"Downton Abbey" Episode #2.4 (TV Episode 2011) Poster

(TV Series)

(2011)

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9/10
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jpismyname20 December 2017
Lady Cora shows her fierceness when Mrs. Crawley becomes quite bossy. Lady Mary finds out about Branson's romantic interests with Lady Sybil. William and Matthew are missing. A concert for the wounded men is held to cheer them up, and it has a sweet ending to it.

I am really a huge fan of this series. Every episode is really amazing.
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9/10
Sparks Fly
Hitchcoc3 August 2020
There are several significant plot developments. Since the two Crawley women are considered equals, Cora gets the upper hand in the Alpha female battle. Matthew and William are missing for a time but what will happen next. Mary sense possible compromise as her one bad night seems to haunt her. Bates and Anna start to feel safe, but we know how tenuous their situation probably is.
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9/10
What Makes a Soap Opera?: Times of war
skinnybert7 August 2023
What makes a soap opera, and what makes a good novel more than that? The two aren't mutually exclusive, and Julian Fellowes occasionally skirts the border. Let's see:

First is the onging effort to use the house for convalescing soldiers, which brings about some fairly anticipatable social issues. This is handled in rather pedestrian fashion, but nicely examines times of social upheaval, and how such is handled -- or more often, endured.

Elizabeth McGovern particularly shines in this episode -- strong in Cora's facedown of Isobel, and gracious in learning of the soup kitchen. Also standout is the singing scene, which could easily have been overplayed, but is arguably more effective in this casual presentation.

Negative tick: the final scene, which another reviewer found so emotional, but to me just felt like cliffhanger thrown on to encourage binge-watching. Which yes indeed it does.
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10/10
Hurricane Isabel blows over Downton.
mark.waltz5 February 2020
Warning: Spoilers
The fabulous Penelope Wilton shows the aggressive side of Isabel, seemingly written out, but don't let disappearances fool you. Another confrontation between Isabel and Cora results in Isabel giving her notice and not being begged to stay as she thought. The angst of her son being involved in wartime could be behind her seeming personality change, or perhaps the frustration of being an intelligent woman who doesn't believe that she's getting her due. Irregardless, it almost feels like a loss with her presumed departure, even by her frustrated servants now not really having anything to do. Mrs. Byrd and Spratt decide to get involved by turning the absent Mrs. Crawley's home into a soup kitchen.

With war, there are going to be victims, and in a world war, those numbers are going to be astronomically larger. Daisy is worried when William doesn't show up on leave and is declared as M.I.A. When Mrs. Hughes finds Ethel in bed with one of the officers, it's an instant sack from the sack. Mary and Edith briefly make nice by performing together in a concert for the convalesing soldiers and officers, a light-hearted moment in an otherwise serious episode.

The frustrations over Mr. Bates leaving so suddenly continue to fluster the upstairs and downstairs, and thanks to Anna, Robert learns where he is. The warmth and trust between Robert and Bates will take its toll coming up, so their warm reunion here is very touching, something that won't be said for Thomas and Bates. (Check out Mrs. Hughes' grin towards Bates' retort towards Thomas and a later jab at O'Brien from Bates.) Not much of Maggie Smith in this episode, but the twists in all the other stories make up for that.
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10/10
This show gives the emotional
As episode four of season two of Downton Abbey on Masterpiece Classic unfolded last night, the emotions of the household passed into the dark side of the moon. Three members return to Downton, all bringing heartache.

Sacrifices are felt both upstairs and downstairs from the devastating war. While shocking news brings sadness and concern to loved ones at home, those not so loved employ blackmail and deceit to play out their power games and revenge. However, when the going gets tough, who better than to be in your corner than the Dowager Countess Violet? I think we are at the point in the narrative where things look very grim for many before the story arch. Not to worry. Screenwriter Julian Fellowes has taken us to the dark side for a reason. He knows what he is about.

Even though this episode was filled with sadness and loss, the plot is moving in an interesting direction. There are so many open ends to tie up. What is Vera Bates going to do next to ruin her husband's happy life with Anna? Will Mary really marry that heartless Rupert Murdock wannabe who holds her secrets over her like blackmail? Can Lavinia say no to her inner child and find the strength to return to Matthew? What will Matthew's new different life be like in a wheelchair? And poor Edith and Sybil. Is romance even possible for them now with so many good men dead in the war, and the one that wants one of them a socialist? Granny on the warpath, fighting for her family and staff, is an implacable force. The final scene of this emotional episode will leave a lump in your throat. Even the theme music played over the final credits sounds like a requiem mass.
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