The film begins with a funny and snappy horrorcomedy called "Jinmahal." Hira, Mani, and Gul-e- Rana all provide excellent performances in the direction of Nabeel Qureshi. It's entertaining to watch.
"Pasoori" is the second film. Unfortunately, actors of caliber such as Sheheryar Munnawar, Ramsha Khan, and Babar Ali are all wasted in this mediocre rom-com.
"Aik So Teeswaan" is the third, and the one I'm here to talk about. A story of two strangers who meet on a train ride. Sadaf's narrative is about a girl who is still looking on the bright side of her not-so-perfect married life, and Asad's story is about a painter and poet who has concerns about his marriage and is smitten by her. As they both discuss their experiences and ideas on their positions, as well as how other passengers are chasing their chemistry, the tale continues. It becomes more lyrical and intriguing as it nears its conclusion, as they each influence one other's beliefs and behaviors.
Wahaj Ali brings Asad the much-needed charm and tenderness in addition to Meahwish's stunning and strong Sadaf. You are captivated by the plot after seeing both performances. A beautifully written story by Khalil-ur-Rehman Qamar, and a flawlessly executed script by Nadeem Baig.