This three-hour feature from the Deeper label represents the type of story used for Hitchcock's classic "Rear Window'. But instead of suspense, the show emphasizes, you guessed it, gonzo sex.
Avery Cristy, who closely resembles producer Kayden Kross, stars in the central role as a businesswoman who is laid up for eight weeks in a wheel chair after she trips on her apartment building's stairs when her red high heels break. Like Jimmy Stewart in the Hitch feature seven decades earlier, she passes the time confined in her home by watching the actitivites of her neighbors, aided by a pair of binoculars left at her door by some mysterious stranger.
Directed by Derek Dozer from a script written by Kross and Siena Bennett, the movie is quite uneventful, broken up into four lengthy sex scenes, first and last of which involve Avery. The other two depict the sexual hijinks of some neighbors, observed at a distance by Avery, but shown to the video audience close-up via the magic of movie making. Busty starlet Nicole Doshi plays a sub, pushed around by dominant Ramon Nomar in one, while Anya Olsen portrays "the other woman", caught in the act fooling around at home with philanderer Mick Blue by his better half Maya Woulfe.
Emphasis is on interracial sex, typical of the Deeper label's usual casting patterns. Entire show is easy to watch for fans of glamorous gonzo content, but suffers from the absence of an ending to the story -instead, it merely stops after the final money shot (actually in this case, a trendy creampie rather than visible ejaculation).
Avery Cristy, who closely resembles producer Kayden Kross, stars in the central role as a businesswoman who is laid up for eight weeks in a wheel chair after she trips on her apartment building's stairs when her red high heels break. Like Jimmy Stewart in the Hitch feature seven decades earlier, she passes the time confined in her home by watching the actitivites of her neighbors, aided by a pair of binoculars left at her door by some mysterious stranger.
Directed by Derek Dozer from a script written by Kross and Siena Bennett, the movie is quite uneventful, broken up into four lengthy sex scenes, first and last of which involve Avery. The other two depict the sexual hijinks of some neighbors, observed at a distance by Avery, but shown to the video audience close-up via the magic of movie making. Busty starlet Nicole Doshi plays a sub, pushed around by dominant Ramon Nomar in one, while Anya Olsen portrays "the other woman", caught in the act fooling around at home with philanderer Mick Blue by his better half Maya Woulfe.
Emphasis is on interracial sex, typical of the Deeper label's usual casting patterns. Entire show is easy to watch for fans of glamorous gonzo content, but suffers from the absence of an ending to the story -instead, it merely stops after the final money shot (actually in this case, a trendy creampie rather than visible ejaculation).