User Reviews

The Sunshine Superman of the title is Carl Boenish, who was a recreational skydiver who developed a new offshoot extreme sport which would go on to be called BASE jumping (Buildings – Antennas – Spans (bridges) – Earth (cliffs)). This sport involved the participant diving off vertigo inducing heights in order to free-fall for a number of pulse-pounding seconds only to pull a parachute as late as is safely possible. The sport became Boenish's life and he went on to plan a series of jumps including the El Capitan cliff-face in Yosemite and skyscrapers under construction in Los Angeles. Needless to say, he was (quite reasonably) at odds with the authorities who were very nervous about the safety of such a new and seemingly dangerous pastime. Of great benefit to the film-makers here, Boenish made recordings of most of the dives he was involved in; in fact he said that the recording of it was completely integral to it. Aside from a few dramatic re-enactments with actors, this is all original material. As such, there is a lot of great footage to be enjoyed here, including some stunning new aerial photography made specifically for the film, where we sweep over cliffs and latterly follow a man in an extraordinary flying suit. This is a very handsome looking documentary, which is also sound-tracked to a selection of very well chosen contemporary music.

While this is primarily a celebration of its main character and the sport he created. It also has an important love story too. Boenish met his wife Jean at one of the early screenings of his films and they would go on to become an important team who would ceaselessly promote BASE jumping. This led to them travelling to Norway to take part in a television event where they broke the world record after jumping off the imposing Trollveggen cliffs. The following day Boenish died while attempting a second jump off a cliff he had previously considered too dangerous. His reasons for doing so remain largely a mystery.

BASE jumping is certainly a very cinematic sport, with the incredible visuals it offers. These days it perhaps seems second nature to make these dives with helmet cameras but back then it was a new idea and Boenish had to attach bulky cameras to himself in order to achieve it. And in the film's most uncomfortable event we watch him climb a home-made ladder device which extends way out into space over the sheer drop of a huge cliff. We watch him climb this with no safety harness and then turn awkwardly around at the top to sit on a bike seat so that he can film his friends jump off from the best angle. I'm getting feelings of vertigo just thinking of this, it was so absurdly daring. Boenish, of course, looked like he was having a laugh.