Imperator, kotoryy znal svoyu sudbu (2010) Poster

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10/10
Prize of the Boris Yeltsin Presidential Library
kunstorama8 March 2011
Presidential Library: The Boris Yeltsin Presidential Library awards prize «For historical credibility» during the film festival to documentary "The Emperor who knew the fate".

http://www.prlib.ru/en-us/news/Pages/Item.aspx?itemid=160 23 October 2009. Source: Boris Yeltsin Presidential Library On October, 23 in the film art center "Rodina" the representatives of the Presidential Library will award the prize "For the historical credibility" to Roman Yershov and Boris Romanov (the director and scriptwriter of the film "The Emperor who knew the fate". The award presentation ceremony took place in the end of the IV International film festival of popular science films "The World of Knowledge". The prize which represents the world in the form of the opened book – has been produced specially for this event in single copy.

"We are happy to make our contribution to the universal humanitarian values by expressing our opinion on the ways of their popularization. The popular science cinematography needs to keep the common language with the large audience, first and foremost, with the young people", – remarked A. I. Bukreev, the assistant Director-General of the Presidential Library.

In accordance with the program of the film festival the Presidential Library held the Round Table dedicated to the topic "Russia. The image of future". Among its participants were scientists, experts, cinematographers and students of St.Petersburg Universities.
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10/10
Very interesting film!
maksh-8-38134223 March 2011
Several years ago I have read book written by Boris Romanov, "The Emperor, who knew his fate", and now I have seen the movie with the same title. The film makes a very good impression and I watched it with great attention from the beginning to the end, though read the book earlier. The authors were able to show all the most important and interesting that had been written in the book, and they did it so skillfully and professionally. I have to say that before Nicholas II (as a weak king and a loser) was a very unattractive for me. But in the film he is convincingly shown as strong personality and the emperor, who tried to overcome the fate, but could not. I can not say that my attitude to Nicholas II has completely changed for the better, but the film raises questions about the limits of human possibility at the top of power, identity of the last czar of the Russia, and the role of destiny in the life of every man. Many thanks to the authors, writer and director.
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10/10
Under a Protection of Kindness
juratam2 March 2011
Under a Protection of Kindness (IFF "Protection of Virgin", Kiev, 21 October 2010)

http://ng.by/ru/issues?art_id=50874 "Plenty of interesting documentaries (over 40 in the contest) was reflected in the jury's decision to award two second and two third prizes in this category. In particular, the film "Love and more than love" shared third place with same brilliant movie "The Emperor, who knew the fate", by Roman Ershov and Boris Romanov (the director and scriptwriter of the St. Petersburg). Many viewers and even participants expressed the common view that the film of Ershov&Romanov deserves a Grand Prix. Indeed, the film is very interesting, he talks about the numerous predictions of fate, received during the life of the last Russian emperor Nicholas II, his struggle with the foreordained fate. And even though everyone knows the story of the death of Tsar's family, but the film is so much talent that, until the end, it holds the viewer's attention. And of course, deserves enormous respect, hard work with the documents needed for the picture." Elena Boldyreva, correspondent of "SV" in Kiev

I should add that the film "The Emperor, who knew the fate" got the prize for best screenplay for "(written by Boris Romanov)
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10/10
bright and grasping story from tragic period of the Russian history
gleb-ershov14 March 2011
Roman Ershov film is bright and grasping story from tragic period of the Russian history with the last Romanov life in its center. It tells both about providential character of history and personal life full of mystical coincidences. Contradictional figure of the last Russian emperor evoked different opinions and ideas moreover he is considered to be a saint martyr by the Orthodox church. The film focuses at the personal life story of Nicholas II making us feel inevitable pace of the Fortune that marked all the turning points of his rule. It is based on the original documentaries of the time and is backed up by profound archival research. Film author visually presents all the episodes of fortune telling and their influence concerning the challenges he faced as an emperor of huge empire at its crucial point between two historical epochs.
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10/10
""Nikolashka" or the Emperor Nicholas II" by Irina Smirnova (site of "Free Press")
b_romanov-933-48840728 February 2011
Excerpts from the article ""Nikolashka" or the Emperor Nicholas II" by Irina Smirnova (site of "Free Press"):

http://svpressa.ru/issue/news.php?id=11459 (Translated from Russian into English)

The official point of view on the fate and the role of Nicholas II in the history of the country, was worked by soviet historians and filmmakers: «a good family man, but a weak emperor, who led Russia to catastrophe, he misunderstood the situations in Russia and in the world», etc. Such version has long been a familiar stamp and it does not bother many people, but no one of them asks the question: how could "a weak ruler" to lead Russia to impressive achievements in all fields and force, which the country had before the First World War? Really, was the Russian economic miracle that has reached its peak in 1913, and with whom it was customary to equate all the subsequent achievements of the USSR, it happened against his will? The authors of a new 50-minute documentary film - writer Boris Romanov and director Roman Yershov - turned the topic itself the sharp side and tried to debunk the myth of the weakness of the last Russian tsar. ... According to the authors of the film, being a man of strong will, Nicholas accepts the challenge of Fate and joined with her in «a duel». Thus, this documentary is devoted to the Nicholas's efforts to overcome a destined course of events . – "Now we know that the unprecedented decision taken in 1899 in the Hague by the leading delegations of powers, laid the foundation for limiting the arms race and to establish international rules of war - told the "Free Press" writer Boris Romanov. – That was then set up an international arbitration court, now known as the Hague Tribunal, and laid the foundation for future international organizations - the League of Nations and the UN later. This whole structure of international relations was laid the foundation by Nicholas II in order to avoid the impending catastrophe. What else could make a man trying to save the world from war?" ... In autumn 1904 Nicholas II began a strong liberal and social reforms that were derailed grandiose provocation of Socialist Revolutionary Party on 9 January 1905 ("Bloody Sunday"). When later Gapon was asked what would happen if Nicholas II came to the demonstrators, Gapon said at once without reserve: "He would be killed at once." Authors of the film believe that the Emperor repeatedly faced with the fact that all his efforts to overcome the Fate were of no avail. But he never gave up. For the first time a documentary film tells the story of an attempt to Nicholas (in March 1905 )to abdicate in order to restore the patriarchate. For the first time a documentary film tells the story of proposal of Nicholas II (shortly before the First World War) to refer the dispute between Serbia and Austria-Hungary in the Hague international tribunal. But the German Emperor Wilhelm did not even replied to this Nicholas's II telegram. ...

"'It is the shallow fashion of these times to dismiss the Tsarist regime as a purblind, corrupt, incompetent tyranny. But a survey of its thirty months' war with Germany and Austria should correct these loose impressions and expose the dominant facts. We may measure the strength of the Russian Empire by the battering it had endured, by the disasters it had survived, by the inexhaustible forces it had developed, and by the recovery it had made. In the governments of states, when great events are afoot, the leader of the nation, whoever he be, is held accountable for failure and vindicated by success. ...

Why should this stern test be denied to Nicholas II? He had made many mistakes, what ruler has not? ... But the brunt of supreme decisions centered upon him. At the summit where all problems are reduced to Yea or Nay, where events transcend the faculties of man and where all is inscrutable, he had to give the answers. His was the function of the compass needle. War or no war? Advance or retreat? Right or left? Democratise or hold firm? Quit or persevere? These were the battlefields of Nicholas II.

Why should he reap no honour from them? The devoted onset of the Russian armies which saved Paris in 1914; the mastered agony of the munitionless and retreat; the slowly regathered forces; the victories of Brusilov; the Russian entry upon the campaign of 1917, unconquered, stronger than ever; has he no share in these? In spite of errors vast and terrible, the regime he personified, over which he presided, to which his personal character gave the vital spark, had at this moment won the war for Russia. He is about to be struck down. A dark hand, gloved at first in folly, now intervenes. Exit Tsar. Deliver him and all he loved to wounds and death. Belittle his efforts, asperse his conduct, insult his memory; but pause then to tell us who else was found capable. Who or what could guide the Russian State? Men gifted and daring; men ambitious and fierce, spirits audacious and commanding - of these there were no lack. But none could answer the few plain questions on which the life and fame of Russia turned'."

This is written not by Russian monarchists, but by Winston Churchill, who during the First World War was a military minister. These words of the famous English politician quoted in the film, and against the backdrop of pre-revolutionary newsreels, photographs and documents of the time, it make a strong impression …

(Translated from Russian into English by Boris Romanov. I'm sorry for my imperfect English)
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