Syllas Tzoumerkas, one of the filmmakers who formed part of the Greek New Wave, believes young filmmakers should remain defiant against norms and conformity when developing a film language unique to themselves.
Speaking during a masterclass at the Karlovy Vary Film Festival entitled “A Very Certain Defiance,” Tzoumerkas told his young audience, participants of European Film Promotion’s Future Frames program, “The word ‘defiance’ can create a path for you in surviving the film industry.”
The director, whose films include 2010 Venice Critics’ Week pic “Homeland,” 2014 Locarno competition film “A Blast,” and this year’s Berlin Panorama player “The Miracle of the Sargasso Sea,” advised them: “You are going to have to create a core – an inner strength – that is non-negotiable because this is what is going to feed you; this what is going to create content.”
He added: “Be defiant against all the sea of opinion, norms, conformity… be defiant against yourself.
Speaking during a masterclass at the Karlovy Vary Film Festival entitled “A Very Certain Defiance,” Tzoumerkas told his young audience, participants of European Film Promotion’s Future Frames program, “The word ‘defiance’ can create a path for you in surviving the film industry.”
The director, whose films include 2010 Venice Critics’ Week pic “Homeland,” 2014 Locarno competition film “A Blast,” and this year’s Berlin Panorama player “The Miracle of the Sargasso Sea,” advised them: “You are going to have to create a core – an inner strength – that is non-negotiable because this is what is going to feed you; this what is going to create content.”
He added: “Be defiant against all the sea of opinion, norms, conformity… be defiant against yourself.
- 7/13/2019
- by Leo Barraclough
- Variety Film + TV
“The Miracle of the Sargasso Sea” takes place far from the eponymous body of water, and in its actual swampy locale — a glum eel-fishing community in western Greece — miracles are in distinctly short supply. But the title’s metaphorical implications of disorientation and immurement are felt in a stylish, many-stranded mystery that often casts viewers adrift in clashing tides of dark genre convention, nightmarish surrealism and fevered close-up character study. Greek writer-director Syllas Tzoumerkas’ third feature unreels and obscurely entangles the stories of two unconnected women, a dissolute female police chief and an abused eel-factory worker, in murky depths of small-town sin. The fishy stew that results maintains the antic, scratchy energy of Tzoumerkas’s striking 2014 festival favorite “A Blast,” though overplotting muddles its impact.
“Sargasso Sea” is assured further festival play following its premiere in Berlin’s Panorama strand, though it’s a challenging sales prospect: Its commercial fortunes...
“Sargasso Sea” is assured further festival play following its premiere in Berlin’s Panorama strand, though it’s a challenging sales prospect: Its commercial fortunes...
- 2/28/2019
- by Guy Lodge
- Variety Film + TV
After a sudden suicide turns a small eel-farming town upside down, an investigation unearths troubling secrets about the town’s past. Those discoveries will bring together two women trapped in solitary lives, offering each a chance to find salvation.
“The Miracle of the Sargasso Sea” is the third feature by Greek director Syllas Tzoumerkas. Starring frequent Yorgos Lanthimos collaborator Angeliki Papoulia and Youla Boudali (“In the Fade”), the film will world premiere in the Berlin Film Festival’s Panorama section.
Taking its name from the mysterious region of the North Atlantic, a swirling gyre of deep-blue water bounded by four ocean currents, “The Miracle of the Sargasso Sea” is the story of two women dreaming of escape.
Their arduous emotional journey echoes a remarkable natural phenomenon, when eels in Europe and North America reaching sexual maturity leave their habitats and swim hundreds of miles to lay their eggs in the Sargasso.
“The Miracle of the Sargasso Sea” is the third feature by Greek director Syllas Tzoumerkas. Starring frequent Yorgos Lanthimos collaborator Angeliki Papoulia and Youla Boudali (“In the Fade”), the film will world premiere in the Berlin Film Festival’s Panorama section.
Taking its name from the mysterious region of the North Atlantic, a swirling gyre of deep-blue water bounded by four ocean currents, “The Miracle of the Sargasso Sea” is the story of two women dreaming of escape.
Their arduous emotional journey echoes a remarkable natural phenomenon, when eels in Europe and North America reaching sexual maturity leave their habitats and swim hundreds of miles to lay their eggs in the Sargasso.
- 2/22/2019
- by Christopher Vourlias
- Variety Film + TV
Screen speaks to up-and-coming producers from Serbia, Greece, Georgia, Turkey and Bulgaria.
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
- 8/17/2017
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Screen speaks to up-and-coming producers from Serbia, Greece, Georgia, Turkey and Bulgaria.
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
Sarajevo Film Festival’s CineLink industry programme is in full flow. Below, Screen highlights five emerging producers from the region who are making waves.
Nataša Damnjanović (Serbia)
Serbian producer Nataša Damnjanović (pictured, top) started out as an editor, and since she founded the production company Dart Film together with Vladimir Vidić in 2006, she is still doing the editing on most of their films as well.
Damnjanović trained at Sarajevo and Berlinale Talents, Torino FilmLab and Eave, and first produced Nikola Ljuca’s short Sergeant in 2010 (which competed at Tampere), as well three shorts by Dane Komljen - A Surplus of Wind (2014), Our Body (2015), and All Still Orbit (2016), which screened at Locarno, Rotterdam, and Sarajevo.
Ljuca’s first feature Humidity world-premiered in Berlinale’s Forum in 2016 and won four national Serbian awards, including best film and best director. The same year, Komljen’s debut...
- 8/17/2017
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
United States Of Love, Rams and Mustang will feature at the eighth edition of the festival; regional premiere of Mirjana Karanovic’s A Good Wife.Scroll down for full line-up
The eighth Prishtina International Film Festival (April 22-29) will open with a screening of Jonas Carpignano’s Mediterranea, which will compete as part of the event’s European Film Competition.
Tomasz Wasilewski’s Silver Berlin Bear-winning United States Of Love will also compete in the strand, as will Grímur Hákonarson’s Cannes Un Certain Regard-winning Rams and Deniz Gamze Ergüven’s Oscar-nominated Mustang.
Completing the line-up is Juris Kursietis’ Modris, Carlos Marques-Marcet’s 10,000 Km, and Swiss 10-part Sci-Fi anthology Heimtaland. The films will compete for the festival’s Golden Goddess prize for best European film.
The Honey and Blood competition, which showcases Balkan titles, will this year feature nine films including Danis Tanovic’s Silver Berlin Bear-winning Death In Sarajevo - which will close the festival with Tanovic...
The eighth Prishtina International Film Festival (April 22-29) will open with a screening of Jonas Carpignano’s Mediterranea, which will compete as part of the event’s European Film Competition.
Tomasz Wasilewski’s Silver Berlin Bear-winning United States Of Love will also compete in the strand, as will Grímur Hákonarson’s Cannes Un Certain Regard-winning Rams and Deniz Gamze Ergüven’s Oscar-nominated Mustang.
Completing the line-up is Juris Kursietis’ Modris, Carlos Marques-Marcet’s 10,000 Km, and Swiss 10-part Sci-Fi anthology Heimtaland. The films will compete for the festival’s Golden Goddess prize for best European film.
The Honey and Blood competition, which showcases Balkan titles, will this year feature nine films including Danis Tanovic’s Silver Berlin Bear-winning Death In Sarajevo - which will close the festival with Tanovic...
- 4/7/2016
- ScreenDaily
United States Of Love, Rams and Mustang will feature at the eighth edition of the festival; regional premiere of Mirjana Karanovic’s A Good Wife.Scroll down for full line-up
The eighth Prishtina International Film Festival (April 22-29) will open with a screening of Jonas Carpignano’s Mediterranea, which will compete as part of the event’s European Film Competition.
Tomasz Wasilewski’s Silver Berlin Bear-winning United States Of Love will also compete in the strand, as will Grímur Hákonarson’s Cannes Un Certain Regard-winning Rams and Deniz Gamze Ergüven’s Oscar-nominated Mustang.
Completing the line-up is Juris Kursietis’ Modris, Carlos Marques-Marcet’s 10,000 Km, and Swiss 10-part Sci-Fi anthology Heimtaland. The films will compete for the festival’s Golden Goddess prize for best European film.
The Honey and Blood competition, which showcases Balkan titles, will this year feature nine films including Danis Tanovic’s Silver Berlin Bear-winning Death In Sarajevo and the regional premiere of Mirjana Karanović...
The eighth Prishtina International Film Festival (April 22-29) will open with a screening of Jonas Carpignano’s Mediterranea, which will compete as part of the event’s European Film Competition.
Tomasz Wasilewski’s Silver Berlin Bear-winning United States Of Love will also compete in the strand, as will Grímur Hákonarson’s Cannes Un Certain Regard-winning Rams and Deniz Gamze Ergüven’s Oscar-nominated Mustang.
Completing the line-up is Juris Kursietis’ Modris, Carlos Marques-Marcet’s 10,000 Km, and Swiss 10-part Sci-Fi anthology Heimtaland. The films will compete for the festival’s Golden Goddess prize for best European film.
The Honey and Blood competition, which showcases Balkan titles, will this year feature nine films including Danis Tanovic’s Silver Berlin Bear-winning Death In Sarajevo and the regional premiere of Mirjana Karanović...
- 4/7/2016
- ScreenDaily
Greek cinema had a successful run last year reminding us of the cinematic deluge from Hellenic peninsula we had started to refer to as the Greek New Wave. Besides the already known personalities with international credentials - Athina Rachel Tsangari and Yorgos Lanthimos - other Greek filmmakers sprung up to tease our visual receptors. Just to name a few, Kyros Papavissilliou´s Impressions of a Drowned Man a ghost-story/myth executed in the hypnotic poetics of pittura metafisica paintings, noirish Wednesday 04:45 an impressive genre take on the topic of economic crisis byAlexis Alexiou, Syllas Tzoumerkas´ frenetic drama truthful to its name, A Blast and the list keeps rolling on. Whatever situation prevails in Greece film industry, the roll-out rhythm of new films might be maintained also...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 3/29/2016
- Screen Anarchy
A film composed of jagged edges, told in short, staccato scenes that feel not so much edited as fed through a shredder and flung at your eyes, Syllas Tzoumerkas' "A Blast" is a hard, unforgiving and occasionally shrill watch but it explodes through those barriers with its intense energy and pinpoint topicality. It somehow feels appropriate that with the so-called Greek Weird Wave forged in the crucible of the beginning of Greece's economic collapse, now over half a decade later we have "A Blast." It is part of that movement in theme (the legacy of suffocating debt that the older generation has left for the younger, who are thus ensnared in an impossible situation not of their own making) and in allegorical strength, but not at all in style. Gone are the carefully composed frames, colored in controlled, cool palettes that we might have considered the movement's overriding aesthetic to date.
- 7/14/2015
- by Jessica Kiang
- The Playlist
Exclusive: Greece’s Syllas Tzoumerkas and Hungary’s Adam Csaszi are among 13 international filmmakers selected to each spend three months in Berlin as part of the Nipkow Programme residency.
An international jury under French producer Christine Camdessus decided on the latest intake of Nipkow fellows from 11 countries out of 86 applicants from 30 countries ranging from Bosnia & Herzegovina and Brazil through Uganda and Ukraine to the Us.
The first batch of filmmakers will arrive in Berlin this month for a three-month period, and others will come over subsequent months.
Tzoumerkas, who presented his last feature A Blast in competition in Locarno last summer, will be in Berlin from August to work on his new project The Miracle of the Sargasso Sea, while Csaszi, whose feature debut Land Of Storms premiered in the Berlinale’s Panorama Special in 2014, will be developing the screenplay for a new film High Dive for three months in the same period.
The largest...
An international jury under French producer Christine Camdessus decided on the latest intake of Nipkow fellows from 11 countries out of 86 applicants from 30 countries ranging from Bosnia & Herzegovina and Brazil through Uganda and Ukraine to the Us.
The first batch of filmmakers will arrive in Berlin this month for a three-month period, and others will come over subsequent months.
Tzoumerkas, who presented his last feature A Blast in competition in Locarno last summer, will be in Berlin from August to work on his new project The Miracle of the Sargasso Sea, while Csaszi, whose feature debut Land Of Storms premiered in the Berlinale’s Panorama Special in 2014, will be developing the screenplay for a new film High Dive for three months in the same period.
The largest...
- 6/5/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
When it comes to international film festivals, there are sprinters and there are distance runners. Spanning 25 days across May and June, Seattle International Film Festival is the Pheidippides of American fests. Unlike its splashier cousins, Sundance and SXSW, Siff doesn’t pander to big movie stars or flashy hipsters. Staying true to its Northwest sensibilities, Siff quietly grinds out one terrific program after another. The 41st edition boasts a whopping 193 feature films, 164 short films, and 70 documentaries, many of which are either World or North American premieres. It’s enough to make even the most ambitious cinephile curl up in a corner with his festival guide and cry. Here, then, is a brief preview of some hotly anticipated films, as well as some obscure titles that might otherwise go unnoticed.
Familiar Faces
Strategically positioned in the middle of the calendar year, Siff has the advantage of playing favorites. More specifically, they...
Familiar Faces
Strategically positioned in the middle of the calendar year, Siff has the advantage of playing favorites. More specifically, they...
- 5/7/2015
- by J.R. Kinnard
- SoundOnSight
Organisers at the Seattle International Film Festival (Siff) announced the complete line-up of 450 films from 92 countries on Wednesday. The festival runs from May 14-June 7.
The Overnight starring Jason Schwartzman will close the event and as previously announced Spy (pictured) with Melissa McCartney will kick off proceedings. Kevin Bacon will receive career achievement in acting award.
“This year’s festival is bigger and more international than ever, with a record 92 countries represented,” said Siff artistic director Carl Spence. “Adding to our diverse international line-up is our new programme, Culinary Cinema, which features 11 fantastic new films.
“And I’m particularly excited to welcome Kevin Bacon as this year’s Tribute Guest – Siff will now be only one-degree of separation away!”
Galas and premieres include Max Landis’ directorial debut Me Him Her, Chris Evans in Before We Go, Jesse Eisenberg and Jason Segal in the Centerpiece Gala End Of The Tour . Inside Out, Mr. Holmes and [link...
The Overnight starring Jason Schwartzman will close the event and as previously announced Spy (pictured) with Melissa McCartney will kick off proceedings. Kevin Bacon will receive career achievement in acting award.
“This year’s festival is bigger and more international than ever, with a record 92 countries represented,” said Siff artistic director Carl Spence. “Adding to our diverse international line-up is our new programme, Culinary Cinema, which features 11 fantastic new films.
“And I’m particularly excited to welcome Kevin Bacon as this year’s Tribute Guest – Siff will now be only one-degree of separation away!”
Galas and premieres include Max Landis’ directorial debut Me Him Her, Chris Evans in Before We Go, Jesse Eisenberg and Jason Segal in the Centerpiece Gala End Of The Tour . Inside Out, Mr. Holmes and [link...
- 4/29/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
New projects by Karabey, Aydogan, Sakaoglu among award winners at Istanbul Meetings
New film projects by Hüseyin Karabey, Zekeriya Aydoğan, and Sinem Sakaoğlu were among the award winners at the 10th edition of Meetings on the Bridge (April 15-16) during the Istanbul Film Festival.
Four awards were given to projects presented as part of this year’s Film Project Development Workshop and were decided by an international jury comprising of such leading industry figures as Meinolf Zurhorst (Zdf), Sergio Garcia De Leaniz (Eurimages), Gabrielle Dumon (Le Bureau Films), Giovanni Robbiano (Mediterranean Film Institute/Mfi) and Khalil Benkirane (Doha Film Institute).
The $ 10,000 Meetings On The Bridge Award went to German-born director Tarik Aktaş’ Dead Horse Nebula - about a sequence of incidents taking place around a small village -, while the € 10,000 Cnc Award was given to The Death of Father and Son by Zekeriya Aydoğan, a period drama set in the Kurdish society.
Aydoğan’s latest...
New film projects by Hüseyin Karabey, Zekeriya Aydoğan, and Sinem Sakaoğlu were among the award winners at the 10th edition of Meetings on the Bridge (April 15-16) during the Istanbul Film Festival.
Four awards were given to projects presented as part of this year’s Film Project Development Workshop and were decided by an international jury comprising of such leading industry figures as Meinolf Zurhorst (Zdf), Sergio Garcia De Leaniz (Eurimages), Gabrielle Dumon (Le Bureau Films), Giovanni Robbiano (Mediterranean Film Institute/Mfi) and Khalil Benkirane (Doha Film Institute).
The $ 10,000 Meetings On The Bridge Award went to German-born director Tarik Aktaş’ Dead Horse Nebula - about a sequence of incidents taking place around a small village -, while the € 10,000 Cnc Award was given to The Death of Father and Son by Zekeriya Aydoğan, a period drama set in the Kurdish society.
Aydoğan’s latest...
- 4/17/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Film-makers across Europe are “in shock” after learning the news that the Nipkow Programm has not received backing from the EU’s Creative Europe programme for 2015-2016.
Speaking exclusively to ScreenDaily, Nipkow Programm managing director Petra Weisenburger explained that the Berlin-based training initiative had not been successful in the latest round of funding for the next two years and would explore alternative strategies for a survival plan.
In the current financial year, Creative Europe had provided nearly 46% (€180,400) of Nipkow’s overall budget, with the remaining €215,543 coming from Medienboard Berlin-Brandenburg (Mbb) and Germany’s State Minister for Culture and the Media (Bkm).
Weisenburger said that Mbb’s CEO Kirsten Niehuus had already indicated a desire to see the Nipkow Programm continue to exist, but the situation remains unclear about the funding from Bkm for 2015 onwards.
She added that the Nipkow Programm jury of experts will meet during the next Berlinale in February to discuss the initiative’s future...
Speaking exclusively to ScreenDaily, Nipkow Programm managing director Petra Weisenburger explained that the Berlin-based training initiative had not been successful in the latest round of funding for the next two years and would explore alternative strategies for a survival plan.
In the current financial year, Creative Europe had provided nearly 46% (€180,400) of Nipkow’s overall budget, with the remaining €215,543 coming from Medienboard Berlin-Brandenburg (Mbb) and Germany’s State Minister for Culture and the Media (Bkm).
Weisenburger said that Mbb’s CEO Kirsten Niehuus had already indicated a desire to see the Nipkow Programm continue to exist, but the situation remains unclear about the funding from Bkm for 2015 onwards.
She added that the Nipkow Programm jury of experts will meet during the next Berlinale in February to discuss the initiative’s future...
- 11/12/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Syllas Tzoumerkas’ A Blast tracks the fallout of the Greek economic collapse on an average middle class family. Or at least I think it does. You see, A Blast has been shoved through a wood chipper and what comes out is an enigmatic nonlinear narrative that confuses much more than it intrigues.
Our focus is the fragmented and chaotic wife/daughter/mother Maria (Angeliki Papoulia), a woman standing squarely in the eye of an economic storm. Maria is smart, beautiful and ambitious, with high hopes and genuine prospects. We first meet her the day she’s been accepted to study law in Athens, and the family hums with jubilation. Her elderly father hugs her, her mother gives her an envelope of cash as a present and she bickers pleasantly with her younger sister. Underlying all this is a passionate relationship with the hunky Yannis (Vassilis Doganis), with the two indulging...
Our focus is the fragmented and chaotic wife/daughter/mother Maria (Angeliki Papoulia), a woman standing squarely in the eye of an economic storm. Maria is smart, beautiful and ambitious, with high hopes and genuine prospects. We first meet her the day she’s been accepted to study law in Athens, and the family hums with jubilation. Her elderly father hugs her, her mother gives her an envelope of cash as a present and she bickers pleasantly with her younger sister. Underlying all this is a passionate relationship with the hunky Yannis (Vassilis Doganis), with the two indulging...
- 10/19/2014
- by David James
- We Got This Covered
The 20th edition of the festival includes competition titles ’71 and Blind.
The Athens International Film Festival (Sept 17-28) kicks off its 20th edition today with 241 titles selected by artistic director Orestis Andreadakis.
The festival will open with Damian Szifron’s hit Wild Tales, which has proved a critical hit since its world premiere in competition at Cannes, and will close with David Fincher’s Us crime drama Gone Girl, marking its European premiere.
This year’s international competition includes Yann Demange’s Berlinale title, ’71, and Eskil Vogt’s Blind, which has picked up awards in Berlin and Sundance among others.
‘71, Yann Demange (UK)10,000 km, Carlos Marques-Marcet (Spa)Blind, Eskil Vogt (Nor)The Canal, Ivan Kavanagh (Irel)Manos Sucias, Josef Wladyka (Us-Col)The Mend, John Magary (Us)Natural Sciences, Matías Lucchesi (Arg)Thou Wast Mild and Lovely, Josephine Decker (Us)The Way He Looks, Daniel Ribeiro (Bra)When Animals Dream, Jonas Alexander Arnby (De)
A five-member Youth Jury, comprised...
The Athens International Film Festival (Sept 17-28) kicks off its 20th edition today with 241 titles selected by artistic director Orestis Andreadakis.
The festival will open with Damian Szifron’s hit Wild Tales, which has proved a critical hit since its world premiere in competition at Cannes, and will close with David Fincher’s Us crime drama Gone Girl, marking its European premiere.
This year’s international competition includes Yann Demange’s Berlinale title, ’71, and Eskil Vogt’s Blind, which has picked up awards in Berlin and Sundance among others.
‘71, Yann Demange (UK)10,000 km, Carlos Marques-Marcet (Spa)Blind, Eskil Vogt (Nor)The Canal, Ivan Kavanagh (Irel)Manos Sucias, Josef Wladyka (Us-Col)The Mend, John Magary (Us)Natural Sciences, Matías Lucchesi (Arg)Thou Wast Mild and Lovely, Josephine Decker (Us)The Way He Looks, Daniel Ribeiro (Bra)When Animals Dream, Jonas Alexander Arnby (De)
A five-member Youth Jury, comprised...
- 9/17/2014
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
Above: Pedro Costa's Horse Money
The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...
"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director
Above: Matías Piñeiro's The Princess of France
Concorso Internazionale (Official Competition)
A Blast (Syllas Tzoumerkas, Greece/Germany/Netherlands)
Alive (Jungbum Park, South Korea)
Horse Money (Pedro Costa,...
The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...
"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director
Above: Matías Piñeiro's The Princess of France
Concorso Internazionale (Official Competition)
A Blast (Syllas Tzoumerkas, Greece/Germany/Netherlands)
Alive (Jungbum Park, South Korea)
Horse Money (Pedro Costa,...
- 7/25/2014
- by Notebook
- MUBI
The Sarajevo Film Festival has unveiled the line-up for its 20th edition which runs August 15-23.
The 20th Sarajevo Film Festival (Aug 15-23) has announced its official selection. Among nine films in the feature competition, there are three world premieres, including the new film by Kosovo veteran Isa Qosja, Three Windows And A Hanging. Qosja won the Special Jury Award at Sff with Kukumi in 2005.
Two other world premieres in competition are first feature films: Georgian director Lasha Tskvitinidze’s I Am Beso, and Song Of My Mother by Turkey’s Erol Mintas.
The list of debuts in the competition is completed with Berlinale titles Brides by Georgia’s Tinatin Kajrishvili, Land Of Storms by Hungary’s Ádám Császi, and Macondo by Sudabeh Mortezai from Austria.
Cure - The Life Of Another, the new film by Andrea Staka who won Heart of Sarajevo for best film in 2006 with Das Fräulein, will have its...
The 20th Sarajevo Film Festival (Aug 15-23) has announced its official selection. Among nine films in the feature competition, there are three world premieres, including the new film by Kosovo veteran Isa Qosja, Three Windows And A Hanging. Qosja won the Special Jury Award at Sff with Kukumi in 2005.
Two other world premieres in competition are first feature films: Georgian director Lasha Tskvitinidze’s I Am Beso, and Song Of My Mother by Turkey’s Erol Mintas.
The list of debuts in the competition is completed with Berlinale titles Brides by Georgia’s Tinatin Kajrishvili, Land Of Storms by Hungary’s Ádám Császi, and Macondo by Sudabeh Mortezai from Austria.
Cure - The Life Of Another, the new film by Andrea Staka who won Heart of Sarajevo for best film in 2006 with Das Fräulein, will have its...
- 7/17/2014
- ScreenDaily
13 of the 17 films competing for the Golden Leopard are world premieres; Juliette Binoche to receive Excellence Award.
Full details of the line-up for the 67th Locarno Film Festival, which runs August 6-16, were unveiled at a press conference in the Swiss capital Berne today.
13 of the 17 films competing for the Golden Leopard in the festival’s International Competition section are world premiers including Syllas Tzoumerkas’s A Blast [pictured], Jungbum Park’s Alive (South Korea), Paul Vecchiali’s White Nights On The Pier (France) and Yury Bykov’s The Fool (Russia). International premieres include Alex Ross Perry’s hotly antipated Us comedy Listen Up Philip starring Jason Schwartzman who is expected to attend.
The Piazza Grande line-up includes the international premieres of Eran Riklis’ Dancing Arabs, Aaron Katz and Martha Stephens’ critically acclaimed Iceland set Land Ho! Which world premiered at Sundance, and Olivier Assayas’ Clouds Of Sils Maria, which played in competition in Cannes. World premieres...
Full details of the line-up for the 67th Locarno Film Festival, which runs August 6-16, were unveiled at a press conference in the Swiss capital Berne today.
13 of the 17 films competing for the Golden Leopard in the festival’s International Competition section are world premiers including Syllas Tzoumerkas’s A Blast [pictured], Jungbum Park’s Alive (South Korea), Paul Vecchiali’s White Nights On The Pier (France) and Yury Bykov’s The Fool (Russia). International premieres include Alex Ross Perry’s hotly antipated Us comedy Listen Up Philip starring Jason Schwartzman who is expected to attend.
The Piazza Grande line-up includes the international premieres of Eran Riklis’ Dancing Arabs, Aaron Katz and Martha Stephens’ critically acclaimed Iceland set Land Ho! Which world premiered at Sundance, and Olivier Assayas’ Clouds Of Sils Maria, which played in competition in Cannes. World premieres...
- 7/16/2014
- by sarah.cooper@screendaily.com (Sarah Cooper)
- ScreenDaily
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