On Sunday, May 19, the Final 3 artists on “American Idol” Season 22 each performed a pair of “Finale Night” songs as viewers voted live coast-to-coast for their favorites. (Read our minute-by-minute recap.) Ultimately, after millions of votes were cast, host Ryan Seacrest announced that the person eliminated in third place was Jack Blocker, leaving both Will Moseley and Abi Carter still in the running for the win. Do you agree or disagree with those results? Be sure to comment below with your immediate reactions!
Throughout the competition, Jack belted out songs like “I Was Wrong” (Auditions round), “You Should’ve Seen the Other Guy” (Showstopper round), “Rainbow” (Top 24 round), “You Don’t Mess Around with Jim” & “Feeling Whitney” (Top 20 round), “Don’t Think Twice, It’s All Right” (Top 14 round), “Blinding Lights” (Top 12 round), “Believe” (Top 10 round), “Always on My Mind” (Top 8 round), “Long Tall Sally (The Thing)” & “One and Only” (Top...
Throughout the competition, Jack belted out songs like “I Was Wrong” (Auditions round), “You Should’ve Seen the Other Guy” (Showstopper round), “Rainbow” (Top 24 round), “You Don’t Mess Around with Jim” & “Feeling Whitney” (Top 20 round), “Don’t Think Twice, It’s All Right” (Top 14 round), “Blinding Lights” (Top 12 round), “Believe” (Top 10 round), “Always on My Mind” (Top 8 round), “Long Tall Sally (The Thing)” & “One and Only” (Top...
- 5/20/2024
- by Marcus James Dixon
- Gold Derby
China’s summer box office has crossed the RMB20bn ($2.75bn) threshold for the first time, taking the country’s year-to-date gross to nearly $6bn.
According to official data published by government agency China Film Administration, $2.87bn (RMB20.62bn) box office sales were generated from 505 million cinema admission from June 1 – August 31. The star performers were all local productions, which occupied the top six spots at the box office and accounted for 87.6% of the market share.
According to ticketing platform Maoyan, the runaway champion was No More Bets, directed by Shen Ao and produced by Ning Hao. The crime drama, which...
According to official data published by government agency China Film Administration, $2.87bn (RMB20.62bn) box office sales were generated from 505 million cinema admission from June 1 – August 31. The star performers were all local productions, which occupied the top six spots at the box office and accounted for 87.6% of the market share.
According to ticketing platform Maoyan, the runaway champion was No More Bets, directed by Shen Ao and produced by Ning Hao. The crime drama, which...
- 9/1/2023
- by Silvia Wong
- ScreenDaily
Chinese crime action film “No More Bets” headed the mainland China box office for the fourth consecutive weekend, cementing its place as one of the biggest films in the world this year.
Between Friday and Sunday, it earned $33.5 million (RMB241 million), according to data from specialist consultancy firm Artisan Gateway. Global data provider Comscore ranked that as the third highest performance of the weekend anywhere in the world, narrowly behind “Barbie’s” $35.3 million.
The latest increment advanced “No More Bets’” cumulative score to $469 million (RMB3.37 billion).
“Papa,” a comedy about parental efforts to improve their son’s education, held an unchanged second place in its second week. It earned $14.9 million over the weekend, a 37% week-on-week decline that gives it a 10-day cumulative of $59.2 million. The film is produced by comedian Huang Bo, who also stars. Huang appears in two of this year’s other hits, “Creation of the Gods” and “One and Only.
Between Friday and Sunday, it earned $33.5 million (RMB241 million), according to data from specialist consultancy firm Artisan Gateway. Global data provider Comscore ranked that as the third highest performance of the weekend anywhere in the world, narrowly behind “Barbie’s” $35.3 million.
The latest increment advanced “No More Bets’” cumulative score to $469 million (RMB3.37 billion).
“Papa,” a comedy about parental efforts to improve their son’s education, held an unchanged second place in its second week. It earned $14.9 million over the weekend, a 37% week-on-week decline that gives it a 10-day cumulative of $59.2 million. The film is produced by comedian Huang Bo, who also stars. Huang appears in two of this year’s other hits, “Creation of the Gods” and “One and Only.
- 8/28/2023
- by Patrick Frater
- Variety Film + TV
The box office in mainland China reached an all-time high in the summer season, according to figures from ticketing agency Maoyan Entertainment. The record was achieved with minimal input from Hollywood.
Maoyan, which defines China’s cinematic summer as running from the beginning of June to the end of August, says that the previous record of RMB17.8 billion, set in 2018, was beaten on Thursday evening (local time) – some two weeks before the end of the current season.
China’s cinema-going rebound started with a jolt after mainland authorities abruptly dropped anti-covid restrictions in mid-December 2022 allowing “Avatar: The Way of Water” to profit from a wave of revenge consumption. The late January to early February Chinese New Year period also delivered a record box office of about $1 billion, before the gravitational pull of China’s slowing economy flattened the recovery.
The summer season has witnessed a succession of locally-produced films across...
Maoyan, which defines China’s cinematic summer as running from the beginning of June to the end of August, says that the previous record of RMB17.8 billion, set in 2018, was beaten on Thursday evening (local time) – some two weeks before the end of the current season.
China’s cinema-going rebound started with a jolt after mainland authorities abruptly dropped anti-covid restrictions in mid-December 2022 allowing “Avatar: The Way of Water” to profit from a wave of revenge consumption. The late January to early February Chinese New Year period also delivered a record box office of about $1 billion, before the gravitational pull of China’s slowing economy flattened the recovery.
The summer season has witnessed a succession of locally-produced films across...
- 8/17/2023
- by Patrick Frater
- Variety Film + TV
Chinese crime action movie “No More Bets,” not “Barbie,” was the best performing film in the world this weekend.
Comscore calculates that “No More Bets,” earned $88 million between Friday and Sunday in China alone. That figure is greater than the $33.7 million that “Barbie” earned in its fourth weekend of release in North America and the $45.1 million that it earned in international territories. “Barbie” now has a $1.18 billion global cumulative.
Comscore also has another Chinese-financed movie “Meg 2: The Trench” in third place worldwide over the weekend, with $12.7 million in North America and $43.7 million (for a weekend total of $56.4 million).
China box office data from Artisan Gateway, used by studio distributors as definitive rather than estimates, shows “No More Bets” performing even more strongly over the weekend. Artisan Gateway reports that “No More Bets” million earned $101 million (RMB718 million) in China for a total of $248 (RMB1.76 million) at the end of...
Comscore calculates that “No More Bets,” earned $88 million between Friday and Sunday in China alone. That figure is greater than the $33.7 million that “Barbie” earned in its fourth weekend of release in North America and the $45.1 million that it earned in international territories. “Barbie” now has a $1.18 billion global cumulative.
Comscore also has another Chinese-financed movie “Meg 2: The Trench” in third place worldwide over the weekend, with $12.7 million in North America and $43.7 million (for a weekend total of $56.4 million).
China box office data from Artisan Gateway, used by studio distributors as definitive rather than estimates, shows “No More Bets” performing even more strongly over the weekend. Artisan Gateway reports that “No More Bets” million earned $101 million (RMB718 million) in China for a total of $248 (RMB1.76 million) at the end of...
- 8/14/2023
- by Patrick Frater
- Variety Film + TV
“Meg 2: The Trench,” the second instalment in the Chinese-financed giant shark franchise, was the top film worldwide over the weekend. But in its China home market “Meg 2” was beaten by strong previews of “No More Bets.”
Nevertheless, the arrival of two popular films at the top of the chart meant that China enjoyed its third highest box office weekend of the year, with a $185 million haul. That score is the strongest weekend of 2023 outside the Chinese New Year holiday season.
It also meant that China had a bigger weekend box office total than North America (estimated at $176 million by Comscore). That is not unprecedented, but it is rare for a non-holiday weekend.
“Meg 2” opened on Friday and earned $53.7 million (RMB381 million) over three days, according to data from consultancy Artisan Gateway.
“No More Bets” does not open officially until Wednesday, but it enjoyed wide previews from Saturday. Those previews...
Nevertheless, the arrival of two popular films at the top of the chart meant that China enjoyed its third highest box office weekend of the year, with a $185 million haul. That score is the strongest weekend of 2023 outside the Chinese New Year holiday season.
It also meant that China had a bigger weekend box office total than North America (estimated at $176 million by Comscore). That is not unprecedented, but it is rare for a non-holiday weekend.
“Meg 2” opened on Friday and earned $53.7 million (RMB381 million) over three days, according to data from consultancy Artisan Gateway.
“No More Bets” does not open officially until Wednesday, but it enjoyed wide previews from Saturday. Those previews...
- 8/7/2023
- by Patrick Frater
- Variety Film + TV
After a soft start in China, Barbie began to make inroads in the world’s second-biggest movie market in its second frame, buoyed by great critics scores and strong word of mouth.
Barbie opened to $8 million in China last weekend, claiming fifth place amid tough competition from local hits Creation of the Gods I: Kingdom of Storms, Chang An and Never Say Never. The modest total seemed to suggest that Barbie would go the way of Mission: Impossible – Dead Reckoning Part One and a slew of recent Hollywood tentpoles that opened weak in China and failed to show legs — feeding into the trend that Chinese consumers were turning away from Western fare at the multiplex.
But unlike other recent Hollywood releases, Greta Gerwig’s had excellent scores on China’s most respected movie apps when it opened, earning 9.4 on Maoyan, 9.3 on Tao Piao Piao and 8.6 on Douban. This, along...
Barbie opened to $8 million in China last weekend, claiming fifth place amid tough competition from local hits Creation of the Gods I: Kingdom of Storms, Chang An and Never Say Never. The modest total seemed to suggest that Barbie would go the way of Mission: Impossible – Dead Reckoning Part One and a slew of recent Hollywood tentpoles that opened weak in China and failed to show legs — feeding into the trend that Chinese consumers were turning away from Western fare at the multiplex.
But unlike other recent Hollywood releases, Greta Gerwig’s had excellent scores on China’s most respected movie apps when it opened, earning 9.4 on Maoyan, 9.3 on Tao Piao Piao and 8.6 on Douban. This, along...
- 7/31/2023
- by Abid Rahman
- The Hollywood Reporter - Movie News
“Creation of the Gods I: Kingdom of Storms,” the first part of Wuershan’s big-budget “Fengshen Trilogy,” topped the mainland China box office for the second weekend and expanded its week-on-week haul by 35%.
‘Barbie’ also showed signs of resilience in a market where it opened a week earlier in a disappointing fifth place.
“Creation of the Gods I” grossed $57.6 million. according to data from consultancy firm Artisan Gateway. That compares with $42.6 million in it opening frame and after 11 days in Chinese theaters, it has earned $156 million. Also, unlike its first weekend, “Creation of the Gods” was the winner on each day between Friday and Sunday.
The “Fengshen Trilogy” set out to be a mega scale blending of history, folklore and mythology from more than 3,000 years ago, that would be China’s answer to both “Lord of the Rings” and “Iron Man.” It counts of Barrie Osborne (“Lord of the Rings...
‘Barbie’ also showed signs of resilience in a market where it opened a week earlier in a disappointing fifth place.
“Creation of the Gods I” grossed $57.6 million. according to data from consultancy firm Artisan Gateway. That compares with $42.6 million in it opening frame and after 11 days in Chinese theaters, it has earned $156 million. Also, unlike its first weekend, “Creation of the Gods” was the winner on each day between Friday and Sunday.
The “Fengshen Trilogy” set out to be a mega scale blending of history, folklore and mythology from more than 3,000 years ago, that would be China’s answer to both “Lord of the Rings” and “Iron Man.” It counts of Barrie Osborne (“Lord of the Rings...
- 7/31/2023
- by Patrick Frater
- Variety Film + TV
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