Directed by
| Monia Chokri | ||
Writing Credits (in alphabetical order)
| Monia Chokri | ... | (screenplay) |
Cast (in credits order)
Produced by
| Sylvain Corbeil | ... | producer |
| Jules de Chateleux | ... | co-producer |
| Nancy Grant | ... | producer |
| Elisha Karmitz | ... | producer |
| Nathanaël Karmitz | ... | producer |
| Marie-Claire Lalonde | ... | associate producer |
| Philippe Lombart | ... | executive producer |
| Benoit Ponsaillé | ... | co-producer |
Music by
| Emile Sornin | ||
Cinematography by
| André Turpin | ||
Editing by
| Pauline Gaillard | ||
Casting By
| Annie Saint-Pierre | ||
| Annie St-Pierre | ... | (casting by) |
Production Design by
| Colombe Raby | ||
Set Decoration by
| Léonie Lavoie | ||
| Kimberley Thibodeau | ... | key set decorator |
Costume Design by
| Guillaume Laflamme | ||
Makeup Department
| Colette Martel | ... | hair stylist |
| Karine Robitaille | ... | hair stylist |
Production Management
| Mélanie Karlin | ... | post-production supervisor |
| Pierre Thériault | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Cédrick Kluyskens | ... | first assistant director |
Art Department
| Benoit Camerlain | ... | Scenic painter |
| Geneviève Dubé | ... | key on set props |
| Raphaelle Dubé | ... | Food stylist |
| Elisabeth Duchaine-Baillargeon | ... | graphic designer |
| Alain Giguère | ... | key painter |
| Olivier Proulx | ... | property master |
| Michel Robichaud | ... | scenic painter |
| Frederic St-Jean | ... | art department coordinator |
| Marc-André Tratch | ... | set designer |
| Charles-Olivier Tremblay | ... | assistant art director |
Sound Department
| Natalie Fleurant | ... | adr supervisor |
| François Grenon | ... | sound mixer |
| Olivier Guillaume | ... | re-recording mixer |
| Frédéric Livernois | ... | additional boom operator |
| Thibault Noirot | ... | auditorium assistant |
| Jonas Orantin | ... | adr supervisor / foley mixer |
| Thomas Pichon | ... | foley editor |
| Simon Poupard | ... | dialogue editor |
| Julien Roig | ... | sound editor |
| Maxime Vermette | ... | adr recordist |
Stunts
| Felix Famelart | ... | stunt driver |
| Sébastien Rouleau | ... | stunt coordinator |
Camera and Electrical Department
| Felix Bellehumeur-Lemay | ... | best boy |
| Maxime Boutin | ... | first assistant camera |
| Sarah Coupal | ... | lighting technician |
| Salomé Dufaux-Mathieu | ... | loader |
| Gregoire Elliot | ... | grip (as Elliot Gregoir) |
| Melissa Fredette | ... | best man grip |
| Fred Gervais | ... | still photographer |
| Andreas Krauth-Ibarz | ... | lighting technician |
| Bruno Roza | ... | dolly grip |
| Jacob Soulard | ... | video assist |
| Miguel Templon | ... | additional loader |
Editorial Department
| Matthieu d'Ursel | ... | deliveries: polyson |
| Manon Granet | ... | first assistant editor |
| Victor Lièvre | ... | post production technician: polyson |
| Yov Moor | ... | colorist |
| Arnaud Weissenburger | ... | dailies synchronization (uncredited) |
Location Management
| Hervé Misserey | ... | assistant location manager |
| Sebastien Pacchiardi | ... | assistant location manager |
| Aicha Raihani | ... | location manager |
Music Department
| Gaspard Bachy | ... | Assistant music supervisor |
| Pierre Cattoni | ... | Composer agent / music producer |
| Joss Dumas | ... | music supervisor |
| F.A.M.E.'S. Project | ... | orchestra & studio contractor |
| Moritz Reich | ... | orchestrator |
| Julien Roig | ... | additional music |
Script and Continuity Department
| Nathalie Paquette | ... | script supervisor |
Transportation Department
| Anne-Marie Breton | ... | driver |
Additional Crew
| Monica Donati | ... | press attaché: france |
| Isabelle Giroux | ... | children's acting coach |
| Céleste Karlin | ... | french subtitles |
| Anthony Martel | ... | production assistant |
Thanks
| Genevieve Bouchard | ... | the producers wish to thank |
