“Baby Driver,” “Blade Runner 2049,” “Dunkirk,” and “The Shape of Water” each received three Mpse sound editing nominations (Dialogue/Adr, Effects/Foley, and Music Score) in the race for the 65th Golden Reel Awards (held February 18th at the Westin Bonaventure).
Right behind with two nominations were “War for the Planet of the Apes” (Dialogue /Adr, Effects/Foley) and Pixar’s “Coco” (Animation, Musical).
Receiving single nominations were “Darkest Hour” (Dialogue /Adr), “Detroit” (Dialogue/Adr), “King Arthur: Legend of the Sword” (Music Score), “Logan” (Effects/Foley), “Star Wars: The Last Jedi” (Effects/Foley), “Three Billboards Outside of Ebbing, Missouri (Dialogue/Adr), “The Lost City of Z” (Music Score), “Thor: Ragnarok” (Effects/Foley), “Transformers: The Last Knight” (Music Score), “Wonder Woman” (Music Score).
Other Musical nominations went to Disney’s “Beauty and the Beast” and “The Greatest Showman.” Competing with “Coco” in animation were Pixar’s “Cars 3,” Illumination’s “Despicable Me 3,...
Right behind with two nominations were “War for the Planet of the Apes” (Dialogue /Adr, Effects/Foley) and Pixar’s “Coco” (Animation, Musical).
Receiving single nominations were “Darkest Hour” (Dialogue /Adr), “Detroit” (Dialogue/Adr), “King Arthur: Legend of the Sword” (Music Score), “Logan” (Effects/Foley), “Star Wars: The Last Jedi” (Effects/Foley), “Three Billboards Outside of Ebbing, Missouri (Dialogue/Adr), “The Lost City of Z” (Music Score), “Thor: Ragnarok” (Effects/Foley), “Transformers: The Last Knight” (Music Score), “Wonder Woman” (Music Score).
Other Musical nominations went to Disney’s “Beauty and the Beast” and “The Greatest Showman.” Competing with “Coco” in animation were Pixar’s “Cars 3,” Illumination’s “Despicable Me 3,...
- 1/22/2018
- by Bill Desowitz
- Indiewire
You’ll feel compelled to turn up the volume during Patrick Shen’s documentary about the beneficial effects of silence. For one thing, your hearing has probably already been affected by the pernicious noise levels afflicting our everyday lives. For another, every commentator in the film speaks in the sort of quiet, measured tones apparently meant to signify inner calm but will mostly leave you asking, “What did he say?”
The sort of documentary for which the term “meditative” is usually applied, In Pursuit of Silence is a freewheeling examination of its subject that will make you crave a nice, long walk...
The sort of documentary for which the term “meditative” is usually applied, In Pursuit of Silence is a freewheeling examination of its subject that will make you crave a nice, long walk...
- 6/28/2017
- by Frank Scheck
- The Hollywood Reporter - Movie News
With mindfulness being the latest craze in self care, the human relationship to noise both literal and conceptual (there are few places louder than online or in a movie theater these days) is being reappraised. Be it schools located next to train tracks or the simple hustle and bustle of a work week, noise and noise pollution are effecting everyone on a moment to moment, day to day basis.
That’s ostensibly the thesis behind director Patrick Shen’s latest film, In Pursuit of Silence. Shot over two years across the globe, Shen’s film tries to take a worldwide view of noise and the human interaction with it, ranging from festival season in India to tea ceremonies in Kyoto. However, despite the expansive shoot schedule, the film is at its very best when taking an almost experiential type of aesthetic route.
Opening with a lengthy silent sequence in homage to composer John Cage’s legendary 4’33”, the film blends talking head interviews with sensory moments that offer an almost spiritual response from the viewer. The interviews are intriguing and offer the science side of this argument, yet Shen’s heart seems to be in the spiritual realm of this discussion. At its most compelling when giving itself over to the experience of sitting in silence, the film really comes alive in these sequences. It may be due to Shen’s own interest in the healing powers of silence, but it may also be due to the film’s superlative photography.
Shot digitally, the film is absolutely gorgeous. Rich and textured, there may not be much to take in when we are in the midst of an interview piece, yet Shen’s interest in cultural relationships to art is thrilling. Being thrust into the middle of a parade in Mumbai is captivating, as is our brief visit to the Denali National Park in Alaska. It is in these brief asides, these experiential moments, that the film’s argument that silence (or more so noiselessness, if the difference makes sense) is physically and spiritually healing comes through clearest. Sure, telling the viewer that interacting online may lead to earlier signs of dementia, but there’s something much more impactful, much more tactile in actually seeing the beauty of silence first hand.
That being said, the film is rightly dense for a roughly 80 minute run time. While the experiential moments do take up a majority, the scientific and cultural discussion is quite engrossing. Noise is something one interacts with from the moment they wake up to the moment they fall asleep, yet it’s something few people truly grasp conceptually. Be it walking to work or going to a football game, noise is everywhere and in the volume that one encounters it, it can be unfathomably dangerous.
Again, clocking in at just around 80 minutes, Silence is a captivating meditation (quite literally) on noise, silence and the human relationship with and to them. With noise coming at us from all ends throughout the day, every day, silence is something one should truly strive for, and this documentary hints as to just why it’s worth the effort.
That’s ostensibly the thesis behind director Patrick Shen’s latest film, In Pursuit of Silence. Shot over two years across the globe, Shen’s film tries to take a worldwide view of noise and the human interaction with it, ranging from festival season in India to tea ceremonies in Kyoto. However, despite the expansive shoot schedule, the film is at its very best when taking an almost experiential type of aesthetic route.
Opening with a lengthy silent sequence in homage to composer John Cage’s legendary 4’33”, the film blends talking head interviews with sensory moments that offer an almost spiritual response from the viewer. The interviews are intriguing and offer the science side of this argument, yet Shen’s heart seems to be in the spiritual realm of this discussion. At its most compelling when giving itself over to the experience of sitting in silence, the film really comes alive in these sequences. It may be due to Shen’s own interest in the healing powers of silence, but it may also be due to the film’s superlative photography.
Shot digitally, the film is absolutely gorgeous. Rich and textured, there may not be much to take in when we are in the midst of an interview piece, yet Shen’s interest in cultural relationships to art is thrilling. Being thrust into the middle of a parade in Mumbai is captivating, as is our brief visit to the Denali National Park in Alaska. It is in these brief asides, these experiential moments, that the film’s argument that silence (or more so noiselessness, if the difference makes sense) is physically and spiritually healing comes through clearest. Sure, telling the viewer that interacting online may lead to earlier signs of dementia, but there’s something much more impactful, much more tactile in actually seeing the beauty of silence first hand.
That being said, the film is rightly dense for a roughly 80 minute run time. While the experiential moments do take up a majority, the scientific and cultural discussion is quite engrossing. Noise is something one interacts with from the moment they wake up to the moment they fall asleep, yet it’s something few people truly grasp conceptually. Be it walking to work or going to a football game, noise is everywhere and in the volume that one encounters it, it can be unfathomably dangerous.
Again, clocking in at just around 80 minutes, Silence is a captivating meditation (quite literally) on noise, silence and the human relationship with and to them. With noise coming at us from all ends throughout the day, every day, silence is something one should truly strive for, and this documentary hints as to just why it’s worth the effort.
- 6/23/2017
- by Joshua Brunsting
- CriterionCast
If science fiction is meant to hold up a mirror to societal fears, it would be difficult to find a more pressing one than overpopulation and limited environmental resources. Set in a world where every family is allowed only one child, “Seven Sisters” stars Willem Dafoe as a grandfather who must hide the existence of his septuplet grandchildren, each played by Noomi Rapace. Rapace made a splash in the original Swedish version of “The Girl With the Dragon Tattoo,” and she dives back into the thriller in “Seven Sisters.”
Read More: ‘Logan Lucky’ First Trailer: Steven Soderbergh Races Back to the Big Screen After A Four-Year Hiatus
Previously titled “What Happened to Monday,” each septuplet is named after the day of the week that she is allowed to go outside. Out in the world, they all assume the same identity of Karen Settman. When Monday goes missing on her day,...
Read More: ‘Logan Lucky’ First Trailer: Steven Soderbergh Races Back to the Big Screen After A Four-Year Hiatus
Previously titled “What Happened to Monday,” each septuplet is named after the day of the week that she is allowed to go outside. Out in the world, they all assume the same identity of Karen Settman. When Monday goes missing on her day,...
- 6/6/2017
- by Jude Dry
- Indiewire
Discovery Channel has released the first trailer for “Manhunt: Unabomber,” a forthcoming anthology series about (you guessed it) the manhunt for the Unabomber. Sam Worthington plays the cat to Paul Bettany’s mouse in the eight-part series, which premieres later this summer. Avail yourself of the trailer below.
Read More: ‘Downward Dog’: Allison Tolman Talks About Strong Single Women, Smart Pups and Season 1 Guest Stars — Watch
Here’s the synopsis, if you haven’t read up on your history lately: “’Manhunt: Unabomber’ tells the dramatic and gripping true story of the FBI’s hunt for the Unabomber, the deadliest serial bomber in history. The story focuses on FBI Agent and Criminal Profiler Jim ‘Fitz’ Fitzgerald (played by Sam Worthington of ‘Avatar’ and ‘Hacksaw Ridge’), who pioneered the use of forensic linguistics to identify and ultimately capture the Unabomber, Ted Kaczynski (Paul Bettany, ‘Captain America: Civil War,’ ‘Avengers’ series and...
Read More: ‘Downward Dog’: Allison Tolman Talks About Strong Single Women, Smart Pups and Season 1 Guest Stars — Watch
Here’s the synopsis, if you haven’t read up on your history lately: “’Manhunt: Unabomber’ tells the dramatic and gripping true story of the FBI’s hunt for the Unabomber, the deadliest serial bomber in history. The story focuses on FBI Agent and Criminal Profiler Jim ‘Fitz’ Fitzgerald (played by Sam Worthington of ‘Avatar’ and ‘Hacksaw Ridge’), who pioneered the use of forensic linguistics to identify and ultimately capture the Unabomber, Ted Kaczynski (Paul Bettany, ‘Captain America: Civil War,’ ‘Avengers’ series and...
- 6/5/2017
- by Michael Nordine
- Indiewire
‘Night School’: Andrew Cohn’s Timely Documentary Explores Americans Pushing for Better Lives — Watch
Emmy-winning director Andrew Cohn’s latest documentary, “Night School,” takes its audience inside the lives of a trio of American dreamers as they struggle to overcome conditions outside their control and a system that hasn’t made things any easier for them to achieve something incredible: earning an education.
Set in Indianapolis, which has one of the lowest high school graduation rates in the country, the doc follows “victims of circumstance and a broken system, Greg, Melissa, and Shynika are optimistic that they don’t need to be on the wrong side of statistics.”
Read More: Oscilloscope Rounds Out Growing Documentary Slate with ‘Night School’ and ‘Santoalla’ — Exclusive
The film “observes their individual pursuits, fraught with the challenges of daily life and the broader systemic roadblocks faced by many Americans as they strive to improve their lives in the face of adversity.” Cohn’s latest documentary outing premiered at the...
Set in Indianapolis, which has one of the lowest high school graduation rates in the country, the doc follows “victims of circumstance and a broken system, Greg, Melissa, and Shynika are optimistic that they don’t need to be on the wrong side of statistics.”
Read More: Oscilloscope Rounds Out Growing Documentary Slate with ‘Night School’ and ‘Santoalla’ — Exclusive
The film “observes their individual pursuits, fraught with the challenges of daily life and the broader systemic roadblocks faced by many Americans as they strive to improve their lives in the face of adversity.” Cohn’s latest documentary outing premiered at the...
- 6/5/2017
- by Kate Erbland
- Indiewire
The subject of Patrick Shen’s “In Pursuit of Silence” doesn’t sound particularly revelatory on paper — the new documentary explores the history and current state of silence, yes, silence around the world — but the final result is one of the most truly mediative and deeply inventive films of the year.
“In Pursuit of Silence” aims to takes its viewer “on an immersive cinematic journey around the globe — from a traditional tea ceremony in Kyoto, to the streets of Mumbai, the loudest city on the planet — and inspires us to both experience silence and celebrate the wonders of our world.” Combining stunning footage with compelling anecdotal and historical evidence, the result is a film that pushes its audience to reflect on the world around them in ways that aren’t so easy to shake.
Read More: ‘Abu’ Trailer: Lgbtq Documentary Explores One Man’s Quest to Understand His Devout Muslim...
“In Pursuit of Silence” aims to takes its viewer “on an immersive cinematic journey around the globe — from a traditional tea ceremony in Kyoto, to the streets of Mumbai, the loudest city on the planet — and inspires us to both experience silence and celebrate the wonders of our world.” Combining stunning footage with compelling anecdotal and historical evidence, the result is a film that pushes its audience to reflect on the world around them in ways that aren’t so easy to shake.
Read More: ‘Abu’ Trailer: Lgbtq Documentary Explores One Man’s Quest to Understand His Devout Muslim...
- 6/5/2017
- by Kate Erbland
- Indiewire
“Wonder Women” is currently basking in the glory of its $100.5 million debut weekend, proving it shouldn’t have taken 75 years for the superhero to make her first standalone trip to the big screen. While critics and audiences continue to embrace Patty Jenkins’ superhero movie, Annapurna Pictures are getting ready to introduce the real origin story of Wonder Woman in the upcoming drama “Professor Marston & The Wonder Women.”
Read More: ‘Wonder Woman’: What Does One Great Female Superhero Mean For the Future of the Genre?
From director Angela Robinson, “Professor Marston & The Wonder Women” tells the true story of Dr. William Moulton Marston, whose relationships with his wife Elizabeth and domestic partner Olive Byrne led to the creation of the iconic superhero in 1941. Luke Evans, Rebecca Hall and Bella Heathcoate are playing the three lead characters, while Frank L. Ridley, Connie Britton and Oliver Platt will take on supporting roles.
Read More: ‘Wonder Woman’: What Does One Great Female Superhero Mean For the Future of the Genre?
From director Angela Robinson, “Professor Marston & The Wonder Women” tells the true story of Dr. William Moulton Marston, whose relationships with his wife Elizabeth and domestic partner Olive Byrne led to the creation of the iconic superhero in 1941. Luke Evans, Rebecca Hall and Bella Heathcoate are playing the three lead characters, while Frank L. Ridley, Connie Britton and Oliver Platt will take on supporting roles.
- 6/5/2017
- by Zack Sharf
- Indiewire
Before Tom Cruise and director Doug Liman get to work on the much anticipated “Edge of Tomorrow” sequel, the duo will bring one of the CIA’s most infamous true stories to the big screen this fall. “American Made” stars Cruise as Barry Seal, an airline pilot turned drug smuggler turned CIA informant who worked with the Medellin Cartel and was assassinated at age 46. It’s not going to have the alien combat of “Edge of Tomorrow,” but it’s surely going to be just as wild.
Read More: Doug Liman Has a Title In Mind For An ‘Edge of Tomorrow’ Sequel, And It’s Not ‘Edge of Tomorrow 2’
“American Made” marks Liman’s return to Universal Pictures for the first time since “The Bourne Identity.” Ron Howard and Brian Grazer are producing through their Imagine Entertainment banner, while Sarah Wright, Domhnall Gleeson, Jayma Mays, Jesse Plemons and Lola Kirke are staring in supporting roles.
Read More: Doug Liman Has a Title In Mind For An ‘Edge of Tomorrow’ Sequel, And It’s Not ‘Edge of Tomorrow 2’
“American Made” marks Liman’s return to Universal Pictures for the first time since “The Bourne Identity.” Ron Howard and Brian Grazer are producing through their Imagine Entertainment banner, while Sarah Wright, Domhnall Gleeson, Jayma Mays, Jesse Plemons and Lola Kirke are staring in supporting roles.
- 6/5/2017
- by Zack Sharf
- Indiewire
★★★☆☆ One summer evening in 1952 in Woodstock, New York, a pianist sat down at a piano and didn't play it for four minutes and thirty-three seconds. The audience were furious and the composer and pianist were even threatened. The piece was of course 4:33 of Silence by John Cage. A musical equivalent of Duchamp's Fountain, Cage's most famous non-composition was at once a mickey-take and a revolution, infuriating and perplexing; and intriguing and amusing. Partly inspired by this seminal moment, Patrick Shen's new film In Pursuit of Silence is an examination of silence and its role in the contemporary world.
- 10/20/2016
- by CineVue UK
- CineVue
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Miramax has acquired U.S. distribution rights to “Whitney” from director Kevin Macdonald and will reteam with frequent partner Roadside Attractions to handle the U.S. theatrical release. The forthcoming documentary feature about the career of the late legendary singer Whitney Houston will be produced by Simon Chinn, along with his Lightbox Media partner and Emmy-winning producer Jonathan Chinn and producer Lisa Erspamer. Executive producers on the film are Will Clarke, Andy Mayson and Mike Runagall from Altitude Film Entertainment, who are handling international sales and introduced the project to buyers at this year’s Cannes Film Festival, where the project sold out.
– Wolfe Releasing has acquired gay coming-of-age family drama “Akron” and has secured all worldwide rights (except U.
– Miramax has acquired U.S. distribution rights to “Whitney” from director Kevin Macdonald and will reteam with frequent partner Roadside Attractions to handle the U.S. theatrical release. The forthcoming documentary feature about the career of the late legendary singer Whitney Houston will be produced by Simon Chinn, along with his Lightbox Media partner and Emmy-winning producer Jonathan Chinn and producer Lisa Erspamer. Executive producers on the film are Will Clarke, Andy Mayson and Mike Runagall from Altitude Film Entertainment, who are handling international sales and introduced the project to buyers at this year’s Cannes Film Festival, where the project sold out.
– Wolfe Releasing has acquired gay coming-of-age family drama “Akron” and has secured all worldwide rights (except U.
- 6/17/2016
- by Kate Erbland
- Indiewire
The distributor has acquired all Us rights to Patrick Shen’s documentary following its screening at Sheffield Doc/Fest.
In Pursuit Of Silence played in official selection at SXSW, Cph: Dox, and Full Frame and is produced by Transcendental Media.
The documentary explores humanity’s relationships with sound and silence around different parts of the globe.
Cinema Guild plans to release the film theatrically this autumn and Blandine Mercier-McGovern of Cinema Guild brokered the deal with the film-makers.
“Rather than a straightforward, hard-hitting documentary, In Pursuit Of Silence delivers a profound, mesmerising celebration of silence with long-lasting effects,” said Mercier-McGovern.
In Pursuit Of Silence played in official selection at SXSW, Cph: Dox, and Full Frame and is produced by Transcendental Media.
The documentary explores humanity’s relationships with sound and silence around different parts of the globe.
Cinema Guild plans to release the film theatrically this autumn and Blandine Mercier-McGovern of Cinema Guild brokered the deal with the film-makers.
“Rather than a straightforward, hard-hitting documentary, In Pursuit Of Silence delivers a profound, mesmerising celebration of silence with long-lasting effects,” said Mercier-McGovern.
- 6/15/2016
- by govi2016@lawnet.ucla.edu (Alec Govi)
- ScreenDaily
Documentary festival announces winners.
Cameraperson, a documentary about the career of cinematographer Kirsten Johnson, has won the grand jury award at Sheffield Doc/Fest (June 10-15).
Johnson, who also directs the film, is the Us cinematographer behind Laura Poitras’ Oscar-winning Edward Snowden doc Citizenfour and Kirby Dick’s The Invisible War among many others.
The award, supported by Screen International and Broadcast, comes with a cash prize of £2,000 ($2,800).
The jury described the film as “a work that´s both expansive and intimate, formally ambitious and morally humble”.
“Though this filmmaker has travelled the world to tell others stories, her real...
Cameraperson, a documentary about the career of cinematographer Kirsten Johnson, has won the grand jury award at Sheffield Doc/Fest (June 10-15).
Johnson, who also directs the film, is the Us cinematographer behind Laura Poitras’ Oscar-winning Edward Snowden doc Citizenfour and Kirby Dick’s The Invisible War among many others.
The award, supported by Screen International and Broadcast, comes with a cash prize of £2,000 ($2,800).
The jury described the film as “a work that´s both expansive and intimate, formally ambitious and morally humble”.
“Though this filmmaker has travelled the world to tell others stories, her real...
- 6/14/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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