Honey (2010) Poster

(2010)

User Reviews

Review this title
23 Reviews
Sort by:
Filter by Rating:
7/10
Beautiful, but very sad movie - and yes, it's slow!
batistuta78920 September 2010
Warning: Spoilers
*** THIS REVIEW CONTAINS SPOILERS ***

I must admit that I was a bit skeptical about this movie. It won the Golden Bear in Berlin, but, first, it's a German co-production (so, who knows...) and second, festival winners are not always the movies that bowl me over.

After having seen it, I must say that I am very touched. The reviews about the movie always focus on the beautiful and calm storytelling and the awesome Anatolian landscapes. But in my view it's primarily a chamber play with a quite depressing story. The young boy Yussuf suffers from strong stuttering. The only person he opens to is his father, a beekeeper. Only with his father the boy can communicate, he whispers complete sentences and expresses his feelings. At the end of the movie, the son will realize that his father died in the woods, the last screen showing the child sleeping under a giant dark tree.

The acting from the boy is superb. There are many heartwarming scenes, especially when the boy sees his mother crying and drinks a cup of milk (what he normally hates to do), looking hopefully at her afterward, as if his self-conquest could change anything about the cruel situation. In this scenes the movie really manages to take us into the child's world.

What makes the movie a little irritating is not only the slow rhythm (that helps to create those real-life magic moments) and the very few dialogue, but also the lack of emotional gestures, especially between Yussuf and his mom. If the director of the film would have been let's say Michael Haneke, it would surely not be interpreted as a hymn to (natural) life, but as a sober analysis of failed communications.

Finally, if you generally do not like slow and minimalistic movies, don't watch this one. It's breathtaking slowly, and very many and very long scenes will only show the boy looking around an empty room with big eyes. All in all, Honey is a naturalistic child drama offering enough space and time for free associations and deep feelings. It's surely recommendable to watch it in a cinema. Although it's overall great done, you might not stay awake until the end when lying on a soft couch at home.
34 out of 40 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
A Privilege...
tim-764-29185611 August 2012
Film 4 champions movies that most viewers would never otherwise have the opportunity to enjoy, let alone even know about. Therefore, they are to be congratulated and supported for showing minor gems such as 'Honey' (Bal).

A small number of films have been applauded for stripping down both pace and cinematic frills to convey a way of life. Literally, any slower and we'd be in real time! Italy's 'A Tree of Wooden Clogs' is a famous example which understandably divides opinion quite severely.

It is almost incidental as to whom, what, and where 'Bal' is set and about. It will obviously appeal to those who prefer the organic side to things in life, whether in nature, lifestyle or in the cinematic process. Bal covers all these to a generous degree.

Yes, it features throughout a six year old stammering Turkish schoolboy - Yusuf - not particularly photogenic, or cute, or naughty, or anything. Just an everyday kid who has a bee-keeping father, who doesn't actually keep bees. Well, not in any one place - he places the hides in remote and beautiful areas and then extracts the honey. His quite young (looking) dutiful mother picks tea.

I feel quite privileged to have been given a beautifully, often exquisitely, photographed study of this life and taking up just two hours of my own life. I learned much and there is a quiet story in there somewhere - you can make of it what you will, it's almost unimportant. Or is it?

I turned my hi-fi amplifier up quite high when playing the film's sound through it and would strongly suggest you do similar. The all- encompassing natural sounds are so well recorded, every nuance and snippet of sound help paint a very vivid sonic picture. You could almost close one's eyes and listen to this on its own. Almost uniquely, (and thankfully) you won't have to suffer a sudden booming beat or great crescendo of added noise to make you jump out of your skin. It would sound great with headphones, too, I'm sure (as long as you have a stereo source, of course).

Personally, I always find it comforting when a film, involving a child features a good teacher. We all know and recognise one, from our own childhoods - Yusuf's teacher is measured and fair, calm and patient, rewarding good work, dissuading bad. These scenes were an absolute pleasure.

Apparently, this is the final part in a trio of films by Turkish writer/director Semih Kaplanoglu, though chronologically, it is the first part. Naturally, now, I want to see the other two parts, 'Egg' and 'Milk'. I'm hoping that Film 4 will be showing these, too, at some point.
12 out of 13 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Quiet and thoughtful
billcr1230 April 2012
Bal is the Turkish word for honey, and that is part of the storyline. Yusuf, a six year old boy, wanders about, searching for both his father and the meaning of life, in no particular order.

His father suffers the trials of Job, his bees have vanished for no apparent reason and he has a family to feed. An accident leads to dads early demise, so most of the film is told from the perspective of Yusuf, who as played by Bora Atlas, is an absolute casting miracle. The kid is tremendous; he owns the screen.

There is very little dialogue, so the actors must use their faces to portray real human emotions. The scenery is beautiful and the sounds of nature fill the air. In the mood for a quiet, thoughtful movie with actual heart and soul, then Bal should be just right.
7 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
An Exquisitely Visual Piece
Errington_9220 July 2012
The slow pace of Bal works to great affect as it explores the tribulations of a young boy not only with the conventional use of a storyline narrative but also with a range of beautiful compositions which equals the sophisticated style of vivid portraits.

Yusuf is a young boy who is an outsider yet vastly intelligent. He is at odds with his school life never fitting in amongst his peers, constantly watching them from a distance along with struggling in parts of his studies. When Yusuf stutters through a reading in class minimal techniques are used, only the camera slowly tracking towards Yusuf and multiple POV shots of school peers focusing on Yusuf in awkward silence contain the scenes vibe yet it strikes such an impact emotionally feeling Yusuf's embarrassment. Whereas watching Yusuf with his Father in a simple static shot as they work and explore in the local woodlands shows his deep connection with nature by knowing the names and mannerisms of various plants, it is wonderful to witness the bond the pair have and to feel Yusuf's tranquillity. The techniques used to capture these moments are simple yet effective showing the brilliance of Bal.

Bal contains strong visual elements not only in the minimal techniques used to capture Yusuf's story but in the compositions which are styled with outstanding detail. Yusuf sat alone in a barn facing the camera in mostly dark lighting to inhabit his depressing mood before the head of his Father's donkey appears from behind Yusuf to provide comic relief convey his mood in the same manner a later dream sequence. After his Father goes missing Yusuf begins to have haunting dreams, one of which is himself stood alone in the forest with the visuals being one of a greyish palette before dead bees drop into his hand as a foreboding of his Father's death.

In a way it is hard to describe Bal as a film because its much more. Bal is a piece of visual art that transcends from its quiet storyline to present the atmosphere and emotions embedded in Yusuf's life as well as those around him with striking use of compositions and ingenuity. Bal is not a viewing experience for everyone, only those who appreciate the visual sophistication celluloid can offer will be moved by this film.
6 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
B-e-a-u-t-i-f-u-l , heart breaking!
bulie197 October 2011
after watching hundreds of grate classic Hollywood films, Italian and French unforgettable masterpieces , it's amazing that this specific Turkish movie made it to the top of my list. It is made accurately and neatly , you can see how specific was the directors planning. The story touches the viewer using less words and a more gestures.the connection to nature is very beautiful. the opportunity to get inside a Childs world is as always magical. actors don't even feel as actors , so that is also well done. I never heard of this director before , hope to see some more of his work in the future. I think this movie is intended for film lovers who watched European films before and are use to the slow timing and long cuts , for those who have not watched these before i recommend watching this one if you are trying to get started. waiting for more!
19 out of 25 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Bittersweet Honey
Rindiana25 February 2010
From time to time you encounter a movie that's excellent, but somehow doesn't get to you the way it should. This one's such a movie.

So much is done the right way: the calm narrative style and some wonderfully photographed scenes deepen the already atmospheric location work; the actors are convincing; and there's no need for cheap plot twists and conclusions.

But something's missing, maybe some sort of magic realism that would transcend the simple story into a meatier concoction.

I liked it, but I didn't love it.

7 out of 10 humiliating book-readings
24 out of 38 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
take off your layers, return to your childhood
mzeyneb26 April 2010
BAL is a spectacular film. It's not a film meant for festival audience. It's not a film promoting some highly intellectual ideas few can make sense of. It features a breathtaking beauty, beauty of life itself. Without any superficiality such as music, effects and faster than life rhythm it creates suspense so much so that we stay on tip toes till the end wondering: what shall become of Yusuf? And we find it out at the end...OK I don't want to spoil it. But let me tell you one thing when the movie was over nobody could move from their seats. This is the miracle of Dir.Semih Kaplanoglu. No doubt Golden Bear was a well earned award for him and for BAL.
23 out of 41 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Bal is an interesting movie
unallar29 April 2010
I had wanted to see Bal for a long tie. Finally, I watched it yesterday. Bal is an interesting movie. When a movie has very little action but keeps your attention for two hours, you develop a feeling of respect for the team who made it. You are convinced that making such a movie has lots of difficulty involved, and this mere fact evokes feelings of respect for it within you. Nevertheless, respect does not automatically bring the status of being good to it. Especially, if the movie attempts to give almost all its messages through symbols, looks and constantly rotating camera scenes, another difficulty is brought up, which, in turn, gives rise to evoking feelings of respect for it within you again. This time, the source is the fact that you feel ignorant to decode those messages. In addition, watching Bal is like viewing a Discovery Channel documentary in that the movies presents lots of scenes of both natural and man-made surroundings. However, there is a clear difference between the Discovery Channel documentary and Bal as the events made up of messages in the movie are not coherent and form a congruent story. At the end of the movie, I wanted very much to have conversations with the Jury in Berlin to have a glimpse of what they had thought in honeying Bal with a prestigious award.
10 out of 25 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
One of the best films in the world ever!
LLee999922 September 2011
The very intelligent director lets the story tell the story itself with much sophistication! The story is so profoundly blended into and diffused through actors in a highly natural way & path that are so close to the real life! With only few lines as most mountain farmers do not speak much, the facial expressions, postures, reactions to each other, body languages of actors tell the story and even animals help reinforce the story. I watched it twice and felt the power of the story even much stronger, a great silent power of the story that is told in a nearly silent way. While watching it, my physical & spiritual senses were all open to receive the story. it is composed through eyes, ears, nose, tongue, throat of the director's, and then conceived by the same senses, plus mind & heart of the audience's. The film has the best ending I have ever seen! Yusuf doesn't know how to react to the tragedy and he & the story exactly show that way, again in a highly natural way & path to present it! It is definitely one of the best films ever made in the world! ^0^
14 out of 26 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Have you ever met a very beautiful girl but very boring ?
fgfbach7 February 2011
First of all i am a Turk, what's more, i like honey and milk very much !!! so this reality will affect my comment of course, i am not sure what would i say if the film was for example from India or Pakistan or Malaysia etc. Probably i would give 3/10, sorry but that's it. The film attracts my attention because it is simply real life, and all you see might be happening at the same time somewhere in north of Turkey. i am glad to see that, this kind of films are still being made, i wouldn't like that all directors go for Avatar,2012,inception or such films which have %80 computer technology. This film is a real escape for everyone who is bored of watching what is more popular nowadays in cinema. The film is very slow, like the nature itself in the film, for me, there is no point in settling down the cameras and microphones in the middle of nature and record it, for documentary of course the remote controller is set to national geographic, but not for a film. but this film is made of %80 nature and its quite awaiting for the eternity. some of you even could easily fall asleep when watching, which is -i think- not the aim of the director Kaplanoğlu. There are no any hit quotes in mutual dialogs, very simple and -unfortunately- without the accent of this region, it may seem nothing for a foreign watcher, but its very bad for a Turkish one. Also personally the festival in a large valley -towards the end of the film- destroys the quiet and dreamy atmosphere of the film. There are some symbols in honey, dead bees etc, but these are a little bit meaningless without some very powerful quotes. The father (erdal Beşikçioğlu) is a right choice but i cant say the same thing for the mother. The acting of Yusuf (the boy) worths watching. And there are very nice scenes showing Yusuf is waiting for his father. But please let's be realistic, anyone who goes to the same district with a hand-camera could have some nice shots whether or not he is professional. For me the main actor in this film is Nature.But i would like to thank to Kaplanoğlu who give it a chance. Watch it, but never watch it because it won the Golden Bear.
11 out of 29 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Falling asleep
hans-33420 September 2010
Warning: Spoilers
Went to see Bal after all the hype around the movie (probably due to winning the Golden Bear at the Biennale).

There were many problems with this movie for me. First and foremost I found the role of the main actor (boy playing Yusuf)extremely annoying. Maybe the whole 'boy who never speaks but whispers occasionally' thing should have added some feeling of intrigue on the part of the viewer. That did not really work for me as it was just annoying to watch the little brat stare in the distance 50% of the movie and never respond to any questions whatsoever / never interact with anybody. The pacing of the movie was painfully slow. I have nothing against movies where not a lot happens but this was just across the line of where entertainment ends and torture begins. Also the supposed 'symbolism' wasn't able to catch my interest (disappearing honey oh how witty never ever heard about the whole men vs. nature bs before). However, if you liked the movie 'Stellet Licht' (which I found to be nearly equally bad as this one) then you may also like Bal but why anybody would do so is beyond my comprehension....
19 out of 50 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Memorable Depiction of a Way of Life Under Threat
l_rawjalaurence14 November 2013
Set in the Black Sea area of Turkey, BAL is a vivid depiction of village life under threat. Yakup (Erdal Besikcioglu) tries to make a living collecting honey, but finds that there is no money in it. He travels to another part of the region in search of better prospects, but meets a sticky end. His fellow-villagers eke out an existence through traditional pursuits such as rope-making, but they cannot really survive. The main focus of the action is on Yusuf (Bora Altas) a young boy who feels unable to communicate with the outside world; possessed of a stammer, he is frequently laughed at by his classmates. The only was he can survive is through dreams of a better life - whether it be in the Black Sea region, or as symbolized by the elements (such as the moon). The cinematic style is slow, with plenty of long shots allowing viewers to contemplate the characters' reactions within the frame. However director Semih Kaplanoglu uses this style to make an acute commentary on a declining way of life, as well as showing the ways in which children are often forced to do things they don't want to, both at home and at school. A complex film that befits repeated viewings.
2 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Neat movie but...
Atreyu_II14 April 2011
'Bal' is an interesting Turkish drama with inspiration on European cinema and they really managed to make it look European.

Overall, it's a neat movie, with no unpleasant surprises and nothing offensive or questionable. Interesting it is, but could be a little more involving. It's a touching story but moves very slowly, maybe too much for its own good. However, the biggest problem is that it lacks something, perhaps more soul and emotion. Also, it is much too repetitive, with way too many scenes which nothing special happens, most scenes are basically more of the same, many of which show nothing but the boy walking very slowly and looking around empty rooms. Much of it is pretty silent, as there are few dialogs.

There is beautiful cinematography and settings.

The little boy of the film, Yusuf, is quite cute and the actor who portrays him (Bora Atlas) does a fine job but he must have felt awfully bored with this role, as it prevents him from doing so much he could do. The boy in the film must be one of the shyest children I've ever seen in a movie. He is very very quiet and calm, talks very little but seems to suffer from a serious lack of ability to read. You can tell he's feeling awful for not being able to read properly but he can't help it.

A reasonable movie but not as remarkable as it should be. I enjoyed it but something's missing.
2 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Sour taste
kosmasp28 December 2010
It is noble of the director filming his story and finding peace within himself by telling his story. Unfortunately I can't say the same about my viewing experience. I know the movie has made many fans (it even won a Golden Bear in Berlin in 2010), but even when I got on with the repetitiveness of some of the themes, I couldn't really take it as seriously as it was meant.

It never felt lyrical either (it's shot too down to earth for that), it never really gets fantastical either. It tells its story as cold as winter time can be. Which is strange considering there is a boy in the main role and you should feel for him. The fact, the boy does not really act did not help either.

But than again that's me talking. Read another review and you will read the complete opposite. I like slow moving movies too, but they should at least have some substance to them. Loss of innocence in your youth has been filmed in way better style, so that is almost feels like loss of my time ...
13 out of 37 found this helpful. Was this review helpful? Sign in to vote.
Permalink
I sell butter, I sell honey, my master died, so I do it!
filozof5 April 2010
Bal (Honey) is the last film of Semih Kaplanoglu's Yusuf Trilogy. When I first read the script I was convinced that this one shall be the most powerful of the trilogy, and the result seems to confirm me. It is an exquisite film in all senses: the story, acting, visuals, and sound. The kid is superb. Well, it deserves a Golden Bear in Berlinale. I organized a special screening of the film for some European film professionals in Istanbul. Everybody was quite impressed by the masterful naivite and simplicity. The film skilfully manages to portray the kid's world and perspective. There are strong symbolic references waiting the viewers to decipher. The best thing to do is to watch the film. I'm sure you'll not regret it. Just some questions: lets all of us just think why the bees are dying. What kind of a relation do we have with the nature that we cause the bees to die? What is missing? Honey: a sweet thing which is a natural product of the bees. If the bees all die, where shall we find the honey? BAL poses a calm question to our modern civilization, to our modern selves.
33 out of 47 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Strong and Beautiful
ofizerof26 April 2020
This movie opens a window on the contrary of other two movies: Milk and Egg. I was not expecting to see such a difference after watching other two. This movie has everything: a strong scenario, beautiful scences that makes you appreciated and well defined plot. I wish I could see it at the cinema screen.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
No sugar-coated Hollywood feature
Classic-Movie-Club4 July 2019
As slow intimate feature about a boy, his father, bees and school. Life is not easy, nor is learning how to read, when told to whisper in the first place.
0 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Some pictures from Black Sea region, and there is nothing more.
stimpy_tr14 April 2010
Warning: Spoilers
As an occasional movie watcher, I decided to see this film after it received the Golden Bear. As a Turkish watcher, I realized many defects about the film. First of all, the father, and especially, the mother of Yusuf does not look and speak like natives of Black Sea region where the film was taken. They speak Turkish without any accent which came to me very unpleasing from the beginning. We realize the difference very clearly when the mother takes Yusuf to an older neighbor to take care of him before she goes to search his husband. The neighbor is a native of Black Sea region and speaks Turkish with a flawless Black Sea accent. Another problem in the film was that Yusuf can sometimes read and sometimes not. He can sometimes speak and sometimes not. I have not heard any illness as 'sometimes speaking and sometimes not'. What is the point in it? It was very annoying to me and the whole plot was about that. There was no particular subject. The scenes are very long and dark as if it were an horror movie but it was not. Maybe they tried to create another Haley Joel Osment but without any acting and concrete plot you can not do that. In my opinion, it is a very boring film. I really wonder how it received the Golden Bear.
16 out of 48 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
The sweet profession plus learning to read from the vantage of a young boy.
Someguysomwhere19 November 2010
This movie is about the daily routine of a simple, rural Turkish family; a father (who collects honey for a living), a mother (who works around the home), and a child (who goes to school). The story is told from the perspective of the child, a young boy.

"Daily routine" is the key phrase here, because this is exactly what you see. Nothing particularly eventful happens until towards the end of the movie. So basically you watch the kid going to school, and at school; the father going to work, and at work; the mother working around the home, harvesting or cooking. Interspersed among this is the occasional meal at table with modest conversation and interaction, and some brief father and son time around the home. That's it.

The only drama or suspense for most of the movie concerns the difficulty the boy is having learning to read which threads throughout the film to the very end. What I've described would be completely uninteresting told from an adult perspective. So it's the boy who is carrying this movie (cute kid). It's his perspective --which is very serious and thoughtful-- that holds your attention any length of time. But we are, to be honest, not only interested in the boy's character in the film, but also the boy playing the character himself. He is impressively disciplined for someone that young. But even the greatest actor needs something to work with besides daily routine which I can see anytime I want to by looking out my window. So I did zone out after awhile (No, I don't do drugs!) near the middle of the film somewhere.

One of the noteworthy and curious things about the movie is how subdued this family is; disciplined even. There are no great expressions of happiness or sadness for most of the film. There was the brief smile once in awhile, but that's as far as it went; a serious expression on all faces dominated throughout. So I didn't get the impression that this was a particularly happy family. But at the same time, I didn't feel that it was out of the norm either. So maybe they were happy --or at least content "in their own way".

Finally, I did not like the way the movie ended for principally 2 reasons: (1) This is a simple, hard-working family that did not have that much and did not "seem" all that happy to begin with. (2) The movie again, was pretty uneventful, as described, and so the only way it could possibly sustain your interest from beginning to end is if you like this family. I did. And so for these 2 reasons Boloxxxi felt like he was kicked in the nuts by the writer. A plague on the bastard! Love (Ironic, aren't I?), Boloxxxi.
8 out of 29 found this helpful. Was this review helpful? Sign in to vote.
Permalink
beautiful
Vincentiu1 October 2013
beauty is the basic virtue of film. the beauty of images, the crumbs of mystery, Bora Altas are parts of this delicate, light-dark movie.a slice of pure life. that is all. and the delicate art of director to create the thirt part of a trilogy. seductive Turkish film, it is mixture of different lines of common life, religion and forms of poetry, small gestures and childhood perceptions. embroidery of signs and looks,it can have a lot of keys. but fundamental thing, the secret of this fragile construction, reflection about essential ingredients of life remains this special beauty. but it is not the unique source of fascination. because it is a correct story and each viewer has chance to discover his well known part. the school, the relation with the father, the image of mother, the wood, the different feelings, the search, the sleep and the shadows from little Heaven are drops who can make Honey a real good movie.
4 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Far too slow for me
o_pekdemir27 January 2011
Warning: Spoilers
Although I'd really love to do some promotion for this movie, it's a bit hard to do so. At least I can't recommend it to "normal movie viewers". This is definitively not your regular, entertaining popcorn flick that you can go and watch with your buddies on a Saturday evening before you start your tour through the bars. It's even not the right movie to drag your new girlfriend to in my opinion. There IS a chance, that she will like this kind of arty stuff, but there's a bigger chance that she won't. OK, let's unfold this a little bit. What I liked about this movie is, that it's painting quite an interesting portrait of the pristine "Karadeniz" people in (north) Turkey. But then again: This could have been done in a much more original way. The few introduced characters are too simple for my taste and they don't feel real. I'm a Turk myself and I have travelled many places in Turkey ... and for me it just doesn't add up to a realistic picture. Some of the shown landscapes and locations are really gorgeous and fantastic - that's for sure. But most of the time I couldn't shake off this feeling that I'm watching a terribly slow slideshow of somebodies last summer vacation. The story is thin and fuzzy ... I really wanted to like this film. And I also don't think that I'm an idiot who "just didn't see the point". If you have read other (positive) reviews about "Bal" before, let me tell you: Yes, it is a moving story of a child and his father. But it's also a VERY VERY slowly moving story. In fact sometimes it's hard to tell if anything on the screen is moving at all. For minutes. And minutes. That's not my understanding of entertainment or how movies should be done. This could have been a great short movie. 15 or 20 minutes. Maybe 30. Enough time to tell everything that was important in this movie in my eyes. I went to a theatre here in Germany to see "Bal" - together with my parents (my father is 73, my mother is 62 - And I'm 35). We were all more than willing to give this film a chance. My father was even a little bit angry when some woman left the movie after half an hour or so. But when the credits finally rolled in we made our jokes about how clever that woman was - leaving in time. OK, so why did I give it 5 stars? Here's my explanation: 1 Star goes for the nice locations and some of the impressive pictures. The second star would be for making a movie about a slowly vanishing lifestyle and habitat. And the last two stars are for the two tears I secretly shed during the film (one during the scene where Yusuf finally get's his award for reading and the other one when he's drinking his milk to cheer up his mother). The fifth star is there because I'm a Turk and I don't want to feel like traitor. ;-) No, honestly. Many people really seemed to enjoy and love this movie. I'm just stating that it's not quite my cup of tea. BUT... If you also tend to be bored easily, prefer entertaining movies over arty dramas and if you think that a movie is called like that because it has constant movement in it ... then this movie is probably not for you. On the other hand: It has won an important award in Germany and it's definitively something different. If you're unsure, you should wait until it's out on DVD or Bluray so you can skip the long scenes if needed.
3 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
a story
Kirpianuscus29 June 2017
it is tempting to define it as art film. or as poem about life. or as masterpiece. in fact, it is only a story. a story like many others from the old times. a family. a boy. memories. and the absence. all is well known. the film is only support for remind. and each scene becomes a trip in yourself. a circle around basic truths. rediscover of the purpose of cinema. this is all. a family. a boy. the father. and the forest. like a line. letters and signs and the voice of teller. parts of reflection of world in yourself.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
simple and powerful...
dominus16425 November 2011
In order to make a film deep and engaging, it doesn't always require a philosophic brilliance in the idea or an alien avant-garde approach to it.specifically if its to be in the domain of realism like this drama does all the depth and beauty of the art depends on the simplicity and reality which the filmmaker invest in his work. its the third of Semih Kaplanoglu's Yousuf trilogy; the final one. and like the previous ones it pretty much relies on the same approach. The simple yet emotionally developing life of a kid is beautifully portrayed. Throughout the movie one finds himself passing through a subtle experience, a slow, deeply rich performance something which is more of the characteristics of European cinema.Besides the director has done good cinematography and a concise script that fits brilliantly with the nature and country side.

I would recommend it to all those that hold cinema higher than the source of mere recreation. its simple yet powerful you will definitely enjoy it.
5 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed