Sleep (2020) Poster

(I) (2020)

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7/10
Maintains tension throughout the running time. After one hour logic failed on me, possibly my fault. Finale does not bring solutions I anticipated
JvH4814 April 2021
Originally, I had this movie planned to see during the Berlinale 2020, part of the section Perspektive Deutsches Kino (Perspectives of German Films/Filmmaking). For some reason I missed it there. Got a second chance during the Imagine film festival 2021, normally in Amsterdam but now 100% online. The movie starts very well, despite the inherent somber subject. It proves to be very well possible to maintain tension for the full running time without using any of the genre cliches, like jump scares, squeaking doors/stairs, eerie music, and more along those down throdden paths.

Near 1H running time, I lost track of the logic in what I saw people doing, and what purpose I could imagine behind their actions (if any). Assuming to be enlightened about past events that would take care of connecting the dots, I was anticipating clarity in the end. I persisted watching this movie and ignored some logic flaws.

At 1H25 running time I was clawing for some straws to clear up the mist between past and present, as the mixture of both seem prepared to explain everything. It was not self-explanatory for me, however. I persisted again, waiting for the finale that might offer the solution to all these riddles. Despite my failure to understand the deeper purpose of the proceedings, it was not boring. Something happened all the time, continuously bringing some new clues, but none were conclusive.

The final 10 minutes did not bring the explanations I expected. Something important hit me here, namely, how to find out whether you are dreaming or awake. This dilemma was presented in a very early scene but not making sufficient impression then to realize its importance. Many scenes run along parallel lines and switch between past and present, leaving me guessing for their significance in the story. In this respect, the movie did not fullfill all promises, at least not for all issues calling for a solution.

All in all, the plot is ambitious and intriguing, but it faltered near the end and failed on its closure. I think I missed some important clues underway. I think this would not have happened during a more focused session in a film theater, with less distractions than a virtual screening at home. Neverheless, it certainly is a good watch due to including social commentary and references to German history, though some are bound to partly missing the point when directed to us outsiders, not living in Germany.
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6/10
Abrasive and awesome
BandSAboutMovies3 November 2021
Warning: Spoilers
Tormented by recurring nightmares of a place she has never been, Marlene becomes tormented by the idea that this place could be real, so she has a breakdown. Her daughter Mona follows the same path her mother was on and ends up in Stainback, a small village with a big secret and a population as obsessed as her mother.

The Sonnenhugel Hotel leads to ultra vivid dreams for both mother and daughter, dreams of the suicides of multiple men and visions of strangulation. Meanwhile, the kindly hotel owner Otto actually dreams of bringing Germany's power back in ways that are frightening in today's political climate.

Michael Venus has only made shorts before this, but this is a confident blast to the brain filled with murder, strobing lights and abrasive metal when it isn't about long and languid dreams of death.
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7/10
Very, VERY Surreal, offbeat mind-bender of a film. From the German offshoot of the David Lynch family tree. Quite effective IF you like movies like this.
lathe-of-heaven23 April 2022
Wow, this was a different one. And yes, if you are into the films of David Lynch there is a good chance that you may like this one.

Some seriously offbeat stuff going on here, which is just rooted enough in reality to keep it running smoothly. If you like the vibe at all, definitely stay with it so that you ultimately gain some understanding of what the hell is going on.

The mood and atmosphere, along with the cinematography and especially the soundtrack, are right on target with this kind of film. Long moody takes, some abrupt non-sequitur transitions, oh yeah, this movie will most definitely keep you on your toes. Now, for those who aren't really into this kind of thing or into movies with this kind of deeply Surreal vibe, a la our dear Mr. Lynch, then you probably won't enjoy it that much. BUT... if you indeed are into more creative, somewhat more 'Artsy' Horror, but again, ultimately with a viable explanation of what has been going on, then oh yeah, this will be right up your alley...
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10/10
How Dreams Affect Us, and How the Past Is Never Really Gone
alisonc-130 August 2020
Marlene (Sandra Huller) is a flight attendant who suffers from severe nightmares, from which she awakens to draw sketches of her dreams. Her adult daugher Mona (Gro Swantje Kohlhof) takes care of her, but believes her when she says she's scheduled for a flight to Turkey. Instead, Marlene follows her dream-sketches to a hotel in the remote heartland of Germany, a town called Stainbach, and is soon hospitalized after a psychotic break at the hotel. Mona finds her, decides to stay at the same hotel run by Otto (August Schmolzer) and his wife Lore (Marion Kracht), but soon finds that the past is very much with the present in this hotel: including the suicides of the three founders, Otto's mentors, and the fact that Otto needs to be tethered to his bed to prevent him getting out at night....

That's a very sketchy outline of this very effective movie, which is really a deep dive into how the past affects the present, how bygone evil deeds and beliefs can retain their allure for some people, and how, sometimes, it's hard to know what reality is. Sleep: we all do it (even sharks who are not thought to sleep but I think it's just that we don't yet understand their version of sleep), and we all dream too. And that is when, this film suggests, we are most vulnerable - but also most insightful. I expected to be scared by this movie, because of its framing, but I never really got that jolt of adrenalin from fear because it's far more subtle than that. And, no, I don't like scary movies, so I was relieved at that. Instead, I end up finding myself thinking a lot about uncomfortable subjects such as the resurgence of fascism that has never really left us, and how easily it can come back. Recommended.
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8/10
My Take of What This All Means
milligancharm3 January 2022
Warning: Spoilers
I really enjoyed this movie and found it very engrossing and well acted. I love when things are not quite right and we are left to discern what the heck is going on. Lots of creepy and unsettling things that become a little more clear as the movie progresses. I found it had a satisfying ending after staying with it for so long. But I love to share interpretations, so what follows is a bit of mine:

Major Spoilers Ahead!!!! ***************************** I may be way off, especially because of the language barrier, but in a nutshell, sleep is where all the "action" takes place. I think this represents our inner thoughts and the nature of things that are in us that people don't get to see. Who we are when the world isn't watching. The mother starts out by having nightmares that are related to her past. That is another theme, and she was orphaned in a tragic way, which seems to be haunting her thoughts and dreams. She is insecure about her being orphaned. Yet through her own actions, she is seeming to "orphan" her own daughter as well. Their relationship is strained and she is alienating her through her own inner thoughts of insecurity and unresolve through her past. The daughter takes center stage and begins to have these dreams as well. Is she just repeating her mother's craziness now too? Doomed to repeat the sins of the past? The weird owner of the hotel has some major screwed up inner thoughts and opinions. So much so that he has to be strapped down at night or he will repeat the sins of his past all over the place. In the lullaby that is heard on the tape recorder, it mentions the incubus at her door. An incubus is a demon that has sex with sleeping women. The hotel owner is a slimy guy who did that with Mona's grandmother. He also carves wooden boars and gave one to the little girl who was the offspring of that relationship. It had her name on it. The boar is his symbol for all the boarish nastiness that he is in his inner self. Which includes even Nazi hate and bigotry. A nasty boar. The channeling of the woman he killed (Mona's grandmother) is a supernatural way of representing the overcoming of this nasty dude by the women he victimized and the ultimate wrestling of the sins of the past to finally put to death those tendencies in them. The spirit tells Mona it can all end with her or her mother. That is true of any generation. But is it easy? Well it was a fight in the film. And at the end, when they are reunited and all is well and the sins of the past have been destroyed, literally symbolized by the boar-ish man... well there is a coda. I didn't get all the language stuff but it appeared that Mona was at a party and there was some discussion about the dude being a "she" or at least some identity issues, and she was talking to the gal next to her about how she thought it was weird and stuff. Then she sees a boar at the end of hall. Could it be that those same sins of her grandfather are struggling to reappear in Mona. Are they ever really put to death? Or do they need to be continually killed? That is my take. Overall a really good flick.
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8/10
Or stay awake if you can....
searchanddestroy-125 December 2021
This German film about nightmares hardly kept me awake despite the fact that it is pretty well made, with a great care about aesthetics. But the plot rapidly eliminated the interest which I had at the beginning, I don't know why, maybe a feeling of déjà vu, though not for a German film. That's precisely the point, because we must seek the originality in this culturesque angle. I think that it also could be a Spanish film, with such a topic. Only children miss.... I won't spoil the film, but I think we can analyse the genesis of this story in history. German history, eighty years ago. I guess you see what I mean.... But that's only my opinion. To summarize, it's worth watching for those for whom this kind of film is made for. Unfortunately not me, but I tried....
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9/10
sleep and the uncanny
christopher-underwood3 February 2022
The film I loved watching it but it was not exactly clear what it was that was really happening. The mother is really not in a very good place she has been in the psychiatric ward of a hospital and her daughter worried and trying to find out what is going on. She moves into what seems to be a hotel and everything gets worse. The hotel apparently has something wrong and reminds us of the Overlook Hotel in The Shining. The boar hunting, the odd deaths and the mass suicide and the gassing and a large group of former nazis that worries us their sleep and the uncanny something we do not understand. I think I will have to have another look at this, after a while.
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8/10
A somewhat more surreal genre effort than expected
kannibalcorpsegrinder2 February 2022
After her mother's breakdown, a young woman fearing that she'll follow the same self-destructive path learns about her mother's obsession with a strange town that eventually starts her own obsession with the location, forcing her to confront dark secrets from the past to get away alive.

Overall, this was a solid if problematic genre effort. What works quite well for this one is the highly intriguing mystery and psychological torment that's at play within here. The fact that the film centers around the deciphering of dreams hiding untapped misery and torment, with the mother's insistence on locating the fabled hotel she's noticed in the real world being the same as the one she's dreamed of, becomes all the more involved once the daughter realizes that has begun affecting her as well. The trip to uncover the truth and the encounters with the locals are unnerving enough to be quite creepy with the clues seeming to point to something unexpected and otherworldly happening but not making sense. This helps to fuel the film throughout the first half as the mysterious build-up tends to pay off quite nicely. Those payoffs come together quite well in the form of the nightmare sequences that may or may not be real. Despite ample evidence that the real world is scary enough with the initial clues to her mother's mental state from the creepy journals and the strange disarray found in her hotel room when she arrives there, the fact that the striking visual in the dream-state where all sorts of bizarre figures and entities are shown that border on surrealism at times with the curiously just-off-normal route many of them feature. Since these provide enough context throughout the middle and final acts of the mystery being presented here, they end up delivering nicely at the end by featuring enough to really like about it. However, there are some issues with the film that holds this one back somewhat. This is mostly focused on the fact that there's so much allegory and subtle commentary present that it's almost overpowering the scares at times. The multilayered story about the sins of the past involving the true history of the country being resurrected and the connection between their family history tends to dominate the majority of the tension featured here. That can make for a highly underwhelming experience for those wanting a more horror-oriented path here since so little of the running time is focused on outright genre thrills in favor of this unraveling mystery. As well, with this being quite complex to get to some of the plot-points are dropped out and left unresolved to the point of frustration and confusion which all bring this down slightly.

Rated Unrated/R: Graphic Language, Full Nudity and Violence.
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