User Reviews

I would have rated this film even more if it were not for the cop-out ending where this horror would befall some other guy.

A meeting via the internet and 2 or 3 meetings joins a divorced guy from Philadelphia with a woman from Los Angeles. Love supposedly blossoms and the two are married very fast.

The story evolves around the woman's insanity. Obsessed with the idea that all men invariably cheat on her, her obsession leads to violence and ultimate murder.

She was definitely insecure with a mentally sick mother from childhood.

I found it amazing that the guy who fell in was such a nice guy. It's hard to believe that he was unable to resolve his marital difficulties with his first wife. Guess, you just never know.

I must say this is a very great movie to watch when you are just bored or want to be entertained by a non-crazy movie. This film is about a woman who gets married and becomes jealous of her husband's co-worker and their relationship years ago. Georgia, the main character, met her future husband online and later tells him about her crazy past and mom. It's really nice to see the tension build up minute by minute. I was not bored in any moment while watching, which is weird because I get bored or uninterested pretty easily with "plain looking" films. The energy never left me and I was hooked the whole time. You might be surprised that Georgia actually is so jealous that she kills her husband's co-worker. It's a great film to see anytime. Although you might forget about it a couple days later, and it's not anything compared to big-budget movies, (I think it is a Lifetime movie), it's enjoyable and interesting!

Bryant Meyers believes that he has made his match in heaven when he meets online the lovely Georgia Marisette on the Cupidsplace website. The romance that ensues culminates in a beautiful wedding that is filmed for posterity as Bryant from Philadelphia weds Georgia from Los Angeles in a wonderful ceremony. The marriage could seemingly not be more perfect. But appearances may be deceiving.

Before the wedding reception has ending, the dark side of Georgia begins to emerge when she becomes insanely jealous of Bryant talking to his co-worker Zenya. Georgia flees to the bathroom where she flies into a rage of jealous stupor. Her mother emerges from one of the restroom stalls, lecturing Georgia on how should could never possible keep a man like Bryant. But the mom is the ghost of Mrs. Marisette, who was incinerated in her home by her pyromaniac daughter.

The marriage quickly devolves into a bummer for Bryant. Georgia is constantly erupting in fits of madness and paranoia. Bryant's ex-wife, Virginia, is especially concerned because her daughter, Megan, has been on the receiving end of Georgia pathological behavior. Poor Zenya is another casualty of Georgia's sick mind when she burns to death in a car explosion set by her nemesis.

The best scene in the film is when Bryant confronts Georgia, who opens up with great honesty about her own pathology. Georgia's monologue was superbly crafted and well performed by the actress, as Georgia recounts the impulses that she feels and her inability to sustain control of her life. Bryant is a sympathetic listener. But things spiral out of control in a hurry. The only question is the degree to which Bryant will be burned from his online dating experience at Cupidsplace.

"Cinema is the ultimate pervert art, it doesn't give you what you desire-- it tells you how to desire" -Slavoj Ziezek

Crawford's attempt at a post-modern pre-neo-industrial post-structural meta-narrative works to critique the ever overarching sentiments of twenty first century nihilism in a post-captitalistic state. We meet our protagonist, Bryant, as he navigates an existential angst of the hegemonically constructed socialistic norms of love, lust and didactic sexuality. This film is a great look into society as a whole and works as a great narrative to discuss mental health issues. From the way the entire plot is carried out seamlessly to the more technical aspects of the filmography, this film is absolutely fantastic. Crawford's use of camera angles and the low-key lighting gives it a classic film noire feel that matches Carol Reed's The Third Man. Then the plot... oh my God... it is incredible, there was not a single moment in the entire film where I was not holding my breath and not on the edge of my seat. I highly recommend this film that is bound to be a neo-classic. Lifetime films has truly outdone themselves this time.