Chicago | |
| György Mohácsi | .... | Hilfsbeleuchter | |
| 'Kis Gromek' László Molnár | .... | rig electrician | |
| Julian Morson | .... | Kameraführung | |
| Julian Morson | .... | Steadicam Operator | |
| Clive Prior | .... | Erster Kameraassistent (als Clive Pryor) | |
| Sam Renton | .... | first assistant camera: A-Kamera | |
| György Réder | .... | Kameraführung | |
| Tiziano Saraca | .... | central loader: second unit, Italy | |
| Imre Sisa | .... | Keygrip | |
| David Smith | .... | Oberbeleuchter | |
| József Szucsik | .... | Oberbeleuchter: Ungarn - Second Unit | |
| Dean Thompson | .... | first assistant camera: additional photograghy | |
| Carsten Thoms | .... | balloon light technician | |
| Paolo Tiberti | .... | key grip: reshoots | |
| Marco Vignoni | .... | video assist: second unit, Rome | |
| Mark N. Woods | .... | technocrane operator | |
| Tim Wooster | .... | director of photography: second unit | |
Animation | |||
| Anthony Rizzo | .... | Figurentrickzeichner | |
| Aaron Schultz | .... | Animation | |
Casting (Crew) | |||
| Michela Forbicioni | .... | casting (IT ) | |
| Tamás Kertész | .... | Komparsen Casting | |
| Caitlin McKenna-Wilkinson | .... | ADR Simmencasting | |
| Toby Spigel | .... | casting assistant: uk | |
| Gail Stevens | .... | UK casting | |
| Lisa Zagoria | .... | Mitarbeiter Casting | |
| Jonathan Kinnas | .... | extras casting: Chicago (nicht im Abspann) | |
Kostüm und Garderobe (Crew) | |||
| Brigitta Barkó | .... | führender Kostümier | |
| Ibolya Bárdosi | .... | Kostümier | |
| Elena Del Guerra | .... | Kostümassistenz | |
| Serena Fiumi | .... | Leitung Kostüme | |
| Anna Kulcsár | .... | tailor/cutter | |
| Péter Palotás | .... | Ankleider | |
| Anina Pinter | .... | Assistenz Kostümdesign | |
| Zsuzsa Stenger | .... | Leitung Kostüme | |
| Traxler Tamas | .... | führender Kostümier | |
| Maurizio Vitiello | .... | Assistenz Kostümdesign | |
| Rebecca Higginson | .... | Kostümier (nicht im Abspann) | |
Schnitt (Crew) | |||
| Matt Absher | .... | erste Schnittassistenz | |
| Sándor Balla | .... | Schnittassistenz | |
| Gary Burritt | .... | Negativschnitt | |
| Janó Fekete | .... | Kolorist: Muster | |
| Erika Köcsky | .... | digital dailies supervisor | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Amy Joy Rivkin | .... | Assistent Postproduktion | |
Musik (Crew) | |||
| Jeff Atmajian | .... | Orchestrierung | |
| Monica Ciafardini | .... | music clearances | |
| Mark Graham | .... | head of music preparation | |
| Tom Hardisty | .... | Filmmusikaufnahme | |
| Joel Iwataki | .... | Filmmusikmischer | |
| Andrew Kinney | .... | Orchestrierung | |
| Peter Myles | .... | Musikschnitt | |
| Victor Pesavento | .... | Music Preparation | |
| Drea Pressley | .... | score vocalist | |
| Jasper Randall | .... | choir conductor | |
| Jasper Randall | .... | choir contractor | |
| Peter Rotter | .... | Orchester-Management | |
| Mark Edward Smith | .... | score vocalist | |
| Steven L. Smith | .... | Music Preparation | |
| Roger Suen | .... | assistant to composer | |
| Benjamin Wallfisch | .... | additional arrangements | |
Transporte | |||
| István Bognár | .... | Transportleiter | |
| Gabriella Di Santo | .... | transportation manager: Italy | |
| George Fohn | .... | Fahrer: Besetzung | |
| László Kiss | .... | transport coordinator | |
| John Lux Jr. | .... | Fahrer | |
| Zoltán Szalay | .... | picture vehicle coordinator | |
| Robert Wallace | .... | Fahrer | |
Sonstige Crew | |||
| Akemi Abe | .... | end titles | |
| Camrin Agin | .... | Produktionsanwalt | |
| Csaba Bagossy | .... | Produktionsassistent | |
| Eleonora Baldwin | .... | Script Supervisor | |
| Matteo Bardelli | .... | set production assistant: italy | |
| Michael Beaudin | .... | erste Assistenz Filmgeschäftsführung | |
| Sallie Beechinor | .... | Produktionskoordination | |
| Mona Bernal | .... | production coordinator: italy | |
| Agi Blasko | .... | Sekretär Produktion | |
| Rebecca Booth | .... | assistant to the director: Italian unit | |
| Nando Cartocci | .... | Produktionsassistent | |
| Alberto Caviglia | .... | production assistant: second unit, Italy | |
| Yuriy Chernin | .... | Production Assistant: Chicago | |
| Claire Connelly | .... | production coordinator: Chicago | |
| Eva Cseplo | .... | Produktionsassistent | |
| János Cserven | .... | Motiv-Aufnahmeleiter | |
| Péter Danó | .... | zweite Assistenz Filmgeschäftsführung | |
| Fernanda Dorogi | .... | Drehort-Koordinator | |
| Daniele Fabrizi | .... | set production assistant: second unit Italy | |
| P.J. Fishwick | .... | assistant production coordinator: Chicago | |
| Jennifer Anne Franklin | .... | assistant to mr. hopkins | |
| Gianluca Gamberini | .... | key set production assistant: Rome | |
| Marco Giacalone | .... | supervising location manager | |
| Iolanda Greci | .... | set production assistant: Italy | |
| Mihály Gál | .... | Assistenz Produktionskoordination | |
| Elizabeth Himelstein | .... | dialect coach: adr | |
| Zoltan Horkai | .... | head animal trainer | |
| Amy Horkay | .... | Produktionskoordination | |
| Andrea Iacobelli | .... | production assistant: second unit Italy | |
| Peter Ivanyi | .... | animal department manager | |
| Lídia Jung | .... | script supervisor: Hungary - Second Unit | |
| András Kopházi | .... | security coordinator | |
| András Korcsmáros | .... | dialogue coach: Hungary | |
| Balint Kovacs | .... | Assistenz Motiv-Aufnahmeleitung | |
| Ross L. Kulma | .... | Filmset-Sanitäter | |
| Enrico Latella | .... | location manager: Rome | |
| Tamás Maros | .... | Motiv-Aufnahmeleiter | |
| Karin Mercurio | .... | production accountant: italy | |
| Daniela Merlo | .... | dialogue coach: italian and latin | |
| Zsolt Molnar | .... | Assistenz am Drehort | |
| Susanna Musotto | .... | ADR Stimme | |
| Stefan Nikolov | .... | Assistenz Motiv-Aufnahmeleitung | |
| Andrew Norman | .... | Assistenz des Regisseurs | |
| Zsofi Oblath | .... | assistant to production managers | |
| János Papp | .... | health & safety advisor | |
| Dorothy Precious | .... | Filmgeschäftsführung Produktion | |
| Tamás Péter | .... | Produktionsassistent | |
| Michael Roccuzzo | .... | Filmgeschäftsführung Postproduktion | |
| Alessandro Ruggeri | .... | production coordinator assistant: Italy | |
| Federico Santangelo | .... | Motiv-Aufnahmeleiter | |
| Dora Simko | .... | Script Supervisor | |
| Massimiliano Sisti | .... | Assistenz Filmgeschäftsführung | |
| Katalin Skuts | .... | Assistenz des Regisseurs | |
| Richard Szabó | .... | Erster Aufnahmeleiter | |
| Enikö Szakács | .... | Kassierer | |
| Istvan Szori | .... | Lichtdouble: Sir Anthony Hopkins | |
| Erika Tamás | .... | erste Assistenz Filmgeschäftsführung | |
| Sophie Treacher | .... | production coordinator: additional photography | |
| Kinga Trimmel | .... | Lohnbuchhalter | |
| Kolos Trimmel | .... | Filmgeschäftsführung Produktion | |
| Dale Wyatt | .... | Dialogtrainer | |
| Gábor Xantus | .... | medical coordinator | |
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| Sin Eater - Die Seele des Bösen | Das Omen | The Omen | Der Exorzismus von Emily Rose | Exorzist: Der Anfang |
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