Overheard (2009) Poster

(2009)

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7/10
tunnelling effect
dumsumdumfai3 December 2009
Warning: Spoilers
liked the 1st half. not the 2nd. But if the movie took more time/detail.. to go 120min instead of 90. Maybe.

first off, the mafia/business guy is miscast. The speech thingy is kind of show off, but the speeches are kind of shallow - this is the kind of details I'm talking about.

another example, there's a direct jump to the execution when all goes haywire in the middle for the 3 guys. Understood they're being hasty but would have like to show that more - that's the kind of took more time/detail I'm talking about.

and the ending is sad but kind of made to be sad. Koo should have died in the previous act.
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7/10
Fairness Is Difficult - Review of Overheard
kampolam-7581327 March 2022
Warning: Spoilers
Alan Mak Siu-Fai and Felix Chong Man-Keung who made the last legend of Hong Kong Cinema with the "Infernal Affairs" (2002) series, the "dream combination" screenwriter-director parted ways with Andrew Lau Wai-Keung, and the two have co-directed many films, including "Moonlight in Tokyo" (2005) and "Lady Cop & Papa Crook" (2008), there have been no major breakthroughs, and the film level and box office are only mediocre. When "Overheard" (2009) cooperated with Yee Tung-Shing and Henry Fong Ping, it was brilliant. The film achieved good box office in both Hong Kong and the Mainland China. The audience and film critics responded positively. "Overheard" uses three police officers in the police intelligence department who are responsible for electronic tracking and eavesdropping. In an investigation into a listed company's suspected market creation case, he overheard the news of the expansion, and the three people were in danger for a while due to greed.

The characters of the three protagonists have been clearly explained in the opening scenes of the film. Among them, the triangular relationship between Lau Ching-Wan, Zhang Jingchu and Alex Fong Chung-Shun, several paragraphs have presented the complicated relationship between couples, lovers, bosses and subordinates, and friends, their conflicts are quite clean and neat, without the sloppiness of their previous works. It seems that the producer Yee Tung-Shing deserves a credit. Louis Koo Tin-Lok's family and the troubles of terminal illness and the pressure of Daniel Wu Yin-Cho's "marrying into a wealthy family" from his father-in-law Henry Fong all caused them to have crooked thoughts. As a boss, Lau Ching-Wan faced two good partners and subordinates. He knew the law and broke the law and felt cruel to deal with it according to the law. And his own feelings towards Alex Fong and Zhang Jingchu could not distinguish right from wrong. The three tried to "quell" the incident by destroying the evidence and preventing the suspect from committing the murder, but they were still identified by Queenie Chu Wai-Man, a subordinate of the mastermind Michael Wong, which led to the murder of them and their relatives.

The film highly dramatizes commercial crimes, and some of the unreasonable plots in the film become "natural" due to the tight plot and the fact that the general audience may not understand the operation of the financial market. However, there off-duty police officers went to the stock exchange to trade stocks, this behavior is unbelievable, and when the stock price continues to rise, the scene of a group of retail investors shouting and screaming is really unimaginable for Hong Kong stockholders who have experienced many ups and downs. Although the film has more or less flaws, the film is definitely the best work of the two directors since the "Infernal Affairs" series, plus the wonderful performances of many actors, including the frustrated and impulsive Louis Koo and misguided Daniel Wu, they quite competent. And Lau Ching-Wan is more able to integrate and control the rhythm of the film.

At the end of the film, Lau Ching-Wan and Louis Koo fought back and took revenge on Michael Wong, who was apparently a successful businessman and philanthropist, but was actually a criminal. Even the boss Lam Ka-Wah colluded with Louis Koo and Michael Wong to drive into the sea together to "return justice" to his family and Daniel Wu. This "violence and violence' method will make the audience feel psychologically satisfied. But it lacks a kind of introspection. In their "Infernal Affairs II" (2003), after Eric Tsang Chi-Wai used Anthony Wong Chau-Sang to kill his wife's murderer Francis Ng Chun-Yu, Anthony Wong complained Eric Tsang did not have the opportunity to send a criminal to court for trial, and the film was more conscious of the law in addition to satisfying the audience.

By Kam Po LAM (original in Chinese)
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8/10
Great movie with great acting
FearlessHyena15 December 2014
I recently watched this movie in a long flight and even with the not so perfect environment I viewed this in I have to say this movie was great. So much so that I skipped any sleep and watched part 2 and 3 immediately afterwards in one sitting (a wise decision since those were great too, specially Overheard 2 which was my favorite of the three)

The movie revolves around 3 police officers who work in the surveillance department and are trying to nab a financial firm suspected of being involved in criminal activities and insider trading. The plot while not really unique is executed well. The main focus of the story however is the trio of Lau Ching-Wan (who plays the head of the 3) Louis Koo and Daniel Wu whose character development and the interaction among them makes the story interesting at all times. Their acting was great and realistic and the movie direction really brings out their best. Another screen presence that really makes an impact is Michael Wong who plays the part of a corrupt financial mogul really well. The combination of witty and brutal in his performance and dialogues are very well crafted and add a lot of depth to the movie

Without spoiling too much I would really recommend you try out this movie if you like the crime/thriller genre and like movies with more to it than all the mediocre stuff that Hollywood has been mass producing for a while. Hong Kong really knows how to make great movies and this one's no exception
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A movie spoiled by too many unnecessary subplots
moviesbest26 November 2010
I saw this movie from DVD just recently.

This is another typical HK movie with an interestingly unusual main plot that could have carried the movie well but like most HK movies, they add in a lot of subplots built on the characters to make the movie's script easier to write or give the audience more value for money. This spoiled the film. Someone having an affair with a colleague's wife; another needs money because the son needs an operation and need even more when discovered he needs an operation too; while the 3rd one need more money so that he don't need to depend on his rich future father-in-law. Then 2 other polices having a secret affair. A stock market scene with someone paying hard to her Lord. Then suddenly all went into further trouble just because someone recognized some's face and all towards the end, a fairytale like ending that is unconvincingly unbelievable, especially on the part of Lau Ching Wan, Louis Koo and Micheal Wong. The overall cast acted well except for Micheal Wong, his speech and acting(as usual)was disgusting.

I am very surprised an experienced reviewer could give it a 9/10.
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6/10
Conflicted
jdriselvato26 November 2021
Warning: Spoilers
On one hand, I really like the trio of detectives in the film. On the other hand there's too many laughable moments that break you out of the seriousness the film tries to present.

Also the ending felt extremely rushed. Almost like all that build up of family, case, character connection etc to just throw them away. I heard the there's another two films in the series, I'm unsure if this first one was engaging enough for me to watch more. We lost the best characters, why would I care to see a film without them.
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9/10
A Nutshell Review: Overheard
DICK STEEL30 July 2009
The key deal in the film is about information, and how it is King, and can be used as a tradable commodity from making money, to saving lives. Everyone has a price especially when you're in possession of vital, life-making or breaking, juicy insider news from stock tips to who's banging who, and Mak/Chong had imbued their characters with shades of grey rather than the usual boring black and white type, where on one hand you may not condone what they have done, and yet on the other, you would wonder if given the same set of circumstances whether you will succumb to temptation when the same opportunity presents itself.

Which of course leads us to the perennial question of who watches the watchmen. It is always easy to say, like the chief villain in the film (played by Michael Wong), that an organization is built upon honesty and integrity, but face it, it is a human face that's running the operations, and with human failings and trappings, there's the inherent potential that some hanky-panky could be done behind the scenes. Cases of corporate scandals overseas and locally would already be a case in point, and the story in Overheard pushes all the right buttons in gelling such material all together into one solid, edge of your seat movie.

Lau Cheng Wan (fan here, and good to see him back on the big screen!) plays Johnny, who heads an electronic eavesdropping, oops, I mean, surveillance team with buddies and direct reports Gene (Louis Koo) and Max (Daniel Wu). Together, the trio is responsible for bugging the office of a conglomerate suspected of insider trading and shady businesses. As the story goes, Gene and Max happen to exploit their newly gained knowledge for personal gain, and unfortunately as supervisor with a sympathetic heart, Johnny chooses to play along to protect his subordinates, rather than to bust them wide open to their superiors.

The film moves at breakneck speed, and it also managed to provide that little bit of detail toward the personal lives of the main characters. With Gene, his pressure comes from a critically ill son with insurmountable hospital bills to settle. Max on the other hand wants a personal fortune in order to stand up to his future wealthy father-in-law who looks down on him and his social stature. Johnny too is not squeaky clean morally too, as he's having affair with his best friend (Alex Fong) and colleague's wife Mandy (Zhang Jingchu). And in one key scene late in the film, we see how deeply corrupt he can be through the shift of blame, especially when required to save his own skin. So the stage is set for the devil to whisper inside their ears, to take the bait and go for the kill, participating in the insider trading and throwing away their moral authority as cops sworn to uphold the law.

Which of course means even bigger lies created to cover original fibs, and watching them sweat bucketloads each time things go awry, and they have to do deeper down into the rabbit hole. It made me recall a saying my old principal gave one day at the school assembly, that only the truth will set you free. In this case you'd wonder at which point the characters would decide to make a clean break and own up, and therein lies part of the fun in watching the film, getting equally frustrated with some of them as they go further down the slippery slope.

The casting is something that deserves a mention, as it's one of the chief ingredients in holding the movie together, and engaging the audience's attention throughout. Lau Cheng Wan is evergreen, and has so much charisma on screen, that he could have been just sweeping the road for all that matter, and still has this steely surety that with him at your side, nothing could go wrong. His big brother role to the other younger actors in Daniel Wu and Louis Koo spoke volumes as it got translated down to the story, playing the leader of the pack who decides to haul his flock out of trouble. And all three male leads were extremely believable as buddies who'd stick to one another through thick and thin, and in one scene where they were congregating in a flat when Mandy returns, was just about the best scene to demonstrate this camaraderie. The other scene which had me in chuckles, also related to Lau, was that stock market scene. Lau had propelled too fame through an old television series about stock broking as well, and I thought that was a scene with a well placed insider homage to his roots.

Cinematography was excellent as well, with Hong Kong put under the romantic spotlight at times, and one of my favourites involved a montage sequence which Mak/Chong used to perfection in showing the drudgery, monotony and cyclic fashion of a round the clock surveillance, with fatigue and shift changes all rolled nicely into one. Some may take offense at the way the film ended, but I thought it was quiet poetic justice, and almost brought a tear in my eye considering how the villains will stop at nothing, not even if you're a cop, at ensuring those who take an illegal cut of their ill gotten gains, will get dished some just desserts.

While I would have placed this under the highly recommended watch list, by virtue of this film being badly butchered at one point would mean that I would advise, if you prefer your movies uncut, to wait for the DVD, which of course has the additional bonus of the original Cantonese language track as well. And this theatrical presentation here is just another case in point that for the same PG rating, scenes of gore are more tolerated than a make out session in the office. Go figure.
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8/10
A good thriller but the story could've been tighter.
eddax7 September 2010
Warning: Spoilers
I'm increasingly loving the direction that Hong Kong movies have taken in the new millennium - or rather, after the super success of Infernal Affairs in 2002 - towards taut thrillers full of action and twists and polish. However, while most look good on the surface, not many reach the level of quality that Infernal Affairs did (I much preferred it to The Departed, incidentally).

Overheard is about a trio from a police surveillance team who illegally use "overheard" insider trading information towards their own gains and have to face the violent repercussions that follow. Quite an interesting story but it wasn't as tight as I would've liked. I mean, oops one of them lets a witness see his face and oops that witness just happens to spot him again while about to flee the country - that's too much of a stretch.

The action's good though - there were some tense sequences - and the acting's decent. I'm a fan of Lau Ching Wan and though Louis Koo and Daniel Wu are overrated, they're adequate enough here. Actually I think I've never seen Koo better, though he looked much too pretty for his role.
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Only Michael Wong was worth watching....
dontspamme-1126 August 2009
The film is a breath of fresh air from the typical HK "crime drama" genre otherwise encumbered by formulaic plots, predictable character persona, and inane moral proselytizing. Sadly, it fails to live up to it's own aspirations and ends up defaulting on precisely what it needs to distance itself from.

The story revolves around three members of a police surveillance squad conducting an investigation into a financial investment group involved in criminal fraud. The focus of the plot, however, is actually on the three officers themselves who stumble upon an opportunity to capitalize on the information they gathered during their surveillance. The audience is given insights into the personal issues they are grappling with, the relationship between them, and why the temptation to breach their moral duty and professional obligations is so powerful. The temptation they confront and the attendant reasons that compel them to succumb to it become the very device that turns them into the film's antagonists.

Sadly, the script then makes a wrong turn. Instead of allowing this plot to unfold, it is shelved half-way through the film and becomes a side-plot to a criminal conspiracy involving murder, kidnapping, and revenge, rendering the film from an interesting exploration into a run-of-the-mill crime-drama action flick. None of the actors seemed particularly interested in their roles after that, with perhaps the exception of Michael Wong, who plays the head of the investment group with his usual steel-cold glare and villainous flair. He actually makes an entertaining performance in the latter half of the film when he receives more screen time because no one else seemed nearly as excited to be involved in this project anymore.

I don't know why the film's name was translated to English as "Overheard" since the electronic surveillance devices they used were also visual and not just audio. Perhaps something got "lost in translation", like the intention to produce a complex and interesting film.
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