Short on any sort of entertainment value but long on revealing Dana Vespoli's proclivity for self-indulgence, this ass-centric exercise concerning her adoration of the female asshole evidently hit a nerve (sciatic?) in her Evil Angel audience, as several follow-ups have been released. As a glutton for punishment, or more precisely a devoted follower of the great Dana's work, I will be watching them in future, like it or not (memo to self).
Obviously her employer John "Buttman" Stagliano gives free license to Dana when she fixates her attention on that part of the female anatomy he has built his livelihood around. But it is disconcerting, if not downright alarming, to sit through over two hours of the POV camera literally staring at actresses' anuses, with penetration of same the reason for the project.
Dana freely admits to dreaming about not just girly posteriors but the interiors of said posteriors. And she is a hands-on filmmaker, constantly inserting her fingers into the talents' butts. The eroticism involved in watching this, as opposed to doing it in real life, is questionable.
Karlie Montana, a favorite actress of mine in Lesbian Cinema, is a willing victim, telling us that she has zero experience with anal play. Dana treats her to not just a finger or two but increasingly large dildos and the director's favorite calipers for spreading purposes, ultimately resulting in a 4-finger exercise. With the aid of a vibrator for the clitoris, Dana gets Karlie to achieve orgasm, and earns a porno "Than-cue" from the lovely star.
Sovereign Syre in fetish-gear is good for both outdoor and indoor action, as is the fetching, raccoon-eyed Anikka Albrite. To this all- star, high-priced line-up Dana adds one Sheena Shaw. SS is a specialty act in the world of gonzo and fetish, and Dana shows us why the obscure player has a career going. She can take almost any size object in her rectum, including a huge black dildo Dana affectionately calls "Black Stanley". I'm not debating whether such "I can do this!!" stunt work in the field of anal play is rewarding to the participant (for whom conventional masturbation is clearly passe) but watching it is idiotic. Worse yet, in the BTS short subject Dana & company philosophize about the way such extremes bring one into "the moment" and have some deep meaning, the kind of b.s. you get from Actor's Studio ruminations of the Brando ilk. Yuck!
Obviously her employer John "Buttman" Stagliano gives free license to Dana when she fixates her attention on that part of the female anatomy he has built his livelihood around. But it is disconcerting, if not downright alarming, to sit through over two hours of the POV camera literally staring at actresses' anuses, with penetration of same the reason for the project.
Dana freely admits to dreaming about not just girly posteriors but the interiors of said posteriors. And she is a hands-on filmmaker, constantly inserting her fingers into the talents' butts. The eroticism involved in watching this, as opposed to doing it in real life, is questionable.
Karlie Montana, a favorite actress of mine in Lesbian Cinema, is a willing victim, telling us that she has zero experience with anal play. Dana treats her to not just a finger or two but increasingly large dildos and the director's favorite calipers for spreading purposes, ultimately resulting in a 4-finger exercise. With the aid of a vibrator for the clitoris, Dana gets Karlie to achieve orgasm, and earns a porno "Than-cue" from the lovely star.
Sovereign Syre in fetish-gear is good for both outdoor and indoor action, as is the fetching, raccoon-eyed Anikka Albrite. To this all- star, high-priced line-up Dana adds one Sheena Shaw. SS is a specialty act in the world of gonzo and fetish, and Dana shows us why the obscure player has a career going. She can take almost any size object in her rectum, including a huge black dildo Dana affectionately calls "Black Stanley". I'm not debating whether such "I can do this!!" stunt work in the field of anal play is rewarding to the participant (for whom conventional masturbation is clearly passe) but watching it is idiotic. Worse yet, in the BTS short subject Dana & company philosophize about the way such extremes bring one into "the moment" and have some deep meaning, the kind of b.s. you get from Actor's Studio ruminations of the Brando ilk. Yuck!