Three college students set out to document what other people dread the most. However, one of the three turns out to secretly be a sadistic psychopath who uses this knowledge to gruesomely torture the subjects.
Director:
Writers:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
| Jackson Rathbone | ... |
Stephen Grace
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| Hanne Steen | ... |
Cheryl Fromm
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| Laura Donnelly | ... |
Abby
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| Jonathan Readwin | ... |
Joshua Shaw
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| Shaun Evans | ... |
Quaid
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Vivian Gray | ... |
Tabitha Swan
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| Carl McCrystal | ... |
Axe Man
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| Derek Lea | ... |
Quaid's Father
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| Siobhan Hewlett | ... |
Quaid's Mother
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Kieran Murphy | ... |
Young Quaid
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Cheyanne Raymond | ... |
Zooey
(as Cheyenne Raymond)
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Zoe Stollery | ... |
Shauna
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Elspeth Rae | ... |
Samantha
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| Erin Gavin | ... |
Valerie
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Kerry Ann Smith | ... |
Nurse #1
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| Joanne Batten | ... |
Nurse #2
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Matt Ayleigh | ... |
Bobby How
(as Matt Jessup)
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Eva Wyrwal | ... |
Roo Roo
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| Adam Davenport | ... |
Alex Hustler
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| Elissa Dowling | ... |
Tamsin Kendall
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| Paloma Faith | ... |
Clara Thornhill
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| Michelle Tate | ... |
Jo Jo Lospecchio
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Steven Clarke | ... |
Bruno
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| Leon Ockenden | ... |
Jimmy Cake
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Mark Chiu | ... |
Student
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Mark Anderson | ... |
Bookstore Customer
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| Rest of cast listed alphabetically: | |||
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Sarah Ball | ... |
Wife (uncredited)
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| Ian Pirie | ... |
Husband (uncredited)
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Directed by
| Anthony DiBlasi | ||
Written by
| Clive Barker | ... | (based upon the short story "Dread" by) |
| Anthony DiBlasi | ... | (screenplay) |
Produced by
| Lauri Apelian | ... | producer |
| Clive Barker | ... | producer |
| Peter Bevan | ... | executive producer |
| Jeremy Burdek | ... | executive producer |
| Joe Daley | ... | producer |
| Anthony DiBlasi | ... | executive producer |
| Robert How | ... | line producer |
| Nadia Khamlichi | ... | executive producer |
| Micky McPherson | ... | executive producer (as Micky MacPherson) |
| Adrian Politowski | ... | executive producer |
| Richard Reiner | ... | executive producer |
| Karl Richards | ... | executive producer |
| Jorge Saralegui | ... | producer |
| Nigel Thomas | ... | producer |
| Charlotte Walls | ... | producer |
Music by
| Theo Green | ||
Cinematography by
| Sam McCurdy | ... | director of photography |
Editing by
| Celia Haining | ||
Editorial Department
| Ian Cunningham | ... | first assistant editor |
| Paul Dray | ... | laboratory contact |
| Alex Gascoigne | ... | assistant colourist |
| Alec Gibson | ... | grader |
| Kieran Nicholas | ... | digital conform assistant |
| Matthew Olarewaju | ... | digital conforming and opticals |
| Andy Wood | ... | on-line editor |
Casting By
| Nancy Nayor | ... | casting director: Los Angeles (as Nancy Nayor Battino) |
| Gail Stevens | ||
Production Design by
| Chris Lowe | ||
Art Direction by
| Simon Godfrey | ||
Costume Design by
| Michael Mooney | ||
Makeup Department
| Claire Bannister | ... | makeup daily (as Claire Banister) |
| Camilla Beckett | ... | makeup daily (as Camilla Becket) |
| Jemma Carballo | ... | makeup assistant |
| Hannah Eccleston | ... | makeup artist: dailies |
| Abigail Edwards | ... | makeup assistant |
| Jacqueline Fowler | ... | makeup designer |
| Karen O'Sullivan | ... | makeup daily |
| Robin Pritchard | ... | special makeup effects artist |
| Caroline Silk | ... | makeup daily |
| Stuart Richards | ... | special makeup effects artist (uncredited) |
Production Management
| Adam Betterton | ... | unit manager |
| Dave Halstead | ... | unit manager |
| Steve Harrow | ... | post-production supervisor |
| Lucia Lopez | ... | development and production executive: Matador Pictures |
| Jo Stedall | ... | production manager (as Jo Harrop) |
Second Unit Director or Assistant Director
| Joe Barlow | ... | third assistant director |
| Tom Browne | ... | second unit assistant director |
| Joe Daley | ... | second unit director |
| Jonathan Farmer | ... | first assistant director |
| Mark Inglis | ... | second assistant director |
| James McGrady | ... | assistant director: second unit |
Art Department
| Nicole Balzarini | ... | paintings by |
| Richard Boyton | ... | construction |
| Tim Edwards | ... | construction |
| Thomas Heath | ... | art department runner |
| Karen How | ... | prop buyer |
| Anthony Hunt | ... | carpenter |
| Mary Luther | ... | food stylist |
| Will Macdonald | ... | art department assistant |
| Joanna Maeva | ... | carpenter |
| Richard Mealing | ... | art department runner |
| Steven Nix | ... | construction |
| Steve Parnell | ... | prop master |
| Simon Sparsis | ... | construction coordinator |
Sound Department
| Niv Adiri | ... | sound effects editor |
| Howard Bargroff | ... | re-recording mixer |
| Oliver Bunker | ... | second unit sound mixer |
| Peter Burgis | ... | foley artist (as Peter Burgess) |
| Gerry Clay | ... | transfer engineer |
| Ben Collinson | ... | cable man |
| Andie Derrick | ... | foley artist |
| Gillian Dodders | ... | dialogue/adr editor |
| Nick Foley | ... | adr mixer |
| Tim Fraser | ... | sound mixer |
| Danny Freemantle | ... | assistant sound editor |
| Glenn Freemantle | ... | sound designer |
| Frederic Gibert | ... | audio project manager (as Frederic Gilbert) |
| Mark Heslop | ... | foley editor |
| Robert Ireland | ... | sound effects editor |
| Hugo Jeffreys | ... | adr recordist |
| Adam Mendez | ... | foley recordist |
| Johnathan Rush | ... | re-recording mixer |
| James Shannon | ... | dolby consultant |
| William Towers | ... | boom operator (as Will Towers) |
| David Turner | ... | head of sound (as Dave Turner) |
| Robert Weatherall | ... | mix technician |
Special Effects by
| Jim Bones | ... | moulding supervisor |
| Chris Fitzgerald | ... | prosthetics supervisor |
| Chris Fitzpatrick | ... | prosthetics technician |
| Simon Gosling | ... | special effects technician |
| Duncan Jarman | ... | prosthetics technician |
| Rick Jotle | ... | sfx equipment |
| Mike Kelt | ... | physical effects and prosthetics lead supervisor |
| James Kernot | ... | special effects molding technician |
| Roger Mann | ... | special effects technician |
| Stan Mitchell | ... | prosthetics technician |
| Richard North | ... | special effects technician |
| Stuart Richards | ... | prosthetics technician |
Visual Effects by
| Helle Absalonsen | ... | head of film: Pepper Post |
| Clare Cheetham | ... | visual effects supervisor |
| Jonathan Cheetham | ... | visual effects supervisor |
| Ian Cunningham | ... | visual effects editor |
| Tone Davies | ... | digital intermediate producer |
| Kieran Nicholas | ... | digital intermediate conforming assistant |
| James Rose | ... | digital compositor |
| Theajodharan | ... | digital compositor (as Theajodharan Nagarajan) |
| Martin Wells | ... | digital colourist |
Stunts
| Gary Connery | ... | stunt performer |
| Steve Griffin | ... | stunt performer |
| Cristian Knight | ... | stunt performer (as Christian Knight) |
| Gareth Milne | ... | stunt coordinator |
Camera and Electrical Department
| Balazs Bolygo | ... | second unit camera |
| Paula L. Burr | ... | additional on-set photography (as Paula Burr) |
| Trevor Chaisty | ... | electrician |
| Louisa Court | ... | assistant grip |
| Georgina Coveney | ... | camera trainee: FT2 |
| Marc Dando | ... | digital lab supervisor |
| James Eggleton | ... | digital lab technician |
| Ross Fall | ... | data manager |
| Jon Garwes | ... | first assistant camera |
| Jo Gibbs | ... | second unit assistant camera |
| Llewellyn Harrison | ... | second unit grip (as Llewelyn Harrison) |
| John Heald | ... | grip |
| Tom Hewlett | ... | digital lab |
| Tijs Hoornaert | ... | digital lab |
| Phil Humphries | ... | second assistant camera |
| Rachael Levine | ... | camera operator: Boston unit |
| Steve Manningham | ... | second unit grip |
| Peter Marsden | ... | second unit: data tech |
| Bob Milton | ... | best boy |
| Gary Owen | ... | electrician |
| Jennie Paddon | ... | second unit assistant camera |
| Patrick Quinn | ... | assistant camera: Boston |
| Paul Sattin | ... | technician: Steenbeck |
| Adam Scarth | ... | camera trainee |
| Andrew Taylor | ... | gaffer |
| Susanna Wyatt | ... | still photographer |
Casting Department
| Kyle Blanshard | ... | casting assistant |
| Colin Jones | ... | casting associate |
Costume and Wardrobe Department
| Sue Casey | ... | costume daily |
| Naomi Critcher | ... | costume painter |
| Ange Eagan | ... | costume daily |
| Mike Hodge | ... | costume daily |
| Calandra Meredith | ... | costume assistant |
| Marnie Ormiston | ... | costume supervisor |
Location Management
| Benjamin Bailey | ... | location assistant (as Ben Bailey) |
| Jonathan Wicks | ... | location manager |
Music Department
| Matt Biffa | ... | music supervisor |
| Tom Bullen | ... | assistant engineer |
| Caroline Dale | ... | musician: solo cello |
| Carolina Diaz-Rosado | ... | vocalist |
| Theo Green | ... | orchestrator |
| Cameron Jean-Laing | ... | musician: guitar and bass |
| Nick Taylor | ... | music engineer |
| Alison Wright | ... | score supervisor |
Script and Continuity Department
| Ruth Atkinson | ... | second unit script supervisor |
| Linda Baker | ... | second unit script supervisor |
| Helene Oosthuizen | ... | script supervisor |
Transportation Department
| Dan Bright | ... | unit driver |
| Liam Fellowes | ... | unit driver |
| Dawe Nugent | ... | picture vehicles |
| Steve Rogers | ... | unit driver |
| Pete Tabecki | ... | unit driver |
Additional Crew
| Brashna Agha | ... | floor runner |
| Monika Agorelius | ... | electronic press kit |
| Len Bond | ... | security |
| Jessica Cameron | ... | additional floor runner (as Jess Cameron) |
| Alex Cirillo | ... | assistant to director and producers |
| Christine Corner | ... | auditor |
| Melloney Cunnell | ... | business administration assistant: Matador Pictures |
| Jason Curtis | ... | health and safety officer |
| Matt Curtis | ... | title design |
| Christopher Gallagher | ... | assistant accountant |
| Fraser Grant | ... | production accountant |
| Louise Green | ... | assistant post-production accountant |
| Pierre Philippe Hendrickx | ... | legal advisor: Belgium (as Pierre-Philippe Hendrickx) |
| Julia Jones | ... | unit publicist |
| Rowan Laidlaw | ... | assistant coordinator |
| Davenport Lyons | ... | production counsel |
| Emma Mager | ... | completion guarantor |
| Lisa Marsden | ... | insurance |
| Alex Molden | ... | production assistant |
| Richard Moxon | ... | production counsel |
| Mark Padilla | ... | world sales executive |
| Deborah Pegg | ... | production counsel (as Deborah Scragg) |
| Luke Randolph | ... | completion guarantor: for International Film Guarantors |
| Lara Sargent | ... | post-production accountant |
| Iwona Sellers | ... | distribution and sales manager: Motion Investment Group |
| Trevor Smith | ... | animal wrangler |
| Grant Thornton | ... | auditor |
| Oliver Walker | ... | rushes runner |
| Gilles Waterkeyn | ... | distribution and sales manager: Motion Investment Group |
| Kirstie White | ... | assistant post-production accountant |
| Eileen Yip | ... | set production assistant |
Thanks
| Danny Mandel | ... | special production thanks |
Production Companies
- Essential Entertainment (presents)
- Matador Pictures
- Midnight Picture Show
- Cinema Three (with)
- Regent Capital (in association with)
- Entertainment Motion Pictures (E-MOTION) (in association with)
- Motion Investment Group (in association with)
- Pepper Post Production (in association with)
- Plum Films (in association with)
- Tax Shelter du Gouvernement Fédéral Belge (with the support of)
- Umedia
- uFilm
Distributors
- After Dark Films (2010) (United States) (theatrical)
- Audio Visual Entertainment (2010) (Greece) (DVD)
- Deltamac Co. (2010) (Hong Kong) (DVD)
- Echo Bridge Entertainment (2011) (Non-US)
- Entertainment One (2009) (Netherlands) (DVD)
- Noori Pictures (2009) (South Korea)
- Reel DVD (2010) (Australia) (DVD)
- Sunfilm Entertainment (2010) (Germany) (DVD)
Special Effects
- Post Office (visual effects)
- Artem (physical effects and prosthetics)
- MFX (visual effects)
Other Companies
- Sargent Disc (payroll services)
- TLO Vehicles in Action (picture vehicles)
- Bickers Action Vehicles (picture vehicles)
- Set Breaks (catering)
- Location Facilities (facilities)
- Lays International (facilities)
- Location Hire (facilities)
- Movie Makers Facilities (facilities)
- MFX (camera and lenses)
- Procam Take 2 (camera and lenses)
- Panalux (lighting equipment)
- Post Office (camera: post production services: Belgium)
- Steeple Post Production Services (post production management)
- Pepper Post Production (digital intermediate)
- Cinesite (film recording: super2k)
- DeLuxe Laboratories (laboratories)
- PNC (negative cutting)
- HireWorks (editing equipment)
- Sapex Scripts (post-production script services)
- Sound 24 (sound design and post-production)
- Anvil Post Production (foley recording)
- Pepper Sound (re-recording/adr recording)
- Goldcrest Post Production London (adr recording)
- Todd-AO Studios (adr recording)
- POP Sound (adr recording)
- Sync or Swim (crowd walla)
- Pinewood Studios (crowd adr recorded at)
- Cutting Edge Group (music services)
- Air-Edel Recording Studios (music recording and mixing)
- Media Insurance Brokers (MIB) (insurance)
- Newbridge Film Capital (funding)
- uFund (funding)
Storyline
| Plot Summary |
The outcast cinema student, Stephen Grace, does not drive cars due to the trauma of losing his brother in a car accident. He befriends Quaid, who since the age of 6 has experienced dreadful nightmares and daydreams about the death of his parents. Quaid proposes they research about each one's innermost fear. Stephen sees the chance of developing an original thesis for college and invites his friend, Cheryl, to work with them. Among the interviewees, Stephen talks to his colleague, Abby who works with him in the library. Abby has a complex about the way she looks. When the work is almost complete, Quaid has an outburst at one interviewee's and ends up destroying the camera and editing equipment. Stephen begins to re-evaluate the situation. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Taglines | Your Time Will Come. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | It took two to five hours per day to put the birthmark make-up on Laura Donnelly for her role as Abby. See more » |
| Goofs | When the flyer for the fear study is being copied, the light illuminates the original from underneath and the wording is not reversed. Since there is no printing on the side you can see, that means that the printed side being copied was printed backwards. Yet the copies coming out are printed correctly. See more » |
| Movie Connections | Featured in 10 Horror Movie Fates Worse Than Death (2020). See more » |
| Soundtracks | Into You See more » |
| Quotes |
Quaid:
Watching the fear of death, the pinnacle of all dread approach, that was the limits. Someone once wrote that no man can know his own death. But to know the death of others, intimately, to watch the tricks that the mind would surely perform to avoid the bitter truth, that was a clue to death's nature, wasn't it? That might, in some small way, prepare a man for his own death. To live another's dread vicariously was the safest, cleverest way to touch the beast. See more » |