Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress, as presented by the creators themselves. At the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
Of Love & Law
Logline: Fumi and Kazu – partners in love and law – run Japan’s first Lgbt law firm.
Elevator Pitch:
This is an indie film about Japan’s first Lgbt law firm. Japan is a highly conformist country proud of its social cohesion and unity. Yet conformity comes at a cost – to be different is to be invisible, and this is the subject of our film. “Of Love & Law” tells the hidden stories of people who are silenced and made invisible by Japanese society and its laws. What are the risks of being yourself...
In the meantime: Is this a project you’d want to see? Tell us in the comments.
Of Love & Law
Logline: Fumi and Kazu – partners in love and law – run Japan’s first Lgbt law firm.
Elevator Pitch:
This is an indie film about Japan’s first Lgbt law firm. Japan is a highly conformist country proud of its social cohesion and unity. Yet conformity comes at a cost – to be different is to be invisible, and this is the subject of our film. “Of Love & Law” tells the hidden stories of people who are silenced and made invisible by Japanese society and its laws. What are the risks of being yourself...
- 11/16/2016
- by Steve Greene
- Indiewire
Lithuanian documentaries will be in the spotlight at this year’s 55th Krakow Film Festival (May 31-June 7) which opens with Krzysztof Kopczynski’s The Dybbuk. A Tale Of Wandering Souls.
It marks is the fourth time Krakow has selected a guest country and will include a special screening of Giedrė Žickytė’s How We Played The Revolution, produced by Dagne Vildziunaite, one of Screen’s Future Leaders in Cannes last month.
Vildziunaite also has the latest film by Žickytė, Master And Tatjana, screening in the festival’s International Documentary Competition.
She will also be participating with such colleagues as the Lithuanian Film Centre’s chief Rolandas Kvietkauskas, filmmaker Audrius Stonys and broadcaster Izolda Keidosiute of Lrt in a conference during the festival to discuss the various strategies adopted by the documentary community in her country .
Other films shown in the “Focus on Lithuania” will include Linas Mikuta’s Dinner, Rimantas Gruodis’ Lucky Year, and Ričardas...
It marks is the fourth time Krakow has selected a guest country and will include a special screening of Giedrė Žickytė’s How We Played The Revolution, produced by Dagne Vildziunaite, one of Screen’s Future Leaders in Cannes last month.
Vildziunaite also has the latest film by Žickytė, Master And Tatjana, screening in the festival’s International Documentary Competition.
She will also be participating with such colleagues as the Lithuanian Film Centre’s chief Rolandas Kvietkauskas, filmmaker Audrius Stonys and broadcaster Izolda Keidosiute of Lrt in a conference during the festival to discuss the various strategies adopted by the documentary community in her country .
Other films shown in the “Focus on Lithuania” will include Linas Mikuta’s Dinner, Rimantas Gruodis’ Lucky Year, and Ričardas...
- 5/29/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
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