The feature “Tales of Taipei” is a tribute to the low-pressure, culturally rich city, which has been shaped by its regional neighbors, taken in diverse peoples and distilled the multiple competing influences into a messy, happy-go-lucky morass.
Produced by Bowie Tsang and Amy Ma, the film calls on 10 directors hailing from Malaysia, France, Bhutan and Hong Kong, and Taiwanese locals Yin Cheng-han and Remii Huang to contribute.
“Everything is possible in Taiwan, everything exits side by side,” says Tsang, who was born in Hong Kong. “We have old Chinese myths. We believe in the afterlife. Churches exist side by side with temples. We are still trying to figure out how to tell our stories.”
As in the film, juxtapositions exist throughout the Taiwan film industry. Theatrical B.O. improved last year, but from a low 2022 base. Last year, Taiwan productions increased market share from 10% to nearly 16%, helping to lift the...
Produced by Bowie Tsang and Amy Ma, the film calls on 10 directors hailing from Malaysia, France, Bhutan and Hong Kong, and Taiwanese locals Yin Cheng-han and Remii Huang to contribute.
“Everything is possible in Taiwan, everything exits side by side,” says Tsang, who was born in Hong Kong. “We have old Chinese myths. We believe in the afterlife. Churches exist side by side with temples. We are still trying to figure out how to tell our stories.”
As in the film, juxtapositions exist throughout the Taiwan film industry. Theatrical B.O. improved last year, but from a low 2022 base. Last year, Taiwan productions increased market share from 10% to nearly 16%, helping to lift the...
- 5/14/2024
- by Patrick Frater
- Variety Film + TV
Click on the titles for the full articles
Film Review: Snow in Midsummer (2023) by Keat Aun Chong
“Snow in Midsummer” is a film that will appeal more to the Malay audience, particularly the ones who have some knowledge of the elements mentioned above, but also to those who can enjoy movies without understanding them fully. And the truth is, that there is enough artistry and beauty here to allow just that. (Panos Kotzathanasis)
Interview with Keat Aun Chong Interview with Park Ki-yong Interview with Yasna Mirtahmasb and Parviz Shahbazi Film Review: Wakhri (2023) by Iram Parveen Bilal
Iram Parveen Bilal does one very smart thing with the film, essentially mirroring her protagonist's persona. She fills the screen with impressive colors, intriguing frames, rather entertaining music, and a truly charismatic protagonist who clearly draws utmost attention every time she appears on screen, either as Noor or Wakhri. This choice allows her to...
Film Review: Snow in Midsummer (2023) by Keat Aun Chong
“Snow in Midsummer” is a film that will appeal more to the Malay audience, particularly the ones who have some knowledge of the elements mentioned above, but also to those who can enjoy movies without understanding them fully. And the truth is, that there is enough artistry and beauty here to allow just that. (Panos Kotzathanasis)
Interview with Keat Aun Chong Interview with Park Ki-yong Interview with Yasna Mirtahmasb and Parviz Shahbazi Film Review: Wakhri (2023) by Iram Parveen Bilal
Iram Parveen Bilal does one very smart thing with the film, essentially mirroring her protagonist's persona. She fills the screen with impressive colors, intriguing frames, rather entertaining music, and a truly charismatic protagonist who clearly draws utmost attention every time she appears on screen, either as Noor or Wakhri. This choice allows her to...
- 12/12/2023
- by AMP Group
- AsianMoviePulse
Following the still unreleased in Malaysia “The Story of Southern Islet”, Keat Aun Chong came up this year his second film, “Snow in Midsummer” which had its premiere its Giornate degli Autori and led the number of nominations in this year's Golden Horse awards, although it left with only one for sound effects. The story is based on the homonymous classic Chinese play of the Yuan dynasty, also including in the story the 13 May incident, an episode of Sino-Malay sectarian violence that took place in Kuala Lumpur, the capital of Malaysia, on 13 May 1969, when a number of people disappeared, only to be discovered later in mass graves. As the director mentions, on that fateful night in May, an opera singer died and was buried in the same cemetery. During his research, he discovered a member of that opera troupe who revealed that they were performing “Snow in June”, a play...
- 12/10/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Taiwanese family drama ‘Old Fox’ won the most awards on the night.
China-set drama Stonewalling, directed by husband-and-wife team Huang Ji and Ryuji Otsuka, won best narrative feature at the 60th Golden Horse Awards in Taiwan on Saturday (November 25).
Taiwanese family drama Old Fox won the most awards on the night, including best director for Hsiao Ya-chuan, best supporting actor for veteran Akio Chen, makeup and costume design, and best film score.
Scroll down for full list of winners
Mainland Chinese director Huang and Japan’s Otsuka were in attendance at Taipei’s National Dr Sun Yat-sen Memorial Hall to...
China-set drama Stonewalling, directed by husband-and-wife team Huang Ji and Ryuji Otsuka, won best narrative feature at the 60th Golden Horse Awards in Taiwan on Saturday (November 25).
Taiwanese family drama Old Fox won the most awards on the night, including best director for Hsiao Ya-chuan, best supporting actor for veteran Akio Chen, makeup and costume design, and best film score.
Scroll down for full list of winners
Mainland Chinese director Huang and Japan’s Otsuka were in attendance at Taipei’s National Dr Sun Yat-sen Memorial Hall to...
- 11/26/2023
- by Silvia Wong
- ScreenDaily
The husband and wife team of Otsuka Ryuji and Huang Ji, who worked with a minimalist crew and mostly non-professional actors, gave a round of thanks to Asian leading auteurs for inspiring them, and then hugged each other on stage for winning the Taipei Golden Horse Film Awards best narrative feature prize with their pregnancy drama “Stonewalling.”
The numerical winner on Saturday night was “Old Fox,” which earned the best director award for Hsiao Ya-chuan, as well as the best supporting actor, makeup and costume, and best film score prizes.
The nominations, announced in October, saw “Snow in Midsummer” collect nine nominations and Taiwan’s Oscar contender “Marry My Dead Body” head the field with eight. They were narrowly ahead of a further cluster of films with seven nominations each, including “Abang Adik,” “Old Fox,” “Trouble Girl” and “The Pig, the Snake and the Pigeon.”
On the evening, “Marry My Dead Body...
The numerical winner on Saturday night was “Old Fox,” which earned the best director award for Hsiao Ya-chuan, as well as the best supporting actor, makeup and costume, and best film score prizes.
The nominations, announced in October, saw “Snow in Midsummer” collect nine nominations and Taiwan’s Oscar contender “Marry My Dead Body” head the field with eight. They were narrowly ahead of a further cluster of films with seven nominations each, including “Abang Adik,” “Old Fox,” “Trouble Girl” and “The Pig, the Snake and the Pigeon.”
On the evening, “Marry My Dead Body...
- 11/25/2023
- by Patrick Frater
- Variety Film + TV
The Taipei Golden Horse Film Festival drifted to a conclusion in midweek, with project awards presented on Wednesday, followed by Thursday’s festival closing events. These involved a screening of portmanteau film “Tales of Taipei” followed by a sit-down dinner-cum-ceremony with a breezy pair of speeches and no prizes.
The film fortnight then sprang to life again on Saturday evening when the 60th edition of the Golden Horse Film Awards represented a new climax. The winners were announced at a ceremony at the Sun Yat-sen Memorial Hall.
For decades the Golden Horse awards had been the most prestigious prize ceremony in the Chinese-language firmament. That high profile has been harder to maintain over the last couple of years, given that the mainland Chinese industry is under government instruction to boycott the event, following a pro-independence speech given by an award winner at the 2018 ceremony.
Parts of the Hong Kong industry have stayed away too.
The film fortnight then sprang to life again on Saturday evening when the 60th edition of the Golden Horse Film Awards represented a new climax. The winners were announced at a ceremony at the Sun Yat-sen Memorial Hall.
For decades the Golden Horse awards had been the most prestigious prize ceremony in the Chinese-language firmament. That high profile has been harder to maintain over the last couple of years, given that the mainland Chinese industry is under government instruction to boycott the event, following a pro-independence speech given by an award winner at the 2018 ceremony.
Parts of the Hong Kong industry have stayed away too.
- 11/25/2023
- by Patrick Frater
- Variety Film + TV
Anna Kendrick’s directorial debut Woman Of The Hour and family drama Mother Couch, starring Ewan McGregor and Ellen Burstyn, are headed to the third edition of Saudi Arabia’s Red Sea International Film Festival, running from November 30 to December 9 in the port city of Jeddah.
The titles will play in the Festival Favorites sidebar which was announced on Thursday alongside the event’s Red Sea: Treasures strand.
Kendrick directs and stars in Netflix-acquired drama Woman Of The Hour as a woman whose path crosses notorious serial killer Rodney Alcala, whilst in Niclas Larsson’s first film Mother Couch, McGregor plays a man whose mother squats the family furniture store.
Further films in the line-up – showcasing 21 buzzy festival titles from the last 12 months – include the David Oyelowo produced documentary Allihopa: The Dalkurd Story; Women’s World Cup doc Copa 71, executive produced by Serena and Venus Williams, Jennifer Esposito’s Fresh Kills,...
The titles will play in the Festival Favorites sidebar which was announced on Thursday alongside the event’s Red Sea: Treasures strand.
Kendrick directs and stars in Netflix-acquired drama Woman Of The Hour as a woman whose path crosses notorious serial killer Rodney Alcala, whilst in Niclas Larsson’s first film Mother Couch, McGregor plays a man whose mother squats the family furniture store.
Further films in the line-up – showcasing 21 buzzy festival titles from the last 12 months – include the David Oyelowo produced documentary Allihopa: The Dalkurd Story; Women’s World Cup doc Copa 71, executive produced by Serena and Venus Williams, Jennifer Esposito’s Fresh Kills,...
- 11/9/2023
- by Melanie Goodfellow
- Deadline Film + TV
by Nathaniel R
Snow in Midsummer, Marry My Dead Body, and Stonewalling are all up for Best Feature.
Nominations have been announced for the 60th annual Golden Horse Awards. The annual juried event covers the best in Chinese-language cinema. The ceremony will be held on November 25th this year. Stonewalling, Taiwan's Oscar submission Marry My Dead Body, Time Still Turns The Pages, Eye of the Storm, and Snow in Midsummer are all up for the top prize and three of them are streaming. Read on for more about these films and the nominations list...
Snow in Midsummer, Marry My Dead Body, and Stonewalling are all up for Best Feature.
Nominations have been announced for the 60th annual Golden Horse Awards. The annual juried event covers the best in Chinese-language cinema. The ceremony will be held on November 25th this year. Stonewalling, Taiwan's Oscar submission Marry My Dead Body, Time Still Turns The Pages, Eye of the Storm, and Snow in Midsummer are all up for the top prize and three of them are streaming. Read on for more about these films and the nominations list...
- 10/13/2023
- by NATHANIEL R
- FilmExperience
Japanese actor Koji Yakusho, winner of Cannes’ best actor prize this year for his universally acclaimed performance in Wim Wenders’ Perfect Days, has been selected 2023 Taipei Golden Horse Film Festival’s filmmaker in focus.
Yakusho will attend the Taiwanese festival in person and present a selection of seven of his films during the event’s 17-day duration. The titles shown will include Perfect Days and the erotic classic Lost Paradise (1997), as well as five titles selected by Yakusho himself, including Kamikaze Taxi (1995), Shall We Dance (1996), Cure (1997), Eureka (2000) and The Woodsman and the Rain (2011).
“With these seven films, cinephiles will be able to witness the charm and versatile acting of a legendary actor,” Taipei’s organizers said in a statement.
Across his four-decade career, Yakusho has been nominated for the Japan Academy of Film Prize 23 times, including seven consecutive nominations in the best leading actor category, which he has won three times,...
Yakusho will attend the Taiwanese festival in person and present a selection of seven of his films during the event’s 17-day duration. The titles shown will include Perfect Days and the erotic classic Lost Paradise (1997), as well as five titles selected by Yakusho himself, including Kamikaze Taxi (1995), Shall We Dance (1996), Cure (1997), Eureka (2000) and The Woodsman and the Rain (2011).
“With these seven films, cinephiles will be able to witness the charm and versatile acting of a legendary actor,” Taipei’s organizers said in a statement.
Across his four-decade career, Yakusho has been nominated for the Japan Academy of Film Prize 23 times, including seven consecutive nominations in the best leading actor category, which he has won three times,...
- 9/12/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The Taipei Golden Horse Film Festival has announced dual opening night titles, both inspired by faith and local memories, as well as its closing gala presentation.
The festival will open with “Snow in Midsummer,” directed by Chong Keat-aun, a former winner of the Golden Horse Film Awards’ best new director prize with “The Story of Southern Islet,” and “Be With Me,” by Hwarng Wern-ying, who previously won Golden Horse prizes for art direction, costume and makeup.
The festival, which runs Nov. 9-26, will close with the world premiere of “Tales of Taipei,” produced by Bowie Tsang and comprising ten stories by directors from East Asia.
The two opening films were both part of the 2020 Golden Horse Project Promotion, a project matching event. They both have their Asian premiere at the festival.
“Snow in Midsummer” is a story spanning nearly half a century about two generations of females, a troupe master and the Nyonya offspring,...
The festival will open with “Snow in Midsummer,” directed by Chong Keat-aun, a former winner of the Golden Horse Film Awards’ best new director prize with “The Story of Southern Islet,” and “Be With Me,” by Hwarng Wern-ying, who previously won Golden Horse prizes for art direction, costume and makeup.
The festival, which runs Nov. 9-26, will close with the world premiere of “Tales of Taipei,” produced by Bowie Tsang and comprising ten stories by directors from East Asia.
The two opening films were both part of the 2020 Golden Horse Project Promotion, a project matching event. They both have their Asian premiere at the festival.
“Snow in Midsummer” is a story spanning nearly half a century about two generations of females, a troupe master and the Nyonya offspring,...
- 8/30/2023
- by Patrick Frater
- Variety Film + TV
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