User Reviews

The story revolves around two 14 year old girls, best friends growing up together in Georgia.

Although it's set in 1992, the time-line and history is merely a canvas for a tale of friendship and difficulties in a flawed culture and society.

We witness the hardships the two girls have to go through and negative or positive emotional bonds they have with friends/schoolmates/family.

There's not much dramatization or cheesy drama going on, since the narrative is documentary-style realism à-la "A Separation". I have to applaud the two young actresses for more-or-less carrying the whole story on their shoulders, with success. Not that the other actors are bad, they all contribute to the authentic atmosphere.

It's also hard to ignore the setting, the homes and streets that reek of post communist decay. This felt personal to me, having grown up in an "fresh" democratic Romania, where the circumstances were similar, even if not the same.

I can totally recommend "In Bloom" to anyone interested in a good story. This is no Hollywood moneymaker, but I also disagree with another reviewer writing that it's hard to understand for non-Georgians. Cinema is universal.

Yes, indeed I just registered on IMDb so that I could write a review on this truly amazing movie. The movie is centered around two teenage girls making it through the war in Georgia (the country) from 1990's and their every day struggles at home, school and on the streets. The war is not on the front page though. It is in the background but it does not make the movie any less dramatic. Physical and sexual harassment, bullying, civil war, poverty, survival, struggle, depression, making it to the next day, swimming in the ocean of aggression while trying to retain some values and integrity, trying not to become one of them...It is more revealing and even shocking once you realize that the struggles these girls and their mothers and grandmothers had to fight more than 20 years ago are not necessarily over either in Georgia or elsewhere. Women still have to put up the 'pretty' masks once in public and smile and pretend to be happy even if they had been beaten up by their spouses a few hours earlier. Women have to act in order to please others - others being spouses, or parents, or friends, or the society as a whole. In short, the movie is highly recommended!

I don't believe I've ever seen a Georgian film before watching In Bloom, but it was a great place to start and I'll certainly be looking more into Georgian cinema.

Like many coming of age stories the film focuses on two young teenage girls, but unlike most typical American or European films, the background for this film involves a country that has recently overcome one violent coup and is in the middle of a civil war. Screenwriter and co-director Nana Ekvtimishvili handles these details with lovely subtlety never making them feel heavy handed or overt. The camera- work for the film is also a knock out. The cinematographer, Oleg Mutu, is the same one responsible for the Romanian masterpiece 4 Months, 3 Weeks, 2 Days, and he flawlessly employs the steady hand and long takes he used in that movie to great effect here. There is a beautiful 5 minute scene that is a one shot take of one of the girls dancing and it is the perfect meld of technical camera-work and physical performance.

I would be remiss of course not to mention the acting of the two lead girls who are simply fantastic. And while they are both strong actresses, it's Lika Babluani, in a much quieter performance, who is devastating. She has a face made for cinema and she can carry those long takes and fill them up with her presence without feeling laboured or strained.

Grzeli nateli dgeebi is a film from Georgia shown as In Bloom (2013) in the U.S. It was directed by Nana Ekvtimishvili and Simon Groß. Nana Ekvtimishvili is also the writer.

The film takes place in the Georgian city of Tbilisi in 1992, shortly after the disintegration of the U.S.S.R. Although life is not easy in Tbilisi--people are always standing in line waiting to buy bread--the movie doesn't depict widespread misery. Young people are attending school, and there's enough food on the table for everyone we meet. (I assume this is an accurate portrayal of the situation at the time, although I have no way of confirming this.)

The film is, at its core, a coming-of-age movie about two adolescent girls--Eka (Lika Babluani) and Natia (Mariam Bokeria). They are best friends and manage to protect each other, as much as possible, from male aggression and bullying.

Things don't work out very well, but I can't say more without spoiling the movie. I can say this much--there's a wedding in the film, and one of the friends gives the bride the gift of an incredible folkloric dance. It's very different--at least for me--from what I expected an Eastern European folk dance to look like, but it's truly beautiful.

We saw this movie at the excellent Dryden Theatre in Rochester, NY. However, it will work well on DVD. I noticed that most of the IMDb reviews of In Bloom came from Eastern European viewers. I don't know whether that's because the movie has had limited release in the U.S., or because U.S. viewers just haven't been motivated to review it.

The good news is that, as I write this review, its IMDb rating is a very high 8.1. So, those who have seen In Bloom really, really like it. That supports my suggestion to seek it out and view it if at all possible.

"In bloom" is a film about two 14 year old girls, Eka (played by Lika Babluani) and Natia (played by Miriam Bokeria). It is very much the same as "Show me love" (1998, Lukas Moodysson) in that the one with the biggest mouth at the end of the day has the least courage.

The society in which the girls grow up is however vastly different. The stable welfare state Sweden in "Show me love" versus Georgia in "In bloom". Georgia was just seperated from the disintegrating Soviet Union at the time in which the film is situated and happens to have a fairly masculine (and for adolescent girls thus restrictive) culture.

The same theme (two 14 year old girls) in a different setting (two vastly different countries) provides for two fascinating films. The two non professional actresses playing the two leading roles are marvelous. Especially the scene in which Eka performs a traditional dance on the weddingparty of Natia is realy beautiful. Beautiful is also the cinematography of Oleg Mutu, who co-operated with some of the directors of the Romanian wave a few years earlier.

Georgia is a relatively new film country, which is not surprising for a state that has become independant not so long ago. It should however not be forgotten that some famous directors from the Soviet era were born in Georgia, such as Mikhail Kalatozov and Sergei Parajanov.

In Bloom is a must see movie about Georgia's recent past. This period has been covered time after time in many movies but none of them compares.

To start with the plot - it's very simple and depicts almost everyone's life in 90s Georgia. Yet it is so well transferred to the screen, I could not tear away. The movie shows every ugliness we have lived through and it was so authentic I could not get rid of a lump in my throat throughout whole film. Small Georgian quirks might be also interesting and funny to a foreign viewer.

Beautifully shot, with every detail taken into consideration. Tbilisi has changed so much in these 20 years and yet the film captured the 90s vibe perfectly.

None of the child actors are professionals but they are doing magnificent job. They are very real and relatable.

Overall it was a brilliant effort, which deserves to be recognized.

I do not agree with Nika Gigashvili. I think Georgia should not do international movies.

I am in love with the country. And I am from Hungary. And we have similarities, after the socialist era collapsed.

For me was quite enough, how they were speaking about the whole rape and stuff during marriage. Maybe 'cuz I am a girl. The ignorance is a very massive part of the film. And during my travel through the country I experienced the same. I mean the locals with each other, not with me. But situations were quite similar during my childhood. Except guns.

I was a great movie. I watched it two weeks before and it is still keep me thinking.

Nana Ekvtimishvili's "In Bloom" is the story of steadfast friendship, of familial strife, of young love and premature commitment, of jealousy and intended revenge, of economic hardship set in the backdrop of civil war and of a precocious maturity which surpasses the misfortune.

Fourteen year-old Eka (portrayed by the mesmerizing Lika Babluani), who resides in Tbilisi, labors in line with her neighbors to buy a couple loaves of the meagre stock of bread, at school with her boisterous classmates whom her teacher cannot seem to control, at home where her father is away, her mother seems detached and her sister patronizes her, and at times with her bosom friend, Natia, who makes a decision to escape her own strife which has dire consequences.

It is this adolescent bond, between Eka and Natia, about which the story principally revolves, the comfort and support they are able to give each other as the one or the other faces a drunken or screaming family member, tormenting peers, pressure from and violation by willful men and verbal abuse from nearly everyone. Eka is the stalwart, principled character who seems to be able to see beyond the chaos.

Exquisitely directed and acted, the viewer senses not one false note among any of the characters or their actions. Emotions are heightened and several times brought to a head, and they are so well played that the sense is that it all could have happened, exactly as portrayed.

In several scenes the camera stays on minor characters, shooting from behind or over a protagonist as she addresses them or engages in some action which holds their attention, to play out the scene through capturing the reactions of the minor cast instead of training eyes on the principal character herself: the supporting cast project their characters so impeccably, this occasional perspective works seamlessly.

On other occasions, scenes are not concluded, such as during the circumstance of a kidnapping or the consequences for the perpetrators of a mortal act or a meeting which closes the film. But the characters, all of them, and the scenes, in the short space of 100 minutes, are so finely developed by writer Ekvtimishvili and portrayed by the actors, that it is unnecessary, there is nothing wanting, the imagination easily completes the picture.

The able editing, post-processing and spare soundtrack all complement and amplify the superior direction. Stand-out cinematography, pace of the film and color grading are reminiscent of Romanian New Wave cinema, such as those of "The Death of Mr. Lazarescu," "The Way I Spent the End of the World," "California Dreamin'," or "12:08 East of Bucharest."

If a viewer were pressed to find fault, he might say that "In Bloom" relates a story which lacks transcendent or inspirational moments, grand epiphanies, heroic characters or poetic dialogue. But it is the totality of poignant story and evenly-skilled effort from those behind and in front of camera to convey that story which makes the indelible mark.

This viewer was reminded several nights back in starting a commercial film (a film in which everything is spelled out, for the densest audience, nothing left to interpretation) and in having completely forgotten a recent viewing of it: the vast majority of movies are forgettable. "In Bloom" stays with you.

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Rating: 7.5+/10 (rounded up for IMDb)

Viewing: DVD, distributed in the USA by Big World Pictures (widescreen presentation; English subtitles; Dolby Digital 2.0; trailer aside, no special features relevant to picture)

The new Georgina film ''In bloom'' makes Deep impression onlooker, great performance by Lika Babluani and Mariam Bokeria, - a classic story about the transition to adulthood and its attendant difficulties, where the great camera work and acting of spaces were completely wiped out in the story, rather odd mounting solutions, and, most importantly, the only female view of the world.

The film is full of tragic scenes, typical of the Georgina, ''in bloom'' - talking about everyday life, it is often very cruel to us, on the abnormal situation in the families of the strong friendship and mutual assistance, first love ... yes, of love, of course, he said. And again about his childhood.

I think This film is actually In Top 5 made In Georgia During last 20-25 Year.

After the fall of USSR, Georgia finds itself in anarchy, degeneration, decay and depression. All of this is reflected in behavior of its people. The movie paints a bleak landscape at every level: widespread crime, dog-eat-dog atmosphere expressed in bread lines (survival of the fittest); domestic violence - resulted from economic woes + accepted culture of excessive male dominance and drinking; decline in schools (teacher judges and makes fun of students in front of the class, making unpatriotic comments about a student's father fighting in a war with Abghazia). Atmosphere of hopelessness prevails in Georgia except for beautiful, little 14 yo Eka with very sad face. She is the light in this land of darkness, representing Georgian hope and possibly a better future some day. She is not afraid to stand up to societal wrongs, question, support and protect her friends, speak out and shame others for their indifference toward their own society i.e. their country. Eka is the hidden goodness of Georgia, characterized by her mesmerizing dance at the wedding. She is a "uniter, not a divider", able to lift spirits and make her countrymen smile, cry and feel some kind of pride and emotion for their lost and forgotten Georgian-ness.

"In Bloom" is a first-rate coming-of-age drama from ex-Soviet Georgia, set in the capital, Tbilisi, in 1992, when the newly independent country is on the verge of coming apart. Russian-backed insurgents are fighting on the coast, bread is rationed, lawless customs from the bad old days —bride kidnapping, settling romantic rivalries with knives—are making a strong comeback.

The two leads, both first-time actresses, are amazing. Natia, already a beauty at 14, is being courted by two older guys—an unsavory tough, Kote, and the more appealing Lado. Before Lado goes off on an inopportune trip to Moscow, he gives Natia a revolver to protect herself. The stage seems to be set for an operatic climax until hard-headed Eka takes matters in hand.

The establishing scenes of squabbling families and menacing streets are quite well done, but it's the strong plot and the two lead actresses' sensitive performances that save this film from art-house miserabilism. Surprisingly, the real highlights are both musical numbers—Natia, Eka and their friends gather around the piano to sing a world-weary lovesong (something about "life is hard, and it will crush your dreams"), and Eka performs an amazing solo dance at a traditional wedding party. "In Bloom" is one of the better unheralded foreign films we've seen on Netflix lately.

Loved this honest film, talking about 90s Georgia, another ex communist country that felt the urge to face its painful past by leaving cinematic testimony of the difficult times. Poverty, social unrest, every day struggle to make ends meet. I'm only surprised this films hasn't come out sooner, but in all honesty, I don't know much about Georgian cinema...so I might have missed earlier social dramas of the kind.

It's a spring/summer time in Tbilisi, the nature is in bloom, connected nicely to life and unrest of the blooming youth. And so much poverty and misery! Apparent in the run down buildings, school, houses, everywhere you go traces of decay follow. And we follow lives of two female leads, 14 year old girls Eka and Natia and their friends/family. Just normal teens during abnormal times...something the first world have never experienced at this scale and probably never will.

The themes of domestic violence that coincides with violence on bigger plan, having your school crush hand you a gun as a present, walking around with the gun, bringing it to school without teachers noticing or caring, being abducted, deflowered and forced to marry at the age of 14 just doesn't sound like your standard society.

But to contrast the violence and omnipresent misery: the world and all the light outside really made a huge impression on me, the beauty of nature against the ugliness of run down communist architecture and rude, nervous behavior of people...so much unrest, and such a still world outside the window,outside society. Seasons shift, governments change, wars end, but nature is always in bloom and relentlessly luscious in spring. As is youth...it should not be depraved of the pleasure of enjoying themselves while the turbulent but sweet youthful years last. Looks like Eka, Natia and others were not as lucky. They were forced to grow up prematurely, much earlier than they should have, than anybody should. Very good film, and important testimony. Nice job!