70
Metascore
6 reviews · Provided by Metacritic.com
- 80The New York TimesJeannette CatsoulisThe New York TimesJeannette CatsoulisThe dishiness is fun, but Lady Boss is most penetrating when it lifts the carapace of glamour Collins had constructed, both as alter ego and as armor against her critics.
- 80The Irish TimesTara BradyThe Irish TimesTara BradyAt its best, Laura Fairrie’s entertaining film finds parallels between its subject and her many, big-haired heroines, especially Lucky Santangelo, the leading lady of such bestsellers as Dangerous Kiss and Poor Little Bitch Girl.
- 70The Hollywood ReporterDavid RooneyThe Hollywood ReporterDavid RooneyFairrie doesn’t attempt to rewrite history and make a case for Collins as an underappreciated literary genius. But she paints a stirring picture of a gifted storyteller and a brilliant female entrepreneur, who shrugged off the cultural snobbery and the misogynistic backlash sparked by her “scandalous” work and laughed all the way to the bank.
- 70TheWrapDan CallahanTheWrapDan CallahanLady Boss offers the story of a woman with a lot going against her who struck a blow against the sexual double standard and struck a blow for women seeking pleasure for its own sake. Her fight to achieve that goal often makes for a compelling story in its own right.
- 70Screen DailyAllan HunterScreen DailyAllan HunterEntertaining, wide-ranging and insightful, Lady Boss leaves you with admiration for Collins and even a sneaking inclination to read her books.
- 60The GuardianPeter BradshawThe GuardianPeter BradshawIn the end, Collins emerges as an opaque figure, as resistant to interpretation as her famously 2D fictional heroine Lucky Santangelo.