A version of this article originally appeared on ew.com.
Emma Watson loves to read.
The actress has that in common with her brainy Harry Potter character Hermione as well as bookish Belle, who she plays in the much-anticipated film Beauty and the Beast, out March 17. In addition to being a bookworm, Watson is also an outspoken feminist and as well as a Un Women Goodwill Ambassador and promoter of the organization’s HeForShe movement, which is dedicated to recruiting men into the movement for gender equality. As a response to her work with the Un, she launched the feminist...
Emma Watson loves to read.
The actress has that in common with her brainy Harry Potter character Hermione as well as bookish Belle, who she plays in the much-anticipated film Beauty and the Beast, out March 17. In addition to being a bookworm, Watson is also an outspoken feminist and as well as a Un Women Goodwill Ambassador and promoter of the organization’s HeForShe movement, which is dedicated to recruiting men into the movement for gender equality. As a response to her work with the Un, she launched the feminist...
- 2/21/2017
- by Madeline Raynor
- PEOPLE.com
The greatest of all Hallmark holidays, the day of St. Valentine is constructed to make couples feel obligated to go out on expensive and over-anticipated dates, while unnecessarily reminding single people of their status. Candy hearts and roses are meant to celebrate monogamy and “normal” love; but the origins of the holiday go back to Roman culture and involved whips, wolf skins and fertility orgies. Sound more your speed? Then these decidedly non-romantic books may be the right tonic for this holiday:
Frankenstein by Mary Shelley: Mary Shelley’s still shocking novel is an affront to many things: religion, ego, scientific progress, but also love. The titular doctor creates a creature that he abandons out of disgust, only to have his creation haunt his every step and destroy all the people he loves. Talk about a bad ex. The book is a tragic exploration of freakishness and abandonment, an...
Frankenstein by Mary Shelley: Mary Shelley’s still shocking novel is an affront to many things: religion, ego, scientific progress, but also love. The titular doctor creates a creature that he abandons out of disgust, only to have his creation haunt his every step and destroy all the people he loves. Talk about a bad ex. The book is a tragic exploration of freakishness and abandonment, an...
- 2/14/2017
- by Ben Larned
- DailyDead
Towering castles where secrets lurk; fragile souls ripe for corruption; beasts made men, and men made beasts. These elements have populated our collective imaginations for centuries, across continents and generations. And for so many of these years, the stories remained the same. They served as warnings, cautionary tales against losing innocence and purity—morally-centered escapism. Only in the last fifty years, it seems, have we begun to deconstruct these stories. Some have watered them down for happier digestion; others amplify their sexuality and luridness. Few have been able to accomplish what Angela Carter did with her collection, The Bloody Chamber.
Focusing mainly on the tales of Charles Perrault, Carter began a trend that we have seen many times since—she brought classic stories into a modern context. A surface read shows obvious themes of feminism and sexuality. Traditional tales were meant to warn against sex (and sin, going hand in hand) and encourage wholesome unions,...
Focusing mainly on the tales of Charles Perrault, Carter began a trend that we have seen many times since—she brought classic stories into a modern context. A surface read shows obvious themes of feminism and sexuality. Traditional tales were meant to warn against sex (and sin, going hand in hand) and encourage wholesome unions,...
- 11/1/2016
- by Ben Larned
- DailyDead
The year that gave us Gremlins, Ghostbusters and The Temple Of Doom also gave us these 20 underappreciated movies...
It's been said that 1984 was a vintage year for movies, and looking back, it's easy to see why. The likes of Ghostbusters and Gremlins served up comedy, action and the macabre in equal measure. James Cameron's The Terminator cemented Arnold Schwarzenegger's star status and gave us one of the greatest sci-fi action movies of the decade.
This was also the year where the Coen brothers made their screen debut with the stunning thriller Blood Simple, and when the Zucker brothers followed up Airplane! with the equally hilarious Top Secret! And we still haven't even mentioned Beverly Hills Cop, This Is Spinal Tap, The Karate Kid, Indiana Jones And The Temple Of Doom and the unexpectedly successful romantic comedy, Splash. Then there was Milos Forman's sumptuous period drama Amadeus, which...
It's been said that 1984 was a vintage year for movies, and looking back, it's easy to see why. The likes of Ghostbusters and Gremlins served up comedy, action and the macabre in equal measure. James Cameron's The Terminator cemented Arnold Schwarzenegger's star status and gave us one of the greatest sci-fi action movies of the decade.
This was also the year where the Coen brothers made their screen debut with the stunning thriller Blood Simple, and when the Zucker brothers followed up Airplane! with the equally hilarious Top Secret! And we still haven't even mentioned Beverly Hills Cop, This Is Spinal Tap, The Karate Kid, Indiana Jones And The Temple Of Doom and the unexpectedly successful romantic comedy, Splash. Then there was Milos Forman's sumptuous period drama Amadeus, which...
- 9/8/2015
- by ryanlambie
- Den of Geek
The best horror writer of the 20th century you've probably never heard of was a British woman who looked like a benign but mildly dotty Hogwarts teacher. But do not miss the occult mischief behind those 1980s mom-glasses; in a fairly standard Angela Carter story, Harry Potter would be mauled to death by a werewolf before a pan-species initiation of Hermione’s pubescent sexual power. She made things weird like that, which is why she was great. Carter, however, was not a horror writer in the same sense as Anne Rice or Stephen King; the bulk of her work is classified as magical realism (a made-up, jerk-off genre that permits English departments to acknowledge the existence of the human imagination), but her most celebrated book is a high gothic collection of short stories called The Bloody Chamber that you should read immediately if the genre holds any appeal for you.
- 7/23/2014
- by Brian McGreevy
- Vulture
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