User Reviews

Wow, I was not expecting the twist that was the ending. Throughout the film, the actors do an excellent job (as well as the directors) of allowing the audience these hints and clues into Habib's mental health. We loom over Habib's wife and his financial struggle. As we're shown multiple sun soaked flashbacks, we're lead to believe Habib has a happy love life. And that's where they get you! At the end of the film, Habin starts to show his true colors, monologues of a warm hopeful married man in love turn into a delusional manic murderer in dee denial of his actions. Every element of the cinematography to the script and the actors come perfectly in line to allow this movie to flow as it did. The plot twist was executed extremely well. I thoroughly enjoyed this thriller.

The greatness of this film lies more in what is intimated than in what is presented. On the surface, the plot of the movie seems relatively simple: a man goes to a pawn shop to sell his guitar. However, the backstory that is only alluded to and not even seen is incredible. I've never seen a movie use negative space so effectively. The narrative is presented in little fragments, leaving the remaining details to your imagination. It began by striking the person with the appropriate emotions. How effectively the primary character was able to convey each feeling. He conveys his sorrow over his wife's memories in a way that also conveys his feeling that there is a slim chance that things will return to the way they were. The small amount of joy he experienced upon learning that he was able to sell his guitar for a little bit more money. He started to feel the weight of what had transpired, the desperation he had experienced upon realizing the police were going to arrest him.

"This Modern Man Is Beat" tells the story of a troubled, guilt ridden man. It is a simple yet compelling story, though it may feel cliche, its storytelling is done wonderfully so, to the point where it does not feel as just a simple retelling of an exhausted cliche. The story revolves entirely around the protagonist, and for such a short film, it makes sense. All the elements of the story are very well done and introduced, it wraps everything up nicely. I personally really enjoyed how the character's (Habib) guilt plays a huge role in the film, as it's arguably the reason the film even happens to begin with. He murders his wife, which admittedly, was more predictable than rain in a desert, but the way it affects him, feels incredibly human. He's not some psycho mastermind, just a man, and as all men do, he has flaws and a conscience, and morals, and all those elements which makes us human. Naturally, the murder was an accident, and he goes on to cope by basically living in denial, which is very well portrayed up to the point where it boils up, eating him alive, and he confesses his sin to a store clerk. Very nice film, and for like 15 minutes of actual storytelling, it's worth the watch.

This movie doesn't do much to steer far from your run of the mill thriller,. It has solid ideas presented and for the most part is actually well paced. For being a short film however, it could've honestly used some its time building on its characters, particularly the protagonist and/or his wife. I think if either of those characters had given me more material to care about them, all of the plots twists and structures could've landed harder. The short film excels with its acting and cinematography and those aspects I feel are the film's greatest strengths. The symbolisms in its cinematic style are also nice in its subtlety. Though the montages and muted dialogue scenes in the flashbacks I believe can be a weakness. I understand showing and not telling but sometimes these interactions can work better to serve its characters instead of appearing only as glimpses. However, for where the scenes are placed it contrasts well to the idealized daydreams he reaches for in denial. So far that lack of development and how predictable some of the story beats are, are what happen to make the film ordinary. I feel the film at best is a decent viewing if there is nothing else to watch; this film probably would work a lot better if it was a feature. With how short this film is though it should've focused on making its characters more interesting, the background info on Habib could've gone somewhere but it ultimately was just exposition. One thing that I strongly feel the film in its current state suffers from and can do without is Habib's depiction as a half Palestinian man, I can get behind him being El Salvadoran to bring a job opportunity but it does nothing for his character being an Arab. I bring this up because in a post 9/11 world, this portrayal of Arab people in villainous/violent roles is just a reflection of how wrongly perceived they are in real life. It may have not been the films' intentions but this aspect serves to reinforce western fears of "the untrustworthy middle eastern man" stereotype. If the film wanted to center around him being foreign, it can do that, but here it just feels like throw away information and feels poorly handled.