Netflix has revealed its most popular non-English language films and TV series in the U.S., with the list containing an interesting mix of titles from Europe, Asia and South America, plus a few surprises.
Spanish-language genre pic The Platform, set in a nightmarish vertical-style prison, tops the list of most-watched movies after being released in March this year, when lockdowns first hit America. Netflix does not tend to reveal specific viewing statistics, and these charts do not include solid numbers, but the company did previously note this one was watched by 56 million households in its first four weeks of release, making the title one of its most watched original movies ever.
The most-watched series was German show Barbarians, a historical drama about Germanic warriors fighting the Roman Empire in 9 Ad. The show is arguably...
Spanish-language genre pic The Platform, set in a nightmarish vertical-style prison, tops the list of most-watched movies after being released in March this year, when lockdowns first hit America. Netflix does not tend to reveal specific viewing statistics, and these charts do not include solid numbers, but the company did previously note this one was watched by 56 million households in its first four weeks of release, making the title one of its most watched original movies ever.
The most-watched series was German show Barbarians, a historical drama about Germanic warriors fighting the Roman Empire in 9 Ad. The show is arguably...
- 12/10/2020
- by Tom Grater
- Deadline Film + TV
[Editor’s Note: This is Part 1 in a four-part series on disability and horror.]
“Watching horror films is a disabling experience,” Angela M. Smith, Associate Professor of English and Gender Studies for the University of Utah and author of the book “Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema,” said. “It’s a controlled encounter with discomfort, with the vulnerability of our minds and bodies to images and suggestions that opens us to unwilled transformations.”
The horror film revels in the world of deformity and grotesqueness and, to a disabled viewer, that can be confusing in how relatable it is. For many, to be disabled is also to look different, so how does a person with a disability approach the horror genre when the presented thing to fear is themselves?
Smith said people weren’t ready for “Freaks” in the 1930s, and she’s absolutely correct. “Freaks,” for better and worse, remains one of the only U.S. features to have a predominately disabled...
“Watching horror films is a disabling experience,” Angela M. Smith, Associate Professor of English and Gender Studies for the University of Utah and author of the book “Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema,” said. “It’s a controlled encounter with discomfort, with the vulnerability of our minds and bodies to images and suggestions that opens us to unwilled transformations.”
The horror film revels in the world of deformity and grotesqueness and, to a disabled viewer, that can be confusing in how relatable it is. For many, to be disabled is also to look different, so how does a person with a disability approach the horror genre when the presented thing to fear is themselves?
Smith said people weren’t ready for “Freaks” in the 1930s, and she’s absolutely correct. “Freaks,” for better and worse, remains one of the only U.S. features to have a predominately disabled...
- 10/6/2020
- by Kristen Lopez
- Indiewire
Stars: Melissa Joy Boerger, Matt Daciw, Eamon Hanson, Jehan Hashim, Ethan Mitchell, Tony Nash, Jeremy Ninaber, Matthew Ninaber, Gary Kirkham, Marlo Milstone, Justin Moses | Written by Jennifer Lloyd, Matthew Ninaber, Aaron Tomlin | Directed by Matthew Ninaber
The enormous rise of superhero movies has meant that even filmmakers with small budget are trying to create something within the genre. Some have worked, some have not but with the restriction of the budget, writers have had to come up with clever ideas.
At first Transference: Dark Mutants has that definite feel of a sci-fi that is leaning towards horror but it slowly evolves into a more X-Men-influenced sci-fi movie. Lead character Emma possesses supernatural abilities and is almost being kept prisoner by her twin brother Joshua. He believes he is keeping her safe from the outside world, the people that will do horrible things to her if they discover what she can do.
The enormous rise of superhero movies has meant that even filmmakers with small budget are trying to create something within the genre. Some have worked, some have not but with the restriction of the budget, writers have had to come up with clever ideas.
At first Transference: Dark Mutants has that definite feel of a sci-fi that is leaning towards horror but it slowly evolves into a more X-Men-influenced sci-fi movie. Lead character Emma possesses supernatural abilities and is almost being kept prisoner by her twin brother Joshua. He believes he is keeping her safe from the outside world, the people that will do horrible things to her if they discover what she can do.
- 9/10/2020
- by Alain Elliott
- Nerdly
The newest trend in home viewing: the hot title that seems to come out of nowhere. This week it’s “The 2nd,” which jumped to #1 on the AppleTV and GooglePlay movie rental charts. An actioner starring Ryan Phillippe and Casper Van Dien would never register within film Twitter, but that’s not the ruling sensibility of VOD.
This week had a range of alternative offerings, led by the Disney+ debut of “Mulan.” At an estimated $200 million cost, it is by far the most expensive feature film to skip domestic theaters for Premium VOD. This is also the second week of “Bill & Ted Face the Music” (United Artists), as well as first for “I’m Thinking of Ending Things,” the start of Netflix’s fall awards-intended original releases. All that comes as “Tenet” (Warner Bros.) began its muted run in the U.S. as it tries to bring struggling theaters into recovery.
This week had a range of alternative offerings, led by the Disney+ debut of “Mulan.” At an estimated $200 million cost, it is by far the most expensive feature film to skip domestic theaters for Premium VOD. This is also the second week of “Bill & Ted Face the Music” (United Artists), as well as first for “I’m Thinking of Ending Things,” the start of Netflix’s fall awards-intended original releases. All that comes as “Tenet” (Warner Bros.) began its muted run in the U.S. as it tries to bring struggling theaters into recovery.
- 9/8/2020
- by Tom Brueggemann
- Indiewire
September is nearly upon us, which means that Netflix will be adding a whole host of new movies and TV shows to their content library on the first day of the month, as they continue to assert their dominance over the competition in the streaming wars. If anything, the company could do with the focus shifting to pre-existing titles after finding themselves in the headlines for all the wrong reasons recently.
As well as the huge backlash that greeted the controversial first poster for French coming-of-age drama Cuties, Netflix drew criticism after canceling popular shows I Am Not Okay With This and The Society despite previously announcing that both had been renewed for second seasons, while Altered Carbon was also axed in what looks to be just the latest in a long line of cost-cutting measures.
Viewership for all the major streaming services might have gone through the roof as...
As well as the huge backlash that greeted the controversial first poster for French coming-of-age drama Cuties, Netflix drew criticism after canceling popular shows I Am Not Okay With This and The Society despite previously announcing that both had been renewed for second seasons, while Altered Carbon was also axed in what looks to be just the latest in a long line of cost-cutting measures.
Viewership for all the major streaming services might have gone through the roof as...
- 8/30/2020
- by Scott Campbell
- We Got This Covered
What titles are coming to Netflix in September 2020? I’m glad you asked. I mean, you personally may not have asked, but someone probably did. Somewhere. Moving on.
Earlier today, the streaming site announced the full list of new movies/TV shows headed to the platform next month and it’s a doozy, comprising over 100 titles. A good chunk of those are Netflix Originals, too, and overall, there’s a ton of exciting stuff on the way.
See for yourself below…
Released September 1
Bookmarks: Celebrating Black Voices *Netflix Family
The Boss Baby: Get That Baby! *Netflix Family
Felipe Esparza: Bad Decisions/Malas Decisiones (2020) *Netflix Comedy Special
La Partita/The Match *Netflix Film
True: Friendship Day *Netflix Family
Adrift
Anaconda
Back to the Future
Back to the Future Part II
Back to the Future Part III
Barbershop
Barbie Princess Adventure
Borgen: Season 1-3
Children of the Sea
Coneheads
Glory
Grease...
Earlier today, the streaming site announced the full list of new movies/TV shows headed to the platform next month and it’s a doozy, comprising over 100 titles. A good chunk of those are Netflix Originals, too, and overall, there’s a ton of exciting stuff on the way.
See for yourself below…
Released September 1
Bookmarks: Celebrating Black Voices *Netflix Family
The Boss Baby: Get That Baby! *Netflix Family
Felipe Esparza: Bad Decisions/Malas Decisiones (2020) *Netflix Comedy Special
La Partita/The Match *Netflix Film
True: Friendship Day *Netflix Family
Adrift
Anaconda
Back to the Future
Back to the Future Part II
Back to the Future Part III
Barbershop
Barbie Princess Adventure
Borgen: Season 1-3
Children of the Sea
Coneheads
Glory
Grease...
- 8/19/2020
- by Alex Crisp
- We Got This Covered
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.