Matthias Glasner’s Dying was the winner of the top prize at this year’s German Film Awards, clinching the Golden Lola in the best film category along with a cash prize of €500,000 for the producers to invest in a future project.
The production by Port au Prince Film & Kultur Produktion, Schwarzweiß Filmproduktion and Senator Film Produktion, which had its world premiere in competition at this year’s Berlinale where it won the best screenplay Silver Bear, also garnered another three statuettes: Corinna Harfouch (best lead actress), Hans-Uwe Bauer (best supporting actor), and Lorenz Dangel (best film score).
Glasner’s family drama,...
The production by Port au Prince Film & Kultur Produktion, Schwarzweiß Filmproduktion and Senator Film Produktion, which had its world premiere in competition at this year’s Berlinale where it won the best screenplay Silver Bear, also garnered another three statuettes: Corinna Harfouch (best lead actress), Hans-Uwe Bauer (best supporting actor), and Lorenz Dangel (best film score).
Glasner’s family drama,...
- 5/6/2024
- ScreenDaily
Matthias Glasner’s epic dysfunctional family drama Dying has won the top prize for best film at the 2024 German Film Awards, the Lolas.
Dying was one of the critical favorites at this year’s Berlin Film Festival, where Glasner won the Silver Bear for best screenplay. The film stars Lars Eidinger as a classical conductor with an extremely dysfunctional family.
In addition to the top prize, Corinna Harfoch won the best actress Lola for her role in Dying, where she plays Eidinger’s sharp-tonged and cold-hearted mother. Her Dying co-star Hans-Uwe Bauer took best supporting actor, and the film also took the Lola for best film music for composer Lorenz Dangel.
Ayşe Polat took best director and best screenplay for In the Blind Spot, her twisty documentary-style conspiracy thriller set in modern-day Turkey. The film, which premiered in Berlin’s Encounters section last year, won the top prize at the Oldenburg Film Festival,...
Dying was one of the critical favorites at this year’s Berlin Film Festival, where Glasner won the Silver Bear for best screenplay. The film stars Lars Eidinger as a classical conductor with an extremely dysfunctional family.
In addition to the top prize, Corinna Harfoch won the best actress Lola for her role in Dying, where she plays Eidinger’s sharp-tonged and cold-hearted mother. Her Dying co-star Hans-Uwe Bauer took best supporting actor, and the film also took the Lola for best film music for composer Lorenz Dangel.
Ayşe Polat took best director and best screenplay for In the Blind Spot, her twisty documentary-style conspiracy thriller set in modern-day Turkey. The film, which premiered in Berlin’s Encounters section last year, won the top prize at the Oldenburg Film Festival,...
- 5/3/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Matthias Glasner’s Dying leads the Lolas, the German Film Awards, with nine nominations, including for best feature film, director, screenplay, and score.
Additionally, Lars Eidinger has been nominated as best actor and Corinna Harfouch as best actress; Robert Gwisdek and Hans-Uwe Bauer have both been nominated for best supporting actor.
The family drama premiered in competition at the Berlinale last month and will be released in Germany by Wild Bunch on April 25.
The Lolas will take place at a ceremony in Berlin on May 3.
Timm Kröger’s second feature The Universal Theory, which premiered in Venice’s Horizons section last September,...
Additionally, Lars Eidinger has been nominated as best actor and Corinna Harfouch as best actress; Robert Gwisdek and Hans-Uwe Bauer have both been nominated for best supporting actor.
The family drama premiered in competition at the Berlinale last month and will be released in Germany by Wild Bunch on April 25.
The Lolas will take place at a ceremony in Berlin on May 3.
Timm Kröger’s second feature The Universal Theory, which premiered in Venice’s Horizons section last September,...
- 3/19/2024
- ScreenDaily
The German Film Academy has announced the movies in competition this year for the German Film Awards, the local equivalent of the Oscars.
Matthias Glasner’s epic family drama Dying, Timm Kröger’s experimental sci-fi feature The Universal Theory, and In the Blind Spot, Ayşe Polat’s documentary-style conspiracy thriller set in modern-day Turkey, are among the favorites for this year’s awards, called the Lolas.
Dying, which stars Lars Eidinger as a classical conductor with an extremely dysfunctional family, picked up nominations in every major category, including best film, best director and best screenplay nominations for Glasner, a best actor nom for Eidinger and a best actress nomination for Corinna Harfoch, who plays Eidinger’s mother. In total, the film is up for nine Lolas.
The Universal Theory, a black-and-white drama about the multiverse, is also in the running for the best film Lola, and Kröger is up for best director.
Matthias Glasner’s epic family drama Dying, Timm Kröger’s experimental sci-fi feature The Universal Theory, and In the Blind Spot, Ayşe Polat’s documentary-style conspiracy thriller set in modern-day Turkey, are among the favorites for this year’s awards, called the Lolas.
Dying, which stars Lars Eidinger as a classical conductor with an extremely dysfunctional family, picked up nominations in every major category, including best film, best director and best screenplay nominations for Glasner, a best actor nom for Eidinger and a best actress nomination for Corinna Harfoch, who plays Eidinger’s mother. In total, the film is up for nine Lolas.
The Universal Theory, a black-and-white drama about the multiverse, is also in the running for the best film Lola, and Kröger is up for best director.
- 3/19/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The 44th edition of genre film festival Fantasporto, which runs in Portugal’s second city Porto from March 1-10, has bestowed its best film award on Japanese sci-fi fantasy pic “From the End of the World,” directed by Kaz I Kiriya.
The movie follows 10-year-old Hana, whose dreams transport her across various eras in Japanese history, and have the ability to save humanity.
The jury’s special award went to “The Complex Forms,” Italian director Fabio D’Orta’s debut feature. The sci-fi horror centers on a man who has sold his body so it can be possessed by a creature of unknown nature.
The prize for best direction was nabbed by Spanish filmmaker Gonzalo López-Gallego for horror movie “The Shadow of the Shark” (La Sombra del Tiburon). In the film, a young woman, Alma, is undergoing therapy as she is unable to sleep. With the help of surveillance cameras, she...
The movie follows 10-year-old Hana, whose dreams transport her across various eras in Japanese history, and have the ability to save humanity.
The jury’s special award went to “The Complex Forms,” Italian director Fabio D’Orta’s debut feature. The sci-fi horror centers on a man who has sold his body so it can be possessed by a creature of unknown nature.
The prize for best direction was nabbed by Spanish filmmaker Gonzalo López-Gallego for horror movie “The Shadow of the Shark” (La Sombra del Tiburon). In the film, a young woman, Alma, is undergoing therapy as she is unable to sleep. With the help of surveillance cameras, she...
- 3/9/2024
- by Leo Barraclough
- Variety Film + TV
Festival selection includes Nikolaj Arcel’s ‘The Promised Land’ and Ernst De Geer’s ‘The Hypnosis’.
Goteborg Film Festival has selected almost 250 films for its 47th edition, including recent Nordic favourites The Promised Land starring Mads Mikkelsen and The Hypnosis by Ernst De Geer.
The festival, which runs from January 26 to February 4, has also programmed events including a talk between Ruben Ostlund and Cannes director Thierry Fremaux; and selected Danish actress Sidse Babett Knudsen to receive its Nordic Honorary Dragon award.
Scroll down for the list of festival titles
The 10 films competing in the Nordic Competition include Nikolaj Arcel’s The Promised Land,...
Goteborg Film Festival has selected almost 250 films for its 47th edition, including recent Nordic favourites The Promised Land starring Mads Mikkelsen and The Hypnosis by Ernst De Geer.
The festival, which runs from January 26 to February 4, has also programmed events including a talk between Ruben Ostlund and Cannes director Thierry Fremaux; and selected Danish actress Sidse Babett Knudsen to receive its Nordic Honorary Dragon award.
Scroll down for the list of festival titles
The 10 films competing in the Nordic Competition include Nikolaj Arcel’s The Promised Land,...
- 1/9/2024
- by Ben Dalton
- ScreenDaily
The Göteborg Film Festival has unveiled the competition titles selected for its 47th edition, which runs from January 26 to February 4. (Scroll down for the full list).
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400,000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Madame Luna, Swedish filmmaker Daniel Espinosa’s return to Nordic filmmaking following a series of Hollywood titles such as Morbius and Safe House. Inspired by real-life events, the film follows an Eritrean refugee who gets stuck in Libya and becomes a notorious human trafficker known as “Mama Luna” with deep ties to the Italian Mafia. When she is forced to flee to...
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400,000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Madame Luna, Swedish filmmaker Daniel Espinosa’s return to Nordic filmmaking following a series of Hollywood titles such as Morbius and Safe House. Inspired by real-life events, the film follows an Eritrean refugee who gets stuck in Libya and becomes a notorious human trafficker known as “Mama Luna” with deep ties to the Italian Mafia. When she is forced to flee to...
- 1/9/2024
- by Zac Ntim
- Deadline Film + TV
Anna Kendrick’s directorial debut Woman Of The Hour and family drama Mother Couch, starring Ewan McGregor and Ellen Burstyn, are headed to the third edition of Saudi Arabia’s Red Sea International Film Festival, running from November 30 to December 9 in the port city of Jeddah.
The titles will play in the Festival Favorites sidebar which was announced on Thursday alongside the event’s Red Sea: Treasures strand.
Kendrick directs and stars in Netflix-acquired drama Woman Of The Hour as a woman whose path crosses notorious serial killer Rodney Alcala, whilst in Niclas Larsson’s first film Mother Couch, McGregor plays a man whose mother squats the family furniture store.
Further films in the line-up – showcasing 21 buzzy festival titles from the last 12 months – include the David Oyelowo produced documentary Allihopa: The Dalkurd Story; Women’s World Cup doc Copa 71, executive produced by Serena and Venus Williams, Jennifer Esposito’s Fresh Kills,...
The titles will play in the Festival Favorites sidebar which was announced on Thursday alongside the event’s Red Sea: Treasures strand.
Kendrick directs and stars in Netflix-acquired drama Woman Of The Hour as a woman whose path crosses notorious serial killer Rodney Alcala, whilst in Niclas Larsson’s first film Mother Couch, McGregor plays a man whose mother squats the family furniture store.
Further films in the line-up – showcasing 21 buzzy festival titles from the last 12 months – include the David Oyelowo produced documentary Allihopa: The Dalkurd Story; Women’s World Cup doc Copa 71, executive produced by Serena and Venus Williams, Jennifer Esposito’s Fresh Kills,...
- 11/9/2023
- by Melanie Goodfellow
- Deadline Film + TV
Deckert Distribution CEO Liselot Verbrugge is to launch a new company as the German sales agency prepares to wind down its operations in 2024, with founder Heino Deckert moving fully to production. Verbrugge is attending IDFA documentary festival this week, where the Sundance awarded film “Against the Tide,” one of the agency’s bestsellers this year, is playing in the Best of Fest section.
Amsterdam-based Verbrugge joined Deckert at the start of 2019 as head of sales and acquisition, starting with the roll out of double Academy Award nominated “Honeyland.” She took over the reins of the company as CEO two years ago.
Verbrugge commented: “I am very happy with what we managed to build over the last few years here. But with the company officially residing in Leipzig, there were certain practical elements that became obstacles. Both in the legal sense of running a company from another country, as in sharing...
Amsterdam-based Verbrugge joined Deckert at the start of 2019 as head of sales and acquisition, starting with the roll out of double Academy Award nominated “Honeyland.” She took over the reins of the company as CEO two years ago.
Verbrugge commented: “I am very happy with what we managed to build over the last few years here. But with the company officially residing in Leipzig, there were certain practical elements that became obstacles. Both in the legal sense of running a company from another country, as in sharing...
- 11/9/2023
- by Leo Barraclough
- Variety Film + TV
Three festival-goers will choose the winner of the international series competition.
Switzerland’s Geneva International Film Festival (Giff) has unveiled the programme for its 29th edition, with festival hits including Polite Society and The Sweet East, and a new format for its international series competition.
The festival includes 110 works, of which 53 are films, 27 are series, 28 are immersive experiences and two are installations.
Scroll down for the feature and series competition titles
Giff includes four competition sections: international feature, international series, international immersive and the convergent competition – the latter section featuring projects from all three formats.
All 12 titles in the international...
Switzerland’s Geneva International Film Festival (Giff) has unveiled the programme for its 29th edition, with festival hits including Polite Society and The Sweet East, and a new format for its international series competition.
The festival includes 110 works, of which 53 are films, 27 are series, 28 are immersive experiences and two are installations.
Scroll down for the feature and series competition titles
Giff includes four competition sections: international feature, international series, international immersive and the convergent competition – the latter section featuring projects from all three formats.
All 12 titles in the international...
- 10/12/2023
- by Ben Dalton
- ScreenDaily
The multiverse subgenre of cinema is growing. There are a handful of new films every year exploring this uncharted new territory, experimenting with big ideas and mind-bending storytelling. Not every story will work, though, not every equation will produce a correct answer. Even though this film has quite a few issues with it, I still can't stop thinking about it – weeks after first seeing it at the 2023 Venice Film Festival. The Theory of Everything (originally Die Theorie von Allem in German) is a German-Austrian-Swiss co-production from a German filmmaker named Timm Kröger (also the director of The Council of Birds). Not to be confused with the Oscar winning biopic (from 2014) about Stephen Hawking also called The Theory of Everything, this German The Theory of Everything is a unique multiverse tale. It's one of the first clever attempts at mixing film noir with multiverse theory, integrating quantum mechanics thinking into a shady characters mystery plot.
- 9/24/2023
- by Alex Billington
- firstshowing.net
‘The Theory Of Everything’ Review: A Weirdly Elusive Dive Into The Multiverse – Venice Film Festival
Thanks to science fiction, we all have a basic grip on the theory of the multiverse: the idea that there are innumerable parallel worlds in which the chances and choices of the past – the roads not taken, whether by ourselves or the dinosaurs – have split off into alternative stories, endlessly bifurcating into other pasts, other futures that must be peopled, most provocatively, with other versions of ourselves. It is an idea that has proved rich pickings for comic-book adventures, where peril can come from any available universe and there is always a chance of confronting a doppelganger, but German director Timm Kröger has returned to the theory – which dates back to the 1950s – to explore how mysterious, sinister and terrifyingly vast a proposal it really is. This is a theory of everything where everything – that familiar word – is infinite. Where nothing, in fact, is ever going to be “everything.”
The...
The...
- 9/3/2023
- by Stephanie Bunbury
- Deadline Film + TV
Multiverse of Sadness: Kroger Captivates with Cryptic Cold War Sci-Fi Exploit
Although it will invariably be confused with the 2014 Stephen Hawking biopic, Timm Kröger’s fascinating sophomore feature The Theory of Everything (Die Theorie Von Allem) blends modern cinema’s excessive obsession with the notion of the multiverse into a gloomy, sci-fi neo noir. It’s also a fatalistic, overcast love story, reminiscent of everything from Solaris (1972) to Alain Resnais’ Je t’aime Je T’aime (1968), utilizing contemporary fascinations folded into vintage aesthetics. In the wake of Christopher Nolan’s Oppenheimer (2023), Kröger’s film arrives as if from some fortuitous concentric time loop to revel in the ripple effects of the atomic bomb.…...
Although it will invariably be confused with the 2014 Stephen Hawking biopic, Timm Kröger’s fascinating sophomore feature The Theory of Everything (Die Theorie Von Allem) blends modern cinema’s excessive obsession with the notion of the multiverse into a gloomy, sci-fi neo noir. It’s also a fatalistic, overcast love story, reminiscent of everything from Solaris (1972) to Alain Resnais’ Je t’aime Je T’aime (1968), utilizing contemporary fascinations folded into vintage aesthetics. In the wake of Christopher Nolan’s Oppenheimer (2023), Kröger’s film arrives as if from some fortuitous concentric time loop to revel in the ripple effects of the atomic bomb.…...
- 9/3/2023
- by Nicholas Bell
- IONCINEMA.com
Imagine that one of Hitchcock’s villains — say, the guy missing the tip of a pinkie in “The 39 Steps,” or the shrink who runs the institute in “Spellbound” — did not simply come from a place of murderous intent but from a different place altogether, perhaps another dimension. Imagine that villain’s supranatural malfeasance backdropped by jagged mountains, captured in black-and-white so crisp it could cut, and widescreen frames so wide whole Alpine ranges fit comfortably inside them. And imagine it all unfolding to a deliberately overpowering score, like Bernard Herrman and Scott Walker conceived a baby during a sonic boom. Now you are somewhere near Timm Kröger’s superbly crafted “The Universal Theory” an overlong but enjoyable metaphysical thriller that delivers pastiche so meticulous it becomes its own source of supremely cinematic pleasure.
It is 1962, in the mountainous Grisons canton of Switzerland. The Cold War is at its coldest, its...
It is 1962, in the mountainous Grisons canton of Switzerland. The Cold War is at its coldest, its...
- 9/3/2023
- by Jessica Kiang
- Variety Film + TV
Have you heard of a movie about a brilliant quantum physicist who travels to a remote location so he can test a groundbreaking theory that could change the world forever? It’s shot in breathtaking black-and-white, and features Nazis and a doomed romance.
If you’re thinking of Oppenheimer, you’re wrong by a good two decades (in terms of the time setting), as well as a good hundred million dollars (in terms of budget). And yet, like a smaller, distant cousin to the Christopher Nolan blockbuster, German director Timm Kröger’s The Theory of Everything (Die Theorie Von Allem) is also an artfully made, ambitious period piece where reality sometimes bends to the laws of modern physics.
However, the similarities end there. Nolan’s movie was science-fact, remaining as close to historic events as technically possible. Kröger’s second feature is more of a genre-jumping experiment, combining Hollywood sci-fi...
If you’re thinking of Oppenheimer, you’re wrong by a good two decades (in terms of the time setting), as well as a good hundred million dollars (in terms of budget). And yet, like a smaller, distant cousin to the Christopher Nolan blockbuster, German director Timm Kröger’s The Theory of Everything (Die Theorie Von Allem) is also an artfully made, ambitious period piece where reality sometimes bends to the laws of modern physics.
However, the similarities end there. Nolan’s movie was science-fact, remaining as close to historic events as technically possible. Kröger’s second feature is more of a genre-jumping experiment, combining Hollywood sci-fi...
- 9/3/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Christian Petzold’s Afire and Wim Wenders’ Anselm are among movies on Germany’s longlist for the Best International Film Oscar.
National agency German Films received 12 submissions in the category with an independent jury deciding which film to move forward with on August 22 and 23 in Munich.
The following 12 German films were submitted to German Films by German producers:
Anselm – Das Rauschen Der Zeit (Anselm) von Wim Wenders (Road Movies) Das Lehrerzimmer(The Teachers‘ Lounge) von Ilker Çatak (if… Productions Film) Die Theorie Von Allem (The Theory Of Everything) von Timm Kröger (ma.ja.de Fiction) Ein Ganzes Leben (A Whole Life) von Hans Steinbichler (Tobis Filmproduktion München) Eine Frau (A Woman) von Jeanine Meerapfel (Malena Filmproduktion) Elaha von Milena Aboyan (Kinescope Film) Orphea In Love von Axel Ranisch (Sehr gute Filme) Roter Himmel (Afire) von Christian Petzold (Schramm Film Koerner Weber Kaiser) Sisi & Ich (Sisi & I) von Frauke Finsterwalder...
National agency German Films received 12 submissions in the category with an independent jury deciding which film to move forward with on August 22 and 23 in Munich.
The following 12 German films were submitted to German Films by German producers:
Anselm – Das Rauschen Der Zeit (Anselm) von Wim Wenders (Road Movies) Das Lehrerzimmer(The Teachers‘ Lounge) von Ilker Çatak (if… Productions Film) Die Theorie Von Allem (The Theory Of Everything) von Timm Kröger (ma.ja.de Fiction) Ein Ganzes Leben (A Whole Life) von Hans Steinbichler (Tobis Filmproduktion München) Eine Frau (A Woman) von Jeanine Meerapfel (Malena Filmproduktion) Elaha von Milena Aboyan (Kinescope Film) Orphea In Love von Axel Ranisch (Sehr gute Filme) Roter Himmel (Afire) von Christian Petzold (Schramm Film Koerner Weber Kaiser) Sisi & Ich (Sisi & I) von Frauke Finsterwalder...
- 8/14/2023
- by Andreas Wiseman
- Deadline Film + TV
Black-and-white genre hopping thriller is second feature from German director Kröger.
German director Timm Kröger’s black-and-white genre-hopping thriller The Theory of Everything has scored key territory sales ahead of its world premiere in Competition at the Venice Film Festival.
Paris-based sales outfit Charades has sold the Swiss Alps-set feature to UFO Distribution in France, La Aventura Audiovisual in Spain and Moviesinspired in Italy. Weirdwave will release the film in Greece, Pictureworks has taken rights for India and Megacom will distribute in ex-Yugoslavia. Neue Visionen will release The Theory of Everything in Germany on October 26 and Film Coopi has Swiss rights.
German director Timm Kröger’s black-and-white genre-hopping thriller The Theory of Everything has scored key territory sales ahead of its world premiere in Competition at the Venice Film Festival.
Paris-based sales outfit Charades has sold the Swiss Alps-set feature to UFO Distribution in France, La Aventura Audiovisual in Spain and Moviesinspired in Italy. Weirdwave will release the film in Greece, Pictureworks has taken rights for India and Megacom will distribute in ex-Yugoslavia. Neue Visionen will release The Theory of Everything in Germany on October 26 and Film Coopi has Swiss rights.
- 8/4/2023
- by Rebecca Leffler
- ScreenDaily
Timm Kröger’s second film is a German-language psychological thriller.
Charades and Anonymous Content are partnering on sales for German director Timm Kröger’s The Theory of Everything ahead of its world premiere in competition in Venice, announced today.
The genre-blending black and white thriller set in the world of quantum mechanics is Kroger’s second feature. Set in the Swiss Alps, it is about a physicist attending an international convention where an Iranian scientist plans to unveil a groundbreaking new theory in quantum mechanics. Intrigued by a mysterious jazz pianist who seems to know intimate details about him, he...
Charades and Anonymous Content are partnering on sales for German director Timm Kröger’s The Theory of Everything ahead of its world premiere in competition in Venice, announced today.
The genre-blending black and white thriller set in the world of quantum mechanics is Kroger’s second feature. Set in the Swiss Alps, it is about a physicist attending an international convention where an Iranian scientist plans to unveil a groundbreaking new theory in quantum mechanics. Intrigued by a mysterious jazz pianist who seems to know intimate details about him, he...
- 7/25/2023
- by Rebecca Leffler
- ScreenDaily
German director Timm Kröger’s mystery thriller “The Universal Theory” has started shooting at the ski resort of St. Jakob in Defereggen, Austria. The film’s first image has been released.
The cast is led by Jan Bülow, who starred in “Lindenberg! Mach dein Ding,” and Olivia Ross, a Paris-born, British actress whose credits include History’s “Knightfall,” Netflix’s “The Old Guard,” and the BBC’s “War and Peace” and “Killing Eve.”
Kröger previously directed Venice Critics Week entry “The Council of Birds.” The screenplay was written by Roderick Warich (“The Trouble with Being Born”) and Kröger.
Shot in Cinemascope, in black and white, the 1960s set story unfolds against the backdrop of the Alps. Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets his femme fatale, Karin, a jazz pianist...
The cast is led by Jan Bülow, who starred in “Lindenberg! Mach dein Ding,” and Olivia Ross, a Paris-born, British actress whose credits include History’s “Knightfall,” Netflix’s “The Old Guard,” and the BBC’s “War and Peace” and “Killing Eve.”
Kröger previously directed Venice Critics Week entry “The Council of Birds.” The screenplay was written by Roderick Warich (“The Trouble with Being Born”) and Kröger.
Shot in Cinemascope, in black and white, the 1960s set story unfolds against the backdrop of the Alps. Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets his femme fatale, Karin, a jazz pianist...
- 1/21/2022
- by Leo Barraclough
- Variety Film + TV
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