Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shoot-out and a game of survival.
Director:
Writers:
Stars:
Awards:
- 3 wins & 9 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Enzo Cilenti | ... |
Bernie
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| Sam Riley | ... |
Stevo
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| Michael Smiley | ... |
Frank
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| Brie Larson | ... |
Justine
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| Cillian Murphy | ... |
Chris
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| Armie Hammer | ... |
Ord
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| Sharlto Copley | ... |
Vernon
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| Babou Ceesay | ... |
Martin
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| Noah Taylor | ... |
Gordon
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| Jack Reynor | ... |
Harry
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| Mark Monero | ... |
Jimmy
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| Patrick Bergin | ... |
Howie
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| Sara Dee | ... |
Telephone Sales Voice (voice)
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| Tom Davis | ... |
Leary
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Directed by
| Ben Wheatley | ||
Written by
| Amy Jump | ... | (screenplay by) & |
| Ben Wheatley | ... | (screenplay by) |
Produced by
| Reno Antoniades | ... | executive producer |
| Michael S. Constable | ... | line producer (as Michael Constable) |
| Lizzie Francke | ... | executive producer |
| Jaye Gazeley | ... | unit producer: Toronto |
| David Kosse | ... | executive producer |
| Sam Lavender | ... | executive producer |
| Dan MacRae | ... | executive producer |
| Danny Perkins | ... | executive producer |
| Ben Roberts | ... | executive producer |
| Martin Scorsese | ... | executive producer |
| Andrew Starke | ... | producer (produced by) (as Andy Starke) |
| Emma Tillinger Koskoff | ... | executive producer |
| Pete Tombs | ... | associate producer: Rook Films |
Music by
| Geoff Barrow | ... | (music by) |
| Ben Salisbury | ... | (music by) |
Cinematography by
| Laurie Rose | ... | director of photography |
Editing by
| Amy Jump | ... | (edited by) |
| Ben Wheatley | ... | (edited by) |
Editorial Department
| Maria Chamberlain | ... | digital intermediate assistant |
| Peter Collins | ... | head of data management |
| Tom Corbett | ... | digital film bureau |
| Georgina Cranmer | ... | data wrangler |
| Sinéad Cronin | ... | digital on-line editor |
| Tracey Ditzen-Smith | ... | post-production coordinator (as Tracey Smith) |
| Rob Farris | ... | digital intermediate head of production |
| Gianluca Ferrari | ... | digital film bureau |
| Neil Harrison | ... | senior digital intermediate administrator |
| Lawrence Hook | ... | digital film bureau |
| Patrick Malone | ... | digital intermediate head of department |
| Inigo Manby | ... | edit trainee |
| Gemma McKeon | ... | digital intermediate assistant producer |
| Jason Rayton | ... | assistant editor |
| Daniel Tomlinson | ... | digital on-line editor |
| Laurent Treherne | ... | digital film technical supervisor |
| Diana Vasquez | ... | digital intermediate assistant colourist |
Casting By
| Shaheen Baig | ||
Production Design by
| Paki Smith | ||
Art Direction by
| Paul Frost | ||
| Nigel Pollock | ... | supervising art director |
Set Decoration by
| Liz Griffiths | ||
Costume Design by
| Emma Fryer | ||
Makeup Department
| Jemma Carballo | ... | hair stylist / makeup artist |
| Emily Dodge | ... | hair trainee / makeup trainee |
| Peta Dunstall | ... | chief hair stylist |
| Sarah Nuth | ... | hair stylist / makeup artist |
| Emma Scott | ... | hair designer / makeup designer |
| Gillian Jarvis | ... | silicone runner (uncredited) |
| Ray Marston | ... | wigmaker (uncredited) |
| Emma J. Slater | ... | prosthetic makeup artist (uncredited) |
Production Management
| Marion Comengre | ... | production executive: Studiocanal |
| Ben Frost | ... | unit manager |
| Jeff Hanes | ... | aerial unit production manager |
| Kasia Malipan | ... | production manager: film4 |
| Emma Zee | ... | post-production supervisor |
Second Unit Director or Assistant Director
| David Bispham | ... | additional third assistant director |
| Scott Bunce | ... | second assistant director |
| Paula C. Frías | ... | third assistant director |
| Colin D. Campbell | ... | trainee assistant director |
| Joe Geary | ... | first assistant director |
| Alejandro Valbuena | ... | first assistant director: second unit |
Art Department
| Dan Acombe | ... | carpenter |
| Gareth Bailey | ... | dressing propman |
| Rachel Baker | ... | art assistant |
| Rachel Barker | ... | art assistant |
| Joe Blatchley | ... | carpenter |
| Dean Bryant | ... | carpenter |
| Justine Burton | ... | painter |
| Justine Burton | ... | painter |
| Bruce Collier | ... | standby propman |
| Patrick Creighton | ... | modelmaker |
| Adam Cutts | ... | painter |
| Timothy Dalton-Dobson | ... | standby plasterer |
| Roddy Dolan | ... | dressing propman |
| Robert J. Dugdale | ... | head scenic painter |
| John Dunne | ... | carpenter |
| Michael Eaton | ... | graphic artist / graphics artist |
| Nathan Edwards | ... | plasterer |
| Jamie Egner | ... | art director standby |
| James Fennessy | ... | HOD painter/standby / hod scenic painter |
| Rory Fordham | ... | stagehand |
| Tone Gibbs | ... | prop storeman |
| Ed Gifford | ... | painter |
| Adrian Greenwood | ... | production buyer |
| Simon Hall | ... | carpenter |
| Toby Harvard | ... | storyboard artist |
| Tommy Jolliffe | ... | painter |
| Jason Kirk | ... | carpenter |
| Natalie Laws | ... | painter |
| Christiana Maranca | ... | sculpturer |
| Karl More-Lewy | ... | action vehicle coordinator |
| Jannecke Nilsen | ... | petty cash buyer |
| Rob Nuttle | ... | plasterer |
| Luke SS Owens | ... | carpenter |
| Gavin Packer | ... | carpenter |
| Steve Patterson | ... | construction manager / contruction manager |
| Nigel Pollock | ... | supervising art director |
| Vasily Pop | ... | stagehand |
| Craig Price | ... | property master |
| Daniel Price | ... | dressing propman |
| Tabby Riley | ... | painter |
| Paul Robinson | ... | chargehand stand-by props |
| Tom Symes | ... | standby carpenter |
| Mike Syson | ... | charge hand dressing propman |
| Jem Ward | ... | graphic artist trainee |
| Tom Wells | ... | carpenter |
| Lucy Williams | ... | art assistant |
| Harvey Woodward | ... | painter |
Sound Department
| Rob Entwistle | ... | production sound mixer |
| Ashoke Ghosh | ... | boom operator |
| Mark Henry | ... | adr recordist |
| Ryan McMurray | ... | boom operator |
| Michael Miller | ... | adr mixer |
| Ronnie Mukwaya | ... | mix assistant |
| Jordan Mullen | ... | a.d.r. assistant |
| Martin Pavey | ... | sound designer/supervising sound editor/re-recording mixer |
| Kobi Quist | ... | sound mix technician |
| Nikki Ruck | ... | dialogue editor |
| Amy Stokes | ... | boom operator: stand-in |
| Simon Trundle | ... | foley mixer |
| Stanley White-Starke | ... | sound trainee |
| Frank Wiedmann | ... | adr recordist |
Special Effects by
| Richard Babington | ... | special effects technician |
| Dominic Blake | ... | special effects technician |
| Warwick Boole | ... | special effects technician |
| Sophie Brown | ... | tehnician prostetics |
| Paul Carter | ... | special effects technician |
| Liam Doyle | ... | special effects technician |
| Verity Filipow | ... | special effects trainee |
| Em Grove | ... | special effects technician |
| Danny Hargreaves | ... | special effects supervisor: Real SFX |
| Dave Kneath | ... | special effects technician |
| Dan Martin | ... | special effects prosthectics |
| Monica Paisley | ... | special effects assistant |
| Russ Perkin | ... | special effects technician (as Russ Perkins) |
| Hermes Pittakos | ... | special effects technician |
| Jade Poole | ... | special effects coordinator: Real SFX |
| Saffron Powell | ... | special effects trainee |
| Siân Revill | ... | daily special effects (as Sian Revill) |
| Emma J. Slater | ... | special effects technician (as Emma Slater) |
| James Smith | ... | special effects coordinator: Real Sfx |
| Thomas Tuohey | ... | special effects assistant (as Tom Tuohey) |
| Dan Vico | ... | special effects technician |
| Massimo Vico | ... | senior special effects technician / special effects technician |
| Tom Vincent | ... | special effects technician |
| Sarah Welsman | ... | special effects trainee |
Visual Effects by
| Pedro Andrade | ... | digital compositor: Milk VFX |
| Murray Barber | ... | visual effects supervisor |
| Keith Barton | ... | technical support: Milk Visual Effects |
| Tiago Cabrita | ... | digital compositor / digital compositor: Milk VFX |
| John Cooper | ... | visual effects editor: Milk VFX |
| Amy Felce | ... | matchmove artist: Milk VFX (as Amy Lloyd) |
| Fernando L. Ferrer Wallach | ... | digital compositor |
| Dan Gomer | ... | visual effects assistant |
| Myfanwy Harris | ... | senior compositor: Milk VFX |
| Timothy P. Jones | ... | digital film bureau |
| Clare Norman | ... | head of production: Milk VFX |
| Rob Pizzey | ... | digital colorist |
| Natalie Reid | ... | visual effects producer |
| Tamsie Thomas | ... | senior compositor: Milk VFX |
| Robert Treen | ... | digital compositor: Milk VFX |
| Luciano Vittori Jr. | ... | title designer |
| Anthony Wonsoff | ... | digital matte painter: Milk VFX |
Stunts
| Neil Chapelhow | ... | stunt double: Cillian Murphy |
| Al Holland | ... | fire safety |
| Jean-Paul Jesstiece | ... | stunt double: Jack Reynor |
| Jean Paul Jestisse | ... | harry stunt double |
| Russell MacLeod | ... | stunt double |
| Freddie Mason | ... | stunt double: Patrick Bergin |
| Craig Miller | ... | stevo stunt double |
| James O'Daly | ... | ord stunt double (as James O'Daily) |
| Ryan Oliva | ... | stunts |
| Ian Pead | ... | stunt double: Cillian Murphy |
| Peter Pedrero | ... | stunt coordinator |
| Jude Poyer | ... | stunt double: Cillian Murphy / stunt double: Sam Riley |
| Joseph Racki | ... | stunts |
| Robert Racki | ... | stunt coordinator: canadian crew |
| John Sharpe | ... | stunt double: Sharlto Copley |
| Moody Shwales | ... | precision driver |
| Roy Taylor | ... | stunt double: Jack Reynor |
| Reg Wayment | ... | frank stunt double |
Camera and Electrical Department
| Harry Bennett-Snewin | ... | digital imaging technician |
| Theo Berman | ... | focus puller c cam daily |
| Dan Blundy | ... | cran technician 2 |
| Kerry Brown | ... | still photographer EPK camera |
| Luke Chisholm | ... | c-cam grip daily |
| Shaun Cobley | ... | c cam operator / steadicam operator |
| Nick Coleman | ... | c cam second assistant camera / clapper loader c-cam daily |
| Ashley Connell | ... | standby rigger |
| Barry Conroy | ... | gaffer |
| Pat Crawford | ... | electrician |
| Martyn Culpan | ... | video assist |
| Nic Cupac | ... | b camera grip |
| Kirsten de Maid | ... | focus puller: daily |
| Eddie Dias | ... | lighting co-ordinator |
| Kevin Foy | ... | key grip |
| Clare Fuller | ... | second assistant camera: "b" camera |
| Daniel Gadd | ... | focus puller "b" camera |
| Nick Gillespie | ... | camera operator "b" camera |
| Neil Gray | ... | dailies lab technician |
| Julia Green | ... | focus puller c cam daily |
| Victoria Harris | ... | second assistant camera: c camera |
| Victoria Wall Harris | ... | clapper loader c-cam daily |
| Frank Hellebrand | ... | c-cam grip daily |
| John Hembrough | ... | steadicam operator |
| Rebecca Horsburgh | ... | grip trainee |
| Karim Hussain | ... | aerial unit dop / director of photography: toronto second unit |
| Gabriel Hyman | ... | focus puller: daily |
| Lee Jason | ... | electrician |
| Lee Johnson | ... | electrician |
| Chris Kane | ... | focus puller: daily |
| Mary Kyte | ... | focus puller: daily |
| David Littlejohns | ... | c-cam grip daily |
| Will Lyte | ... | second assistant camera (as William Lyte) |
| Christian Maguire | ... | crane tech 1 / crane technician |
| Daniel McCole | ... | electrician: additional |
| Paul McNulty | ... | best boy |
| Ian Ogden | ... | c-cam grip daily |
| Domenico Palomba | ... | camera trainee (dailies) |
| Jamie Pannell | ... | electrician |
| Neal Parsons | ... | trainee c-cam |
| Mitchell Payne | ... | trainee c-cam daily |
| Richard Philpott | ... | camera operator: second unit, daily |
| Terry Potthurst | ... | c-cam grip daily |
| Rob Shaw | ... | clapper loader: "c" camera |
| Jonny Stillwell | ... | camera trainee |
| Solomon Taan | ... | video assist operator |
| Alf Tramontin | ... | steadicam operator |
| Kim Vinegrad | ... | focus puller: "a" camera |
Costume and Wardrobe Department
| Nicky Barron | ... | key costumer |
| Sally Churchyard | ... | costume buyer (as Sally Puttick) |
| Sian Evans | ... | costume supervisor |
| Philip Goldsworthy | ... | key costumer |
| Alison Lyons | ... | principal costume standby |
| Richard Sweryda | ... | textile artist |
| Greer Whitewick | ... | costume breakdown artist |
Location Management
| Ben Frost | ... | location manager |
| James Player | ... | location manager |
Music Department
| Joe Allen | ... | musician: additional bass |
| Geoff Barrow | ... | musician: drums |
| Jerry Crozier-Cole | ... | musician: guitars |
| Clive Deamer | ... | musician: drums |
| Billy Fuller | ... | musician: bass |
| Christopher Gutch | ... | composer agent |
| Jason Hazely | ... | musician: organs |
| Ross Hughes | ... | musician: saxophone |
| Ian Neil | ... | music supervisor |
| Ben Salisbury | ... | musician: organs |
| Sean Snook | ... | musician: additional guitar |
Script and Continuity Department
| Anita Christy | ... | script supervisor |
Transportation Department
| Katerina Ruskova | ... | facilities coordinator (as Ruskova Katerina) |
Additional Crew
| Gabriel Alexandro | ... | unit driver |
| Hashim Alsaraf | ... | operations manager |
| Jordan Angrove | ... | stand-in |
| Chris Bell | ... | assistant: Mr. Wheatley |
| Jamie Benyon | ... | runner |
| Dave Bishop | ... | head of acquisitions: Protagonist Pictures |
| Russell Boswell | ... | caterer (as Russ Boswell) |
| Kerry Brown | ... | photographer |
| Becca Bull | ... | production assistant |
| Matt Burns | ... | medic |
| Louis Capron | ... | base runner |
| Malcolm Cheatle | ... | security |
| Sarah Collins | ... | dog wrangler |
| Steve Cooke | ... | unit driver |
| Callum Costello | ... | floor runner |
| Marco De Marlo | ... | body double: Cillian Murphy |
| Melanie Dicks | ... | sustainability c/o green shoot |
| Lois Drysdale | ... | production accountant |
| Walt Edson | ... | hod facilities |
| Simon Edwards | ... | armourer |
| Filiz-Theres Erel | ... | production coordinator |
| Paul Evans | ... | sustainability c/o green shoot |
| Johan Ewing | ... | legal executive |
| Steve Fitzpatrick | ... | daily rigger |
| Zoe Flower | ... | publicist |
| Jaye Gazeley | ... | aerial unit director |
| Mike Goodridge | ... | chief executive officer: Protagonist Pictures |
| Carolina Grisorio | ... | assistant production coordinator |
| Rees Gurney | ... | daily rigger |
| James Henri-Thomas | ... | body double: Sam Riley |
| Mick Hurrell | ... | health and safety advisor |
| David Johnstone | ... | media insurance (as David Johnston) |
| Gareth Jones | ... | financial controller |
| Edward Kahn | ... | production trainee (as Edd Kahn) |
| Peter La Terriere | ... | completion guarantor |
| Ashley Lawrence | ... | double: Jack Reynor |
| Polly Lewis | ... | double: Brie Larson |
| Jim Lloyd | ... | daily rigger |
| Siobhan Lloyd | ... | daily runner |
| Hughie Mann | ... | unit driver |
| Donnchadh McNicholl | ... | legal and business affairs: Film4 |
| Corin Mellinger | ... | dialect coach: Sam Riley, Enzo Cilenti, Noah Taylor |
| Stephen Murphy | ... | head of legal and business affairs: UK, Studio Canal |
| Shann Nichol | ... | unit medic |
| Dom Oliver | ... | stand-in/double |
| Martin Pavey | ... | sound supervisor |
| Bridget Pedgrift | ... | head of marketing: Protagonist Pictures: Protagonist Pictures |
| Erion Pemaj | ... | daily rigger (as Eroin Pemaj) |
| Ben Penguilly | ... | daily runner |
| Martin Poultney | ... | commercial director: Goldcrest Post Production |
| Daniel Price | ... | security day operative |
| Robert Racki | ... | technical advisor |
| Daniel Rogers | ... | health and safety officer |
| Vanessa Saal | ... | head of sales: Protagonist Pictures |
| Mark Shelley | ... | supervising armorer |
| Phillip Stone | ... | armourer |
| Dimitra Tsingou | ... | chief operating officer: Protagonist Pictures |
| Penny Udall | ... | accountant trainee |
| Ricky Vallance | ... | daily rigger |
| Danny Vico | ... | unit driver |
| Andrew Ward | ... | fire and safety officer |
| Derek Warman | ... | fire officer |
| Scott Whitston | ... | daily runner (as Scott Whiston) |
| John Wood | ... | production runner |
| Emma Zee | ... | post supervisor |
| Ashton Fontana | ... | publicist (uncredited) |
Thanks
| Sasha Aaron | ... | the producers wish to thank |
| Mark Ankner | ... | special thanks |
| Pollyanna Cheung | ... | special thanks |
| Charles Collier | ... | special thanks |
| Amy Collin | ... | special thanks |
| Richard Cook | ... | special thanks |
| Philip d'Amecourt | ... | special thanks (as Phil D'amecourt) |
| Nicole Dempster | ... | the producers wish to thank |
| Eddie Dias | ... | the producers wish to thank |
| Stephanie Dickens | ... | special thanks |
| James Farrell | ... | special thanks |
| Chris Fioto | ... | special thanks |
| Sam Fox | ... | special thanks |
| Kashca Garwood-Walker | ... | the producers wish to thank |
| Emma Kayee | ... | special thanks |
| David Kimbangi | ... | special thanks |
| Franklin Latt | ... | special thanks |
| Brandon Lieberman | ... | special thanks |
| Christos Michaels | ... | special thanks |
| Paul Mitchell | ... | the producers wish to thank |
| Kevin Murphy | ... | the producers wish to thank |
| Gerardine O'Flynn | ... | special thanks |
| Tony Parker | ... | the producers wish to thank |
| Mark Purvis | ... | the producers wish to thank |
| Tom Reed | ... | special thanks |
| Elliot Rhodes | ... | the producers wish to thank |
| Dominic Smith | ... | the producers wish to thank |
| Mick Sullivan | ... | special thanks |
| Alan Westlake | ... | special thanks |
| Jacqueline White | ... | special thanks |
| Vince Wild | ... | the producers wish to thank |
| Claire Willats | ... | special thanks |
| Bella Wingfield | ... | special thanks |
| Olav Wyper | ... | special thanks |
| Hugo Young | ... | special thanks |
Production Companies
Distributors
- A24 (2017) (United States) (theatrical)
- Angel Films (2016) (Denmark) (theatrical)
- Cinejoy Movies (2017) (Switzerland) (theatrical)
- Continental Film (2017) (Croatia) (theatrical)
- Elevation Pictures (2017) (Canada) (theatrical)
- Feelgood Entertainment (2017) (Greece) (theatrical)
- InterCom (2017) (Hungary) (theatrical)
- Metropolitan Filmexport (2017) (France) (theatrical)
- Regents (2017) (Japan) (theatrical)
- Snapper Films (2017) (Finland) (theatrical)
- Sony Pictures Releasing (2017) (Denmark) (theatrical)
- Sony Pictures Releasing (2017) (Israel) (theatrical)
- Sony Pictures Releasing (2017) (Norway) (theatrical)
- Sony Pictures Releasing (2017) (Spain) (theatrical)
- Sony Pictures Releasing (2017) (Sweden) (theatrical)
- Sony Pictures Releasing (2017) (Taiwan) (theatrical)
- Sony Pictures Releasing (2017) (Thailand) (theatrical)
- Sony Pictures Releasing (2017) (Turkey) (theatrical)
- Splendid Film (2017) (Germany) (theatrical)
- Splendid Film (2017) (Netherlands) (theatrical)
- StudioCanal UK (2017) (United Kingdom) (theatrical)
- United International Pictures (UIP) (2017) (Poland) (theatrical)
- Volga (2017) (Russia) (theatrical)
- Film1 (2018) (Netherlands) (tv) (limited)
- Front Row Filmed Entertainment (2016) (United Arab Emirates) (Middle East, North Africa & Iran)
- Lionsgate Home Entertainment (2017) (United States) (Blu-ray)
- Lionsgate Home Entertainment (2017) (United States) (DVD)
- Movies Inspired (2016) (Italy)
- Sookie Pictures (2016) (South Korea)
- Splendid Film (2017) (Germany) (Blu-ray)
- Splendid Film (2017) (Germany) (DVD)
- Splendid Film (2017) (Netherlands) (Blu-ray)
- Splendid Film (2017) (Netherlands) (DVD)
- StudioCanal UK (2017) (United Kingdom) (Blu-ray)
- StudioCanal UK (2017) (United Kingdom) (DVD)
- Universal Sony Pictures Home Entertainment Nordic (2017) (Finland) (Blu-ray)
- Universal Sony Pictures Home Entertainment Nordic (2017) (Finland) (DVD)
- Yleisradio (YLE) (2020) (Finland) (tv)
Special Effects
- Milk VFX (visual effects)
- Milk Visual Effects (visual effects)
Other Companies
- Above the Line Set Assistance & Security (security)
- Cinelease UK (grip and lighting equipment)
- Codex (digital recording equipment)
- European Film Bonds (completion bond company)
- Fatts (post production script services)
- Freeway CAM B.V. (collection account management)
- Fugitive Studios (end titles)
- Greenshoot (Sustainability Consultants)
- Lakeshore Records (soundtrack)
- Mission Digital (on-set DIT services and digital lab services)
- Moneypenny Post Accounting and Payroll (payroll services)
- Picturecars North (picture vehicle supplier)
- Procam Take 2 (camera equipment provided by)
- Rook Films Freefire (copyright holder)
- South By Southwest Film Festival (SXSW) (festival)
- Toronto International Film Festival (festival)
- Warner Bros. De Lane Lea (sound re-recording)
Storyline
| Plot Summary |
Stevo (Sam Riley) and Bernie (Enzo Cilenti) are driving to meet two IRA members, Chris (Cillian Murphy) and Frank (Michael Smiley). On the way, Stevo tells Bernie that he was beaten up the previous day by the cousin of a woman he abused. The group meet outside a Boston warehouse, where they wait with intermediary Justine (Brie Larson). A representative arrives, Ord (Armie Hammer), who leads them inside. The group is there to buy guns from arms dealer Vernon (Sharlto Copley) and his associates, Martin (Babou Ceesay), Harry (Jack Reynor), and Gordon (Noah Taylor). Despite tensions between the two groups and the fact that Vernon supplied the weapons which are wrong, Chris' group secures the weapons in a van and hands over the money in a briefcase. Written by Shadow fight |
| Plot Keywords | |
| Taglines | All guns. No control. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $7,000,000 (estimated) |
Did You Know?
| Trivia | Ben Wheatley has stated a big reason he set the film in the 70s is so there would be no mobile phones. See more » |
| Goofs | Frank refers to County Down as being in "Northern Ireland". An Irish republican would not use that term, as it would give recognition to British rule in Ireland. See more » |
| Movie Connections | Featured in Episode #45.8 (2016). See more » |
| Soundtracks | Do the Boob See more » |
| Quotes |
Harry:
Hey, I like your cardboard armor. Vernon: It's protection from infection. See more » |