This article was produced as part of the Locarno Critics Academy, a workshop for aspiring journalists at the Locarno Film Festival, a collaboration between the Locarno Film Festival, IndieWire and the Film Society of Lincoln Center with the support of Film Comment and the Swiss Alliance of Film Journalists. The following interview, conducted by a member of the Critics Academy, focuses on a participant in the affiliated Filmmakers Academy program at the festival.
In “Doce Lar,” the muted debut short from Nuno Baltazar, a weathered man lives alone in a crumbling prison, afraid of all that lies outside and depending only on himself to survive. The Lisbon-born Baltazar is similarly self-sufficient: in addition to writing and directing “Doce Lar,” Baltazar edited and produced the film. The decision to be a total filmmaker has it’s roots in deciding to start making movies after several years working as graphic designer.
Read...
In “Doce Lar,” the muted debut short from Nuno Baltazar, a weathered man lives alone in a crumbling prison, afraid of all that lies outside and depending only on himself to survive. The Lisbon-born Baltazar is similarly self-sufficient: in addition to writing and directing “Doce Lar,” Baltazar edited and produced the film. The decision to be a total filmmaker has it’s roots in deciding to start making movies after several years working as graphic designer.
Read...
- 8/12/2016
- by Andrew Rogers
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.