Directed by
| Ben Wheatley | ||
Writing Credits
| Ben Wheatley | ... | (written by) and |
| Amy Jump | ... | (written by) |
Cast (in credits order)
Produced by
| Katherine Butler | ... | executive producer |
| Ally Gipps | ... | associate producer |
| Robin Gutch | ... | executive producer |
| Hugo Heppell | ... | executive producer |
| Claire Jones | ... | producer (produced by) |
| Barry Ryan | ... | co-producer |
| Andrew Starke | ... | producer (as Andy Starke) (produced by) |
Music by
| Jim Williams | ... | (music) |
Cinematography by
| Laurie Rose | ... | director of photography |
Editing by
| Robin Hill | ... | (edited by) |
| Amy Jump | ... | (edited with) |
| Ben Wheatley | ... | (edited with) |
Casting By
| Ali Fearnley | ... | (casting) |
Production Design by
| David Butterworth | ||
Art Direction by
| Julie Ann Horan | ||
| Nick Wilkinson | ... | supervising art director |
Costume Design by
| Lance Milligan | ||
Makeup Department
| Mike H.G. Bates | ... | prosthetic makeup artist |
| Patt Foad | ... | make up assistant (as Pat Foad) / special makeup effects artist |
| Fiona Lavin | ... | hair design / make up design |
| Mike Stringer | ... | special make-up: Hybrid Design |
Production Management
| Lizzie Francke | ... | senior production executive: UK Film Council |
| Tom Jenkins | ... | unit manager |
| Tracey Josephs | ... | head of production: Film4 |
| Fiona Lamptey | ... | production manager: Film4 |
| Kate Larking | ... | production manager |
| Fiona Morham | ... | head of production: UK Film Council |
| Barry Ryan | ... | head of production: Warp X |
Second Unit Director or Assistant Director
| Sebastian Hendry | ... | third assistant director |
| James Sharpe | ... | first assistant director |
Art Department
| Malcolm Gilbert | ... | construction manager |
| Cyriak Harris | ... | graphics |
| Philiy Page | ... | assistant props buyer |
| Adrian Pullen | ... | set painter |
| Matt Risby | ... | construction assistant (as Matt Risbey) |
| Caine Shirovay | ... | prop hand |
| Nigel Tandy | ... | set painter |
Sound Department
| Ben Collinson | ... | boom operator |
| Rob Entwistle | ... | sound recordist |
| Tony Moller | ... | re-recording mixer |
| Martin Pavey | ... | sound design |
| Richard Stockdale | ... | dolby sound consultant (uncredited) |
Special Effects by
| Ben Ashmore | ... | special effects supervisor |
| Claire Ashmore | ... | special effects co-ordinator |
| Daniel Bentley | ... | special effects technician |
| William Johnston | ... | special effects technician |
| Matthew Strange | ... | lead armourer |
| Mike Stringer | ... | prosthetics: Hybrid Design |
| Mike Wild | ... | armourer |
Visual Effects by
| Jim Allen | ... | flame operator: Big Buoy |
| Ian Harland | ... | VFX post-producer: Big Buoy |
| Christopher Taylor | ... | VFX compositor: Big Buoy (as Chris Taylor) |
Stunts
| Glenn Marks | ... | stunt co-ordinator |
Camera and Electrical Department
| John Cartwright | ... | balloon light operator |
| Nick Gillespie | ... | first assistant camera / stills |
| Neil Lammond | ... | jib operator |
| Terry Maskell | ... | chief lighting technician |
| Steve May | ... | lighting equipment: Provision |
| Rob Mitchell | ... | video overlay |
| Jason Rayton | ... | data wrangler |
| Fraser Roe | ... | lighting assistant |
| Howard Roe | ... | genny op |
| Rob Shaw | ... | second assistant camera (as Robert Shaw) |
| Jon Spencer | ... | lighting equipment: Provision |
| Tracey Welch | ... | stills |
| Ben Wheatley | ... | stills |
| Nigel Woodford | ... | lens hire: Camulet |
| Luke Wray-Rogers | ... | camera equipment: Provision (as Luke Wray) |
Casting Department
| Paula McKie | ... | extras casting (as Paula Mckie) |
| Mohsan Qureshi | ... | extras casting |
Costume and Wardrobe Department
| Hayley Neil | ... | costume assistant |
Editorial Department
| Chris Brown | ... | assistant editor |
| Louise Channing | ... | post-production facilities: The Farm |
| Tonia Cohen | ... | neg check: Capello |
| Ian Dodd | ... | post-production facilities: The Farm |
| Perry Gibbs | ... | digital intermediate colourist |
| Alice Harrand | ... | second assistant editor |
| Barney Jordan | ... | online editor |
| Rahat Kulshreshtha | ... | post-production co-ordinator: Warp X |
| Mandy Miller | ... | post production paperwork |
Location Management
| Nick Girvan | ... | locations scout |
| Nadia Hall | ... | locations scout |
| Tom Jenkins | ... | locations manager |
Music Department
| Lisa Abbot | ... | vocals |
| Joan Armatrading | ... | written by: "It Could Have Been Better" |
| Ian Belton | ... | violin |
| Paul Golding | ... | music mix engineer |
| Pam Nestor | ... | written by: "It Could Have Been Better" |
Script and Continuity Department
| Anita Christy | ... | continuity / script supervisor |
| Samantha Warner | ... | continuity / script supervisor |
Transportation Department
| Ian Kitchingman | ... | facilities: Amro Facilities (as Ian Kitchingham) |
| George Morris | ... | action vehicles |
Additional Crew
| Chaelyn Allcock | ... | production intern |
| Geraldine Atlee | ... | senior business affairs executive: UK Film Council |
| Nicky Ball | ... | crew development manager: Screen Yorkshire / freelance development manager: Screen Yorkshire |
| Bob Barker | ... | unit medic |
| Chris Besseling | ... | uk senior marketing manager: studiocanal |
| Daniel Bird | ... | EPK / production runner |
| Sue Bruce-Smith | ... | head of commercial development: Film4 |
| Sue Clark | ... | animal handler |
| Darren Conway | ... | production runner |
| Leonard Crooks | ... | head of New Cinema Fund: UK Film Council |
| Jude Goldrei | ... | production assistant |
| Robin Gutch | ... | managing director: Warp X |
| Sebastian Hendry | ... | runner |
| Nick Hodson | ... | assistant accountant |
| Chris Hordley | ... | production liaison manager: Screen Yorkshire |
| Lucie James | ... | production intern |
| David Johnstone | ... | production insurance: Media Insurance Brokers |
| Gareth Jones | ... | production accountant |
| Jen Kenwood | ... | development associate: Warp X |
| Ian 'Fingers' Lisi | ... | unit security (as Ian Lisi) |
| Louise Long | ... | business affairs: Film4 |
| Alex Marshall | ... | head of commercial & business affairs: Warp X |
| James Penny | ... | legal services: Rook Films |
| Amanda Pyne | ... | production finance: UK Film Council |
| Jim Richardson | ... | head of production support: Screen Yorkshire |
| Mark Russell | ... | radios: Audiolink |
| Niall Shamma | ... | head of finance: Warp X |
| Chris Smith | ... | unit medic |
| Mark Stratton | ... | unit security |
| Michael D. Walsh | ... | assistant production coordinator |
| Kate Wilson | ... | legal services: Warp X |
| Huma Khan | ... | legal post production (uncredited) |
Thanks
| Michael Braddick | ... | special thanks: The University of Sheffield (as Mike Braddick) |
| Andrew Deighan | ... | special thanks: The Aston Hotel |
| Adam Diskin | ... | special thanks |
| Jeremy Diskin | ... | special thanks: Burngreave New Deal for Communities |
| Chris Hale | ... | special thanks |
| Mark Herbert | ... | special thanks |
| Sue Hubbard | ... | special thanks: The University of Sheffield |
| Andy Roberts | ... | special thanks |
| Ange Roberts | ... | special thanks |
| Tom Roberts | ... | special thanks |
| Paul Simpson | ... | special thanks |
| Jonathan Tester | ... | special thanks: Bucks Music |
| Pete Tombs | ... | special thanks |
| Dave Winstanley | ... | special thanks: The Showroom Cinema Sheffield |
| Hugo Young | ... | special thanks |
