75
Metascore
9 reviews · Provided by Metacritic.com
- 100The Hollywood ReporterDavid RooneyThe Hollywood ReporterDavid RooneyEqual parts ethnographic and poetic, this eloquent drama's stirring soulfulness is laced with the sorrow of cultural dislocation but also with lovely ripples of humor and even joy.
- 83The A.V. ClubIgnatiy VishnevetskyThe A.V. ClubIgnatiy VishnevetskyPart of the movie’s mischievous charm lies in De Heer and cinematographer Ian Jones’ sophisticated use of Steadicam, which moves almost exclusively with Charlie, often seemingly in a struggle to keep up with his brisk, determined walk.
- 80VarietyEddie CockrellVarietyEddie CockrellCharlie is the vessel through which de Heer navigates these turbulent waters, and the script was developed during sessions when the actor would throw out ideas and the director would structure the results. It is to both men’s credit that amid the suffering, there’s a ray of hope for Charlie in the end.
- 75Boston GlobePeter KeoughBoston GlobePeter KeoughThis walkabout ends less dramatically and not as tragically as the one in Roeg’s film, but perhaps with a greater poignancy. And Gulpilil, four decades of hard living later, is as magnificent as ever.
- 70Village VoiceDanny KingVillage VoiceDanny KingWhether laughing, crying, mumbling to himself, or projecting a valiant stoicism, Gulpilil — beneath a white beard and a blanket of shaggy hair — commands the screen in close-ups liable to run for minutes at a time.
- 70The DissolveTasha RobinsonThe DissolveTasha RobinsonCharlie’s Country is sincere at the expense of nuance, and tragic at the expense of variety: It tends to hit its points over and over, with blunt, on-the-nose sincerity. But Gulpilil’s performance keeps it from crossing too far into hand-wringing preachiness.
- 70The New York TimesNicolas RapoldThe New York TimesNicolas RapoldUnlike those in many art-house releases, this wilderness is not an abstract arena for playing out alienation but a living, breathing land with deep, abiding significance for Charlie and his fellow Aborigines cast adrift.
- 63Slant MagazineSlant MagazineIt finally offers little more than a moderately engaging slice of contemporary aboriginal life that mostly fails to dig beneath the surface of this underrepresented world.
- 60CineVueJohn BleasdaleCineVueJohn BleasdaleMost powerful of all is Gulpilil's performance. His presence at the centre of the film is one of anger, humour and ultimately resilience.