Directed by
| Julian Pölsler | ||
Writing Credits (in alphabetical order)
| Knut Boeser | ||
| Julian Pölsler | ||
Cast (in credits order)
Produced by
| Christian Herboth | ... | line producer: Germany |
| Dieter Pochlatko | ... | producer |
| Alexander von Hohenthal | ... | producer |
Cinematography by
| Martin Gschlacht | ||
Editing by
| Alexandra Löwy | ||
Casting By
| Fritz Fleischhacker | ||
Production Design by
| Katharina Wöppermann | ||
Costume Design by
| Ulrike Fessler | ||
Makeup Department
| Claudia Herold | ... | makeup artist |
| Helene Lang | ... | makeup artist |
| Martha Ruess | ... | makeup artist |
| Michaela Sommer | ... | assistant makeup artist |
Production Management
| Oliver Ratzer | ... | unit manager |
| Bruno Wagner | ... | production manager |
Art Department
| Aaron Crookes | ... | props |
| Vladimir Skrdlik | ... | property master: outdoor |
| Johannes Slapa | ... | property master: outdoor |
Sound Department
| Andreas Drost | ... | foley mixer |
| Martin Gleitze | ... | foley editor |
| Uwe Kohrs | ... | sound |
| André König | ... | re-recording mixer |
| Peter Sandmann | ... | foley artist |
| Nina Slatosch | ... | sound designer |
Camera and Electrical Department
| Thomas Froemel | ... | crane operator (as Thomas Frömel) |
| Herwig Gruber | ... | electrician |
| Alfons Kowatsch | ... | still photographer |
| Stefan Ludescher | ... | key grip |
| Anna Manhardt | ... | second assistant camera |
| Nino Volpe | ... | first assistant camera |
| Thomas Welz | ... | best boy |
| Jascha Würkner | ... | crane operator |
Costume and Wardrobe Department
| Christine Ertl | ... | assistant costume designer |
| Heidemarie Fink | ... | wardrobe |
| Helga Lohninger | ... | wardrobe |
Script and Continuity Department
| Susanne Nowotny | ... | continuity |
Additional Crew
| Heidi Lacroix | ... | production coordinator |
| Daniel Strobl | ... | set manager |
