Each new adaptation of the life of Elisabeth von Wittelsbach is an exercise, for me, to discover the fair alternative to the series defining, for too many viewers, Romy Schneider early career.
The facts are familiar, the clothes are predictable impressive, the rooms and fields and residences are great . So, the actors can be the pieces making the difference. And the first feeling is about a sort of inadequance, except the lead character. But, after only an episode, can be a supperficial impression.
Because, in good measure, the breeze of freshness is the most important And, at the first sight, after only an episode, the hope about a beautiful work, not very loyal to true facts ,maybe not defined by historical accuracy, but little more than a fairy tale - the recent Sisi is a significant term of comparation - not very poetic but enjoyable, seems become reality.
And this is just the most important thing.
The facts are familiar, the clothes are predictable impressive, the rooms and fields and residences are great . So, the actors can be the pieces making the difference. And the first feeling is about a sort of inadequance, except the lead character. But, after only an episode, can be a supperficial impression.
Because, in good measure, the breeze of freshness is the most important And, at the first sight, after only an episode, the hope about a beautiful work, not very loyal to true facts ,maybe not defined by historical accuracy, but little more than a fairy tale - the recent Sisi is a significant term of comparation - not very poetic but enjoyable, seems become reality.
And this is just the most important thing.
