Raylene was a top star for Vivid Video back in the day, before the label morphed into DVD, Interactive and eventually web-only status. This latter-day showcase does her a disservice, as the not too gentle direction of B. Skow is better suited to gonzo wenches rather than an all-time great Adult actress.
Skow fans will recognize his repetitious style: lots of posing (as if the Pretty Girls still photo shoot were integrated into the main feature) followed by mechanical sex. He extends the nothingness for 3 hours, with the star spelled by other big-up-front ladies including Gianna Michaels an Evie Delatosso.
From a film historian's vantage point, this sort of thing is representative of Adult Cinema's recent decline from movie-making to wall-to-wall sex content, hardly consonant with Ray's wonderful achievements a decade or so earlier.
Skow fans will recognize his repetitious style: lots of posing (as if the Pretty Girls still photo shoot were integrated into the main feature) followed by mechanical sex. He extends the nothingness for 3 hours, with the star spelled by other big-up-front ladies including Gianna Michaels an Evie Delatosso.
From a film historian's vantage point, this sort of thing is representative of Adult Cinema's recent decline from movie-making to wall-to-wall sex content, hardly consonant with Ray's wonderful achievements a decade or so earlier.