The feature “Tales of Taipei” is a tribute to the low-pressure, culturally rich city, which has been shaped by its regional neighbors, taken in diverse peoples and distilled the multiple competing influences into a messy, happy-go-lucky morass.
Produced by Bowie Tsang and Amy Ma, the film calls on 10 directors hailing from Malaysia, France, Bhutan and Hong Kong, and Taiwanese locals Yin Cheng-han and Remii Huang to contribute.
“Everything is possible in Taiwan, everything exits side by side,” says Tsang, who was born in Hong Kong. “We have old Chinese myths. We believe in the afterlife. Churches exist side by side with temples. We are still trying to figure out how to tell our stories.”
As in the film, juxtapositions exist throughout the Taiwan film industry. Theatrical B.O. improved last year, but from a low 2022 base. Last year, Taiwan productions increased market share from 10% to nearly 16%, helping to lift the...
Produced by Bowie Tsang and Amy Ma, the film calls on 10 directors hailing from Malaysia, France, Bhutan and Hong Kong, and Taiwanese locals Yin Cheng-han and Remii Huang to contribute.
“Everything is possible in Taiwan, everything exits side by side,” says Tsang, who was born in Hong Kong. “We have old Chinese myths. We believe in the afterlife. Churches exist side by side with temples. We are still trying to figure out how to tell our stories.”
As in the film, juxtapositions exist throughout the Taiwan film industry. Theatrical B.O. improved last year, but from a low 2022 base. Last year, Taiwan productions increased market share from 10% to nearly 16%, helping to lift the...
- 5/14/2024
- by Patrick Frater
- Variety Film + TV
With a mix of nostalgia and modernity, “Old Fox” by Hsiao Ya-chuan brings to light the difficulty of portraying social inequality. By doing that, the film works as a bridge between the past and present, showing how some social issues are still alive and relevant to a contemporary audience. This bridge works thanks to the three distinctive characters of three different generations, which resembles this relationship between Taiwan in the 80s and Taiwan now.
Hsiao Ya-chuan's career has always used history to tell stories still relevant today, especially with family relations as the narrative focus. We got the chance to speak to the director at Udine's Far East Film Festival about his inspirations and the motifs behind his most recent heart-warming story.
How did the film's style come to be? “Old Fox” presents some nostalgic elements, like those of 80s movies. For example, when the father plays the saxophone in the background.
Hsiao Ya-chuan's career has always used history to tell stories still relevant today, especially with family relations as the narrative focus. We got the chance to speak to the director at Udine's Far East Film Festival about his inspirations and the motifs behind his most recent heart-warming story.
How did the film's style come to be? “Old Fox” presents some nostalgic elements, like those of 80s movies. For example, when the father plays the saxophone in the background.
- 5/6/2024
- by Federica Giampaolo
- AsianMoviePulse
Social inequality might be considered “a tale as old as time”. No matter the century or year, its intricacies intrigue the creative industry, from literature to cinema. After all, equality still represents an unattainable goal. But to face such a topic, one should also be able to question their own sense of morality. And ‘Old Fox' by Hsiao Ya-chuan, winner of four Golden Horse Awards, is an evocative journey that challenges us to question our present by looking at the past.
Old Fox is screening at San Diego Asian Film Festival Spring Showcase
Set in the late 80s, the film tells the story of 11-year-old Liao Jie (Bai Run-yin) and his father Liao Tai-lai (Kuan Ting-Liu). Father and son live in poverty, as Tai-lai is only a waiter and the sole provider. While skimping on clothes, gas, and everything else needed, the father hopes to save enough money to...
Old Fox is screening at San Diego Asian Film Festival Spring Showcase
Set in the late 80s, the film tells the story of 11-year-old Liao Jie (Bai Run-yin) and his father Liao Tai-lai (Kuan Ting-Liu). Father and son live in poverty, as Tai-lai is only a waiter and the sole provider. While skimping on clothes, gas, and everything else needed, the father hopes to save enough money to...
- 4/21/2024
- by Federica Giampaolo
- AsianMoviePulse
The Far East Film Festival (Feff) in Italy’s Udine has unveiled the full line-up for its 26th edition, which will honour Chinese filmmaker Zhang Yimou with an honorary award and world premiere restored versions of his Raise The Red Lantern and To Live.
Running April 24 to May 2, the festival will open with a double bill: Chinese box office hit Yolo and South Korean action-comedy Citizen Of A Kind.
Yolo dominated this year’s Lunar New Year releases, grossing $484m in China, and is directed by Jia Ling, who stars as an unemployed woman in her 30s whose life is...
Running April 24 to May 2, the festival will open with a double bill: Chinese box office hit Yolo and South Korean action-comedy Citizen Of A Kind.
Yolo dominated this year’s Lunar New Year releases, grossing $484m in China, and is directed by Jia Ling, who stars as an unemployed woman in her 30s whose life is...
- 3/26/2024
- ScreenDaily
Welcome to Deadline’s International Disruptors, a feature where we’ll shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. This week, we’re talking to Reno Studios, a digital studio launched in Taipei in 2017, initially handling VFX for Taiwanese films, and now also bringing work from international clients including Netflix, EuropaCorp, Saudi-owned Mbc Group and India’s Zee to Taiwan. Deadline sat down with co-founders Peter Huang and Tomi Kuo, and Executive Producer/Senior VFX Supervisor Christopher Chen, to talk about how the company has grown, their future plans, and why Taiwan is an ideal destination for VFX and Virtual Production.
Despite being known internationally for its semiconductor and computer hardware industries, Taiwan is not the first destination that springs to mind in the Asia Pacific when it comes to VFX and digital production. Australia and New Zealand have traditionally...
Despite being known internationally for its semiconductor and computer hardware industries, Taiwan is not the first destination that springs to mind in the Asia Pacific when it comes to VFX and digital production. Australia and New Zealand have traditionally...
- 1/11/2024
- by Liz Shackleton
- Deadline Film + TV
Organised by the Busan, Hong Kong and Tokyo International Film Festivals, and supported by Create HongKong and the Film Development Fund, the Asian Film Awards Academy (Academy or Afaa) has spearheaded efforts to promote Asian cinema around the world year-round. As part of the Asian Film Awards (Afa), its flagship event and the largest celebration of Asian cinema in the world, the Academy appoints an emerging Asian star every year as Youth Ambassador to act as the face of the awards and to take part in outreach activities. For the first time in its history, the Academy has appointed not one, but four celebrated Asian stars as the Youth Ambassadors of the 17th Afa: (in alphabetical order) Liu Kuan-Ting, Mario Maurer, Miyazawa Hio and Will Or.
Embodying numerous countries and cultures, Asia is a region that is rich in diversity, and that diversity has always been reflected in its films,...
Embodying numerous countries and cultures, Asia is a region that is rich in diversity, and that diversity has always been reflected in its films,...
- 12/28/2023
- by Suzie Cho
- AsianMoviePulse
by Nathaniel R
Ang Lee congratulates the Best Actor winner at the Golden Horse Awards. Image via Golden Horse instagram.
While Stonewalling, a drama about a pregnant flight attendant had the least amount of nominations of the "Best Narrative Feature" contenders (just 3), it emerged with the big win this past weekend in Taipei. (You can stream the film on Criterion Channel in the US). Curiously the big winner in terms of number of prizes was Old Fox, which wasn't nominated for Best Feature though it took Best Director and three other prizes. Another curiousity: none of the acting winners were from Best Feature nominees. The winners and a few of their trailers are after the jump...
Ang Lee congratulates the Best Actor winner at the Golden Horse Awards. Image via Golden Horse instagram.
While Stonewalling, a drama about a pregnant flight attendant had the least amount of nominations of the "Best Narrative Feature" contenders (just 3), it emerged with the big win this past weekend in Taipei. (You can stream the film on Criterion Channel in the US). Curiously the big winner in terms of number of prizes was Old Fox, which wasn't nominated for Best Feature though it took Best Director and three other prizes. Another curiousity: none of the acting winners were from Best Feature nominees. The winners and a few of their trailers are after the jump...
- 11/27/2023
- by NATHANIEL R
- FilmExperience
China-set drama Stonewalling, co-directed by husband-and-wife team Ryuji Otsuka and Huang Ji, won best narrative feature at Taiwan’s Golden Horse Awards, which is celebrating its 60th edition this year.
The film, which premiered in Venice and won best film at Hong Kong film festival’s Young Cinema Competition, follows a young woman in mainland China grappling with issues around career, relationships, health and fertility. It also won best editing, which was shared by Otsuka and Taiwan’s Liao Ching-sung, with the latter winning his first Golden Horse award after 12 nominations stretching back four decades.
The awards were evenly spread among the nominated films. Taiwan’s Wu Kang-ren won best leading actor for his role as a deaf-mute in Malaysian drama Abang Adik. Best actress went to 12-year-old Audrey Lin for her role in Trouble Girl, making her the youngest ever best actress winner at the Golden Horse awards.
Best...
The film, which premiered in Venice and won best film at Hong Kong film festival’s Young Cinema Competition, follows a young woman in mainland China grappling with issues around career, relationships, health and fertility. It also won best editing, which was shared by Otsuka and Taiwan’s Liao Ching-sung, with the latter winning his first Golden Horse award after 12 nominations stretching back four decades.
The awards were evenly spread among the nominated films. Taiwan’s Wu Kang-ren won best leading actor for his role as a deaf-mute in Malaysian drama Abang Adik. Best actress went to 12-year-old Audrey Lin for her role in Trouble Girl, making her the youngest ever best actress winner at the Golden Horse awards.
Best...
- 11/25/2023
- by Liz Shackleton
- Deadline Film + TV
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