Directed by
Brian Strine |
Writing Credits (in alphabetical order)
Brian Strine | ... | (screenplay) |
Cast (in credits order)
Matthew Pfohl | ... | Evan | |
Kimberly Laferriere | ... | Sarah | |
Jill Hodkinson | ... | Pearl |
Produced by
Sarah Anderson | ... | associate producer |
Jeanne Colombo | ... | executive producer |
Alex Jordan | ... | co-producer |
Anthony Pacella | ... | associate producer |
Richard Sehlin | ... | associate producer |
Brian Strine | ... | producer |
Jane Strine | ... | executive producer |
Cinematography by
André Pienaar |
Editing by
Jamie Kirkpatrick |
Production Design by
Matt Middleton |
Art Direction by
Nick Haraszty |
Set Decoration by
Kelly Kirkpatrick | ||
Ben Middleton |
Costume Design by
Sabrina Horlyck |
Makeup Department
Alastair Muir | ... | key hair stylist / key makeup artist |
Production Management
Jose Dart | ... | additional filming / assistant production |
Alex Jordan | ... | production manager |
Raoul Vargas | ... | additional filming / assistant production |
Second Unit Director or Assistant Director
Emily Kulasa | ... | daily assistant director |
Wayne Lawley | ... | assistant director: additional filming |
Jamie Tiernay | ... | second assistant director |
Anthony Wong | ... | first assistant director |
Art Department
Adrian Greenlaw | ... | props |
Kelly Kirkpatrick | ... | set dresser |
Dennis Nam | ... | assistant art director |
Sound Department
Coll Anderson | ... | sound editor |
Brian Hanish | ... | boom operator |
Thomas Hayek | ... | sound mixer |
Tom McMurfry | ... | sound mixer |
Nicolai Ramduss | ... | boom operator |
Special Effects by
Chris Bridges | ... | prosthetics / special effects supervisor |
Jonathan Lavallée | ... | special effects makeup |
Alastair Muir | ... | special effects makeup |
Visual Effects by
John Dowdell III | ... | digital colorist |
Nathan Liebold | ... | digital effects |
Stunts
Gillian Jenkinson | ... | safety stunt driver |
Vian Lach | ... | safety stunt driver |
Camera and Electrical Department
Rob Barnett | ... | camera operator: "b" camera |
Gabriele DiChiara | ... | gaffer |
Jonah Hart | ... | gaffer: second unit |
Barclay J. Maude | ... | key grip (as B.J. Maude) |
Mike Pesut | ... | first assistant camera |
Nick Reynolds | ... | gaffer |
Greg Shean | ... | gaffer: second unit |
Ken Simpson | ... | on-set P2 digitizer |
Editorial Department
Corey Bayes | ... | assistant editor |
Kevin Canavan | ... | second assistant editor |
Ryan Garrett | ... | assistant editor |
Kyle Gilman | ... | additional editor |
William Lehman | ... | first assistant editor |
Nathan Liebold | ... | additional editing |
Sara Odze | ... | second assistant editor |
Blase Theodore | ... | colorist |
Music Department
Llyswen Francs | ... | music clearance |
Script and Continuity Department
Tomas Street | ... | script supervisor |
Transportation Department
Richard Jackson | ... | boat transportation |
Additional Crew
Rob Barnett | ... | additional photographic services |
Jamie Tierney | ... | production coordinator |
Thanks
Lara Amersey | ... | special thanks |
Jim Cook | ... | special thanks |
Liz Dennison | ... | special thanks |
Judi Heron | ... | special thanks |
Doug Hill | ... | special thanks |
Susan Loree | ... | special thanks |
Bill Marks | ... | special thanks |
Roger Playter | ... | special thanks |
Frank Rossi | ... | special thanks |
Heather Shortall | ... | special thanks |
Jason Silver | ... | special thanks |
Ken Stewart | ... | special thanks |
Robert Stien | ... | special thanks |
Cheryl Wilson | ... | special thanks |
David J. Woods | ... | special thanks |