While the other streaming services set up recurring franchises, Hulu has opted to get a bit more experimental with its original offerings in August 2021.
Hulu’s list of new releases this month is highlighted by three original series concepts with promise. Reservation Dogs premieres on August 9. Co-created by Taika Waititi (Thor: Ragnarok), this story will follow four indigenous teenagers in Oklahoma as they stave off boredom and adulthood. Next up is Nine Perfect Strangers on August 18. This miniseries, based on a book of the same name, is produced by David E. Kelley and features staggering cast of Nicole Kidman, Melissa McCarthy, Luke Evans, Samara Weaving, and more.
Only Murders in the Building is likely the biggest thing to look forward to in August though. Premiering on August 31, this comedy stars Steve Martin, Martin Short, and Selena Gomez as three true crime-obsessed friends who stumble into a true crime of their own.
Hulu’s list of new releases this month is highlighted by three original series concepts with promise. Reservation Dogs premieres on August 9. Co-created by Taika Waititi (Thor: Ragnarok), this story will follow four indigenous teenagers in Oklahoma as they stave off boredom and adulthood. Next up is Nine Perfect Strangers on August 18. This miniseries, based on a book of the same name, is produced by David E. Kelley and features staggering cast of Nicole Kidman, Melissa McCarthy, Luke Evans, Samara Weaving, and more.
Only Murders in the Building is likely the biggest thing to look forward to in August though. Premiering on August 31, this comedy stars Steve Martin, Martin Short, and Selena Gomez as three true crime-obsessed friends who stumble into a true crime of their own.
- 8/1/2021
- by Alec Bojalad
- Den of Geek
Anyone that has attended the Palm Springs International Film Festival has surely noticed the rather specific demographic - both in background and age - that makes up the audiences that night after night fill up the screenings. While audiences of color and from a wide age range live in this small town, which has managed to put together an important regional festival for nearly three decades, they don’t seem to have incorporated into the film festival experience. The assumption that the festival is only for those with a higher income, prominent educational backgrounds, or industry connections, might deter local audiences, to whom the festival should aim, from attending.
Conscious of such this phenomenon, the festival and their Latino team in particular, have doubled their efforts to create visibility for the festival in a Latino context in order to attract those patrons that erroneously could think their festival doesn’t welcome them or that it doesn’t offer any stories that could entice them. People like seasoned programmer Hebe Tabachnick, who ensures the best films to come out of Latin America that year screen in Palm Springs; Program Manager Liliana Rodriguez, who also programs the After Dark section of the festival and who is an outspoken supporter of Latin American cinema; or Film Society Assistant Patricia Garza-Elsperger, whose efforts in making the festival a friendly environment for local Latino audiences go above and beyond her official duties.
Events such as the Cine Latino Party, which brings together filmmakers, press, programmers, staff and the general public, or the Latino Filmmakers Dinner, where the artists discussed their works amongst each other and with selected press in attendance in a casual environment that hopes to create a stronger community of people rallying behind Latin American cinema, U.S. Latino projects, and even honorary-Latino films like Paddy Breathnach Cuba-set “Viva.”
Thanks to Tabachnick and her collaborator’s relentless dedication, an immense amount of Latin American films formed part of this year’s Palm Springs International Film Festival program and an equally impressive number of filmmakers came to the city to present their work. The film selection included "Alias Maria" (Colombia),"The Second Mother" (Brazil),"From Afar" (Venezuela), "Jeremy" (Mexico), "The Club" (Chile), "Liz in September" (Venezuela), "Magallanes" (Peru), "The Memory of Water" (Chile), "Papa" (Cuba), "Neon Bull" (Brazil), "Paulina" (Argentina), "The Clan" (Argentina). Celso R. García director of the Guillermo Del Toro-produced “The Thin Yellow Line” (La delgada linea amarilla), Flavio Florencio director of Mexican trans documentary “Made in Bangkok,” Jayor Bustamante director of "Ixcanul," and Ciro Guerra director of the Academy Award-nominated "Embrace of the Serpent," were among he talented creators in attendance.
One particularly insightful presentation was the double feature program of Michel Franco’s English-language debut “Chronic” and Gabriel Ripstein’s feature debut “600 Miles,” in which both filmmakers interchanged roles as producer and directors respectively. Both hard-hitting and emotionally devastating films star British actor Tim Roth in two very distinct roles. In “Chronic” as a hospice caretaker struggling with his own turbulent past, and in “600 Miles” as an Atf agent that is kidnapped by a young Mexican boy working very dangerous people. Following the screenings Tabachnick moderated a Q&A with Ripstein and Roth about their mutual experience working on these titles.
As part of the festival’s commitment to engage its homegrown audiences in the festival’s mission and to expose them stories from around the world from, Tabachnik also hosted a screening of the Mexican family film “Jeremy” (El Jeremias) at a local high school. Through initiatives like this, Psiff wishes to evolve into a more inclusive event that can cater to cinephiles, casual attendees, and those looking to be surprised – no matter how young they are. Community outreach via the power of cinema is what could truly transform the festival from its apparent elite quality to an accessible and much more multicultural space to enjoy and discuss the art form.
Latin American cinema is consistently present and awarded at countless festival due to the particular voices and topical issues it depicts, not only with an authentic approach, but always layered with universal appeal. It’s time that audiences represented in such films or those connected to them by their heritage become a stronger force not only at the mainstream box-office but also at festival where they can have an interaction with the storytellers behind the camera. On that note, Palm Springs International Film Festival is on the right path into becoming a festival that retains the quality of the films, but sets its eyes on diversifying the eyes set that come through the theater doors.
The 27th Palm Springs International Film Festival took place January 1-11, 2016.
Conscious of such this phenomenon, the festival and their Latino team in particular, have doubled their efforts to create visibility for the festival in a Latino context in order to attract those patrons that erroneously could think their festival doesn’t welcome them or that it doesn’t offer any stories that could entice them. People like seasoned programmer Hebe Tabachnick, who ensures the best films to come out of Latin America that year screen in Palm Springs; Program Manager Liliana Rodriguez, who also programs the After Dark section of the festival and who is an outspoken supporter of Latin American cinema; or Film Society Assistant Patricia Garza-Elsperger, whose efforts in making the festival a friendly environment for local Latino audiences go above and beyond her official duties.
Events such as the Cine Latino Party, which brings together filmmakers, press, programmers, staff and the general public, or the Latino Filmmakers Dinner, where the artists discussed their works amongst each other and with selected press in attendance in a casual environment that hopes to create a stronger community of people rallying behind Latin American cinema, U.S. Latino projects, and even honorary-Latino films like Paddy Breathnach Cuba-set “Viva.”
Thanks to Tabachnick and her collaborator’s relentless dedication, an immense amount of Latin American films formed part of this year’s Palm Springs International Film Festival program and an equally impressive number of filmmakers came to the city to present their work. The film selection included "Alias Maria" (Colombia),"The Second Mother" (Brazil),"From Afar" (Venezuela), "Jeremy" (Mexico), "The Club" (Chile), "Liz in September" (Venezuela), "Magallanes" (Peru), "The Memory of Water" (Chile), "Papa" (Cuba), "Neon Bull" (Brazil), "Paulina" (Argentina), "The Clan" (Argentina). Celso R. García director of the Guillermo Del Toro-produced “The Thin Yellow Line” (La delgada linea amarilla), Flavio Florencio director of Mexican trans documentary “Made in Bangkok,” Jayor Bustamante director of "Ixcanul," and Ciro Guerra director of the Academy Award-nominated "Embrace of the Serpent," were among he talented creators in attendance.
One particularly insightful presentation was the double feature program of Michel Franco’s English-language debut “Chronic” and Gabriel Ripstein’s feature debut “600 Miles,” in which both filmmakers interchanged roles as producer and directors respectively. Both hard-hitting and emotionally devastating films star British actor Tim Roth in two very distinct roles. In “Chronic” as a hospice caretaker struggling with his own turbulent past, and in “600 Miles” as an Atf agent that is kidnapped by a young Mexican boy working very dangerous people. Following the screenings Tabachnick moderated a Q&A with Ripstein and Roth about their mutual experience working on these titles.
As part of the festival’s commitment to engage its homegrown audiences in the festival’s mission and to expose them stories from around the world from, Tabachnik also hosted a screening of the Mexican family film “Jeremy” (El Jeremias) at a local high school. Through initiatives like this, Psiff wishes to evolve into a more inclusive event that can cater to cinephiles, casual attendees, and those looking to be surprised – no matter how young they are. Community outreach via the power of cinema is what could truly transform the festival from its apparent elite quality to an accessible and much more multicultural space to enjoy and discuss the art form.
Latin American cinema is consistently present and awarded at countless festival due to the particular voices and topical issues it depicts, not only with an authentic approach, but always layered with universal appeal. It’s time that audiences represented in such films or those connected to them by their heritage become a stronger force not only at the mainstream box-office but also at festival where they can have an interaction with the storytellers behind the camera. On that note, Palm Springs International Film Festival is on the right path into becoming a festival that retains the quality of the films, but sets its eyes on diversifying the eyes set that come through the theater doors.
The 27th Palm Springs International Film Festival took place January 1-11, 2016.
- 1/23/2016
- by Carlos Aguilar
- Sydney's Buzz
Foreign-Language Oscar-shortlisted Labyrinth Of Lies took the Mercedes Benz Audience Award for Best Narrative Feature at the Palm Springs International Film Festival. Director Giulio Ricciarelli’s film chronicled the coverup of German war crimes. Runners-up in the category included: Elmo Nüganen’s 1944 (Estonia), Jaco Van Dormael’s The Brand New Testament (Belgium), Gavin Hood’s Eye in the Sky (UK), Klaus Härö’s The Fencer (Finland), Fina Torres’ Liz in September…...
- 1/11/2016
- Deadline
Patricia Velasquez, the Latina actress and former supermodel, stars in Fina Torres’ new film, Liz in September, based on the iconic lesbian play Last Summer at Bluefish Cove. Patricia Velasquez On ‘Liz In September’ In Liz in September, Velasquez stars in the titular role of the terminally ill lothari(a) Liz, who falls in love with […]
The post Patricia Velasquez On ‘Liz In September,’ Being The First Latina Supermodel To Come Out As A Lesbian [Exclusive] appeared first on uInterview.
The post Patricia Velasquez On ‘Liz In September,’ Being The First Latina Supermodel To Come Out As A Lesbian [Exclusive] appeared first on uInterview.
- 10/23/2015
- by Chelsea Regan
- Uinterview
More often than not, films that have an illness at the center of them are far too heartbreaking to watch joyfully. After viewing these films, the audience leaves the theatre with a dark cloud over their heads; still lost in the somber tale as they move throughout the rest of their day. Fina Torres’ “Liz in September” does the opposite. Depicting a masterful story about love, life and friendship against a stunning Caribbean backdrop, watching “Liz in September” felt like floating in a daydream. The film follows 36-year-old Liz (Patricia Velásquez), a lesbian and former supermodel who is spending a final summer on the beach with her close girlfriends. Things don’t quite go as...
- 10/14/2015
- by Aramide A Tinubu
- ShadowAndAct
Zachary Sluser’s mystery starring Anton Yelchin and Zooey Deschanel will open and Paz Fábrega’s relationship drama from Costa Rica will close the Aruba International Film Festival, set to run from October 7-11.
Selections include Colombian Cannes prize-winner The Land And The Shade (La Tierra y La Sombra, pictured), The Lobster, Liz En Septiembre (Liz In September), La Granja (The Farm), Bombay Velvet and The Final Girls.
Top brass at the Caribbean showcase also announced on Wednesday their feature film and documentary competition programmes, short sections and Caribbean strand.
The fifth annual festival sponsored by the Aruba Tourism Authority will screen more than 60 feature and short films,
Juried awards will cover International Features, DoxNfocus, Caribbean Spotlight Series, Aruba Flavor and International Shorts.
Selections include Colombian Cannes prize-winner The Land And The Shade (La Tierra y La Sombra, pictured), The Lobster, Liz En Septiembre (Liz In September), La Granja (The Farm), Bombay Velvet and The Final Girls.
Top brass at the Caribbean showcase also announced on Wednesday their feature film and documentary competition programmes, short sections and Caribbean strand.
The fifth annual festival sponsored by the Aruba Tourism Authority will screen more than 60 feature and short films,
Juried awards will cover International Features, DoxNfocus, Caribbean Spotlight Series, Aruba Flavor and International Shorts.
- 9/16/2015
- ScreenDaily
A water main break at a movie theater can wreak havoc on a film festival!
The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, was supposed to start Sunday April 19th at the Tivoli Theatre. But the organizers had to reschedule when the Tivoli had to shut down because of the water disaster. The show will go on, but the schedule has been changed.
The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis...
The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, was supposed to start Sunday April 19th at the Tivoli Theatre. But the organizers had to reschedule when the Tivoli had to shut down because of the water disaster. The show will go on, but the schedule has been changed.
The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis...
- 4/20/2015
- by Tom Stockman
- WeAreMovieGeeks.com
This Sunday! – Come get your Q on, St. Louis!
The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, runs April 19-23 at the Tivoli Theatre. The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis (“Back on Board”) and former Hollywood heartthrob Tab Hunter (“Tab Hunter Confidential”). Other prominent films include the latest from avant-garde queer filmmaker Bruce la Bruce (“Gerontophilia”) and lesbian-themed films starring Geraldine Chaplin (“Sand Dollars”) and the directorial debut...
The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, runs April 19-23 at the Tivoli Theatre. The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis (“Back on Board”) and former Hollywood heartthrob Tab Hunter (“Tab Hunter Confidential”). Other prominent films include the latest from avant-garde queer filmmaker Bruce la Bruce (“Gerontophilia”) and lesbian-themed films starring Geraldine Chaplin (“Sand Dollars”) and the directorial debut...
- 4/17/2015
- by Tom Stockman
- WeAreMovieGeeks.com
Come get your Q on, St. Louis! The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, runs April 19-23 at the Tivoli Theatre. The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis (“Back on Board”) and former Hollywood heartthrob Tab Hunter (“Tab Hunter Confidential”). Other prominent films include the latest from avant-garde queer filmmaker Bruce la Bruce (“Gerontophilia”) and lesbian-themed films starring Geraldine Chaplin (“Sand Dollars”) and the directorial debut from HBO...
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis (“Back on Board”) and former Hollywood heartthrob Tab Hunter (“Tab Hunter Confidential”). Other prominent films include the latest from avant-garde queer filmmaker Bruce la Bruce (“Gerontophilia”) and lesbian-themed films starring Geraldine Chaplin (“Sand Dollars”) and the directorial debut from HBO...
- 3/13/2015
- by Tom Stockman
- WeAreMovieGeeks.com
Cinema Management Group has acquired worldwide rights to Venezuelan hit Liz En Septiembre.
Patricia Velásquez and Eloisa Maturèn stars in the tale of a gay woman challenged by her friends to seduce a straight woman.
Fina Torres, who wrote From Prada To Nada, directed Liz En Septiembre has grossed more than $1m at the local box office.
“We are extremely pleased to be representing such a beautiful and penetrating film as Liz En Septiembre,” said president Edward Noeltner (pictured).
“Fina and the amazing cast have created a very special film that lingers for days on the viewers mind and is sure to find the same success internationally as it has in Venezuela.”
Noeltner and vice-president of sales Daniel Bort negotiated the deal with the film’s producers Torres, Judy Miller and Laura Oramus.
Patricia Velásquez and Eloisa Maturèn stars in the tale of a gay woman challenged by her friends to seduce a straight woman.
Fina Torres, who wrote From Prada To Nada, directed Liz En Septiembre has grossed more than $1m at the local box office.
“We are extremely pleased to be representing such a beautiful and penetrating film as Liz En Septiembre,” said president Edward Noeltner (pictured).
“Fina and the amazing cast have created a very special film that lingers for days on the viewers mind and is sure to find the same success internationally as it has in Venezuela.”
Noeltner and vice-president of sales Daniel Bort negotiated the deal with the film’s producers Torres, Judy Miller and Laura Oramus.
- 11/6/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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