User Reviews

Quintessentially French in almost every way, from the extended stare shots to an abundance of cigarette smoke and, of course, numerous mental breakdowns from a character vainly trying to find her place in the universe, Emmanuelle Bercot's (Backstage) road trip dramedy On My Way has all the stylings of a heartfelt foreign gem, but never fleshes out the very promising relationships forged by its cast, opting instead for mediocrity through melodrama.

The inarguable highlight is the performance of Catherine Deneuve, one-time sex kitten turned French film royalty, who – still stunning in her late sixties – keeps the film rolling with her dedicated, complex portrayal of Bettie, an aimless restaurant owner who tries to stitch up her frayed relationship with daughter Muriel (singer-songwriter Camille) by taking her grandson, the flamboyant Charly (Nemo Schiffman) on a cross-country road trip.

Like most car-buddy films, the reward lies in the journey, not the destination. On My Way runs into both peaks and troughs in this area, with some moments deftly illustrating the different worlds Bettie and her grandson come from (especially touching is the pair sharing terrible Chinese food in a two-star motel while discussing love and loss), while others leave you demanding Charly cop a smack around the head from his decidedly pushover grandma.

When Bettie finally delivers Charly to the mansion of his estranged grandfather – now the mayor of a remote country village – the film's loose ends struggle to catch up to an ambitious ending that unfortunately closes on a whimper, not a bang. On My Way is a pleasant ride, sure, just not a memorable one.

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If there was a blueprint for one, this would tick a lot of boxes (no pun intended). It also includes a young boy, which is always a bit of a risk no matter the genre. But the kid holds his own, which is not an easy task "against" one of the best female french actresses. It's still more about her and her (characters) intention/goal to find herself. That road to self fulfillment is a weird one and will not be to everyones taste, as this drama evolves slowly.

But if you are into those things, then you will have a good time (as much as is possible and even through the tough moments of course). You might not always feel empathy or can relate to everything our main character is doing, but her moves do make sense in some weird way. But can you stomach a movie like this?

Deneuve is magnificent. Story could have been tighter but it's a leisurely picaresque tale through the French countryside. It's great to see good roles for grandparents! Someone needed to strangle that daughter though!

"On My Way" (2013 release from France; 113 min.; original title "Elle S'en Va") brings the story of Bettie (played by Catherine Deneuve), a sixty-something widow who runs a small restaurant somewhere in Bretagne. Things are not well with Bettie: the restaurant is barely surviving, and her love life is in tatters. One afternoon, Bettie leaves the restaurant, on the pretense of getting some cigarettes, but instead Bettie hits the road. In a separate but parallel story line, Bettie's daughter Muriel, a single mom, has a job offer in faraway Brussels, and can Bettie pick up Charly, Muriel's 11 yr. old son, and take him to Charly's grandfather (on Charly's dad's side). Bettie reluctantly agrees. To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, this movie is written and directed by French actress/director Emmanuelle Bercot, specifically with Catherine Deneuve in mind for the role of Bettie. Second, I have seen many movies of Catherine Deneuve, and this is yet again a top notch acting performance. Hard to believe that she is 69 years when this was filmed! It comes as no surprise that this role netted her yet another, the umpteenth, nomination for Cezar Best Actress (the Oscar equivalent in France). But kudos as well to newcomer Nemo Schiffman who is outstanding as the 11 yr. old boy. Third, a good chunk of the movie plays out like a true road movie, French style of course. The movie takes us on the back roads of various regions in France, including of course Bretagne, but also the Loire region, and Haute-Savoie. Last but certainly not least, while there is a good amount of "family drama", the movie is also an ode to life in rural France that is becoming more and more out of reach or simply disappearing. Check out the long scene where the entire family is having dinner outside. So French! Bottom line: this movie is an unexpected pleasure which I enjoyed from start to finish. This movie showed up this weekend without any pre-release hype or advertising at my local art-house theater here in Cincinnati, and I figure this won't play long so I went to see it right away. The matinée screening where I saw this at today was better attended than I had expected. If you are in the mood for a top quality foreign movie that is miles away from your standard Hollywood fare, and where you get to watch one of the top actresses of this generation, by all means, don't miss this, be it in the theater or on DVD/Bly-ray. "Elle S'en Va" is HIGHLY RECOMMENDED!

Meandering but always on target account of Granny and one time Miss Brittany Catherine, exasperated by the problems of her small town life to the point of getting into the car and driving across France, only to get caught up in the dramas of her daughter, needing her to supervise the grandson who she has to shuffle to his already ticked off paternal grandfather - and we end up with yet another out of doors meal.

Though it avoids the touristy locations this one is a remarkable non judgmental cross section of 21st Century France, peopled by vivid characters just short of real. Deneuve continues to find vehicles which show off her stellar presence.

This movie aims at cute but suffers from a sloppy and tired script. It aims at realism, but instead gives us a fairy tale about the "rescue" of a bereft woman by a fine and -of course- handsome man. As that woman is in her mid sixties and her past clearly shows a lot of reliance on men all her life, this poor excuse for a scenario ("geriatric woman still attractive in France!") is not only flawed in its backward philosophy: it is also statistically improbable. No, granny, things don't happen so easily in life- sorry. I do not object to the loose threads and the little action in the script-that is actually what most human lives are about- but to keep a reasonable viewer's interest, whatever is presented to that viewer needs to be coherent and realistic. Instead, we have a disjointed road movie, where one cartoonish character after the other crosses the path of our spoiled 60ish heroine, and it feels like the director said to himself: " Oh, let's throw them in: this character is interesting! This character is fun! This character is edgy!" Unfortunately, no one in this film is either fun or interesting or edgy, or the opportunities to show them as such sadly fail to be exploited by the script. The grandson is an annoying brat, the great-grandmother is an annoying nag, and the older male rescuer is Mr Rochester (remember, Jane Eyre?): a gruff bear who transform into Prince Charming overnight. A feminist or even clever script, this ain't. An upbeat story on aging and possibilities? Not unless 1) you are Catherine Deneuve and the camera lingers on you lovingly 2) shows you smoking obsessively as if that were part of your charm (really? in 2014? How is that for a new idea!) 3) the script has young studs bed you eagerly even though you are in your 60s 4) and a strong man in your age range miraculously falls in love with you by the end. This script is a collection of magical-thinking inanities, and glorious Catherine Deneuve is wasted in them.

in a bitter manner. with an admirable script. story of a lady who desires to escape from her every day life. and the result. Catherine Deneuve does a fascinating role not only as remember of a long career but using new tools for create a character who has a profound force, convincing grace, delicate power.her great virtue - the links with the entire cast. and the fine exploration of each nuance. a film about family and choices. about happiness. and about fights. about beauty and honesty to yourself. nothing new. nothing complicated. only a beautiful film who propose few useful questions.and it is enough for discover the freshness of the new French cinema.

My score of 4 might be a bit high for this one, as there really wasn't a lot to love about this one. Catherine Deneuve's acting was nice....but apart from that I can't see much reason to see this film.

The film begins with Bettie (Deneuve) working hard in her restaurant as well as dealing with a mother she really doesn't like. When she goes for a short drive, however, she just keeps driving...abandoning her business without notifying anyone. Soon, however, her freedom is interrupted when Bettie's very angry daughter calls and demands that Bettie drop everything to pick up her grandson...a boy with whom she's had very little contact. The two then go on a roadtrip together and you are supposed to think they've bonded...but I just thought the kid was in insufferable brat.

The biggest problem about this film is that no one seems to like each other very much and the context for all this is missing...as if you've walked in a room with a family you don't know and you aren't introduced. And, to make it worse, you just find that you don't care about any of them. A misfire...with some decent acting.

about family. about the discover of the nuances of past. about ages and links and duty ad a road to yourself. about forms of joy, nostalgia, understanding of reality and humor. special humor. Catherine Deneuve is herself. master of exploration of the levels of role, giving more than a splendid job but a delicate homage to the force and fragility of an age, proposing a trip in the essence of appearances and the way to reconquest the lost time. a film who impress. for the science of director to present, in convincing manner, a story of every day, exploring each significance. for the young actor performance. for the moments of trip. for emotion. and, sure, for the transformation of Bettie. beautiful. and useful.

This is a movie in a long tradition of making movies for the only buyer: the government. So a 20-25 minute feature is blown up to 95 minutes to leave a boring taste of "has been". It's probably good enough for the die hard fans, but an avoidable waste of time for the others.