Attention is retained by the commendably unhistrionic leads, who convincingly etch the pair’s enduring devotion even when passions run dry.
60
Time Out LondonTrevor Johnston
Time Out LondonTrevor Johnston
The film never works out how to generate genuine dramatic fire from its material. There are convincing performances and decorative retro detail to admire, but the heart needs to beat just that bit faster – and it doesn’t manage that.
50
San Francisco ChronicleWalter Addiego
San Francisco ChronicleWalter Addiego
Despite its worthy subject, this feature by veteran Brazilian director Bruno Barreto has a bluntness that's at odds with Bishop's personality and work.
Ms. Otto conveys a double-edged intelligence as the film’s pinched notion of “Elizabeth Bishop in Brazil,” while Ms. Pires strides about, every snap judgment and grand gesture a measure of her appeal. Both are hemmed in by direction and a screenplay that are relentlessly on point (as well as an off-the-shelf score).
Everything ultimately gives way to the stately, simplistic, inevitable pace of by-the-numbers biopics, from some woefully tinny, hit-and-run screenwriting to the usual difficulties surrounding the dramatization of an author's craft.
38
Slant MagazineDiego Semerene
Slant MagazineDiego Semerene
Bruno Barreto's insistence that this pass for a product that Hollywood might have spawned smoothens a journey built on sharp edges.
30
Village VoiceCalum Marsh
Village VoiceCalum Marsh
Poetry refracts life; this film can only reflect it, and tritely at that.