Samantha Revell (Farah Lavassani) is murdered in the first scene, but lives on in the memories and dreams of her husband Martin (Nathan Sapsford). Martin is a person of interest in her murder. He has a scruffy beard and downs his sorrow in drink as he freely shares his life with his bartender.
Martin is also a coroner, and discovers an old key in the stomach of an apparent suicide victim (Peter McGlynn). The key was introduced in the opening as the biblical "key to the abyss." He is drawn to the key and keeps it rather than turn it in as evidence. He starts his own investigation which involves the dead man's daughter (Jessica Nicole Webb).
The film never fully develops into a great terror/horror/mystery. Martin flops around looking for answers to clues that are uninteresting. In fact Martin was uninteresting. The opening scene between Martin and the detective (Arthur Richardson) was so poorly scripted, it set the stage for a substandard film.The film ends rather anticlimactically.
Parental Guide: F-bomb, sex, nudity (Farah Lavassani)
Martin is also a coroner, and discovers an old key in the stomach of an apparent suicide victim (Peter McGlynn). The key was introduced in the opening as the biblical "key to the abyss." He is drawn to the key and keeps it rather than turn it in as evidence. He starts his own investigation which involves the dead man's daughter (Jessica Nicole Webb).
The film never fully develops into a great terror/horror/mystery. Martin flops around looking for answers to clues that are uninteresting. In fact Martin was uninteresting. The opening scene between Martin and the detective (Arthur Richardson) was so poorly scripted, it set the stage for a substandard film.The film ends rather anticlimactically.
Parental Guide: F-bomb, sex, nudity (Farah Lavassani)