"Gotham" All Happy Families Are Alike (TV Episode 2015) Poster

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8/10
Everyone fights everyone at the end of the season. Warning: Spoilers
GOTHAM's first season came to a roaring end in this finale that saw some main characters taking their final bows, while others took steps on paths that will have great consequences for themselves and the world of Gotham.

The main arc of this episode concerned the Mob war between Don Falcone and Sal Moroni, one that was instigated by Oswald Cobblepot aka The Penguin, with Jim Gordon and Harvey Bullock caught in the middle and trying to halt the carnage single handedly as the corrupt Gotham police force runs for cover. Fish Mooney makes her return with a squad of goons backing her up in her own bid for power and revenge; along the way she enlists the aid of Selena Kyle, who seems perfectly happy to be Mooney's henchwoman. Fish also seems to have recovered nicely from that gut wound she received two weeks age as she fled in a helicopter from Dulcmacher's hellish version of Fantasy Island.

Gordon and Falcone make an alliance of necessity as the various gangs chase each other through the seedy streets of Gotham; before it's over, Moroni gets shot in the head by Fish; Butch wounds both Oswald and Fish; Oswald makes sure Fish sleeps with the fishes and Falcone decides to just call it quits, but not before revealing a connection to Jim's father and giving Gordon some sound advice; and The Penguin stands high atop a building and steals a move from DiCaprio as he proclaims himself the King of Gotham.

Meanwhile, Gordon's two squeezes, Doctor Tompkins and Barbara Kean are having a heart to heart in an attempt to get Barbara to deal with her traumatic encounter with The Ogre; things take a very unexpected turn when Barbara reveals she most certainly was not a passive victim after all. This leads to a cat fight, with the good Doctor emerging victorious just as Jim walks in the door.

And meanwhile, over at Wayne Manor, teenage Bruce is trying to discover a secret his late father kept hidden very well from the world. This ends in a scene very familiar to the one which concluded the first season of LOST.

And back at police headquarters, Edward Nygma has a private meltdown that puts him a big step along the way to becoming The Riddler.

There was a lot going on in this episode...to say the least, and some of it had a hurried feel to it, as if the writers couldn't wait to set the table for the next season, leaving us viewers with some questions: why does the fearsome Falcone reverse himself abruptly and retire? All season long Selena Kyle has been defiantly independent, but just like that, she throws in with Fish? Where is Falcone's right hand man, Victor Zzaz when all the mayhem is going down? Fish's button gets pushed by Moroni calling her "Babes" repeatedly? And after all Fish has been through this season and all the monsters she has gone up against, how could a wounded Oswald just throw her in the river so easily?

During much of this season of the Batman show without Batman, critics have complained that it couldn't decide what kind of show it wanted to be; one review I read said it needed to be more like the old Adam West Batman of the 1960's. In other words, they needed to camp it up, to which I say, God forbid, we don't need to go down that road again. GOTHAM does have problems with its pacing, which is natural considering the large group of characters it follows from week to week and the multiple story lines. But overall they pull it together pretty good.

The acting has been first rate, especially when it comes to the rogues gallery, Robin Lord Taylor's Penguin and Cory Michael Smith's Ed Nygma being the real standouts. But we are really going to miss Jada Pinkett Smith next season and I surely hope we haven't seen the last of John Doman's Falcone. And somebody really needs to give David Zayas his own show after the great work he's done, not only on GOTHAM, but on DEXTER as well.

In the end, GOTHAM is one more take on the Batman saga, different in its own way as Tim Burton's and Christopher Nolan's versions of the world Bob Kane created. I look upon them all as alternate universes containing the same characters, all unique in their own way.

Onward to Season 2, when hopefully we'll see more than a hint of Cameron Monaghan's The Joker and more of Nicholas D'Agosto's Harvey Dent, the future Two-Face. Bring on the Big Bads.
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8/10
This is why I keep watching Gotham
cherold26 May 2015
This series is a real roller-coaster ride, and after the low of the terrible, 3-part serial killer episode, we get a season finale high that - while admittedly ridiculous - was also tremendous fun.

A wild medley of mob hits, new alliances, nervous breakdowns, shootouts, and secrets, the highlight was the return of a punked-out Fish Mooney assisted by a newly edgy Selena (because the way you know a criminal is serious is by their new hairstyle).

Much of the episode was absurd, such as an unconvincing shootout and a rather petulant killing. But Penguin was great as always, Nygma had an interesting scene, and even the tail end of the serial-killer story contributed some entertaining (though not entirely surprising) moments.

I hope this series is more consistent next year. If only all the episodes were as good as this one.
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8/10
Wild finale with future implications
Fluke_Skywalker11 May 2016
Warning: Spoilers
So, here I am. The finale of the first season of 'Gotham'. At times it's been an uneven ride. When it worked, it worked exceptionally well. With strong stories populated by interesting characters in a world that was a character itself. When it didn't, it was a plodding, meandering wheel spinner whose various plots never seemed to be in synch with one another.

This finale episode dials everything up to 11. Like the season itself, sometimes it works beautifully and others it left me scratching my head. But also like the season, the good far outweighed the bad, and it ends on a hum-dinger of a cliffhanger.
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6/10
Hilarious no tension at all.
Matszeus9 May 2015
I mean are the henchmen trained by Stormtroopers? I mean the action scene where the henchmen attacks Jim were he is protecting Falcone and the Penguin, I mean the scene is so terrible, slow motion when he rises with his two guns, like its gonna make us feel "wow he is so cool and great" well it diden't. I mean who is the guy that is koreograph that makes these scenes. bad bad bad and bad.

Please learn to make a scene with feeling, those thugs were horrible at shooting with the arsenal they had, almost felt like stormtroopers, and that dude the assassin that got released from prison...lol yeah he was really good.

/Mats
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4/10
Season One
zkonedog3 July 2019
When I initially began watching "Gotham", I was terrifically excited about the potential of an origins story for the city that Batman eventually protects. While knowing that a young Bruce Wayne would be part of the show, I honestly didn't even expect much from that angle. I knew going in that this would be mostly a police procedural dealing with Jim Gordon and some familiar villains. With the first season having just come to a close, the show ultimately did not live up to expectations. It is strictly a guilty pleasure, for a number of reasons.

The main problem with "Gotham" is that its narrative structure backbone is essentially a gang war between Carmine Falcone (John Doman) and Sal Maroni (David Zayas). There are indeed many other interesting things that happen in the show (which I will get to in a moment), but the entire structure is indeed based on the gang warfare principle. Fish Mooney (Jada Pinkett Smith) and Oswald Cobblepot (Robin Lord Taylor) play major roles in the gang activities, to differing effects. Fish is an extremely annoying, time-wasting character from the beginning, and she stays that way until the end. Oswald starts off as the best character in the show...but then is given very little new material after the first 4-5 episodes. All he does is stir up trouble between Falcone and Maroni episode in and episode out.

The other glaring weakness of the show is that the writers/producers really don't seem to have a direction that they are settled upon. They look to be just "throwing things against the wall to see what sticks". This is not a show built on careful plot/character deliberation. Instead, it is "charge forward and figure out the direction when you stop to catch your breath". This is especially galling with the Edward Nygma (Cory Michael Smith) character. They tease his presence during the entire season...and then give him some rush, tertiary character development right at the very end. Obviously, nothing was planned out in the making of this show.

There were, however, some great, spine-tingling moments/characters that made me tune in for all of the episodes this season despite proclaiming my ambivalence to the show practically all the way through. For example...

-James Gordon (Ben McKenzie) is a tremendous lead and I could see him easily turning into the "Commissioner Gordon" we all know and love. Unfortunately, in typical show fashion, he is saddled with a terrible partner character in Harvey Bullock (Donal Logue). Not terrible in terms of acting, but terrible in that it is essentially a tag-along character. -Young Bruce Wayne (David Mazouz) is spot on as the "spoiled rich boy who just lost his parents but will someday become a hardened hero because of it". His interactions with butler Alfred Pennyworth (Sean Pertwee) produce some of the best moments/dialogue of the entire show. -Young Selina Kyle (Camren Bicondova) is a wonderful feline precursor to his later cat-ish ways. She is also the spitting image of a young Michelle Pffieffer (who played the Catwoman role in "Batman Returns") and carries a great screen presence.

All in all, "Gotham" is a show that "has its moments"...but not nearly enough of them to sustain any sort of interesting narrative over the course of a season (or probably beyond). I know that in the early goings of the show, the Bruce Wayne component wasn't going to be added at all. However, it seems like the FOX producers realized that they couldn't (or didn't want to) make a show called "Gotham" without a Batman-ish presence, so they caved. Not a good way to start the existence of the show...not knowing where it was going from the very beginning.

I compare this first season of "Gotham" to the later 2-3 seasons of "Smallville", which dealt almost exclusively with villains and story ideas plucked right out of comic books. That is really what "Gotham" is: crime noir (that could be ripped from the pages of any graphic novel) with enough canonical moments to keep Batman movies like myself interested. Thus, if you don't mind it being a crime/police procedural at heart, you will likely enjoy the proceedings much more than I. However, if you are looking for a true Gotham origins story (using the characters from the movies), you will be severely disappointed after the first few episodes. It just lacks too much focus to be anything close to great.
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7/10
A fine season finale
ksharath199910 January 2023
The second last episode was so great that sets up a grand finale. Following gang wars setup from the beginning itself which were mostly cold wars develops into a formidable end as Penguin orchestrates his bigger plan. Shootout sequences were the best part of the episode followed by the face to face fight which we have been eagerly waiting for. Plus the ending developments especially attributed to Edward Ngyma hits it out of the park while the solved mystery twist of the previous case provides good surprise element. Coming to acting performance, although it was a Robin Lord Taylor's Penguin show the whole thing changes once Cory Edward Smith steals the limelight with his performance by the end.
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