Directed by
Nathan Shanahan |
Writing Credits (in alphabetical order)
Richard O'Kane |
Cast
James Roseman | ... | Frank | |
Carl J Grasso | ... | Robert | |
Matthew Sara | ... | Donnie |
Produced by
Bryson Knupp | ... | producer |
Music by
Nathan Shanahan |
Cinematography by
Peter Valeri |
Editing by
Daniel Christie |
Production Design by
Madison Skinner |
Costume Design by
Hannah Andrews |
Production Management
Aidan Kinser | ... | unit production manager |
Second Unit Director or Assistant Director
Conor Lawler | ... | first assistant director |
Sound Department
Daniel Christie | ... | boom operator / sound designer / sound mixer |
Leela Hoerschelmann | ... | foley artist |
Katthew Schaer | ... | boom operator / sound mixer |
Special Effects by
Lucas Saunders | ... | special effects consultant |
Camera and Electrical Department
Abby Goyea | ... | gaffer |
Liz Guenther | ... | first assistant camera |
Joanna Lechner | ... | key grip |
Allison Ward | ... | swing |
Editorial Department
Emma Groce | ... | assistant editor |
Cameron Wofford | ... | assistant editor |
Music Department
Lucas Ingle | ... | saxophonist |
Sarah Jin | ... | orchestrator |
Nathan Shanahan | ... | pianist |
Script and Continuity Department
Richard O'Kane | ... | script supervisor |
Transportation Department
Peter Buck | ... | transportation |
Additional Crew
Julia Lofton Walpole | ... | covid compliance officer |
Thanks
Ren Christy | ... | special thanks (as Lauren Dempster) |
Kathryne Garrido | ... | special thanks |
Bob Gosse | ... | special thanks |
Jeff Hammer | ... | special thanks |
Shawn Harwell | ... | special thanks |
Annie Jin | ... | special thanks |
Patrick Read Johnson | ... | special thanks |
Sue McNeil | ... | special thanks |
Charles Paynter | ... | special thanks |
Julian Semilian | ... | special thanks |
Ron Stacker Thompson | ... | special thanks |