Adieu Paris (2013) Poster

(2013)

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4/10
Only the acting convinced me. Somewhat.
Horst_In_Translation22 August 2017
Warning: Spoilers
"Adieu Paris" is a German 95-minute drama movie from 2013, so it's gonna have its 5th anniversary next year. Director is Franziska Buch and writer is Martin Rauhaus and while both are enjoying very prolific careers, neither is really that famous here in Germany, except maybe to the very biggest film buffs. The cast includes more known names as especially Jessica Schwarz is a household name here, but also her co-lead Hans Werner Mayer has played bigger roles in quite an amount of well-known films. The cast is a co-production between Germany and France (and Luxemburg) and the consequence is that basically almost the entire supporting cast are French actors and I will leave it to French audiences to comment on their degree of popularity. But the film is still in the German language for the most part.

It is a story about a lot of things: love, saying goodbye, faithfulness, professional success and struggles and eventually making the most of your fate by making the right decisions, even if they may not always seem the obvious choices. I certainly believe that the film had decent premises all around, but sadly it never really managed to truly make an impact in any of these areas in a way where I would be at the edge of my seat. It's by no means a bad film, but there was potential for so much more really. This eventually backfires hard when we realize how this film takes itself very seriously and it definitely drifts into pretentious terrain. Also with the German sentence on the film's poster. This is especially tragic as the acting is pretty good in here most of the time, even the supporting players who deliver except those situations where the writing keeps them from doing so. Mayer was very good and very convincing and Schwarz wasn't much worse, even if I may be a bit biased with her as I always somewhat liked her. But these two alone also cannot make up for the weaknesses in writing when it comes to focus, coherency and realism. The latter is an area where the film really tries to succeed, but comes short. The overall outcome is not half as memorable as it wants to be and could have been. The somewhat sweet yet unexpected ending cannot fool me. I give this one a thumbs-down. Not recommended.
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8/10
Better than the first few minutes of runtime can make you fear.
guy-bellinger4 August 2021
The beginning is somewhat alarming: it looks as though we are in for just another boring sentimental movie. What a trite photonovel situation indeed: on an airplane, a thirty some German woman is traveling to Paris where she is to meet her married lover. Flying on the same plane is another traveler (a handsome man of course). The said fellow has helped the lady get out of an awkward situation at the airport just before takeoff and though their first contact has been nothing short of uneasy, you can be sure of one thing, they will meet again and eventually fall in love. Along with time we learn more about the characters, already or not yet present: Patrizia Munz is a novelist, her lover an architect, the lover's wife a dentist and her savior, Frank Bendssen, a banker about to land a big deal in France. Well, if not a photonovel, "Adieu Paris" might well be one of those too oft-seen tedious bourgeois dramas. Sigh!

Wrong impression so pleasant surprise. Martin Rathaus' screenplay gradually acquires real depth: Jean-Jacques, Patrizia's French lover, has just had a serious accident and lies in hospital between life and death. The mistress is led to meet Jean-Jacques' wife and an ambiguous relationship develops between them. From then on, the narrative takes unexpected paths, and we find ourselves light years away from the worn-out story, seen a thousand times and more, which was threatening us poor spectators.

As a matter of fact, "Adieu Paris", well acted and competently directed (by Franziska Buch, gradually asserts itself as a beautiful meditation on life and death, safe from Bergman-like hysteria but imbued with real gravity, occasionally corrected by welcome touches of lightness. One exception to this delicate balance, the main character's propensity to indulge in navel-gazing, to feel sorry for herself with exaggerated complacency. But that is only a slight defect, it does not prevent the film from being absorbing on the whole.

All in all, "Adieu Paris" is not for those who think that a movie is pure entertainment and nothing else. But it will please those who do not refrain from thinking. Life, death, how make the most of the one life we are entitled to are the real issues addressed by this German film. A little reflection from time to time can't hurt.
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